• 한국콘텐츠학회논문지
• /
• 제18권5호
• /
• pp.545-553
• /
• 2018

최근 여가 문화 비중이 날로 증가하면서 레저 관광 문화에 대한 관심 증대와 동시에 질 높은 문화 향유에 대한 기대치가 높아지고 있다. 초 중 고 자녀들의 견문 넓히기를 위해 주말이면 나들이를 떠나는 인구 비중 역시 문화 향유 기대치와 비례하여 계속 늘고 있는 추세다. 관람객의 주말 가족 단위 여행을 통한 체험은 휴식과 놀이는 물론 교육적인 목적을 포함한 활동이기를 기대한다. 최근 교육 프로그램은 과거 아이들만 현장에 맡기는 탁아형에서 벗어나 부모가 교육 활동에 개입하는 공유형으로 나아가고 있는 추세이며, 가족간 결속과 가족 탄력성이 은연중에 스며들도록 하는 잠재적 교육과정의 실현이 매우 중요해졌다. 교육의 효과는 한순간의 경험으로 끝나는 마침표가 아니라 반복된 훈련과 경험의 연속성을 통해 발현된다. 가족 간의 긴밀한 친화력과 소통, 공감 능력도 마찬가지이다. 가족이 함께 참여할 수 있는 체험과 교육의 기회 제공은 가족해체와 1인 가구 증가에 따른 결속력 회복을 위한 국가차원의 책무이다. 나아가 오늘날 박물관 미술관의 역할이자 의무이며 이를 통해 가족 결속력, 가족 친화력을 북돋을 수 있는 방안을 마련해야 한다. 특히나 교육박물관에서의 교육적 목적 실현을 위한 교육 프로그램 개발과 제공은 필수적이며, 사회적 차원의 '가족을 위한 교육'개발은 필연적이다. 본 고에서는 교육박물관에서의 가족 교육 프로그램 제공을 통한 온가족 참여 교육 결과를 가족 대상 설문과 인터뷰를 통해 분석해보고 보다 적극적인 가족 형태의 교육활성화를 제고하고자 한다.

• 한국가정과교육학회지
• /
• 제28권2호
• /
• pp.79-93
• /
• 2016

본 연구는 중학교 가정과 교과서의 '청소년의 소비 생활' 단원을 지속가능발전교육의 프레임워크(framework)로 분석하여 현재 가정교과의 지속가능발전교육과의 관련성을 살펴보고, 향후 미래지향적 관점으로 지속가능한 삶을 영위할 수 있는 역량을 키울 수 있는 교육과정 구성과 교육내용 선정을 위한 기초자료를 제공하는데 그 목적이 있다. 본 연구의 분석 대상은 12종 2009 개정 교육과정의 가정교과서 중 '청소년의 소비 생활' 단원이다. 분석방법은 Romey의 내용분석법을 사용하여 ESD 내용요소를 심층적으로 분석하였다. 분석 결과 첫째, '청소년의 소비 생활' 단원에서 공통으로 추출된 내용요소들을 지속가능발전교육(ESD)의 분석준거(환경적, 경제적, 사회적 영역)로 분석한 결과 23개의 관련 주제에 따른 하위 내용요소들로 구성되었다. 둘째, 중학교 12종 가정교과서의 '청소년의 소비 생활' 단원 내용요소를 지속가능발전교육(ESD)의 세 영역으로 분석한 결과, 사회적 영역(68%), 경제적 영역(58%), 환경적 영역(40%) 순으로 나타났다. 이는 2009 개정 교육과정에서 제시하고 있는 청소년 소비자의 역할이 주체적인 소비자에 중점을 두었고, 이와 관련된 내용들이 인간의 안전, 소비문화, 사회적 관심, 단체를 조직하고 활동할 권리 등과 상당히 관련이 있다고 볼 수 있다.

• 한국실내디자인학회논문집
• /
• 제24권6호
• /
• pp.79-86
• /
• 2015

This study started from the concern for Bjrake Ingels, an emerging architect in the architecture circle, who is creative and popular. Recently, the architecture field provides architects with a foundation to express a process on a new form creation through various new expressive languages, design concepts, and methods. The global Danish group BIG(Bjarke Ingels Group) develops a story by their distinctive architectural language. The storytelling is being used in various fields and now the tool called 'story' is settling down as an important element in the life that human lives. Bjarke Ingels leading the group BIG aims for the form expression by the scientific analysis and adaptation after being affected by Danish regional background and OMA. It creates a form to share stories with local members by visually simplifying the region, culture, environment, social phenomenon, economy, and politics that are invisible and do not have the form in the modern society. The elements and expressive features of the space storytelling include locality, cultural, natural environment, and connectivity which are the content structure(story) that enables you to intervene in the story according to the main agent to imagine a new space. The expressive element includes the watching moving line story of the successive, hierarchical, and organic structures which are constructive elements creating various spaces through the mixture, transmutability, and relocation of the program and inducing users to the space. The space storytelling is composed of the symbolism, community, and eco-friendliness to appear diversely through BIG's case analysis. This study will have significance that it drew a method and feature looked at by many contemporary architects from the storytelling viewpoint in the form-creating process, classified the form-creating process through a new storytelling type, and showed a possibility on the development of various methodologies.

