• Journal of Korea Trade
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• 제23권5호
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• pp.118-128
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• 2019

Purpose - This paper examines the international R&D contest in which the extent of intellectual property right (IPR) affects both the size of prize for the winning firm and the extent of positive spillover through cost of firms. Recognizing the possibility of incomplete protection of IPR, the present paper analyzes the effect of changes in the extent of IPR on payoffs to firms and social welfare. Design/methodology - This paper examines coordination of IPRs by countries in economic integration. The paper then develops a general model of international R&D contest with incomplete protection of IPR. An increase in the extent of IPR augments the share of the prize the winning firm can appropriate, while decreasing the positive cost externality. To derive sharper results, the paper considers the cases of linear and fixed spillovers. Findings - Under plausible assumptions, an increase in the IPR augments the payoff to each firm and the aggregate payoffs as well. The paper also shows that the number of firms participating in the R&D contest can be endogenously determined in the two-stage R&D contest. The higher the extent of cost spillover, and the larger the effective prize, the more firms participate in the international R&D contest. Originality/value - Existing studies assume that firms winning the R&D contest enjoy perfect IPR to the output of their R&D activities. This is a very restrictive assumption in that other firms can copy the new products or processes. By allowing for the incompleteness of the IPR, the present paper develops a more realistic model of R&D contest. The novelty of the present paper is to allow for the possibility that the higher extent of IPR increases the prize and decreases positive cost externality at the same time. The findings of the present paper can serve as a basis for government policy toward R&D activities of firms and protection of IPRs.

• Strategy21
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• 통권38호
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• pp.221-249
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• 2015

The Royal United Services Institute(RUSI) was founded in the middle of the 19th century in Britain. It was developed through 'Naval Historical Revitalization Movement' in that time. Many celebrities and people who were interested in the Navy participated in the activities of the RUSI. For example, the forums and lectures were held by prestigious persons, like Sir Garnet Wolseley and the Duke of Cambridge. It also became the milestone for guiding the flow of the Royal Navy's thought with the Naval Intelligence Department and the Naval Records Society. The forum of the RUSI was the place for debating naval hot issues. The journal of the RUSI was the space for suggesting an idea and gathering public opinions for developing Britain's sea power. Therefore, the RUSI was the public sphere for the Royal Navy in the 19-20th Century. And especially, the paper prize contest of the RUSI was the culmination of the RUSI's activities for the Royal Navy. Naval prize essays gave messages to the Royal Navy about the changing situation of European naval powers. Also, they made many meaningful debates for the Royal Navy to overcome the difficult situations in that time. Those essays were reflecting the issues of the Royal Navy and leading the way for getting over it. Besides, some people appeared through the contest and they played important roles for making the contingency and planning the war. The contest reflected the past, anticipated the future, and selected the talented persons to shape the future. This developing aspects of the RUSI could apply to the Korea Institute for Maritime Strategy(KIMS). The KIMS already carries out the role of the RUSI very similarly. If the KIMS changes to the way for open-door policy to more people, it will work more efficiently for their goal. In this respect, the messages of the RUSI will be very useful for improving the activities of the KIMS.

• 한국조경학회지
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• 제33권5호통권112호
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• pp.114-122
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• 2005

Anyang city performed a design competition for the existing paper mill site and this design is the work that was submitted to that competition. The design instructions for the competition were about an organic site which had harmony of aboveground park and underground parking lot, establishment of park planning which is fit for the features of nearby areas, and security of proper parking space. This design criteria set the design concept to a new wave of Anyang by reflecting the design instructions of prize contest and features of the site and developed it as three waves. First, the eco wave, one of three waves, means that it compose the ecological healthy park and urban environment together with restoration and preservation of Suamcheon (stream), and futhermore the waves that the natural resource are maintained in a delicate ecological balance as the water resource of Anyang city are connected to the axis of mountain resource. Secondly, the emotion wave indicates that the wave toward culture and art emotional park that stimulates and fills up the emotion to makes impoverishing modems minds fertile. Thirdly, the health wave means the waves toward a park to keep the sound of minds and bodies of Anyang citizens, and healthy and sound life as well as the waves toward a park to contribute the healthy leap and development of Anyang. These three waves will enrich the park keeping the dynamic relationship mutually and will be a new culture and art code of Anyang city.

• 영어어문교육
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• 제16권3호
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• pp.339-363
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• 2010

The purpose of this paper is to investigate how the English classes in secondary schools in Korea are in terms of communicative nature. After literature study, COLT parts A and B were used to analyze three kinds of English classes: a common class type taught by a school teacher who had won 1st prize at TEE contest, a team teaching class taught by NNS and NS, and a model class taught by a pre-service English teacher. Their communicative English classes were videotaped and transcribed for analysis by COLT. The results of the study revealed that students participated in the classes mostly as a unit and, therefore, did not get many meaningful chances to speak English. Second, creative language-use opportunities were barely found during classes. Third, the group work seemed to be prepared before the class, not to be done during the class. Therefore it is likely to be learned from memorization rather than meaningful communication. These results suggest English classes in schools be more communicatively oriented for successful English learning. Further study should be conducted in order to make English classes more communicative to help students communicate their genuine messages in English and to help teachers teach English efficiently.

