• 박물관보존과학
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• 제4권
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• pp.17-21
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• 2003

황룡사지 9층목탑지 사리공 출토 금동팔각사리소탑의 보존처리를 실시하였다. X-선 조사를 통해 옥개 방사상으로 문양이 존재하고 있음을 새롭게 밝혀졌다. 도금층은 아말감도금에 의해 이루어졌으며, 하나로 조성되기 전에 각각을 먼저 도금하였다. 결실부위를 복원하고 받침대와 지지대를 만들어서 기단부, 상판, 탑신, 옥개의 순으로 조립하였다.

• 건축역사연구
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• 제28권1호
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• pp.25-34
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• 2019

"Stupa of Buddhist Monk, YeomGeo"(844) is known as the earliest Seon-stupa relic remains in Korean peninsula, from which, during late Silla and ealy Goryeo period, there were more than 30 of stupa was built on such canon. and became the well-known material culture in Seon Buddhism in late Silla period. In $9^{th}$ century, with the JeonDeong(delivering the light of Seon)from Tang to Silla, the culture of "GeonTapIpBi(building the pagoda and erecting stele)" was also moved in. And it was right after the style of monk's stupa had been methodically changed in china, from having the room in stupa for the corpse, named as "QuanShenSheLi", to the lessened stupa that contain the cremated. Analyzing the "Master ChengGuang's stupa"（807）and its stele, it can be found the correspondences of octagonal plan and the subjects of ornamentation to that of Stupas built in Silla, reveals they were made by the same canon. By the document in the stele, surmising the historical cause of alteration in Chan stupa, there was the most famous zen master ShenHui at the time, who has the most important role of making the NanZongChan to get the authenticity in Chan Buddhism. His reliqury was the first ${\acute{s}}ar{\bar{i}}ra$ casket discovered among Chan monks' relics, consequentially it was to influence to Chan cuture and size the monks 'stupa for his ${\acute{s}}ar{\bar{i}}ra$. The stupa of master ChengGuang, by its shape and geological location, is the lost piece in the Puzzle of Chan stupa culture between Silla and Tang.