• 제목/요약/키워드: Movies

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대중문화에서 보여지는 신체표현과 복식디자인 연구 - 미국과 국내 영화를 중심으로 - (The Study of Human Body Expression and Fashion Design Appeared in Popular Culture -Focused on Movies in Korea and American-)

  • 권기영
    • 복식문화연구
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    • 제12권4호
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    • pp.676-690
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    • 2004
  • The purpose of this study is to investigate the symbolic meaning in body image and fashion style portrayed in Korea and American movies in aspects of sex, race, nature, and technology. The researcher analyzed movies in Korea and USA, and the results were as follows. In aspects of sex, movies portrayed new masculinity and femininity escaped from previous gender stereotypes, and the clothing styles characterized sex identity and sex roles. In aspects of race, more various races appeared in America movies than Korea's, and the appearance and stereotypes related with race were blurred by the globalization and the change of film market environments. In aspects of nature, Korea movie portrayed the human being as lyrical appearance in nature, and America movie expressed the human as a strong men conquering the nature in adventure movie or super human image combined with nature thing which endowed nature's superior characteristics to human body in fantasy and science fiction movies. In aspects of technology, the human bodies were described as cyborg, alien, or super human, which symbolized the do-identification in digital world, de-boundarization between human and machines, and the human's uncertainty.

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애니메이션, 실사영화, 디지털영화의 프레임과 미장센 특성 비교연구 (Comparative Study On Frame And Mise-en-Scene in Animation, Live-Action Movies & Digital Cinema)

  • 금보상
    • 만화애니메이션 연구
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    • 통권11호
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    • pp.41-53
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    • 2007
  • 최근의 영화는 기존의 애니메이션과 실사영화라는 범주로 나눌 수 없을 만큼 그 경계가 모호하다. 디지털영화의 등장이 애니메이션과 실사영화의 경계를 허물고 있는 것이다. 이 논문은 애니메이션과 실사영화, 디지털영화의 프레임과 이를 근간으로 한 미장센의 특성을 다루고 있다. 애니메이션과 실사영화는 각각 회화적, 사진적 프레임 특성을 가지고 있지만, 합성이미지를 근간으로 하는 디지털영화는 두 양식의 프레임 특성을 모두 갖게 된다. 이는 결국 영화작가의 표현스타일인 미장센의 차이로 나타난다.

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한국 영화시장의 집중화 현상에 대한 논의 : 흥행영화의 공급과 소비를 중심으로 (A Study on Centralization of the Korean Film Market : Focusing on the Supply and Consumption of the Top 100 Movies)

  • 박승현;이푸름
    • 한국엔터테인먼트산업학회논문지
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    • 제14권6호
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    • pp.109-124
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    • 2020
  • 이 연구는 한국 영화시장에서의 집중화 현상을 고찰하기 위해 스크린 규모와 흥행, 그리고 국적을 중심으로 이를 분석했다. 분석대상은 2005년부터 2019년까지 15년 동안의 연도별 흥행 100위권 영화로, 총 1,500편이다. 분석결과 스크린수는 매년 꾸준히 증가하는 추세였고, 스크린 집중화는 높은 수준으로 나타났다. 흥행 100위 기준 스크린 집중도는 2005년의 12%에서 30% 이상으로 상승했으며, 흥행 10위 기준에서는 2005년 21%에서 큰 상승폭을 보이며 2014년 이후 매년 50% 이상을 차지했다. 개봉 스크린 규모가 증가하면서 멀티플렉스는 흥행유인력이 높은 영화에 보다 많은 스크린을 할당했다. 오랫동안 스크린 독과점에 대한 비판이 있어왔지만 멀티플렉스는 2011년과 2012년 이후 이를 더 심화시키면서 한 편의 영화가 전체 스크린의 60% 이상을 차지하고 개봉되는 상황을 발생시키고 있다. 멀티플렉스의 이런 방식은 흥행 100위권 영화의 시장 점유율을 95%까지 상승하게 하고 있다. 또한 멀티플렉스는 한국영화보다 할리우드 영화에 보다 더 많은 스크린을 할당하는 경향을 보여주었다. 흥행성과가 높은 100위권을 대상으로 한 분석에서 영화 국적은 한국과 미국으로 집중된 것으로 나타났다. 이를 제외한 18개 국가의 경우 공급 측면에서 9.3%만 차지했다. 영화의 국적별 소비를 살펴보면, 두 국가로의 집중화 현상은 더 강하게 나타났다. 공급 차원에서 90.7%를 차지하고 있지만 소비 측면에서 96.6%를 차지했다. 공급에서의 집중화 현상은 소비에서의 집중화 현상과 정적인 상관관계를 보여주었고, 소비 측면에서의 집중화가 공급 측면보다 조금 더 높게 나타났다. 한국 영화시장은 스크린의 증가가 공급과 소비의 집중화를 심화한 사례로 드러났다.

