• 한국산학기술학회논문지
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• 제14권2호
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• pp.893-898
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• 2013

파노라마 가상현실이란 특정 장소의 경험을 재현하는 방식으로, 현실 세계의 장소에 직접 가보지 않고 가상현실 속의 사물이나 정보를 보다 쉽고 빠르게 탐색하고 습득 할 수 있다. 본 논문에서는, 우리는 이상적인 키 포인트를 탐지하는 동적 프로그래밍을 사용하여 함께 이 지점과 인접한 이미지를 병합하고, 부드러운 색상 전환을 위해 이미지를 혼합하는데 사용된다. FAST와 SURF 탐지는 이미지의 확실한 특징을 찾는데 사용되고, 가장 가까운 이웃 알고리즘은 해당되는 특징을 일치시키는데 사용되며, RANSAC을 사용하여 일치하는 키 포인트를 homography로 판단한다. 이러한 방법으로 이미지를 자동 선택하여 스티칭하는 방법을 사용한다.

• 한국콘텐츠학회논문지
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• 제12권3호
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• pp.84-94
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• 2012

2011년 현재, 선진국을 포함하여 많은 중진국 이상의 나라에서는 인터넷과 정보통신기술이 발달하고 쌍방향성을 지원하는 통신매체와 디지털기기가 점차 대중화되고 있다. 쌍방향성 매체와 기술의 발달은 디지털콘텐츠의 성장뿐만이 아니라 인터랙티브미디어(쌍방향성 매체)를 이용한 다양한 예술분야의 발전에 큰 공헌을 하였다. 본 연구는 인터랙티브미디어를 이용한 인터랙티브미디어 영상의 연출에 관해 기술하고 작품의 주제 및 제작 의도를 효과적으로 표현할 수 있는 인터랙션(쌍방향성) 연출모형을 세 개로 분리하여 제시하였다. 제시된 인터랙션 연출구조의 이해를 돕기 위해 인터랙티브미디어 영상, 작품명 '두개의 방(미술관 속 혼합실험실, 부제: Interactive media art & Experimental mixing, 예술의 전당)'의 작품과 RPG(Role-playing game)스타일 게임 등을 사례로 일부 사용하였다. 이를 통해 아직은 충분치 못한 인터랙티브미디어아트 분야의 지적 자료를 보강하고, 인터랙티브미디어를 활용한 인터랙티브미디어 영상 제작을 시도하는 예술가들의 작품 활동을 돕고자 한다.

• KIEAE Journal
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• 제9권3호
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• pp.61-68
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• 2009

Gwangju Metropolitan Government & Ministry of Environment have signed a model city in response to Climate Change agreement. The agreement calls for Gwangju to cut greenhouse gas emissions 10% below 2005 levels by 2015. Gwangju has seen this agreement as an opportunity to cut pollution and conserve the environment as well as to reinvigorate local economy. According to policy of Gwangju, Gwangju held design competition for Gwangju City Arboretum on march, 2009. The purpose of design competition was to give a wide publicity to Gwangju as Hub City of Asian Culture and construct carbon-neutral arboretum in accordance with the policy of 'Low-Carbon and Green Growth'. First of all, a design concept of arboretum is 'winding, round, overlay 'to reflect the landscape of Nam-do which is surrounded by mountains and river flows through the village. Second, the arboretum has five different places with these themes - Forest of Festivals, Health, Nature, Nostalgia, Education and Future. Each place has a symbolic theme park and different flow planning respectively. Third, the most critical point is that the arboretum is a carbon-neutral park. Gwangju arboretum will soon be developed in metropolitan sanitary landfill and constructed as the O2 arboretum based on low carbon strategy. Fourth, the O2 arboretum suggests specialized issue : 'Energy Saving', 'Recycling System', 'Green Network', 'Water System(rainwater maintenance and wetland development)'. Besides, main buildings(greenhouse, visitor center, Nam-do experience exhibition hall, and forest museum) is designed in consideration of harmony with topography character, surroundings. Also, planting will be a multilayer plant based on native landscape trees in consideration of function and the growth characteristics.

