• 정보관리학회지
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• 제26권4호
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• pp.299-318
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• 2009

한국사회와 도서관계에 변화의 가속화가 요구되는 현 시점에서는 도서관경영을 보다 현실적 상황을 고려하여 운영하는 전략을 수립할 필요성이 있으며, 특성화사업을 통해 새로운 마케팅 기법을 적극적으로 도입할 필요가 있다. 수요를 창출하는 경영기법을 ‘마케팅'이라고 한다면 앞으로 수요가 확산될 서비스나 프로그램 중 하나가 영어독서와 영어도서관 설치에 대한 관심사라 할 수 있다. 이러한 현상을 최근 신문기사를 통해 개인, 기관 및 사교육기관 별로 정리 분석하였다. 분석결과 제시된 독서방식을 국내 도서관의 활성화 방안 중 하나로 적용하기 위하여 전통적인 자율독서프로그램을 국내 상황에 맞게 새롭게 분석, 전개하였다.

• KIEAE Journal
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• 제15권2호
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• pp.79-86
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• 2015

Purpose: The concept of the tectonic has researched to find out the identify of modern architecture. The meaning of traditional tectonic knowledge to emphasize structural joints and attention to detail in creativity has developed in various ways in contemporary architecture. The purpose of this study is to analyze the tectonic characteristics and architectural expressions of the light appeared in the works of Santiago Calatrava. Major features in his works could be found is to maximize structural beauties through deducing the architectural images from the nature and expressing the material properties and the kinetic structures, and thus, to ultimately create the functional space and form by connecting the light to the tectonic structure. Method: Accordingly, I tried to analyze the three works of Santiago Calatrava (the Milwaukee Art Museum, the Bodegas Ysios Winery and the City and Arts and Sciences) as following categories - the structural aesthetics, the expression of material properties, the relationship between he kinetic structures and the light. Result: According to the results of the study, Santiago Calatrava tried to create his own architectural aesthetic by combining structural tectonic with nature, material, regional place and culture. He also sought to express the tense and dynamic tectonic rather than the stable one in his works.

• 한국디지털건축인테리어학회논문집
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• 제11권2호
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• pp.51-60
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• 2011

Although the comparative advantage of cities is emphasized in the context of transition into an information-oriented society and globalization, it is difficult to define the concept and evaluate the status of each city. There have been many studies and appraisals on urban competitiveness with common features of subjective standards by researchers. This study aims at extracting determinants of competitive advantage of location by not normative but data-based approach, and deals with panel data concerning 21 cities in capital region. Factor Analysis, a kind of multivariate methods, is taken up for the purpose and results in various findings. Time-serial 5-factor models constructed by the analysis show temporal variability in the determinants and have non-exhaustive and overlapped categories. This study also finds that 'educational base' is emphasized as a leading determinant and 'health, welfare and public services' factor is getting more important. The other potential factor explaining variables such as college and museum is also emerging, which is considered as an element to attract people from outside. And the fact that traditionally expected factors regarding industrial or productive basis is not drawn out indicates the other way of thinking on the relationship between the essential function of cities and industrial foundation.

• Architectural research
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• 제19권1호
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• pp.21-26
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• 2017

This research examines the historic preservation of Korean modern architecture by applying Kenneth Frampton(1930-)'s concept of critical regionalism. It explores the representative Korean modern architect Gil-ryong Park (1898-1943) and two of his buildings: the Hwashin Department Store (1935) and the No-soo Park house (1937-1938). The former was in the hot spot on the preservation. There were plans to preserve this building but that it ended up being demolished in 1987. The latter building, however, has been preserved and is currently being used as a museum. These two Korean modern buildings are explored through the frame of Kenneth Frampton's critical regionalism, in particular focusing on three important concepts: "dialectical expression," "place-form," and "sustainability." In this sense, this research will provide pioneering research in understanding the preservation of Korean modern architecture through a representative Western modern theory. In the early $20^{th}$ century, Korean modern architecture, which was built during the Japanese colonial period (1910-1945), could be interpreted as critical regionalism because it represented a dialog between the West and the East, in particular between Western modernism, Japanese modernity, and Korean tradition in the East Asian context. Understanding Korean modernism in this context of a cross-cultural perspective enables scholars to define both the origins and uniqueness of Korean modern architecture.

