• Title/Summary/Keyword: Marian L. Davis and Marilyn R. Delong

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A Study of Surrealistic Hat Designs and Their Organic Relationship with Clothes in Modern Fashion (1990-2008) (현대(1990~2008) 패션에 나타난 초현실주의적 모자디자인 및 의복과의 유기적 관계에 관한 연구)

  • Kim, Eun-Sil
    • Journal of the Korean Society of Costume
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    • v.59 no.8
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    • pp.66-81
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    • 2009
  • The purposes of this study were to analyze the formative relationship between Surrealistic clothes and hat with the focus on the period from the 1990's to 2008 and to find out the development direction of next hat design. The method to analyze the relationship between clothes and hats was the formative analysis by Marian L. Davis and Marilyn R. Delong. Hat design of surrealism was cylindrical or tear drop in a shape according to the principle of $D{\acute{e}}paysement$ and Trompe l'oeil, and was similar with the Form of a jacket, a sleeve, or a skirt. In color, accent color coordination mainly appeared and sometimes contrast color coordination induced illusion effect. In material, a variety of materials were used according to the principle of $D{\acute{e}}paysement$ and Trompe l'oeil, and contrast was widely used like color. In Decoration, the decoration or pattern of clothes was intactly applied to hats. The results suggest that clothes and hat have an organic relationship, and a hat style is changed with formative elements of clothes.

A Study on the Formative Relationship of between Artistic Eye-Makeup and Clothing - Focus on Fashion Magazine From the 2000's to 2010 - (조형적 측면에서 본 예술로서의 아이메이크업과 의복과의 상관성 연구 - 2000년부터 2010년까지 패션잡지를 중심으로 -)

  • Kim, Eun-Sil
    • Journal of the Korean Society of Costume
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    • v.62 no.3
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    • pp.120-136
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    • 2012
  • The purposes of this study is to analyze the formative relationship between artistic eye-makeup and clothes design by focusing on the period from 2000 to 2010 and to find out the development direction of the next makeup design. This study considered formative theory to analyze the formative relationship between artistic eye-makeup and clothes design of $Marian$ $L.$ $Davis$ and $Marilyn$ $R.$ $Delong's$ theory, and analyzed the formative relationship between artistic eye-makeup and clothes design in an aspect of line and form, color and material, The results are as follows: First, the shapes of the artistic eye-makeup such as tear drops, and rectangular paisleys were similar with the form of clothes such as the hourglass, cylinders and mix-types. Second, monotonic color coordination mainly appeared and sometimes contrast color coordination that induced complex contrast coordination were apparent as well. Third, the objects of the artistic eye-makeup such as glitter papers, spangles and beads had similar features as the material of clothes such as silk and spangle, and contrast was partially used like colors. The results suggest that artistic eye-makeup and clothes have an organic relationship, and artistic eye-makeup is changed with formative elements of clothes.

A Study on the Works of Philip Treacy II (필립트레이시(Philip Treacy) 작품연구II)

  • Kim, Eun-Sil
    • Journal of the Korean Society of Costume
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    • v.59 no.10
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    • pp.151-171
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    • 2009
  • The purpose of this study is to analyze the formative relationship between clothes and hat with the works by Philip Treacy, the designer who raised hats to one of important fashion accessories. The method to analyze the relationship between clothes and hats was the formative analysis by Marian L. Davis and Marilyn R. Delong. The results suggest that clothes and hat had an organic relationship, and a hat style was changed with formative elements of clothes. Clothes and hats by Philip Treacy were analysed in the aspects of Form, Color, Material, and Decoration. As a result, hats by Philip Treacy were mainly designed by the relationship between whole types without a closed line and showed geometric and formative forms, similarly harmonized with clothes. To highlight hats, the achromatic colors such as black and gray were used. Besides clothes and hats were coordinated by the same colors, but contrary colors were used to express a strong image. Felt or straw materials maily used to express a formative and fixed form were well matched with smooth, opaque, and lusterless materials such as wool. Also when transparent materials were used for hats, lace was used for clothes. A hat made of acrylic was matched with clothes made of glossy vinyl coating materials. Decoration was mainly removed but if used, feather decoration was added to clothes.

A Study on Hat Design and Analysis of the Relationship between Clothing and Hats in the Fashion Coordination (패션 코디네이션 측면(側面)에서의 의복(衣服)과 모자(帽子) 디자인의 관계(關係) 분석(分析))

  • Kim, Eun-Sil;Bae, So-Jeong
    • Journal of Fashion Business
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    • v.9 no.1
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    • pp.34-56
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    • 2005
  • This study analyzed the formative relationship between clothes and hat, and to find out the development direction of next hat design. To do these purposes, Fashion photos were picked up from all kinds of fashion magazines containing in Paris from the 1990's to 2004 S/S and some designers' collections. Then 1,381 photos were selected through two screenings. At first time, 1,500 photos were selected to have the relationship between clothes and hats, and finally 1,381 photos were picked. The method to analyze was the formative analysis by Marian L. Davis and Marilyn R. Delong. The results suggest that clothes and hat have an organic relationship, and a hat style is changed with formative elements of clothes.