• 대한가정학회지
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• 제40권7호
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• pp.173-192
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• 2002

This study is intended to observe the meaning, aesthetic formative characteristics of the human body which is introduced and applied to the fashion design. The analysis of the modern fashion design describing the human body refers to the extracted fashion design which expresses the human body appearing in domestic & foreign fashion magazines as well as publications associated with it and published since 1990. The analysis of the way of expression, the image and the design elements in these fashion design works, has had to formative characteristics in each of the three parts. The pursuit of formative characteristics through simplifying the expression of the human body, uprising of anatomical expression, and metaphorical expression with the help of personification and objectification can be thought of as characteristics of expressing pattern. And the op-art, optical illusion by virtue of pointillism, the use of non-woven molding, and action painting technique can be described as expression tools to recognize the human body. Images are presented in the characteristics of being grotesque, humorous, erotic, futuristic and mysterious. The characteristics of designs are expressed in creative detail, trimming, pattern and accessory using the form of human body itself as an item of clothing tends to show the unity of human body and clothing. The human body in the modern era reflects the post human image as well as its meaning as a medium and tool. It is also perceived as a specific object to be self-conscious of in this reality with the loss of humanity, alienation and the confusion of identity. The analysis of the image and way of expression of human body in the fashion design, and the meaning of human body will play an important role of identifying tole viewpoint about human body as well as prospecting what the human being will be in the future.

• 만화애니메이션 연구
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• 통권9호
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• pp.266-282
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• 2005

만화영상은 이미지적 속성과 언어적 속성으로 되어있으며, 유머와 풍자적 내용이 밀접하게 관계되어 있다. 그리고 영상매체에서 동물 소재로 표현되었던 풍자적 표현 기법들을 연구 ${\cdot}$ 분석한다. 그 방법으로 이론적 배경은 동물 만화 영상의 역사적 배경으로 선사시대 원시 동굴 벽화로부터 시작하여 현대의 다양한 만화영상 캐릭터 산업까지 간략한 흐름을 살펴본다. 그리고 동물 풍자적 표현 유형으로 동물 묘사의 문학적 표현의 다양한 유형을 정리해 본다. 마지막으로 문학에서의 풍자 표현 기법인 비유적 표현, 상징적 표현, 수사적 표현들의 개념을 알아보고 비교하여 작품분석을 시도한다. 이러한 시도는 기존에 개념화되었던 인문학적 분류와 새로운 시각영상예술인 만화영상매체에 의미 연결 및 결합의 기초 분석법을 제시하고, 또한 자료들을 데이터베이스화함을 목적으로 한다. 이러한 축적된 자료들은 만화영상에 창작되는 동물 캐릭터들의 내적인 풍자 속성의 이야기 생산 및 그 의미작용에 대한 세부적인 자료를 제시할 것이다.

• 디자인학연구
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• 제11권1호
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• pp.209-218
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• 1998

뉴 미디어를 비롯한 신문지상과 TV에서 날마다 쏟아있고 있는 정보의 확산은 점차로 소비자의 의식을 새로운 가치관으로 이끌어가고 있으며 또 소비적 성향을 그 제품이 주는 실용성이나 경제성이라는 가치보다는 감성적 욕구로서의 기호 가치로서 제품의 가치를 인식하게 하고 있다. 가치관과 의식의 변화는 디자인에 많은 변화를 초래했는데 그 변화를 살펴보면 획일적이고 일방적이었던 모던 시대의 디자인에서 다의적이고 다중 적으로, 상품 소비에서 기호 소비 또는 이미지 소비로 물건의 외면 성, 현시성에 대립되는‘상품의 내면화’를 추구하게 되었으며, 유행 위주의 대중 소비에서 개성 중심의 개인 소비 성향으로서 변화이다. 이것은 기호 소비자의‘디자인 의미 해독’범위가 다양해지고 있음을 의미한다. 기호는 담론(discourse)을 옮기는 커뮤니케이션의 형태이며 담론은 의미 생성자와 의미소비자간의 커뮤니케이션에 관한 것을 말한다. 이 논문에서는 담론으로서의 기호 표현을 살펴보는 첫 단계로 광고의 기호 표현을 통해 직접적 표현의 경우, 은유적 표현의 경우로 나누어 생각해 보았다. 그리고 그 중 포스트모던의 성향을 표현하기에 적합하다고 판단되는 은유적 기호 표현에 대해서 좀더 깊이 있게 분석해 보고자하였다.