• 한국의상디자인학회지
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• 제12권3호
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• pp.83-92
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• 2010

The current design paradigm shift which has been in progress around the world would be a good opportunity for Korea, which has led the age of information, to build design competence and gain international competitiveness. In addition, it would be a good idea for colleges as well as firms to develop a new educational system and create academia-industry-research synergy. This paper researches the market KU project promoted by Design Venture KU which has been established by the College of Artand Design of Konkuk University as a part of differentiation strategy. The methods to improve the competitiveness of Korean fashion design by uniting college creativity and market practicality are as follows: First, for convergence of creativity and practicality, it is necessary to come up with a systematic design-based educational system. In other words, the undergraduate program needs to gradually expand courses by focusing on creativity instead of functions while the graduate program should be able to develop design pattern, textile and marketing products and secure the market to gain competitiveness as a business incubator. Second, the working-level engineers as well as professors will be encouraged to participate in special lectures or seminars and take necessary lessons. In addition, academia-industry cooperation courses will be further strengthened. It is also important to actively participate in an official contest or exhibition and receive a prize. Third, to elicit creativity from students, it is necessary to help them think in a flexible and experimental way with voluntary and interesting programs. As mentioned above, it is expected that 'Market KU Project' would help students build expertise by offering them a chance to experience the real world and become the world's leading designers in Korean fashion design.

• 한국콘텐츠학회논문지
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• 제16권6호
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• pp.183-192
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• 2016

본 연구는 국가직무표준(National Competency Standards, NCS)에서 제시한 시각디자인 직무를 적용한 캡스톤디자인 운영사례를 통해 시각디자인 전공 분야 학생들의 시각디자인 실무능력 변화와 캡스톤디자인의 활용 가능성을 살펴보는 것을 목적으로 하였다. 이를 위해 동의과학대학교 시각디자인전공의 '커뮤니케이션 디자인 프로젝트' 교과목을 수강하는 2학년 학생과 담당교수, 그리고 산업체가 협업하여 '연예인 로버트 할리의 캐릭터디자인' 과제를 중심으로 연구를 진행하였다. 이 과정에서 학생들은 '커뮤니케이션 디자인 프로젝트'에서 배운 전공 이론과 실기를 '연예인 로버트 할리의 캐릭터디자인' 개발에 직접 적용해 보고 그 결과물을 공모전에 지원하게 된다. 수집된 학생 설문 분석, 산업체 평가, 공모전 수상 등의 자료를 분석한 결과, 캡스톤디자인에 참여한 시각디자인 전공 학생들은 NCS에서 제시한 지식, 기술, 태도의 관점에서 시각디자인 직무에 대한 이해도가 높아졌으며 과제를 수행하는 과정에서 문제해결기술과 실무능력이 고취되었음을 보여주었다. 따라서 본 연구에서의 캡스톤디자인 교육설계가 현장실무중심 시각디자인 교육과정 개발에 유용한 기초자료가 될 수 있을 것으로 여겨진다.

• 컴퓨터교육학회논문지
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• 제22권1호
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• pp.87-98
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• 2019

모순에 대한 일반적인 생각은 모순을 해결 가능성이 전혀 없는 공집합이나 논리적으로 틀린 것이다. 두 가지 대안 중에서 어느 쪽도 바람직하지 못한 결과를 초래하는 딜레마는 그 안에 숨어 있는 모순을 해결해야 하므로 해결이 어렵다. 하지만 이런 특성으로 인해 역설적으로 모순 해결은 혁신적이고 창의적인 문제 해결로 간주 되어왔다. 문제의 해법을 모순 해결의 관점에서 분석하는 트리즈(TRIZ)는 그동안 컴퓨터보다는 인간의 관점에서 문제 해결 방법으로 사용되었다. 트리즈처럼 모순 해결 중심으로 문제를 분석하는 나비 모형은 문제 해결의 자동화 관점에서 기호 논리학을 이용하여 모순 문제의 유형을 분석하였다. 모순문제유형별 구체적 해결전략을 적용하기 위해 본 연구에서는 의사결정트리 기반의 나비 알고리즘을 설계하였다. 본 연구는 파이선 tkInter를 바탕으로 주어진 모순 문제의 구체적 해결전략을 찾아 사용자들에게 제시하는 시각화 도구를 개발하였다. 개발한 도구를 검증하기 위하여 중학교 3학년 학생들이 나비 알고리즘을 학습한 후, 나무지지대의 모순 문제를 분석하도록 하였다. 학생들이 새로운 해결책을 찾아 발명대회에 참가하여 대상을 받았다. 본 연구에서 개발한 의사결정트리 기반 나비 알고리즘은 문제 해결 초기에 문제의 해결공간을 체계적으로 줄여주어 시행착오 없이 모순 문제를 해결하는데 도움을 줄 수 있다.

• 대중서사연구
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• 제27권1호
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• pp.187-225
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• 2021

이 연구는 1970년대와 1980년대 초 국제가요제가 어떻게 한국 대중음악가들의 세계 감각을 형성하게 했는가에 대해 살펴본다. 1970년 이봉조가 일본 야마하 세계가요제에서 입상한 이후, 한국의 작곡가와 가수들은 일본의 국제가요제에 참가하였다. 일본 국제가요제는 한국과 일본 간의 대중음악 교류를 활발하게 하였다. 단순히 교류에 그치지 않고, 일본 국제가요제의 자극을 받아, 1978년에는 문화방송이 MBC 서울국제가요제를 1979년에는 동양방송이 TBC 세계가요제를 개최하였다. MBC는 1978년과 1979년 가요제를 아시아 국가 중심으로 치렀다. 반면, TBC는 국제가요제연맹(FIDOF)의 도움으로 미주와 유럽, 특히 유고슬라비아의 가수들까지 참여시켰다. 이에 MBC도 1980년부터는 국제가요제연맹의 협력을 얻어 유럽의 유명 작곡가들을 유치했다. 이 논문은 한국 대중음악 연구의 공백이었던 국제가요제를 중심으로 냉전 시대 한국 대중음악과 세계 대중음악의 연결망을 재발견한다.