네티즌의 흥행 영화 리뷰에 포함된 감정 동사 이용 특성 연구 (A Structural Analysis of the Movie Reviews)

  • 박지연;전범수
    • 한국콘텐츠학회논문지
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    • 제14권5호
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    • pp.85-94
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    • 2014
  • 본 연구는 한국 및 외국 흥행 영화에 대한 네티즌 리뷰를 중심으로 네티즌 리뷰에 사용된 감정 동사와 흥행 영화와의 관계를 구조적으로 살펴보고자 하였다. 주요 연구 결과는 다음과 같다. 네티즌 리뷰의 특성은 첫째, 한국 및 외국 흥행 영화 모두 '재미있다'(한국:339회, 외국:452회)의 감정 동사가 가장 많이 사용되었다. 이는 네티즌들이 영화를 판단할 때 재미를 가장 큰 요인으로 생각하고 있다는 것을 나타낸다. 둘째, 한국 및 외국 흥행 영화에 사용된 감정 동사를 군집분석으로 살펴본 결과, 한국 영화는 재미를 기준으로 몰입이나 감동 등 감정적 동사를 기준으로 영화들이 군집되는 것으로 나타났다. 반면, 외국 영화는 재미있다와 없는 영화 등으로 구분되는 것으로 나타났다.

Using the Hierarchical Linear Model to Forecast Movie Box-Office Performance: The Effect of Online Word of Mouth

  • Park, Jongmin;Chung, Yeojin;Cho, Yoonho
    • Asia pacific journal of information systems
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    • 제25권3호
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    • pp.563-578
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    • 2015
  • Forecasting daily box-office performance is critical for planning the distribution of marketing resources, and by extension, maximizing profits. For certain movies, the number of viewers increases rapidly at the beginning of their theatrical run, and the increments slow down later. Other movies are not popular in the beginning, but the audience sizes grow rapidly afterward. Thus, the audience attendance of movies grow in different trajectories, which are influenced by various factors including marketing budget, distributors, directors, actors, and word of mouth. In this paper, we propose a method for predicting the daily performance trajectory of running movies based on the hierarchical linear model. More specifically, we focus on the effect of online word of mouth on the shape of the growth curves. We fitted the mean trajectory of the cumulative audience size as a cubic function of time, and allowed the intercept and slope to vary movie-to-movie. Moreover, we fitted the linear slope with a function of online word of mouth predictors to help determine the shape of the trajectories. Finally, we provide performance predictions for individual movies.

영화 「친절한 금자씨」에 나타난 팜므파탈 이미지 분석 (An Analysis of Image of Femme Fatale Represented in the Movie 「Sympathy for Lady Vengeance」)

  • 양은진;이언영;이인성
    • 한국의류산업학회지
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    • 제9권2호
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    • pp.197-202
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    • 2007
  • The femme fatale image presently observable in various fields is reproducing its image through repetitive imitation, change and application, in particular, through 'movies' which have a greater ripple effect on the public than any other mass media by incessantly producing a countless number of images. This study aims to figure out the intrinsic meaning and the characteristics of the image of femme fatale, understand the modern expression of it in movies and finally shed light on its image represented in Korean movies. For this study, the literature and internet materials related to the image of femme fatale in the movie "Sympathy for Lady Vengeance" and the general concept of femme fatale were comprehensively surveyed. The femme fatale image which is represented in this movie is classified into 4 images ; disguise & mystery, retribution & cruelty, enchantment & beauty, salvation & redemption. The findings of this study provide an insight into how the femme fatale image is expressed in movies, the mass media which has a gigantic ripple effect, and provide the momentum to recognize the need and significance of understanding the femme fatale image represented in Korean movies.

