• Journal of the Korean Institute of Illuminating and Electrical Installation Engineers
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• v.13 no.4
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• pp.21-26
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• 1999

Using daylight in underground spoce may significantly reduce electric lighting load and give a visually comfortable environment. This reper describes a fundaIrentaI study on light duct system to predict inter illuminance ratio on underground periIreter occupied zone level. As a result, integral equation for inter-reflection program are developed and by using optimize light duct system can gives daylight on deep underground space. space.

• Journal of Astronomy and Space Sciences
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• v.30 no.3
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• pp.179-185
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• 2013

Photometric observation is one of the most effective techniques for determining the physical characteristics of unknown space objects and space debris. In this research, we examine the change in brightness of the Communication, Ocean, Meteorological Satellite-1 (COMS-1) Geostationary Orbit Satellite (GEO), and compare it to our estimate model. First, we calculate the maximum brightness time using our calculation method and then derive the light curve shape using our rendering model. The maximum brightness is then calculated using the induced equation from Pogson's formula. For a comparison with our estimation, we carried out photometric observation using an optical telescope. The variation in brightness and the shape of the light curve are similar to the calculations achieved using our model, but the maximum brightness shows a slightly different value from our calculation result depending on the input parameters. This paper examines the photometric phenomenon of the variation in brightness of a GEO satellite, and the implementation of our approach to understanding the characteristics of space objects.

• The Journal of the Korea Contents Association
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• v.10 no.2
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• pp.130-137
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• 2010

Light Drawing is a photographic technique which exposures are made at night or in a darkened room usually by moving a hand-held light source[1]. Due to the limitations of equipment and environment, users having difficulty in drawing a picture in 3D space. If user take a light drawing, they need a camera that have function and darkened environment. Alternative solution is that we can make a light drawing picture by using the computer drawing tool as in Photoshop. Nevertheless, this solution will let the User lose their interest in drawing because this solution cannot synchronize between the real action of human hand motion and the electronic input devices such as mouse and keyboard. This paper proposed a digital content that can make light drawing easier. We used a digital content that will facility Light Drawing easier. We can measure the light spot position by using the stereo camera. Based on the measured position of the light spot, we reproduce light drawing in virtual space by using drawing effect method.

• Publications of The Korean Astronomical Society
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• v.32 no.1
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• pp.321-326
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• 2017

We analyzed spectral data of the astrophysical diffuse emission obtained with the low-resolution spectroscopy mode on the AKARI InfraRed Camera (IRC) in the $1.8-5.3{\mu}m$ wavelength region. Advanced reduction methods specialized for slit spectroscopy of diffuse sky spectra have been developed, and a catalog of 278 spectra of the diffuse sky covering a wide range of Galactic and ecliptic latitudes was constructed. Using this catalog, two other major foreground components, the zodiacal light (ZL) and the diffuse Galactic light (DGL), were separated and subtracted by taking correlations with ZL brightness estimated by the DIRBE ZL model and with the $100{\mu}m$ dust thermal emission, respectively. The isotropic emission was interpreted as the extragalactic background light (EBL), which shows significant excess over the integrated light of galaxies at <$4{\mu}m$.

• Journal of the Korea Furniture Society
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• v.23 no.3
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• pp.317-323
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• 2012

Indoor of 21th century information-oriented society is feeling necessity of emotional design that can satisfy emotional of human. Desire of modern becomes various and emotional lighting design is risen on important element in indoor plan on human oriented modern society who become complicated. Emotional space is trend that is atomized as go today and is expanded as the target and area also go. That is, is included as target of emotional space to light and sound, taste, smack and is appealing by senses of human. Wish to do color that is optical element among element of senses differently and present design. Design concept of this research is emotional lighting design that can receive. It is lighting that equip emotional beauty and ability from modern indoor improving space. I wish to quote emotional lighting design about effect gotten to indoor by sight of designer.

• Korean Institute of Interior Design Journal
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• v.18 no.1
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• pp.3-10
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• 2009

The relationship between light and space is fundamental In an opera stage design. In contemporary stage design, light, color and space themselves became one of tile most important elements to express and symbolize the content of the opera. This was very different compared to the primitive and medieval opera stage design in the past. The designer tried to represent the same periodical background of the opera with exact replica of the buildings as well as costumes. In comtemporary performance art, light became one the most important aspects in design. Max Keller is one of the living pioneers in stage lighting design. This thesis that is based on his lighting experiments and projects attempts to examine how contemporary stage design and light are applied and what kind of characteristics they have. One of the Wagner's opera, "Tristan und Isolde" was selected to be further analyzed. Three different "Tristan und Isolde" opera stage designs were carefully studied in terms of how three designs are differently constructed for specific same contents of the opera. This sort of comparison study is crucial when there is a strict parameter that is the opera itself. It was found that three opera stages have very different stage designs and unique ways of expressing the opera flow and contents. However, in some parts, very similar lightings were used. This sort of multi-disciplinary study can be helpful to re-think the interior environment by applying light as a fundamental medium.