• 인문언어
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• 제1권1호
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• pp.221-233
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• 2001

The purpose of this paper is twofold. On the one hand it takes issue with Engstrom's claim that conceptual metaphors are propositional; on the other, it aims to demonstrate that the mathematical term 'mapping' is inappropriate for the analysis of metaphors. To my mind, the propositional analysis of metaphors, a wrong analysis for that matter, originates in the notion 'mapping' I argue that partial 'mapping' between propositional meanings and metaphorical meanings is either mental or psychological, with no concomitant 'truth' value. When concept metaphors represent propositionality, they lose metaphoricity; when they obtain metaphoricity, they are free of propositionality. The mathematical terms 'mapping' and 'proposition,' it is stressed, should be avoided in the analysis of concept metaphors like 'A is B' because they are confusing when applied to linguistic expression. 1 suggest that the term 'mapping' be replaced by phrases such as 'interaction between two domains,' projection from source-domain to target domain,' or 'understanding the properties of two domains between A and B,' etc. This would amount to proposing a pragmatic or cognitive theory of metaphor.

• 복식
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• 제54권6호
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• pp.101-117
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• 2004

Opposed to following the contours of the human body, the voluminous enlargement in costume, which characterizes the distinguished enlargement in space rather than the contour of human body, mean the enlargement aspect involving the vertical protrusion and the expansion of shape and volume as well as the extension of length. The costume enlargement as a different method of expression is a symbol showing a meaning of something and an aesthetic expression containing man's will. This voluminous enlargement of costume, as an aesthetic expression, has different formative characteristicsand immanent meanings according to ideals and thoughts as well as social and cultural background of each age Accordingly, the aesthetic consciousness also differaccording to the change of the times. To study the aesthetic consciousness of costume's voluminous enlargement, focous had been given to milieus that show comparatively conspicuous voluminous enlargement Periods that have been subjected to this study include costumes of the ancient Egypt, the Gothic period in the Middle age, the Renaissance, the Baroque Rococo of the recent times, and the modern era (Empire, Romantic, Art Nouveau. etc) With focus given to the principle of design obtained through this study were used to analyze the aesthetic characteristics, Futhermore, based on the spirit of the times and the socio-cultural symbolism, research on immanent meanings, as supported by objectivity and universal validity, was also made, the enlargement beauty of costume had been placed under the aesthetic category and, by interpreting the analogies of presented in aesthetic consciousness, the true nature of the voluminous enlargement in costume had been traced. To Conclude, the aesthetic consciousness of the voluminous enlargement of the costumes in history was found to have following characteristics: (l) Metaphorical (2) Unlooked-for irregularity (3) feeling of satisfaction driven by self-enlargement (4) Dignified sublimity (5) Symbol of wealth and class (6) Ceremonial dignity (7) Tradition of the nobility (8) Aesthetic ornament (9) Ideal contour of the body

• 한국실내디자인학회논문집
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• 제22권1호
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• pp.143-153
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• 2013

The purpose of this study is to explore how to make use of the light and expression methods to embody phenomenal space by considering the representation techniques and characteristics of a variety of 'Phenomenal light' in his works focused on the Steven Holl's views that thought the light as object of creating space. The process is summarized as follows: (1) Study on the relationship between light and color, Classify concept and type of phenomenal light by phenomenal color (2) Consider the characteristics and expression methods of the phenomenal light in the Steven Holl's architecture (3) Finally, organize the concepts and representation techniques of phenomenal light, and then present method to embody phenomenal space by light. According to this, the results are as follows: (1) Perceptual color by the light of the sense forms a variety of perception and texture of light and shadow according to the contrast of shades and the change of materiality, thus embodying multisensory space with the light as the medium approach that helps to experience formal and tactile senses. (2) Spatial color by the light of volume distinguishes the flow and movement of sight, and embody inducing space with the light as Atypical activity that forms atmosphere of space through concentrated or overlapped mass of light and darkness. (3) Existential color by the light of the light source visualizes the existence of the uncertain light, and embody the receptive space with the light as emotional communication that forms symbolic and psychological meaning through metaphorical phenomena of colored light.