• 한국환경교육학회지:환경교육
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• 제22권2호
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• pp.92-106
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• 2009

We assumed that natural history museums have rooms for functioning as institutions for the environmental education, especially in aspects of multi-disciplinary, informal education. So we set goals of this research as finding 1) how much environmental education contents are reflected in exhibits of natural history museums, and 2) what those characteristics in aspects of dimension, range, and topic are. First, we developed a framework for analyzing of environmental education contents. Second, we applied the framework to seven major natural history museums. As the result, environmental education contents are reflected by 69.1% totally. Especially, the 'knowledge' dimension covered mostly, and among them the range of 'elements of Ecosystem' occupied more than other ranges. With inferring our results, we suggested that characteristics of natural history museums in environmental education are followed; spatial-temporal expansion of bio-diversity concept, visualizing impacts of human activity against nature.

• 패션비즈니스
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• 제5권4호
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• pp.101-117
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• 2001

Artist's creative works is accomplished in the very complicated network being in fluenced each other, getting celebrate from surround and center, and showing repetition and change. It took an important role of 1920's culture with new social and mental feature generated by revolution. It also has been influenced on an intellectual paradigm and artistic tendency. According to the feather the Art to Wear of Constructivism, at first, design as absolution of folk art in Russia prior to the concept is coming up to systematic design and useful article's performance. Courageous arrangement of color and rhythm is unique. The second is a tendency clothing design of productirism. It is connected with material culture and artists insisted creature of productive material that is a essential in life than Arts in museum. The third, tendency clothing design of minimalism emphasis functional aspect that is produced industrial aesthetics. The examples are simply designed and functional cloths for sorking uniform. This thesis is studied about clothing and textiles of major artists, formative property, and international reflection from October revolution in 1917 that is strengthen a system by introducing a new economic policy to a five year plan.

• International Journal of Advanced Culture Technology
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• 제11권3호
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• pp.172-181
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• 2023

Dunhuang murals are one of the most outstanding achievements in the art of traditional grotto painting in China, and are known as a "Wall Museum". As a representative of the heyday of Dunhuang murals, an in-depth exploration of Dunhuang murals from the perspective of color will help researchers understand the laws and connotations of color in Dunhuang murals during the Tang Dynasty and fully grasp the art of Dunhuang murals. The color system of the traditional Chinese "Five colors" concept expresses the cultural attributes and emotions of the Chinese people and has distinctive national characteristics. This thesis provides a theoretical grasp of the traditional Chinese "Five colors" view of color system, the Dunhuang murals of the Tang Dynasty, and the color configuration of the color composition principles, and uses the modern design principles of color composition to conduct an in-depth analysis of the configuration of the Dunhuang murals' use of color. Explore the unique characteristics of Tang Dynasty Dunhuang murals, and help modern designers master richer color application techniques by learning from and studying the harmonious patterns of Dunhuang murals to provide a new path for the dissemination of excellent Chinese traditional culture.

• 패션비즈니스
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• 제26권2호
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• pp.110-128
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• 2022

The purpose of this study was to analyze the expressive characteristics of Chinese shadow puppetry costumes. Literature study and case analysis were conducted using books, research papers, and materials from the Xi'an shadow puppetry museum. Based on the Chinese traditional costumes, the shape characteristics are utilized with the intaglio and embossing techniques, and the complex and unnecessary details are omitted to express the costume image in a characteristic and simple manner. Second, colour was used according to the traditional Chinese symbolic colour concept, and the brighter the colour, the higher the role's status. The colour was also used to express identity and character. In addition, relatively vivid and highly saturated colours were used for the transparent effect of the shadow puppetry. Third, a role's status is indicated by the density and completeness of the patterns; the higher the role's status, the more complex and sophisticated the patterns, and the lower the status, the simpler the patterns or no patterns are used. Fourth, the faith for blessing expressed in the shadow puppetry is a representative folk auspicious culture. The repertoire of the shadow puppetry and the patterns on the costumes worn by the puppets, express the culture in an implicit way to symbolize the meaning of auspicious things.

• 한국과학교육학회지
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• 제32권1호
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• pp.46-63
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• 2012

