• 제목/요약/키워드: Military Clothes

검색결과 37건 처리시간 0.024초

조선시대무관(朝鮮時代武官)의 철릭[帖裏] 연구 (A Study on Cheollik, the Military Officials' Clothes, in the Joseon Dynasty)

  • 금종숙
    • 복식문화연구
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    • 제18권5호
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    • pp.960-976
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    • 2010
  • Even though Joseon Dynasty strictly identified between military and civil officials, the dress and its ornament have been studied only based on embroidery emblems that are correctly identified between military and civil officials. Thus, this study intends to research the features of the only military officials uniform, Cheollik, different from the civil officials's identifying them with other features shown from the records, unearthed relics, stone statue, Joseon-tongsinsa-haengnyeoldo(Illustration of Joseon Delegation to Japan), etc., and its results are as follows: First, for wearing examples of the military officials, from the facts that they had worn mainly ordinary clothes, etc. on announcement of military service examination. There was no difference between military and civil officials's clothes by Daejeonhusokrok and the other documents, and there was an assertion that the form of the military and civil officials's clothes should be different by the document, Hongjejeonseo, in the latter term of the Joseon Dynasty. It is presumed that length, width and shape of sleeves might have been different. Second, unearthed Cheollik of the military officials are mostly from the 16th~17th centuries and most of them have removable sleeves according to statistics. The skirt had an opening and one or two slits. Various textiles were used. Third, military official statues of high governor wear small caps and helmets. They wear Cheollik with the collars same as the collar of Bangryeong and Jikryeong, which is also called Dopji Cheollik. It would be considered as they wear the Bangryeong on top of the Cheollik. Fourth, militarly officials described on the Joseon-tongsinsa-haengnyeoldo(Illustration of Joseon Delegation to Japan) wear Cheollik, Rip, Donggae, Okro, Hongsadae, Hwando, Deungchae.

현대패션에 나타난 밀리터리 룩의 특성 - 2000년 이후를 중심으로 - (Characteristics on the military look in modern fashion - focused on the post-2000 era -)

  • 김선영
    • 대한가정학회지
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    • 제44권9호
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    • pp.41-50
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    • 2006
  • This study examines the characteristics of the military look in modern fashion. The materials for the study are mainly precedent studies and related literature, although fashion portfolios and magazines, domestic and international, are used for the exploratory study. The results of the study are as follows. First, the military look for women dismantles the sexual symbolism endowed with the clothes by expressing a neutral charm out of dichotomy image between genders. The neutral expression of the military look, different from the military look of the 20th century, provides a chance to feature a new image by pursuing more individual freedom than human itself. Second, the military-look emphasizes feminine sensual charm through exposing, concealing, or decorating with ornaments which are transformed from the elements of the military clothes, This is different from the past military look that expressed masculine rigidity through simplifying the details and emphasizing the male body silhouette. Third, the military look produces a deconstruction image instead of just showing its intrinsic thoughts or symbolic message through combining design elements or symbolic details of the military look with other images, transforming and exaggerating the shapes, or mixing the time point of views reinterpreting the present or the future image.

피복류 건조속도 시험방법의 재현성 확보 방안 연구 (A Study on the Reliability of the Drying Rate Test about Military Clothes)

  • 이민희;홍성돈
    • 품질경영학회지
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    • 제44권3호
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    • pp.487-508
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    • 2016
  • Purpose: Current testing method for drying rate used in military textiles has different results according to the public testing institute. So the purpose of this study was to suggest the alternative method which secure the reliability of the drying rate test. Methods: We measured the drying rate by various test methods for military clothes 14 species including quick drying function and compared the test results. Also, the collected data through the test was analyzed using one-way ANOVA. The p-value of results was compared by various testing institutions. Results: The results of this study are as follow; A deviation occurred among the testing institutions in original test method(KS K 0815). Whereas it is verified that there is no deviation among the institutions in 5% significance level by another test method(ISO 17617). Also it would increase work efficiency by reducing the testing time required to test by using ISO 17617. Conclusion: Based on the results, we can suggest the reliable test method of the drying rate.

SF 영화에 나타난 가죽 의상의 사이버 레지스탕스 미학 연구 -"Matrix I","Matrix II Reloaded"를 중심으로 - (A Study on the Cyber Resistance Aesthetics of Leather Clothes - Focused on the Movie "Matrix I","Matrix II Reloaded"-)

  • 김지선;염혜정
    • 복식
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    • 제54권2호
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    • pp.66-78
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    • 2004
  • A leather clothes which was a representative item of an existed resistant image created a new esthetics. Cyber Resistance, being mixed with the highlighted cyber image in these days. Especially. the image of such new leather clothes appears apparently in SF movies. The purpose of this study is to examine this new esthetics through the leather clothes of the movie. $\ulcorner$Matrix$\urcorner$. currently becoming the subject of a conversation and affecting to a popular culture and the fashion and to help to the design idea of a unique leather clothes. The result of analyzing of the character in the movie is following. Trinity shows herself as a woman warrior by wearing tight black leather suit. Morpheus is described as a vague character with his old fashioned suit and leather trench coat. while Niobe carries an image of rebellious cyber warrior in her leather suit with unique texture. In addition. leather clothes on $\ulcorner$Matrix$\urcorner$ got the name of Matrix look and became a main theme in fashion collection. We can feel 'Cyber Resistance' esthetics in that leather clothes through the movie and fashion collection and summarize into three following features, First. it's grafted into the dichotomous value by progress and return as a retro futurism. Second. it moderately express a rebellious image of punk into a cyber image. Third. it makes cyber warrior's image that is neutralized mixing military and fetish properly.