• 복식
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• 제57권3호
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• pp.14-22
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• 2007

This study is about the excavated costume representing fundamental "Conservation and Restoration". It's not a report of a specific case, but it is a guideline that contains the costume and textile of museum collection. It is not research based on experiments; however, this paper is basically consists of various reported-documents. Followings are the conclusions of this study 1. These are the factors that we have to know to prevent the causes of fabric's degradation. -Light, -Humidity and temperature, -Microscopic organism, -Insect and rodent animal, -Air pollution, -Ph, -Handling 2. Basic principles of conservation and restoration follows are: -Select the Reversible method, -Represent the easily distinguishable repaired place, -Should be acted by an expert or people with experience, -Before the restoration, accurate and specified records should be completed, -Procedure, treatment method, and materials used should be recorded prior to restoration, -Should be cared minimally, -Be cautious when using the conservation materials, -When caring, make sure nothing is against the principle of aesthetic, historic, and form of preservation 3. The types of restoration are type of straight or curve, type of hole, type of without warp or weft, type of special part damage something like sleeve, collar, type of form that is severely damaged, and type of separated pieces. 4. The method of restoration is sewing, stitching, and the combination of sewing and stitching. 5. The restoration seams are welt seam, plain seam, flat felled seam, french seam etc. And there are kinds of used-sewing, such as, broad stitching, backstitch, half backstitch, basking, hemming, saddle stitching etc.

• 한국환경복원기술학회지
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• 제17권6호
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• pp.73-91
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• 2014

Recently the countries breeding bears such as China and Vietnam are promoting a policy that gives relief to wild animals through agreement with AAF and WSPA. Currently our country has lacking breeding space for the increased number of bred bears due to the prohibition of bear import and export from joining the CITES in 1992. There needs to be a place that treats, protects accepts breed bears in the terms of animal welfare. The bear park was hoped to be designed as a means to give relief to bears and promote harmony with the local society, and is made of parking area, waiting area, visitors center, treatment research management facilities, restaurants, food warehouse, food store, bear museum, sanitation facilities, gondola, plaza, rehabilitation area for wild animals, outdoor exhibition center, direct indirect experience area of wild animals, resting facilities and areas, photo zones, bear playground, bear experiencing facilities, fences, information facilities, tree protection facilities and more. The design can be used as a reference in examining alternative measures following the future change in breeding policy as a bear park example which reflected the ecology of a bear in the term of animal welfare.

• 컴퓨터교육학회논문지
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• 제11권5호
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• pp.33-45
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• 2008

현장 학습은 학생들의 주위 환경에 대한 사고력과 학습력을 신장시키는데 많은 도움을 준다. 또한 실생활에서의 경험을 학습에 연관시켜주므로 학습에 대한 흥미를 유발시켜 준다. 더 나아가 학생 스스로 실생활에서 직면하는 문제를 해결할 수 있는 능력을 키워준다. 본 논문에서는 이러한 현장 학습을 효과적으로 지원할 수 있는 RFID 기반의 지원 시스템을 설계하고 개발하였다. 현장 학습 지원 시스템은 박물관에서 활용될 수 있도록 설계하고 구현되었으나 같은 형태로 동물원, 미술관, 과학관 등에서도 충분히 활용될 수 있다. 본 연구에서 설계 및 구현된 RFID 기반의 현장학습 지원 시스템은 현재 초중학교에서 많이 실시되고 있는 현장 학습을 보다 효과적으로 지원해 줄 수 있을 것이다.

• 복식
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• 제60권5호
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• pp.71-87
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• 2010

The purpose of the study is analyzing Japanese modern costume, through examining legislation process and the relics of Chickimkwan's and Juimkwan's court costume. The results of the study are as follows. First, the proposer of civil court costume, established in 1872, was Iwakura Mission dispatched to America and Europe. The Mission realized the importance of preparing western-style costume in civilization from experience wearing traditional clothing at ceremony of presenting credentials in America. Afterwards, the Mission proposed that the government accept western-style as civil court costume and became first wearers in Japanese in England. Second, the difference, between ordinance and actual clothes worn by Iwakura Mission, occurred in process of legislation in 1872. That might be considered as trial and error in introducing different culture. The coexistence of England and French styles was unified into French style by the revision of civil court costume in 1886. Third, the pattern of paulownia embroidered on civil court costume was utilized as symbol of Japan. While the costume of Chickimkwan was embroidered by the pattern of 7 and 5 leaves paulownia, that of Juimkwan was 5 and 3 leaves expressing their grades. Fourth, relics research showed how formed manufacturer information and enacted design were in embroidery. The relics seemed to be manufactured in Japan, because emblem of Mitsukosi tailor was embroidered on inner part of the back of collar of Chickimkwan in Nara Women's University, Japan and that of Yamasaki on left inner pocket of Juimkwan in the Independence Hall, Korea. The embroider techniques comprised forming by filler particles according to the design, filling up coiled gold threads and expressing stem with gold threads and spangles. As preemptive study, establishment process of Japanese civil court costume in this study will help understand form characteristics appeared in civil court costume act of Korean Empire.