영화와 공학의 소통 방식 (The Communication Aspect of Film and Engineering)

  • 함종호
    • 공학교육연구
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    • 제18권6호
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    • pp.88-97
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    • 2015
  • This is paper aims to figure out the way movies and engineering have communicated and the right direction for better communication between them. Engineering no longer should be treated as playing a key role when it comes to film making. Engineering is essential in making films look real. It means that movies gain credibility from utilizing engineering, which all other types of arts also seek after. Films can be resonated better through mutual communication with engineering. The paper takes a close look at emotional aspects to figure out what the new direction of communication between movies and engineering is. People's lives shown in films and the material world that engineering represents are mingled to attain the emotional oneness between the two. This can be easily observed in Japanese movies where robots and humans have a close relationship or recent films whose theme is emotional exchange among humans and robots. This kind of contact leads us to explore newly found humans' position that was brought about in the wake of development in engineering and existential conditions that humans need to have accordingly. Artificial intelligence and neurology sectors that the engineering field is today earnestly working on are in line with it. Therefore, this article seeks to find out the meaning and value of communication between movies and engineering when establishing the fresh mankind model based on emotions and pursuit of diversity.

Usefulness and capability of three-dimensional, full high-definition movies for surgical education

  • Takano, M.;Kasahara, K.;Sugahara, K.;Watanabe, A.;Yoshida, S.;Shibahara, T.
    • Maxillofacial Plastic and Reconstructive Surgery
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    • 제39권
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    • pp.10.1-10.5
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    • 2017
  • Background: Because of changing surgical procedures in the fields of oral and maxillofacial surgery, new methods for surgical education are needed and could include recent advances in digital technology. Many doctors have attempted to use digital technology as educational tools for surgical training, and movies have played an important role in these attempts. We have been using a 3D full high-definition (full-HD) camcorder to record movies of intraoral surgeries. Method: The subjects were medical students and doctors receiving surgical training who did not have actual surgical experience (n = 67). Participants watched an 8-min, 2D movie of orthognathic surgery and subsequently watched the 3D version. After watching the 3D movie, participants were asked to complete a questionnaire. Result: A lot of participants (84%) felt a 3D movie excellent or good and answered that the advantages of a 3D movie were their appearance of solidity or realism. Almost all participants (99%) answered that 3D movies were quite useful or useful for medical practice. Conclusions: Three-dimensional full-HD movies have the potential to improve the quality of medical education and clinical practice in oral and maxillofacial surgery.

SF영화 속 가상공간의 특징에 대한 연구 - 앙드레 바쟁의 영화 존재론을 중심으로 - (Research on the Characteristics of Virtual Space in Science Fiction Movies - Based on André Bazin's Film Ontology -)

  • 겅허치;최동혁
    • 한국멀티미디어학회논문지
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    • 제25권9호
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    • pp.1356-1366
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    • 2022
  • In the display of virtual space, the degree of space virtualization cannot be judged only by the degree of material technology. Based on the non-material relationship, the virtual space that this research focuses on is a conceptual and ontological point of view (based on the conceptual and ontological viewpoints of non-material relations), including practical technical issues. The research on the characteristics of virtual space ontology not only has an impact on the space design of science fiction movies, but also becomes a powerful medium that brings changes to the world. In the future, there will be a large number of cases where fantasy things in science fiction movies are actualized. From this perspective, based on the study of several science fiction movies using virtual reality scenes, this paper puts forward a study on the representation characteristics of virtual space ontology. In addition, the study of the virtual reality is of great significance for verifying the possibility of virtual reality in the application of deep space technology in the future. At the same time, it provides reference value for the development of special effects film field from montage theory-based to Bazin theory-based expression, and contributes to the theoretical system of film space.

On the Costume Culture in South Korean Movies and Television Series and Its Creative Industries

  • Shi, Vajuan;Guo, Pingjian
    • The International Journal of Costume Culture
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    • 제13권1호
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    • pp.5-8
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    • 2010
  • The goal of this study is to analyze the influence of the costume culture of South Korean movies and television series on the development of fashion industry. South Korean movies and television series make full use of the influence of costume culture to advocate Korea's national spirit and character as well as the confidence and vigor of the young generation. They contribute to establishing South Korea as a country with a graceful, modern appearance and great cultural heritage. The presentation and promotion of its costume culture in movie and television series stimulates its cultural competence and advances its cultural creative industry. The spread of Korean costume culture has become the pioneer and foreshadowing of clothing industries and greatly underpins its advancement overseas. In concert, the development of clothing industry helps the spread of Korean costume culture.

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