CNN 및 SVM 기반의 개인 맞춤형 피복추천 시스템: 군(軍) 장병 중심으로 (CNN and SVM-Based Personalized Clothing Recommendation System: Focused on Military Personnel)

  • 박건우
    • 문화기술의 융합
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    • 제9권1호
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    • pp.347-353
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    • 2023
  • 현재 軍(육군) 입대 장병은 신병훈련소에서 신체에 대한 치수 측정(자동, 수동) 및 샘플 피복을 착용해 본 후, 희망하는 치수로 피복을 지급받고 있다. 하지만, 민간 평상복보다 상대적으로 매우 세분화된 치수 체계를 적용하고 있는 軍에서는 이와 같은 치수 측정 과정에서 발생하는 측정된 치수의 낮은 정확도로 인해 지급받은 피복이 제대로 맞지 않아 피복을 교체하는 빈도가 매우 빈번히 발생하고 있다. 뿐만 아니라 서구적으로 변화된 MZ 세대의 체형변화를 반영하지 않고, 10여 년 전(前)에 수집된 구세대 체형 데이터 기반의 치수 체계를 적용함으로써 재고량이 비효율적으로 관리되는 문제점이 있다. 즉, 필요한 규격의 피복은 부족하고 불필요한 규격의 피복재고는 다수 발생하고 있다. 따라서, 피복 교체빈도를 감소시키고 재고관리의 효율성을 향상하기 위해 딥러닝 기반의 신체 치수 자동측정과 빅데이터 분석 및 머신러닝 기반의 "입대 장병 개인 맞춤형 피복 자동 추천 시스템"을 제안한다.

조선시대 첩리의 명칭과 유형에 관한 연구 (A STUDY ON NAME AND STYLE CHANGE ON CHOPNI IN CHOSUN)

  • 장인우
    • 대한가정학회지
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    • 제35권1호
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    • pp.389-400
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    • 1997
  • Name and change of style of Chopni were inspected to understand transformation of Chosun costume. During Chosun era Chopni had two significant roles(general) daily clothes and Yungbok; prior to the mid-Chosun it was largely used as daily clothes but after the mid-Chosun it was mainly used as Yungbok, In the case of daily clothes Chopni was utilized as under-coat among various coats and had the name of Chopni symbolizing function of clothes. In the case of YUNGBOK it was used as outer clothing of military men had the name of Cholik symbolizing form of clothes. These facts represent that emphasis was placed on beauty in the case of YUNGBOK to confer ceremonial meaning as outer clothes. In transformation of costume examining by change of Chopni we can see that name and style are changed with role of clothes That is when clothes is used as under such as under-coat name and style mainly represent function whereas they mainly represent beauty when used as outer clothes such as YUNGBOK In addition change of role might be considered as an independent variable which changed name and style dependently. That is change of style produced change of name and time lay between change of style and change of name was found to be about 1 centry.

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밀리터리 커스튬(Military Costume)의 형성과정에 대한 고찰 -고대 국가를 중심으로- (A Study on Formal Process of Military Costume - Especially on Ancient Empires -)

  • 김난희
    • 한국의류학회지
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    • 제21권1호
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    • pp.217-227
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    • 1997
  • Costume of each age reflects its own history. Military costume is an reflections of war, social and geometrical background. Soldiers on their uniforms were at the battlefields with their lives and country on their shoulders. The main purpose of this writing is to study military costume of ancient empires in historical Point of view including especially those of Egypt, Mesopotamia, Crete, Greece, Etruria, Rome. As we will see, ancient military costume developed from earlier stages of uniforms into military costume in various ways. The types of military costume formed itself gradually but rapidly into sophisticated, useful, and excellent quality clothes. Military costume of early ancient empires signified its strength and were actual and symbolic costume that determined life and death, glory and disgrace.

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고갈형 관모에 관한 연구 (A Study on the Conical Hat)

  • 강순제;전현실
    • 복식
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    • 제52권1호
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    • pp.117-128
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    • 2002
  • This paper is extended the meaning and period of CONICAL HAT. That is, the race in Central Asia and Western Asia have worn the conical hat before Scytian appeared. One in conical hat puts on the clothes of two-piece style and has the lifestyle. a horse riding and nomadism. Besides the race originate into the Indo-European language family. On the whole the conical hat has relations with the region and is classified into two groups. Scytian and Klin-Yar style. First. the Scytian style of low hat forms the seam of two-piece and is discovered in Southern Russia. Central Asia and East-Northern Asia. Second, the Klin-Yar style of high hat forms the one piece and generally is discovered in Asia Minor and west of Altai. Until now the moaning of the conical hat has focused on the military. However, one in Central Asia and Western Asia is mostly a king. nobility and god. Therefore, in addition to the meaning of military. I estimate that the conical hat may be expressed as the noble status.

