• 영미문화
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• 제17권1호
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• pp.55-79
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• 2017

Ella Hepworth Dixon's The Story of a Modern Woman is a pioneering female writer?s important work which was not deeply studied yet very influential in new women literature and its cultural global impact. Although women had been often praised for their beauties specially by romantic poets but their self-realization and innate values were not widely recognized until new women writers advocated their desires and active roles in the society at the end of the $19^{th}$ century. The new women writers including Ella Dixon gained popularity with their professional skills as the journalists or the contributors to the journals which were suddenly popular and actively circulated among Victorian women. From the 1880s to 1920s, in contrast with the traditional images of wives as ?the angel in the house?, these women new women writers broke the yoke of subjugated womanhood and instead tried to freely express their independent spirits and demanded their roles in the society. Although they were criticized sometimes as "the daughter of a new guise" "a lady of restless sex" or "the wild women," new girls? perky images in new women fiction brought into the new cultural phenomenon which led to the ?flapper? girl in the 1920s. Ella Dixon?s protagonist Mary Erle, strikingly similar to author herself, was a representative new woman who displayed a wide range of new cultural perspectives from a feminist?s viewpoint, but her untimely desire in the capitalized society was not fully accomplished, just promising the potentiality of the female solidarity which might be achieved later by her feminist posterity.

• 영어영문학
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• 제57권6호
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• pp.1131-1149
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• 2011

Michael McKeon, in The Origins of the English Novel, 1600-1740, sets forth a theoretical study of a large canon of seventeenth- and eighteenthcentury works, based upon the dialectic of genre formations, which attempts to analyze certain "instabilities" in generic and social categories- "instabilities" that McKeon identifies as "Questions of Truth" and "Questions of Virtue." In this paper, I argue with McKeon's optimistic reading of Samuel Richardson's work, Clarissa, or The History of Young Lady (1740), which concludes that-unlike Pamela's "manifest material and social empowerment"-Clarissa acquires "manifest discursive and imaginative empowerment" and "wins" (to use McKeon's terms) the "battle" with her antagonist, Robert Lovelace. What is difficult to accept in this reading of Clarissa is McKeon's claim that the "success" of Clarissa's resistance to Lovelace, despite the tragic rape, is evident in her "new-found power" which is represented in the heroine's spiritual "conversion"- her decision to die to protect her "version of truth and virtue." McKeon's spiritual "conversion" not only forces Clarissa to surrender her legal right to prosecute her rapist but also forces her to seek the shelter of her "father's house" in the afterlife because she can no longer "make others accept [her] own version of events as authoritative." Thus, in contrast to McKeon, I claim that Clarissa represents the necessary conditions for its heroine's "empowerment" primarily in language that suggests her manifest social invalidation; language which in particular emphasizes that her rape and torture by Lovelace forces Clarissa's spiritual "conversion" to seek her reward in the afterlife-thereby concluding that Clarissa's discursive and imaginative empowerment does not and cannot exist in the secular, material world.

• 한국전통조경학회지
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• 제28권1호
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• pp.1-11
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• 2010

본 연구는 가람의 문학적 성과 중 자연관 등에 대한 문헌조사를 바탕으로 가람 이병기의 생가 수우재에 대한 실측 도면조사 그리고 현지답사 등의 고찰을 통하여 가람의 시조 문학적 특성의 가장 핵심어로 회자(膾炙)되는 '소박함'과 '선비정신'이 정원의장 및 공간특성에 어떠한 형태로 표출되고 있는가를 고찰한 것이다. 그 결과는 다음과 같다. 1. 수우재의 입지는 용화산 줄기를 배산으로, 동쪽으로 노령산맥의 지맥에서 분기된 천호산을 안산으로 입지하며, 가람 시의 회고와 애착공간으로 자주 드러나고 있음에서도 엿볼 수 있듯이 수우재의 장소성은 인걸지령론(人傑地靈論)과 관련된 양택 명당과 관련 깊은 것으로 해석된다. 2. 조선 후기인 1844년에 가람의 조부 이조흥에 의해 건립된 수우재는 안채의 일부가 정지(부엌)와 이어진 ㄱ자형의 고패집으로 구성되었으며, 4칸의 사랑채와 3칸의 고방채, 안채의 뒤쪽에 장독대를 중심으로 여유로운 민가 정원구성을 이루고 있다. 3. 수우재 내 외의 공간구성은 담장과 건축물의 영역이 세분화된 가운데 동선 변화가 나타나고 있어 시선의 다양함을 느낄 수 있으며, 승운정을 비롯해 정원 곳곳에서는 가람의 존재감 및 일상생활이 녹아든 시적 세계가 담긴 철학적인 영역의 공간감이 감지된다. 4. 수우재의 주요 정원시설은 사랑채 전면에 위치한 단아한 장방형의 연지, 곳곳에 산치(散置)된 괴석 그리고 차경 목적으로 낮게 둘러친 담장 등에서 소박한 미의식을 바탕으로 한 선비의식과 자연친화적 정원 면모를 읽게된다. 5. 수우재의 조경식물 중 주로 연지 주변에는 배롱나무, 살구나무, 일본목련, 산수유, 향나무, 배롱나무, 동백나무 등이 식재되었으며, 내원에는 감나무, 대추나무, 자두나무, 모과나무 등 유실수 위주의 실용적 식재가 이루어지고 있으며 승운정 후면에 악센트용으로 식재된 수령 200년 이상의 탱자나무는 특히 주목된다. 6. 가람의 시 중 가장 많은 부분을 차지하는 것이 자연을 관조하는 시이고 다음이 풍류를 담은 시이듯 수우재 주변의 다채로운 자연경관적 요소는 가람 시의 시적공간으로 설정된 자연공간의 소재 및 주제를 전환되는 모티브적 환경으로 보이는데 이는 승운정기(勝雲亭記) 등에서도 나타나는 자족의 심정과 동일한 것으로 파악된다.