• 생물정신의학
• /
• 제22권1호
• /
• pp.1-6
• /
• 2015

Suicide, the fourth leading cause of death in Korea, is a serious national problem. The Korea National Suicide Survey (KNSS) is the result of the first legislation to address this issue, "Article 11 of THE ACT FOR THE PREVENTION OF SUICIDE AND THE CREATION OF A CULTURE OF RESPECT FOR LIFE" (the "Act for the Prevention of Suicide"). To overcome the limitations of previous studies, the KNSS was designed by collaborators from a variety of fields : psychology, epidemiology, social welfare, and psychiatry. The KNSS was composed of four substudies that addressed the multifaceted process involved in suicide-related behavior over time, exploring general attitudes toward suicide and suicidal ideation, suicide planning, suicide attempts, and completed suicides. Study 1 examined the risk factors for suicide based on data regarding completed suicides ; Study 2 adopted the approach of a psychological autopsy ; Study 3 focused on suicide attempters ; and Study 4 explored attitudes toward suicide in the general population. The KNSS was designed to provide a comprehensive understanding of suicide from a longitudinal, multifaceted perspective to serve as a basis for policies aimed at suicide prevention.

• 한국산학기술학회논문지
• /
• 제21권9호
• /
• pp.310-320
• /
• 2020

방탄소년단(BTS)은 전 세계 주류 음악 시장에서 한국의 대중음악을 선도하는 그룹으로 자리매김하고 있으며, BTS가 선보이는 다채로운 패션 스타일은 해외 매체나 대중들의 쇼셜 네트워크에 집중 조명될 정도로 큰 관심을 받고 있다. 본 연구는 BTS의 패션 스타일의 분석을 토대로 그들의 패션 경향을 파악하는데 목적이 있다. 연구방법 및 범위는 BTS 및 BTS의 패션이 미치는 영향력에 관련된 이론적 연구와 함께 최근 5년간 방탄소년단의 이미지 자료를 토대로 한 내용 분석 연구를 병행하였다. 본 연구의 결과는 다음과 같다. 첫째, 직선적인 실루엣이 강조된 슈트, 무채색의 활용, 간소화된 장식을 통하여 클래식하면서도 모던한 스타일을 추구하는 것으로 나타났다. 둘째, 둥근 어깨선이 강조된 봄버 재킷, 톤 다운된 스키니 진, 후드 티셔츠, 레터링 패턴, 비비드한 색상을 매치하여 자유분방하고 편안한 감성의 캐주얼 스타일을 선호하고 있는 것으로 나타났다. 셋째, 슬리브리스의 베스킷볼 셔츠, 라운드 네크라인의 베이스볼 셔츠와 반바지, 트레이닝팬츠, 레터링 패턴이 강조된 오버핏 맨투맨을 활용하여 역동적이고 활동적인 스포티한 스타일을 추구하는 것으로 나타났다.

• 한국가구학회지
• /
• 제22권3호
• /
• pp.160-173
• /
• 2011

Increased internet use under a ubiquitous environment may be called as a great human information space revolution followed by Industrial Revolution. This revolution is exerting its significant influence over all the industry as a whole with speed faster than that of any other times. Along with this trend, if furniture design field that leads living culture should fail to jump on this main stream without noticing it, it may be reduced to a unpopular field some day without any sign of recovery. Under this background, this study is intended to recognize a goal aiming at understanding our rapidly changing living environment and leading our way positively. Currently, our surrounding living environment is immersed in computers here and there and Mark Weiser once defined a system that moves in advance before an action as ubiquitous computing and in this respect, I am going to observe a detailed transformation process of space. First nature of the space may be defined as atoms, a physical space equivalent to a spatial element and Bits space that is untouchable is usually called as 2nd space and a combination of atoms and Bits is an intelligent space - 3rd space - that can be intelligible without touching it and finally, this space is called as a ubiquitous space. This spatial transformation is developed by several changes of living environment and we may call it as living trend or interior design trend. Transformation in terms of social perspective, space structural perspective and digital technique perspective may be enumerated. These transformations were surveyed based on its contents being implemented at a future housing exhibition hosted by 5 construction companies along with fusion of information furniture and furniture depending on each housing space. In conclusion, it could be realized that most of the companies were decorating future space by implementing ubiquitous environment as a success factor of future housing market. It may be meaningful to note once again that under an interior environment, a fusion of furniture and information furniture is required considering interior trend elements.

