• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2007년도 추계학술발표대회 논문집
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• pp.84-88
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• 2007

Movie has a light, colors, and texture in the space and a design. Movie is a ovation of the 3-dimensional reality with time and space. Just like a movie, a space can also express time, personality of characters and background stories. Symbolization of a space tells philosophy and emotions, making meaning of the space abundant and consistency in entire composition of the space. Expression of beauty through order of space inside proves meaning of space. Think that can do and present to production methodology of space design to universalize ureas through symbolic productions that is based on story.

• 패션비즈니스
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• 제10권5호
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• pp.28-44
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• 2006

The purpose of this study is to study the movie costume and color image through the movie "The Aviator". Firstly, looking at the costumes of main characters and their color images expressed in the movie, one extreme of Hughes' image to another was expressed in order to show his extreme inner world by using the light-dark contrast rather than specific colors as the base. The gold color used to express the image of Hepburn represented an image expressing her intellectual elegance. As for her dress silhouette, the taste of intellectual elegance was displayed by a dress whose back was exposed with a grownup-style feminine silhouette or one with drapes and pleats ornaments. To express Gardner's image; that is, her alluring charm and glow, a vivid red color was used. As for her costume, her splendid and fascinating image was expressed by the 40s' rectangular- shouldered tailored suit, exotic peasant blouse and showy accessories. Secondly, the color image expressed in the background in the movie as a special space for Hughes. The red color image of screening room was shown to be as a space for passion and desire and the green color image of men’s room as a space for stability and rest.

• 한국실내디자인학회논문집
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• 제24권1호
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• pp.93-103
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• 2015

This study set out to figure out the tendencies of the staff members participating in the space design of Blade Runner and compare and analyze its set and location characteristics with its narrative based on Gilles Deleuze' Simulacrum, one of the basic theories of Post modernism, thus identifying the characteristics of postmodern space inherent in it. The findings were as follows: first, the spaces in a Late modernism tendency in Blade Runner seem to have been created by the cinematic imagination of Syd Mead and Douglas Trumbull rather than being influenced by the old Late modernism architecture. Second, the postmodern spaces of the movie were designed to depict a more realistic future by reinforcing the old ornamental elements or adding the mechanical aesthetics of Late modernism based on a prediction of future cities. Third, the characters representing Late modernism and Post modernism in the narrative of the movie embrace the tendencies of the parties objected by Model and Simulacrum in the scenes where they deny the tendencies of the spaces to which they belong, thus exhibiting a dual trend. Fourth, the dual narrative of Model and Simulacrum holds duality even in the space and architecture of the movie, which is the reason why the movie chose postmodern spaces reflecting historical contexts instead of inner spaces in the tendency of minimalism, which was in vogue when SF movies were made those days. Finally, the spaces of the movie can be categorized according to the Late modernism and Post modernism tendencies from the perspective of the 1980s and be understood to show the architecture and space of future Post modernism feasible through the layering of historicity, locality, and mechanical aesthetics from ancient Maya to a future city in Los Angeles, the background of the movie, from the perspective of 2019.

• 기호학연구
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• 제54호
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• pp.177-203
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• 2018

영화 ${\ll}$신과 함께-죄와 벌${\gg}$을 대상으로 관객이 영화의 메시지를 효과적으로 전달받을 수 있는 일종의 구성 원리가 있음을 밝히고자 했다. 논의를 위해 '공간'을 메타언어로 하여 서사구조를 분석했다. 구체적으로, 시간을 중심으로 구성되는 서사를 해체하여 공간의 구성으로 전환해 살폈고, 공간에서 벌어지는 사건 양상과 인물의 공간 이동 양상에 주목했다. 사건들은 등장인물들이 일곱 개의 지옥을 이동하는 가운데 벌어지며, 이 일곱 개의 지옥은 서로 연속되기보다는 독립적으로 존재하고 있다. 개별적인 지옥에서 벌어지는 개별적인 사건들은 반복되는 양상을 드러냈다. 이러한 반복적인 형식과 반복적인 내용은 하나의 패턴이 되어 수용자에게 '외부 자극'으로 작용하고 수용자 내부에서 '자기커뮤니케이션'을 발생시키게 된다. 예술텍스트로 인한 감동은 텍스트가 전달하는 맥락과 메시지를 수용자가 적극적으로 받아들이는 상황에서 발생한다. 즉, 감동의 원리는 수용자가 적극적으로 메시지를 받아들이게 하는 '설득'을 기반으로 한다. 반복되는 정보는 수용자의 심상에서 자기커뮤니케이션을 일으켜 '또 다른 정보'가 된다. 달리 말해, 영화가 직접적으로 전달하는 메시지 뿐 아니라 '반복성' 그 자체도 수용자에게 자극이 되어 영화 속 장면을 통해 스스로의 삶을 성찰하게 만든다. 요컨대, 텍스트적 세계가 구현해내는 공간의 분할과 인물의 이동, 이로 인한 반복성은 반복적인 자극이 되어 관객에게 개인적 성찰의 시간을 만들어내고, 바로 이것이 이 영화로부터 메시지가 전달되는 원리라고 할 수 있다.

• 한국실내디자인학회논문집
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• 제16권6호
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• pp.3-10
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• 2007

It has been happened many changes in our country on construction and culture with the economy and society, after the efflorescence. And it was provided the rapid growth in the theater space which is the center of culture with advance in economy and the society. The change of theater space with improvement of theaters gives a chance to develop arts of culture and crowds satisfied there demands. Accordingly this research is finding the origin of movie theaters and clarifies the change of space characteristics. Accordingly, movie theaters have been introduced and improved the age which is defined from modern to present. Moreover the cases are selected by Korean Film Council and Chronicle of Korean Architectural Culture. The characteristic of theater space is made an analysis by consist and form of space, and this research is let us know the theaters space has been changed and developed due to ages. Besides, this analysis research would he made theaters more active and culture spaces more improved in the future. The deepen research and analysis should be kept studying to make theater space improve and rev up.