• 한국유기농업학회지
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• 제4권2호
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• pp.97-136
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• 1995

Recendtly an organic agricultured in Korea is getting a public attention not only for minimizing NO3- contamination of groundwater but also for producing of quility of agricultural products. But still there is not Basic Standards for Organic Agriculture in Korea and Japan since they just believe organic agriculture is one kind of the environmental friendly sustainable agriculture as written in western literature. In the paper it was discussed the core skills and doctrine of IFOAM Basic Standards compare to Korean Organic Farming Method in oder to point out thed disadvantages of overuse of organic fertilizer, 50-150MT/㏊ in each cultivation, intensive monocropping in glass-house without any rotation & legume, and without any green manure. Most korean or-ganic farmer believe that the more they apply organic fertilizer, the better they pro-duce high quility of crops and they practise organic agriculture completely. It was also suggested the overuse of organic fertilizer cause the accumulation of NO3- in rhizosphere and subsequently it might lead to drinkwater pollution by nitrate leaching. In conclusion it is suggested that for successful establishment of organic agriculture, The Association of Korean Organic Agriculture, The Society of Korean Organic Agri-culture and the certification body should be developed the Basic Standards which is acceptable by IFOAM Basic Standards.

• 한국IT서비스학회지
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• 제12권4호
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• pp.289-305
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• 2013

Recently, Green Business/IT becomes very important for management of company, because there are many new regulations about the environment protection, especially to reduce green house effect. The purpose of this research is to investigate present situation of Korean manufacturing industry about the Introduction of Green Business/IT. For the people who is in charge of the decision whether to Introduce Green Business/IT or not, this paper aim to provide some useful findings. We made a research framework consisting of 5Ps (Philosophy, Partner, Process, Product, Public) from literature review, then we found that almost all of the companies in manufacturing industry prepare for the regulations by introducing and using Green Business/IT concepts. There are some differences between production goods industry and consumer's goods industry. Also we found that there are a lot of relationships with recognition level and planning level. The higher the level of profitability, the lower the level of preparing social responsibility. This means there are two opposite perspectives(profitability, social responsibility). Therefore organizations who are adopting Green Business IT/should strive for harmony of sight.

• 한국주거학회논문집
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• 제16권1호
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• pp.1-9
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• 2005

The purpose of this study is to scrutinize forefathers' standpoint on architectural planning by peering into their literature. Dongkukyisangkukjib which contains works about daily life of Lee Gyu-Bo, a great writer in the middle of Koryo, reveals well people of Koryo' thought on architecture, if we have a interest in a building space. The book holds his general viewpoint on architecture and documents about the remarkable houses he and his friends visited. Then we can know, through it, general thought on architecture of the upper classes in those days. Lee Gyu-Bo considered a house the other self of its owner and connected buildings with personality of their owner. 0 architectural process and architectural planning, buildings were shown variously by reflecting owner's value on architecture. Unlike Chosun era, people of Koryo prefer unlimited thinking to form or order. Therefore in construction especially such as a pavilion, there were many experimental tries which reflected owners' thought. Particularly we could estimate people of Koryo' conception of architectural design through a work of Lee Gyu-Bo, Saryunjungky, a document about a pavilion carrying four wheels, which describes concretely contents of architectural planning such as a planning of space, module, and intention.