• 비교문화연구
• /
• 제34권
• /
• pp.201-236
• /
• 2014

Juan $Mars{\acute{e}}$ was born in 1933 in Barcelona. Being the son of a City cleaner, he was able to watch, from a very early age, all the films he desired, as many times as he wished. This privilege meant a great help in future years, when having to develop the plots and characters of his works. In his last (latest) novel, Caligrafía de los $sue{\tilde{n}}os$, published in 2011, as he has done in his previous works he uses a cinematographic frame again. The explicit references to Hollywood's Golden Age -such as John Ford's Stagecoach and Cecil B. DeMiller's The Plainsman- bring very specific and vivid images to the reader's mind, leading to clear physical and psychological associations. The aim is achieved: the reader's attention is caught immediately. However, characters, plot and cinematographic structures are actually distracting mirages. They make the reader expect a predictable ending which, in fact, will be very different. Therefore, the surprised reader must step back, in order to approach the main topics of the novel from a certain distance. Doing so, he's following the Theory of the Distancing Effect. He becomes aware of the need of a new perspective on social problems that he had considered as familiar justo a few moments before. Thus, he is getting prepared for a more objective interpretation, such as the futility of war and the ideological differences that led to the (Spanich) Civil War and all its devastationg effects.

• 한국프랜차이즈경영연구
• /
• 제11권3호
• /
• pp.19-26
• /
• 2020

Purpose: The old axion to put the customers first (e.g., customers are king, customers are always right) has been taken for granted in the service sector. In addition, many companies in South Korea are providing customer-first education for employees at their contact points to strengthen their competitiveness. However, excessive increase in the psychological power of the customer can lead to a problem of abuse of power, called 'Gap-jil.' Despite these concerns, most companies hardly discard policies to give high priority to customers because of the assumption that it enhances customer satisfaction leading to organizational performance. However, in recent years, some franchise catering companies have posted warnings about the abuse of power by customers, and a movement to pursue a power-balancing between service providers and their customers is spreading. Research design, data, and methodology: This research is conducted to reconsider the principle of the customer-first perspective and to create a basis for arguments that can solve the problem of abuse of power, which is recognized as a serious social problem. In this research, we test and analyze the effect of customers' psychological power in the context of a restaurant on expectation for service and response to service failure. Result: The result of an experimental study shows that the effect of psychological power on customer satisfaction can be somewhat negative. Also, customers with high psychological power are more likely to have high service expectations. Especially high psychological power of customers causes a difference in the expectation level of human factors such as employee attitude, while the difference in expectations of non-human factors such as restaurant atmosphere was not statistically significant. In addition, when customers with high psychological power encounter service failure situation, they are more likely to feel disappointment and regret with a service provider. Meanwhile, the effect of psychological power on complaining behaviors are not significant. Conclusions: The findings of this research provide meaningful implications that the service providers should reconsider their existing corporate culture and management policies that put customers first. In addition, the result of this research is provided meaningful opportunities to review the management philosophy for the company's customers and the education philosophy for the employee education.

• International Journal of Computer Science & Network Security
• /
• 제21권4호
• /
• pp.229-240
• /
• 2021

The article seeks to explore Ukrainian media art and its features in a global context. In particular, it performs an in-depth analysis of the stages of its development from video art of the 1990s, media installations of the 2000s, and to various digital and VR technologies today. Due to historical circumstances, the development of media art was quite rapid, as young artists sought to gain new experience in media art. Most often, their experience was broadened through international cooperation and studying abroad. The paper analyzes the presentation of Ukrainian media art outside the country during 1993-2020 and distinguishes the main thematic areas of the artists' work. It examines how artists present and reveal the peculiarities of the Ukrainian worldview, aesthetics, and culture through the problematization of certain aspects and themes in their work. Specifically, among the principal topics which are problematized in the work of media artists are a sensory experience, limited sensory capabilities, gender issues, the Chernobyl tragedy, the development of utopian models of the city, and global communication. The leading themes of Ukrainian artists also include revolution and war. Notably, political and social sentiments determine the unique energy and vitality of contemporary Ukrainian art, create a revolutionary creative environment, and unite media artists in group art projects. It is concluded that by showing, exhibiting, and presenting them outside the country, artists shape the image of Ukrainian art in a global context.

• 한국의류학회지
• /
• 제46권5호
• /
• pp.848-867
• /
• 2022

As an emerging market with rapid economic growth, while being a key region of the K-culture expansion, Vietnam draws increasing scientific attention. This study focuses on the MZ generation, Vietnam's leading consumer group, revealing their consumption value structure. An online survey was used for data collection purposes, investigating 368 Vietnamese consumers between 18-37 years of age. Six value dimensions were derived as results of the present analysis: functional, emotional, social, ethical, self-expression, and autonomy-oriented value. Among them, functional value includes two sub-dimensions of utility and price, while emotional value entails three sub-dimensions, namely hedonism, novelty, and aesthetics. 'Self-expression value' and 'autonomy-oriented value', reflecting the characteristics of the MZ generation, who actively express themselves and respect proactive decision-making, are becoming important standards of the consumption attitude of young Vietnamese. Moreover, the pursuit of 'novelty' was derived as a factor reflecting emotional values, revealing an association between hedonic consumption, and seeking for newness and difference. Furthermore, the relationships between each consumption value dimension, respective demographic characteristics, and global consumption propensity were investigated. The present findings aim to provide insights into young Vietnamese consumers' attitudes and intend to serve as a foundation for future research.