조선시대 직령(直領)제도 - 조선왕조실록을 중심으로 - (A Study on the Jik-Ryoung of Chosun Era -Focusing a True Record of the Chosun Dynasty -)

  • 이주영;권영숙
    • 복식문화연구
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    • 제8권2호
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    • pp.237-260
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    • 2000
  • According to the study of Jik-Ryoung(直領) consulting chronicles of the Chosun Era, Jik-Ryoung had been worn for various uses as official outfit, ordinary attire or clothes for the celebration of their coming of age, wedding ceremonies, funeral rites, and religious ceremonies, etc. from the beginning to the end of the Chosun Era. The conclusions are shown briefly as follows. 1. There are several terms of Po(袍) related to Jik-Ryoung in the chronicles under the name of Jik-Ryoung Ui(直領衣), Ui-Sal Jik-Ryoung(衣撒直領), and Jik-shin(直身). Jik-Ryoung Ui is the other name of Jik-Ryoung that they called it when it was used for funeral rites and religious ceremonies. The chinese Ye-Sal(曳撒) was called the Ui-Sal Jik-Ryoung in Korea, but this is different with Jik-Ryoung regarding its divided up and bottom style. Jik-Shin is almost same as Jik-Ryoung. 2. During the latter period of the Chosun Era, we can find diferent frequency in use of the Jik-Ryoung. Jik-Ryoung was shown constantly in the cases of that ding, Chinese Prince and lower-level constantly in the cases of that king, Crown Prince and lower-level officials wore it for funeral rites and lower-level officials, artisans, merchants, humbles and slaves wore it for official outfit. Uses of the Jik-Ryoung increased for military officers'outfits, in contrast to decreasing of uses for ordinary attires of king, Crown Prince, and the commons, and official outfits of civil officials. 3. These different aspects mean the change of estate and role. For the basic four ceremonial occasions the ceremonies of coming of age, marriage, funeral, and ancestor memorial-, it appeared constantly. Therefore the social role had been maintained also by then. As an official garb, the role for official uniform of petty official maintained by the end of the Dynasty. But from the latter 1600's to the former 1700's, the roles for official garbs of civil officials and military officers decreased and increased respectively. Before the Hideyoshi's Invasion of Korea in 1592, ordinary social clothes had orders by people's social status who wore them ; those were Dan Ryoung(團領), Hong Jik Ryoung(紅直領), Jik Ryoung(直領), Cho'l Rick(철릭) in the order named. After the war, various Po(袍), Shim Ui(深衣), Jung Chi Mak(中致莫), Chang Ui( 衣), Jang Ui(長衣), Ju Ui(周衣) and so on had been worn until the King Young Jo(英祖)·Jung Jo(正祖) period. In result, the social role of Jik-Ryoung was reduced as the uses decreased more and more. For a mourning dress, it had a same aspect as the case of ordinary social wear. 4. Considering the color, they used blue for the clothes for doing-up-the-hair ceremony, white for mourning clothes, and white, black for ancestor memorial ceremony clothes. On the official outfits of officials, dark blue and black were used mostly. And lower-level officials'clothes had white, red, and green on them. They used red and green for the plain dresses. 5. Examining the materials, clothes for the celebration of one's coming of age were made of high quality silks, Kwang Hwa Dan(廣禾緞). Also, they made clothes for funeral rites of rough and thick linen, and made clothes for religious ceremonies of linen and hemp. The official outfits were made of practical materials like cotton, hemp and ramie. Cotton, pongee and satin were used to make ordinary attire.

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밀리터리 룩의 스트리트 패션화에 관한 연구 (A Study on the Street Fashion of Military Look)

  • 한순자
    • 복식
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    • 제44권
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    • pp.19-36
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    • 1999
  • A military uniform has two basic characters. One is functionality for field warfare and the other is decorativeness to express dignity and power to maintain systematic organization. For these purposes, the military uniform is maximizing its effects on functionality and decorativeness on each aspects of material, color, dignity, item, military ornaments and accessories. During wartime, the military uniform improved its functionality and gave much influence on normal clothing at the same time either directly or indirectly. Military look became more diverse. In a mood for the end of century and inflated material civilization, and with nostalgia for the fast, mixed styles of fast, presents and future have come out in variety. In Street Fashion, there are many alternative trends to meet diverse desires of teenagers, and the military look has been steadily favored. The functionality and the decorativeness of military look would have met fashion sense and taste of younger generations pretty well. First, teenagers are active, and the practical materials and functional designs of military style applied to their clothes. Second, they prefer challenging and creative styles, and the decorative elements of military clothing for the colors, patterns, accessories have been applied to they clothing. We may need to understand their culture and emotion more closely and help them enjoy sound and beautiful clothing culture. The military uniform adapted itself to natural and social environments and has been developed and improved, which made that possible.

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