• 한국콘텐츠학회논문지
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• 제13권10호
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• pp.82-91
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• 2013

건설현장에서 펜스디자인은 공공디자인으로써 건설 환경에서 매우 중요한 역할을 한다. 이는 사람과 자연, 자연과 건축, 건축과 문화 간에 조화를 이룰 때 사람의 감정에 많은 영향을 미칠 수 있다. 현재 중국의 건설현장에서 펜스 디자인 연구는 예술작품 수준에 머무르고 있으며, 이에 대한 연구도 미흡한 실정이다. 또한 펜스디자인과 건설현장간의 상호작용에 대한 인식이 전혀 이루어지지 못하고 있다. 본 연구는 기존 펜스 디자인에 대한 우수한 사례에 대한 분석을 토대로 디자인 원칙을 수립하고 이를 토대로 증강현실 기술을 활용하여, 중국 길림대학교 지질궁 박물관의 펜스디자인을 개발하는 것이다. 본 연구 결과는 건설물이 건축되는 과정을 직접 체험할 수 있는 기회를 제공하고 본 연구결과를 통해 예술적, 문화적 저변이 확대될 것으로 기대된다.

• 한국의류학회지
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• 제33권1호
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• pp.45-54
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• 2009

The reform of dress regulation in Kapshin(甲申衣制改革; 1884) was the first dress renovation in 8 years after Chosun's port opening in 1876, and the key contents of that reform was the simplification of the formal dress and private dress. The reform in the culture of the traditional costume should require some kind of special experience because that culture had been regarded as the precious symbol of the Confucianism. The purpose of this study is to investigate the background of "the reform" and who proposed "that reform", by contemplating the costume and the thought of costume of the ambassador extraordinary(修信使) and the Inspectors detached to Japan(朝士視察團) who experienced new costume system of Japan sent by Chosun Dynasty. For this study, historical documents such as 'Sillok(實錄)', a sort of report("修信使記錄", "聞見事件") were reviewed and the evidential photos in Japan were analyzed. It can be summarized as follows. First, Kim Kisu(金綺秀, Susinsa) in 1876 and Kim Hongjip(金弘集, Susinsa) in 1880 wore the traditional costume of Chosun in Japan, and described the westernized Japanese costume in view of traditional costume culture. Second, the inspectors detached to Japan in 1881 showed the same attitude to the Japanese costume as the previous Susinsas had done. Third, Park Younghyo(朴泳孝), who was an ambassador extraordinary and plenipotentiary(特命全權大使) in 1882, experienced western style in Japan and played an positive diplomatic activities with western nations. It could be guessed that those changes in the attitudes of the diplomats might have the relationship with the change of Chosun, which began a treaty of amity between western nations after 1882. Afterwards, Chosun seems to have decided to reform the system of traditional costume into the simplified one in 1884, proposed by the diplomats who experienced foreign culture abroad including Park Younghyo(朴泳孝) and the mutual agreement in Chosun Government.

• 비교문화연구
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• 제33권
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• pp.95-120
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• 2013

This study is about small theaters in Paris which produced the theater of the avant-garde(or theatre of the absurd) in the 50s. Paris was at the center of astonishing passion by small theaters in terms of spectacle. Small theaters actively embraced young actors/actresses, theater troupe and playwrights who created a new way to express their plays. They were mostly obscure but showed talent and genius. So playwrights came from abroad such as E. Ionesco, S. Beckett, A. Adamov and others were able to create a new type of comedy and experience theatrical realization. On the other hand, a great many drama creators such as R. Blin, N. Bataille, J.-M. Serreau, J. $No{\ddot{e}}l$ and others appeared. We focused on studying about life of small theaters in Paris as mentioned earlier. The space of representation were limited. They were mostly about ridiculing of dramaturgy of comedy and theatrical realization. The substandard situations and conditions of small theaters fell far short of advantages of spectacle. Some of the theaters - Babylone, Noctambules, Nouveau Lancry, Quartier-latin - have not been able to survive up to this day. Other Theaters - Huchette and Poche-Montparnasse - have been able to last by performing creative activities. The theaters of the avant-garde are historic places of Drama Art. It is quite astonishing that some of the monuments did not last any longer. These were the places where La Cantatrice chauve by Ionesco and En attendant Godot by Beckett were premiered. When will they be restored to their original state? Meanwhile, the theater of Huchette have performed the comedies of Ionesco for last 60 years without a break. It becomes the museum of theater of the absurd that is the cradle of modern play. In conclusion, a great many play creators like playwrights, directors and set designers saw the light of day because of small theaters when there were not enough support fund. Their passion and curiosity still make us look forward to emerging of new drama.