• 한국주거학회논문집
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• 제21권5호
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• pp.83-92
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• 2010

The advent of an aging society has raised the necessity for housing development to meet the growing demands of baby boomers expected to act as the main consumers in the future housing market. This study aims to identify the characteristics of apartment houses favored by baby boomers in their post-retirement plans. Based on a literature review and survey, the study is targeted at a certain baby boom generation residing in mid- sized and large-sized apartments with a floor space of more than 30 pyeong in Gangnam, Seoul. The study reveals that baby boomers favor an active post-retirement life where they can enjoy proper leisure without considerable change in daily routines, and for that reason they choose an apartment house well equipped with neighboring, convenient facilities for their post-retirement. Their housing size shows a downward tendency in response to changes in economic conditions and number of family members living together. Health-related factors such as a comfortable natural environment and greenery also play a key role in their residence selection. Their regional preference is divided into the downtown and suburbs, and thus it will be necessary to satisfy the needs of these two consumer groups in the future housing market. This study lays the foundation for offering basic materials for the development and marketing of apartment houses.

• 한국실내디자인학회논문집
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• 제16권2호
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• pp.181-191
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• 2007

This study attempted to analyze the characteristics of interior design of the apartment units of Model-houses in terms of ecological aspects. 9 companies that possessed their model houses among the construction companies in Busan area as of August 2006 were selected. 20 units in the model houses of these companies were visited and analyzed. Through literature review, the guideline for the environmentally-friendly residential design was designed and developed to the checklists. The data collected were analyzed to find out the ecological characteristics of the interior space of apartment units. The findings are the followings. First, energy efficiency was properly considered in terms of natural lighting and natural ventilation. Second, in sustainability, the materials for floors and walls could not be reused even though they were environmentally-friendly. Water system needs more improvement for sustainable development including grey-water and rain recycling system. Third, interior greening should be applied more for better environment both physically and emotionally. It is expected that future housing will be more high-risen and densely-populated apartment spaces. Therefore, an approach to new ecological aspects including an emphasis on interior greening, use of eco-materials and adhesives, water recycling and flexibility of the spatial configuration should be made for the next generation.

• Annals of Clinical Neurophysiology
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• 제10권1호
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• pp.38-42
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• 2008

Background: Idiopathic facial nerve palsy, or Bell's palsy (BP), is a common and important disease. Recurrent Bell's palsy has been known as a rare entity with only a few cases in the literature. Methods: A total of 111 consecutive patients with acute BP patients were enrolled at Daegu Catholic University Hospital from July 2005 to March 2007. We classified the patients into two groups - single BP and recurrent BP - and compared them by demographic data, clinical features, MRI findings and prognosis. The degree of BP was graded according to the House and Brackmann facial nerve grading system. Results: Recurrent BP was observed in 10 (9%) patients. The number of recurrence was varied from 2 to 5. The mean age of first attack in recurrent BP was $35.70{\pm}23.65$ years old and was earlier than that of the single BP ($50.94{\pm}16.21$ year). The larger proportion of the single BP had an abnormal enhancement of affected facial nerve (91.3%) than the recurrent BP (50%). The recurrent BP showed worse prognosis than the single BP. The associated conditions, etiology, and clinical features were similar between two groups. Conclusions: In comparison with single BP, recurrent BP showed earlier onset of first BP attack, less frequent abnormal enhancement of facial nerve on MRI, and worse prognosis.

• 한국실내디자인학회논문집
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• 제13호
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• pp.3-10
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• 1997

The purpose of this study was to identify the design concepts embedded in our traditional interior space. The majority of this research was achieved through literature review as well as examining traditional Korean houses. The major findings were summarized as follows : First, traditional Korean interior space is contemplative. This is created possible by the careful placement of indispensable furnitures and accessaries resulting in an abundance of unoccupied space. Therefore, the room assumes a peaceful atmosphere which calms the mind and creates a tranquil setting. To enjoy the placidity of Korean interior space a humble demeanor and contemplative thought are required. Next, traditional Korean interior space is modest. This is created by the moderate proportions that do not challenge human scale. Traditional Korean interior space does not dominate its surroundings but rather conforms with them. This contrasts with traditional western houses which utilizes an overbearing scale sacrificing intimate space. Thirdly, traditional Korean interior space is raw. In other words, the materials used in house retain their self-evident natural state and are not artifically manipulated to hide their inherent properties. The fundamental conceptual belief that interior space should not defy nature but instead become part of it. Lastly, traditional Korean interior space is not decorative Rooms are not congested with frivolous aesthetics. Although this does not immediately attract the people's attention, eventually the interior space establishes a unique line of communication with them.