본 연구의 목적은 설명판에 포함된 내용 요소의 종류와 관람객의 집단 유형에 따라 관람객의 설명판에 대한 주목도가 어떻게 달라지는가를 분석하여 주목도에 영향을 주는 요인을 탐색하는 것이다. 이를 위해 국립과천과학관의 테슬라코일을 대상으로 하여 테슬라코일에 대한 관람객의 지적 수요를 기반으로 기본 개념, 현상 설명, 작동 원리, 응용, 역사적 배경 등 5개의 내용 요소를 도출하였으며 각각의 요소에 대한 설명판을 제작하여 자유 관람 상태에서 관람객의 관람 행동을 녹화하여 분석하였다. 연구 참여 집단은 총 586집단으로 학생개인, 성인개인, 학생집단, 성인집단, 가족으로 분류하였으며, 각 집단별로 30.0%, 20.6%, 28.2%, 2.4%, 18.8%의 비율을 나타냈다. 관람객의 설명판에 대한 주목도는 견인력과 유지력으로 나누어 분석하였으며, 견인력은 설명판을 바라본 전체 집단 수에 대하여 3초 이상 주목한 집단 수의 비율로 구하였다. 유지력은 각 설명판에 대한 평균 주목시간과 감쇠 시간으로 구하였다. 역사적 배경과 응용 설명판의 견인력은 각각 72.3% 68.8%로 비교적 높게 나타났으며, 기본 개념 설명의 견인력은 46.6%로 비교적 낮게 나타났다. 평균 주목시간의 경우 현상 설명과 작동 원리 설명판이 각각 37.0초와 34.2초로 높게 나타났으며, 역사적 배경과 응용 설명판은 각각 25.0초와 25.4초로 낮게 나타났다. 각 설명판에 대한 감쇠시간도 평균 주목시간과 유사한 경향으로 나타났다. 즉, 접근하기 쉬운 설명판은 견인력이 높고, 과학적 개념을 심도있게 다루는 설명판은 유지력이 높다고 해석할 수 있다. 성인개인, 가족, 학생집단의 경우 견인력이 각각 66.9%, 66.4%, 62.4%로 높게 나타났으며, 학생개인과 성인개인의 경우 견인력이 55.7%로 나타났다. 평균 주목시간은 학생집단, 가족, 성인집단이 34.0초, 33.0초, 31.6초로 높게 나타났으며, 학생 개인이 19.5초로 낮게 나타났다. 각 집단 유형별 감쇠시간도 평균 주목시간과 유사한 경향으로 나타났다. 즉, 학생집단이나 가족의 경우 견인력과 평균 주목시간이 모두 높게 나타났으며, 학생개인의 경우 견인력과 평균 주목시간이 모두 낮게 나타났다. 잠정적으로 설명판의 견인력은 내용 요소에 의해, 평균 주목시간은 집단 유형에 의해 영향을 좀더 받는다고 할 수 있으며, 추가 연구가 필요하다.

• 한국과학예술포럼
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• 제37권4호
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• pp.205-216
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• 2019

본 연구는 박물관 비정형건축형태가 늘어나고 있는 현시점에서 학술적 건축형태계보에 관한 패러다임의 변화를 초래하고 있으며 이에 따른 전시공간에 미치는 영향에 관한 유무의 논증이 요구되어 진다. 따라서 선행되어야 하는 단계로서 비정형 건축형태와 전시공간과의 상관관계를 검증하기 위해 최근 2000년 이후 다양한 박물관 설립 또는 재개관한 사례의 현황분석을 통한 실질적인 비정형 형태의 경향을 파악한다. 이에 전시공간이 관람자의 공간체험에 더욱 효과적인가를 유추하기 위해 비정형건축과 전시공간과의 관계성에 대한 결론을 도출하는데 본 연구의 목적이 있다. 연구방법 및 결과는 다음과 같다. 첫째, 박물관의 비정형건축 형태적 개념 및 건축형태의 분류에 관한 문헌조사와 선행연구의 고찰을 통해 기준을 정립하여 도입하였다. 둘째, 싱가포르, 독일, 네덜란드 등을 직접 방문하여 사례 고찰을 통해 비정형 건축형태와 전시공간의 현황과 특성을 고찰하였다. 이때 Kare Vollers의 비정형 형태기준을 차용하여 분석을 하였다. 셋째, 비정형건축형태와 전시공간과의 관계성을 증명하기 위해 Kare Vollers의 비정형 형태기준과 비정형 전시공간을 중심으로 사례별 크로스 체크하여 결과를 도출하였다. 연구 결과의 내용은 다음과 같다. 첫째, 비정형건축형태의 EX(Extruder)(angle, ortho)와 전시공간 사선형은 유의미한 상관성을 가진다. 이는 싱가포르보다는 네덜란드와 독일에서 92.3% 명확하게 검증되었다. 반면, 전시공간 곡면형은 불명확한 관계성을 보이며 싱가포르 경우 RO(Rotor), FR(Free Shaper), TW(Twister) 등을 통해 곡면형 관계성을 가진다. 둘째, 비정형 건축형태와 전시공간의 사선 및 곡면형이 복합적 형태조합을 가진다. 특히 N-02, G-02는 융합된 형태로써 EX를 기본적 가지며 부분적 다양하게 형태를 함유하여 비정형의 복잡함을 유도하였다. 이와같이 비정형 형태는 다양한 조합으로 무한정의 변형이 가능하며 이를 대응하기 위해 다각도에서의 융합적 접근이 요구된다. 차후 본 연구를 기반으로 박물관의 비정형 건축형태와 전시연출디자인과의 관계성 유무를 논증하고자 한다.