• Proceedings of the IEEK Conference
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• 대한전자공학회 1999년도 하계종합학술대회 논문집
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• pp.538-541
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• 1999

MPEG-2 AAC(Advanced Audio Coding) is the most advanced coding scheme available for high quality audio coding. This MPEG-2 AAC audio Standard allows for ITU-R ‘indistinguishable’ quality according to at data rates of 320 kb/s for five full-bandwidth channel audio signals. The compression ratio is around a factor of 1.4 better compared to MPEG Layer 3, you get the same quality at 70% of the bitrate. This paper suggest optimization method for MDCT/IMDCT (Modified Discrete Cosine Transform/Inverse Modified Discrete Cosine Transform) in Encoder and Decoder for AAC.

• Proceedings of the IEEK Conference
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• 대한전자공학회 1999년도 하계종합학술대회 논문집
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• pp.329-332
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• 1999

Currently, the most important technology is compression methods in the multimedia society. In audio compression, the method using human auditory nervous property is used. This method using psychoacoustical model is applied to perceptual audio coding, because human's audibility is limited. MPEG-II AAC(Advanced Audio Coding) is the most advanced coding scheme that is of benefit to high quality audio coding. The compression ratio is 1.4 times compared with MPEG-I layer-III. In this paper, the vector processor for MDCT/IMDCT(Modified Discrete Cosine Transform /Inverse Modified Discrete Cosine Transform) of MPEG-II AAC is designed.

• Journal of Broadcast Engineering
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• 제5권2호
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• pp.176-187
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• 2000

MPEG-4 is a digital bit stream format and associated protocols for representing multimedia content consisting of natural and synthetic audio, video and object data. This paper describes an application where multiple audio/visual data stream are combined in MPEG-4 and transported via MPTG-2 transport streams(TS). Also, this paper describes how to convert MPEG-4 Over MPEG-2 TS bit streams into MP4 file which Is designed to contain the media information of an MPEG-4 presentation in a flexible, extensible format. MPEG-4 is presented in the form of audio-visual objects that are arranged into an audio-visual scene by means of a scene descriptor and is composed of the audio-visual objects by means of an object descriptor. These descriptor streams are not defined MPEG-2 TS. So. this paper focuses on handling of these descriptors and parsing TS streams to get MPEG-4 data. The MPEG-4 Over MPEG-2 TS to MP4 format converter is implemented in the demonstrated systems.

• Journal of Broadcast Engineering
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• 제6권1호
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• pp.66-71
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• 2001

This paper Introduces an implementation of MPEG-2 AAC codec system for digital audio broadcasting. This system consists of the encoder and the decoder. This system includes MPEG-2 system multiplexing and demultiplexing modules for Interfacing to the ETRI-DAB system. Four DSPs are adopted for the encoder and three DSPs for 7he decoder. Each DSP Processes system control. 1/0 control, audio signal processing. multiplexing and demultiplexing. This Paper also discusses some near future estimations relaxed to the DAB system and it\`s services. Currently a stereo audio codec is available but multi-channel audio codec and MPEG-4 audio cosec wall be also Implemented.

• The Journal of the Acoustical Society of Korea
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• 제28권7호
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• pp.618-629
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• 2009

The MPEG-4 Audio Lossless Coding (ALS) standard belongs to the family MPEG-4 audio coding standards. In contrast to lossy codecs such as AAC, which merely strive to preserve the subjective audio quality, lossless coding preserves every single bit of the original audio data. The ALS core codec is based on forward-adaptive linear prediction, which combines remarkable compression with low complexity. Additional features include long-term prediction, multichannel coding, and compression of floating-point audio material. This paper describes the basic elements of the ALS codec with a focus on prediction, entropy coding, and related tools and points out the most important applications of this standardized lossless audio format.

• Proceedings of the IEEK Conference
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• 대한전자공학회 2000년도 하계종합학술대회 논문집(2)
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• pp.250-253
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• 2000

In this paper, we Implement a new arithmetic computation for MPEG audio data to overcome the limitations of real number processing in the fixed-point arithmetics, such as: overheads in processing time and power consumption. We aims at efficiently dealing with real numbers by extending the fixed-point arithmetic manipulation for floating-point numbers in MPEG audio data, and implementing the DSP libraries to support the manipulation and computation of real numbers with the fixed-point resources.

• The Journal of the Acoustical Society of Korea
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• 제28권7호
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• pp.599-609
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• 2009

An overview of the recently finalized multi-channel audio coding standard MPEG Surround is provided. This audio coding standard downmixes multi-channel signals to mono or stereo signals and, simultaneously, extracts spatial parameters for its encoding process. In its decoding process, it reconstructs multi-channel signals based on the downmix signals and spatial parameters. Since the downmix signals are coded in conventional audio coding format such as AAC and MP3 and the spatial parameters require a small amount of information MPEG Surround guarantees high sound quality multi-channel audio at low bit rates. Besides, it is backward-compatible to conventional audio coding techniques because the downmix signals can be played on portable audio devices ignoring the spatial parameter information. In this paper, Part 1 presents an overview of the basic structure of MPEG Surround and Part 2 describes various modes and tools including the binaural mode which supports the virtual 5.1-channel playback via headphones or earphones. The listening test results by various companies and organizations are also presented.

• The Journal of Korean Institute of Communications and Information Sciences
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• 제29권6C호
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• pp.874-882
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• 2004

MPEG Audio compression algorithm is the international standard for the digital compression of high quality audio using mechanism of the perceptual coding based on psychoacoustic masking. It is necessary to discuss the constraints on designing of common filter banks for MPEG-2 BC and MPEG-2 AAC decoder system, which is not Down yet, mapping audio signals from the time domain into the frequency domain. In this paper, we present an architecture of common synthesis filter whcih can be used for MPEG-2 BC and MPEG-2 AAC decoder using recursive structure. The proposed algorithm is based on recursive architecture that effectively performs common compulsion.

• Journal of the Institute of Electronics Engineers of Korea SP
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• 제47권5호
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• pp.25-33
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• 2010

Multi-media service has been changed into user based audio services, which service supports actively user's preference and interaction with the users. In the market, multi-media products which can support the highest audio-quality by using lossless audio technology have been released and object audio music which user can select the objects has been serviced. In this paper, we design user's preference information based object audio file format and audio scene description for storage and transmission media. The designed file format is designed based on MPEG-4 file format because high-quality audio codecs in MPEG-4 audio can be easily used and the track of file format can be flexibly controlled depend on the number of the instrument in music. The encoded audio data of each objects and encoded audio scene description by binary encoding that has independent track are packed in a file. The scene description for storage media is consist of full and object scene description, the scene description for transmission media has an essential description for object audio operation and a specific description for real audio sound. The designed file format based simulator is developed and it generates an object audio file with several scene descriptions. Also, the real audio sound is serviced by the interaction with user and the unpacked scene description.

• Journal of the Institute of Electronics Engineers of Korea SP
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• 제47권5호
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• pp.45-55
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• 2010

Object-based audio coding technology has been interested with its expectation to apply in wide areas. Recently, ISO/IEC MPEG has standardized a parametric object audio coding method, the SAOC (Spatial Audio Object Coding). This paper introduces parametric object audio coding techniques with special focus on the MPEG SAOC and also describes several issues and solutions that should be considered for a success in its application.