• 문화기술의 융합
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• 제7권3호
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• pp.303-310
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• 2021

거시적 데이터 변화를 단순한 형태로 유추 비교 및 분석하는 시각 정보 콘셉트 개발방법이 필요하다. 시각 정보 콘셉트의 개발에는 시각화 형태 선택, 수사학적 효과 선택 그리고 디지털 표현요소 선택 작업이 필요한데, 이 중에서, 사용자에게 시각 정보를 효과적으로 전달하기 위한 수사학적 효과 선택 방법의 예를 제시한다. 본 연구에서는 기간별 및 업종별 주가 분석을 위해서, 원관념과 비유되는 보조관념을 통하여 거시적 관점에서 데이터 비교 분석이 가능한 메타포 수사학을 선택했다. 갓털이 퍼져나가는 민들레를 메타포로 사용한 2차원 3단 형태 변화와 시간에 변화 따라서 형태와 색상이 변하는 코랄 작약 꽃송이를 메타포로 사용한 3차원의 3단 형태 변화 정보표현 방식을 제시한다. 이러한 수사학적 메타포를 사용하면, 거시적인 거래 변화와 업종별 주가 비교 분석이 가능하다.

• 디자인학연구
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• 제13권4호
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• pp.43-56
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• 2000

본 논문은 현대금속공예에서 다양하게 사용되는 특수한 기법중의 하나인 형질변환의 다양한 사례를 연구하는 것을 주요골자로 하고 있다. 이러한 형질변환은 타장르에서도 활발히 연구되고 있는 부분이기는 하나, 금속공예에 있어서 실제적으로 적용되고 다양한 양태로 실험되고 있는 사례는 타장르에서 찾을 수 없는 부분이기도 하다. 이러한 형질변환에 대하여 그 가치를 따져보자면 금속공예가 현대화되기 이전부터 조금씩 다루어온 것이긴 하지만, 현대에 이르러 물질 자체의 이면적인 의미와 상징성 은유성 등을 다루기 시작하는 등 그 의미에 있어서의 차연화가 이루어지는 해체주의가 대두되면서 더욱 정당성이 부여되어 실험의 깊이와 폭이 한층 더 깊어졌다. 형질변환을 위한 특수한 기법에는 목목금기법, 강상조직기법, 융합기법, 전해주조기법, 특수한 형질변환 혼합매체의 사용 등이 있으며, 이러한 연구는 합금법과 함께 더욱 진전이 이루어지고 있다. 나아가서, 금속공예의 표현의 가능성을 더욱 광범위하게 하고 있다.

• 복식문화연구
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• 제16권1호
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• pp.100-114
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• 2008

The purpose of this study was to analyze the characteristics of supermodern fashion designer's work, which is shown by responding to supermodern environment where non-spaces such as road, railroad and airport are surplus in modern city environment. For the study, the researcher used existing study and specialized book basically and analyzed photograph materials by selecting them in specialized fashion book, internet site and designer's homepage. The results of this study showed that supermodern fashion design is the functional fashion responding to the change of time and space concept of supermodern society directly. As the common points of supermodern designer's works, first, they try to create private space enabling wearer to cope with risk caused by the environmental change and transitional space by adding architectural factor to fashion. Second, they display the design with protective function and metaphorical expression of concealment and deception in the supermodern environment where nonspace is increasing. Third, designers search the functional design from the aspect of fabric and detail while intending the technology in order to cope with supermodern environment.

• 한국실내디자인학회논문집
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• 제23권4호
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• pp.63-71
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• 2014

Anamorphosis is highly favored in modern days as the atmosphere of pursuing unusual manners is growing while transformation and distortion of images are freely available. This research is to understand the affect of these distorted images on space designs and the close connection between anamorphosis and visual perceptions, and to identify the new perceptual phenomenon created through it, and the methods of expressing those. Four expressional methods were defined through the process of studying Anamorphosis based on its definition by Niceron, examining artworks such as paintings and photographs, and case-studying example spaces of visual perception experiments. Expressing anamorphosis through visual perceptions are broadly categorized to directional, dimensional, flatness, and optical. The analysis of 10 case projects suggests that the experimental spaces offer joys of finding and interpreting metaphorical forms and meanings caused by the four characteristic categories above. Also, they artificially show the boundaries between reality and virtual spaces in 2-dimensional or 3-dimensional spaces, and form hyper-boundaries, new experience, and an internal mechanism that is vague and chaotic. Therefore, this research concludes that anamorphosis which is a distorted perspective, is not only a simple measure to overcome perspectival errors, but is an existence suitable to the current era, that will extend its potential and value in spatial design.