• Korean Institute of Interior Design Journal
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• v.26 no.2
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• pp.101-109
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• 2017

The food and beverage spaces of modern industrial society have transformed from a simple space for meals into a space of culture, communication and experience as society becomes more complex and diverse along side economic growth. An interior designer who is rapidly rising on this flow of change is Yukio Hashimoto. While working for interior design firm Super Potato, which highlights food and beverage spaces, he was much affected by the expression methods of representative designer Takashi Sugimoto, who makes use of natural elements. By using these expression methods that make use of natural elements in his own creation of spatial ambience and elements of experience and by adding his own differentiated expression methods, he emphasizes an effective spatial expression for food and beverage spaces. The design characteristics of Yukio Hashimoto's food and beverage spaces are as follows. First natural elements like light and water are recreated as memories of nature after being established through a methodology that allows these elements to penetrate his own thoughts. Second, he pursues a hybrid design through the harmony between past tradition and current expressive techniques. Third, he expresses objets of light through a formative sense of shape expressed with light.. Fourth, he establishes an axis in the interior space by light and structure and endows a strong directionality that induces symmetric characteristics, gaze, and movement.. Fifth, he installs lights at the bottom of weighty materials and expresses a sense of floating by light. Sixth, he uses an illusion technique that makes use of the ambiguity and depth of space resulting from reflecting materials like mirrors. The study hopes that such design expression characteristics of food and beverage spaces can be used as data for interior designers to apply and develop a new design vocabulary.

• The Bulletin of The Korean Astronomical Society
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• v.42 no.1
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• pp.44.3-44.3
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• 2017

We introduce sample light curves of optical transients discovered by the KMTNet Supernoa Program, focusing on their early discoveries and rapid evolutions decoded in the high-cadence observations of the program. For some sources, we also show their spectra obtained either from rapid Target-of-Opportunity follow-up observations immediately after their discoveries or from regularly-scheduled observations. We expect the program to bring unprecedented insights into what is happening during early phases of various types of optical transients, centered on supernovae.

• Korean Institute of Interior Design Journal
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• v.16 no.2 s.61
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• pp.155-162
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• 2007

The purpose of this comparative study is to analyze the characteristics of art museums of Louis I. Kahn. Kahn's main architectural thoughts of 'what it wants to be' and 'how it was done' act as a basis for this research. 'What it wants to be' means the existence of architecture and relates to the concept of 'room'. 'How it was done' shows the tectonic aspects of architecture and construction process to enhance its presence. Detailed items from these two thoughts applied to clarify the order in dynamics, the visualization of construction process, and the relationship between structure and light in the space of Kahn's art museums. Yale university art gallery was the first major project of Kahn and he showed tectonic characters through tetrahedral concrete slab. The unity of structure, space and light can be found in the Kimbell art museum through the vaulted structural unit. Yale center for British art is the best example of the concept of 'room' and 'tectonic' because it clearly shows the unity of spatial and structural system, and their relation to light. As a result, this study tries to find out that Kahn had consistently developed his thoughts of'room' and 'tectonic', and tried to keep them in his art museum designs.

• Korean Institute of Interior Design Journal
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• v.27 no.2
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• pp.196-203
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• 2018

The background of this study was the fact that the religious spaces require sacred space devices in addition to aesthetic aspects. This study began with the definition that 'philosophical phenomenology provides one of the theoretical frameworks for religious phenomenology'. Seeing that 'philosophical phenomenology has limitations in drawing out the characteristics, this study attempted to study religious spaces through the method of specialized and refined religious phenomenology for the religious spaces alone. The purpose of this study was to understand the characteristics of religious spaces and the fact that the religious spaces are divided into 'profane' domains and 'sacred' ones and to analyze the characteristics of space and light in terms of religious phenomenology through Dutch religious architect Dom Hans van der Laan's architectural projects of monasteries. The study method was to present the relationship between space and light in terms of religious phenomenology and to summarize Van der Laan's interpretational method of the religious spaces through the architect's life and architectural philosophy.The conclusion of this study was that Dom Hans van der Laan's entire works were judged to have sufficient research value in studying the religious spaces as they were all created in the special category of 'religion'. With his project, it is possible for us to study 'hierophany' as experience of space and light through the methodology of religious phenomenology. This study has significant meaning in that it introduced an architect of religious spaces and a related new view on architecture.