• International Area Studies Review
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• v.16 no.1
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• pp.123-146
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• 2012

In this paper, we did on the new theory, policy, institution and legal research on the international competition order and justice society for 21st century. At first, we introduced the basic of competition law for fairness of trade in the new international market order under WTO. Secondly, we are researched on the economic approach of the competition law, market competition order and justice society in the new globalism. Third, we studied the international circumstance through the analysis of the patterns of the anti-competition practices and the regulation systems for competition order. We also reviewed the execution criteria and precedents of the fairness theory and competition laws in the USA, EU, Japan, and Korea, briefly. Finally, we presented to the alternative policies that based on our study about the new theory, policy, institution, competition law in opinion from reach the international market competition, fairness society and economic justice for 21st century under WTO.

• The Research Journal of the Costume Culture
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• v.7 no.2
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• pp.242-256
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• 1999

A Study on the construction of Chulik in the early 16th century based on the shrouds from the excavated grave of Kim, Heum-Jo(1461∼1528) is reported in this paper. This paper first reviews the general construction methodology found in the shrouds from other graves in early 16th century revealed from a report on Chulik from the excavated grave of Kim, Heumjo. This paper finds that there exist at least three different Chulik forms according to the ratios between upper portion and lower portion in Chulik. The upper portion to the lower portion ratio grows with time. Among the three forms, this Chulik of interest falls in the first one of the three forms. This new finding of the chronological evidence for the first category of the three forms provides us the latest chronology for the first category, which is up to the year 1567. This paper also shows that the second and the third categories of Chulik in early Chosun Dynasty lasted until 1580\`s and until 1590\`s, respectively. Several remarks on construction methodology found in the Chulik of interest are also reported in this paper.

• Journal of architectural history
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• v.19 no.4
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• pp.55-70
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• 2010

Although scholarly terminology should have clear meanings as signs, Korean pagoda terminology has become jargon and is creating difficulties in communicating meanings which are far from the originally intended meanings; this terminology is sometimes notated in dead language, meaning old Chinese characters, or Japanese styled Chinese characters. Nobody has asked questions on the terminology itself which has long been commonly used for a century, since the Japanese-ruling period. One of the main reasons for this error is that the Indian Buddhist scriptures in Sanskrit has been translated into Chinese with vague understanding of form and meaning of stupa since 3rd Century A.D. On the other hand, the English-language terminology, already built by Indology scholars since the beginning of the 20th century, consists of easier language and clearer meanings. This paper examines misunderstanding and mistranslation of the original Indian stupa terms and suggests new terminology in current, easier language.

• Archives of design research
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• v.21
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• pp.41-52
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• 1997

The development of architecture made it possible to predict human's dream having a perfect control over his environment be fulfilled by the development of the electric engineering after the twentieth century. During a century, throgh the renovation of systems, the design concepts of its environment, dwelling space, and the relationship between human and system. By exploring any possible new idea on the basis of the technical limits of the current system, let us suggest the advanced products ahead of a century.

• Journal of the Korean Society of Clothing and Textiles
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• v.16 no.3 s.43
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• pp.315-323
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• 1992

The purpose of this research is the new experimental approach to the methodology of the costume history 'study. The basic frame is structured by the concept of the type. This is developed to the decoration type of the costume, originated by the classification of the decoration type of Ruskin. Using this, the researcher could analysis the decoration type of the costumes in the 19th century. In the result, the researcher could find that the change of the decoration type had the regular orientation of the oscillation through the periods. It is the experimental frame for the analysis of the styles. But it will provide the more extensive analytical frame on condition that catagorizations are completed. And it will be able to imply to the 20th century's costume.

• The International Journal of Costume Culture
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• v.12 no.1
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• pp.97-100
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• 2009

Patchwork is a handicraft to put some certain shapes of small cloths together. Historical records of patchwork was discovered in Ancient Egypt as far back as BC 1000. Patchwork has been popular in the England and in around 13-$14^{th}$ century, European spliced little pieces of cloths for cold necessities, which made the handle of patchwork techniques gradually tend to decorative other than utility. Patchwork designs and techniques were taken across the Atlantic to North America with the early settlers in the mid-eighteenth century. In the early years of $20^{th}$ century, owing to the continuous technological advances, woman got more job opportunities that made patchwork technologies withered. Patchwork art continually evolved on the basis of historical and cultural factors to new styles, the famous Hawaiian, Stained Glass, Mola, Celtic, Victoria, Seminole and many other patchwork styles like that perfect embodied different art and cultures of different nations in different times.

• International Journal of High-Rise Buildings
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• v.7 no.2
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• pp.127-140
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• 2018

The skylines of many cities worldwide are still defined by the dominant and ubiquitous office blocks of the twentieth century. While there is consensus stating that future tall building typologies should depart substantially from these past models, the inheritance of large and obsolete tall office building stocks presents a problem of global significance. Too old for present corporate models, but too new for gaining public historical importance, the twentieth-century office tower is a typology under threat of extinction. However, the need for a culturally informed strategy of preservation for that generation of tall buildings is seldom advocated. Drawing evidence from the case of Melbourne, Australia, this article presents a methodological pathway to overcome pitfalls of memory and interpretation, which commonly prevent an unbiased assessment of the value and urban contribution of late-twentieth-century skyscrapers.

• Journal of the Korea Furniture Society
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• v.23 no.4
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• pp.425-434
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• 2012

The concept of humanity is considered as the common issue of various areas in the $21^{st}$ century. The diverse issues such as social design, social enterprise, and ethical consumption, etc., actually involves in the humanity. The unique aspect is that they focus on the disadvantaged group and want to do something for their severe situation in spite of the economic recession all the world faced. This paper shows how the social design appeared as a paradigm of the $21^{st}$ century design on the historical consideration, and tries to prove that the social design is not a new trend but the subtle movement that begun from $19^{th}$ century.

• Journal for History of Mathematics
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• v.15 no.2
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• pp.15-32
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• 2002

The first part of this thesis gives some brief explanation of the theory and history of imaginary elements in analytic geometry in the 19th century. The second part of this thesis discusses the theory of imaginary elements of synthetic geometry in the first half of the 19th century. Then the next part mentions the theory of imaginary elements of geometry in the second half of that same century. Particularly Christian von Staudt's and Felix Klein's theories are handled in this part. Von Staudt, who has completed the system of the synthetic projective geometry, used ‘involution’ in order to introduce a new concept ‘imaginary elements’- imaginary points, imaginary lines and imaginary plane-in synthetic geometry. Klein applied von Staudt's theory as he convey the result of the research in algebraic geometry in a picture. Von Staudt's and Klein's research may be regarded as the top of the effort to investigate possible relationship between real and imaginary structures.

• International Journal of Advanced Culture Technology
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• v.12 no.1
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• pp.123-127
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• 2024

In the early 20th century, Walter Benjamin analyzed the changes in the value of traditional art forms under the industrial era and the changes in the aesthetic attitude of the masses. A century later, in the contemporary multi-art world, the traditional medium of shelf painting is once again experiencing a similar situation as the last century. Emerging technology display modes such as digital virtual reality and digital immersive experience can achieve digital reproduction of paintings on shelves and reach a certain level of performance, which once again shocks the public's aesthetic perception. This paper attempts to illustrate the outstanding characteristics of the new art form after digital reconstruction by exploring the transformation and sublimation of digital technology to shelf painting. We predict that art research on future reality and augmented reality according to the artificial intelligence era will be conducted in depth in the future.