• 한국콘텐츠학회논문지
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• 제17권12호
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• pp.417-425
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• 2017

본 연구는 영화 <아가씨>에서 변형된 시공간과 캐릭터를 통해 흥행 요인을 분석하고자 한다. 원작 소설이 있는 영화는 소설의 내러티브를 기초로 영화의 경험재적 특성을 감소시켜 관람 욕구를 유도한다. 본 영화는 소설의 배경인 빅토리아 시대와 다른 일제강점기를 선택하여 식민주의 남성성의 특징을 구현하는 캐릭터를 만들고, 남성에게 억압받는 여성들이 계급성을 초월하여 탈주하는 내용으로 변형하였다. 이를 통해 원작소설의 동성애 요소가 여성의 성장과 연대로 치환되어 부정적 요소를 감소시켰다. 또한 영화 개봉 시기 발생한 여성 대상 범죄의 젠더 담론은 캐릭터들의 공감 요소를 증대시키고 영화의 주제와 부합하였다. 그외 감독과 배우의 스타시스템과 영화 예고편의 효과적 공개 마케팅, 영화제 진출작 선정을 흥행 요인으로 볼 수 있다. 영화는 소설의 각색을 통해 다원적인 창작 역량을 증대하고 관객의 공감 요인을 확대한다. 흥행하는 각색 영화의 차별성은 변형된 내용이 창의적이면서도 시공간을 초월하는 보편적 인식과 상응할 수 있는 주제를 내포하고 매체적 특성을 효과적으로 표현하는 데 있다.

• 한국엔터테인먼트산업학회논문지
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• 제13권3호
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• pp.111-119
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• 2019

시간과 공간은 모든 서사의 기초가 되고. 공간은 서사의 대상과 내용으로서 영화 서사에서 점점 더 중요한 역할을 하고 있다. 디지털 기술의 발전 응용으로 영화 공간의 표현력이 크게 강화되면서, 공간 서사는 점점 더 감독과 비평가들의 관심을 끌고 있다. 여전히 발전하고 있는 영화 서사 형식으로서, 공간서사는 서사구조, 서사효과, 창작기법, 관객수용 등에서 큰 우세를 갖고 있어 영화 서사의 창작에 돌파구와 혁신을 가져올 수 있다. 본 문서는 영화공간 이론을 바탕으로 한 영화 <휴고>의 공간표현방식 분석, 그리고 서사공간의 추진요소, 구조적 요인, 상징적 의미와 심리적 요인 등 몇 가지 측면에서 미국 영화 <휴고>의 공간서사의 의미를 구체적으로 짚어본다. 영화 서사공간에 담긴 매력을 발굴하여 영화 서사의 표현에 참고와 귀감을 조금이라도 제공하였으면 한다.

• 한국실내디자인학회논문집
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• 제21권2호
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• pp.65-73
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• 2012

Interior design generally falls behind to architecture in its concept of conservational value as interior designs are more to the simple style or trend. Therefore, This study aims how the society and the major events in the 1960's and individual and group desires are portrayed in movies through the eyes of movie directors, and further how the concept of spaces and the features of the spaces are displayed. First, This paper analyzes the movies in the 1960's, especially the expressionism and psychological zeitgeist in "The Housemaid" directed by Kim Ki-Young that can be logically analyzed, following the signs in the movie. Secondly, It analyzes the images captured the scenes that best describe the underlying theme of the movie, revealing the features of the different spaces for different scenes. Moreover, It analyzes the correlation of the change in value, desire, and space of the time in the 1960's to see the feature of the spaces in the 1960 are represented in the movie. In conclusion, the realistic expressionism movie of Kim Ki-young's 'Housemaid' showing the everyday life of a family against the background of industrial capitalism reveals the intimate desire of the time with the director's perspective on the history. With Mise-en-Sc$\grave{e}$ne, we can understand the space structure of the time, the view on space structure and further the effect of modernization project on urban residential area.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2007년도 춘계학술대회 논문집
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• pp.101-104
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• 2007

It happened many changes in our country on construction and culture with the economy and society, after the efflorescence. And it was provided the rapid growth in the theater space which is the center of culture with advance in economy and the society. The research which it analyzed these theaters of composition, form, function and size, and it shows that the theater space is developed with the influence of time. Also the research which it sees with start are to the plan and the plan of theater space and they provide they do with a fundamental data and to sleep. Advancement and change of theater space craving of the spectators it is sufficient and it gives, to make the opportunity the culture art will be able to develop. For the diversification of activation and a development of the theater space, it have to analysis details and go deep in to the study continuously.

• 복식
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• 제48권
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• pp.133-150
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• 1999

In future what kind of costume do we wear\ulcorner We can guess it is in advance through movie. Movie is a comnipresent medium and a mode of expression that reflect a distintive feature of the times like fashion. In many case costume design which belongs to a special era is based on the historic costumes but ostume design for future movie depends on the creativity of costume designer and director. Therefore it is interesting to research how costume designer get his/her design concept for future ccostume in movie how he/hse express his/her design concept through his/her costume and can we convince the design comes true practically in future. In this study I analyze the costume design of masterpieces among SF Film: (Metropolis/1926) (2001: A Space Odyssey/1968) (Star Wars/1977) (Blade Runner/1982) (The 5th Element/1977) Because this study is analyzed not through the original article but just through movie it has some limitation in exact materials or color.