• 아동학회지
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• 제23권5호
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• pp.19-34
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• 2002

This study explored the relationship between language and play of 42 infants(21 boys and 21 girls) from 13 months to 23 months old and examined how their maternal language and play were related to the infants' language and play. The play of infant-mother and maternal language were videotaped at home. The MacArthur Communicative Development Inventory-Korean(MCDI-K; Fenson, 1991; Pae, 1993) was used to measure infant's language. The score of the infants' receptive language was higher than that of expressive language. Mean level of the infant's play was in the relational play, that is, he/she integrated two or more toys in an inappropriate manner during the play. There was no significant sex difference in the total language scores and in their play. The development of the infant's language was positively correlated with the infant's play level. The maternal language and play were positively correlated with the infant's language and play development.

• Human Ecology Research
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• 제51권4호
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• pp.395-401
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• 2013

The purpose of this study is to investigate the moderating effects of language abilities associated with between emotionality, attention deficit hyperactivity disorder (ADHD) and peer play interactions. Two hundred fifty-two participants were 3 year olds, with 136 boys and 116 girls. They were recruited from day care centers and preschools in Gyunggi province and Incheon city. Peer play interaction was assessed by the Penn Interactive Peer Play Scale (PIPPS). Emotionality was measured by Child Behavior Questionnaire (CBQ). ADHD was assessed by teacher ratings of ADHD syndrome. Language abilities were measured by Korean Wechsler Preschool and Primary Scale of Intelligence (K-WPPSI). Teachers completed questionnaires to assess peer play interactions, emotionality, ADHD. The results revealed that language abilities moderated relationships between emotionality and play in isolation. The magnitude of associations between emotionality and play in isolation was greater for high levels of language abilities. Moreover, there were moderating effects of language abilities associated between ADHD and play disruptions. Although ADHD was significantly associated with play disruptions, the association was stronger at the higher levels than the low levels of language abilities. It can be deduced that language abilities of 3 year old children affects the protection factor between emotionality and peer play isolation; whilst, it affects the risk factor on peer play disruptions and ADHD propensity.

• 영어어문교육
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• 제11권1호
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• pp.203-224
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• 2005

The purpose of this study is to justify the effects of role play with respect to speaking and listening functions and to provide the strategic methodology for improving English communicative competence of fifth grade primary school students. We can expand role play as a strategic teaching method to develop English learning models, so that English can be more easily acquired to the students who are in the critical language acquisition period. Strategic role play reflects the events and experiences of many kinds of people in everyday life. It is suggested that one of the best methods to improve English communicative competence in the primary classroom is through role play. Students can develop meaning for language patterns by portraying situations in which these instances in language would be used. This study proposes to facilitate English communicative ability using various student-centered role play strategies. It is concluded that the student-centered activities using strategic role play help the students to improve their English communicative competence. This is done by deriving their own creative dialogues and presenting the role play with their interests in learning English and with subsequently positive learning effects.

• 한국엔터테인먼트산업학회논문지
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• 제13권4호
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• pp.157-164
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• 2019

드라마 연극이 희곡 텍스트를 무대 위에 재현하는데 관심을 두고 있다면, 포스트드라마 연극은 희곡 텍스트로부터 해방된 연극을 지향한다. 이 과정에서 드라마 연극이 만들어놓은 여러 경계들이 해체된다. 배우와 관객, 허구와 현실, 연극과 비연극, 작품과 사건, 언어와 비언어 등이 대표적인 경계의 이름이다. 이러한 경계의 해체는 드라마 연극에 의해서 잊혀졌던 고대 그리스 연극의 축제적 성격을 복원하는 계기가 된다. 이것은 아리스토텔레스 이래로 연극을 지배하였던 언어중심주의, 희곡중심주의를 해체하고 새로운 연극을 지향하게 한다. 언어중심주의, 희곡중심주의가 연극의 위기를 자초했다면, 포스트드라마 연극은 그것들을 해체함으로써 새로운 문화콘텐츠로서 관객과 소통하는 방법을 찾게 한다. 그 방법은 무엇보다 연극성의 회복에서 발견된다. 드라마 연극이 연극성보다 문학성에 종속된 것에 비해서 포스트드라마 연극은 문학성으로부터 해방된 연극성을 지향하고 있기 때문이다. 연극성이 강화된 포스트드라마 연극의 탈경계적 성격은 대중성 획득의 발판이 될 것이며, 이는 포스트드라마 연극의 문화콘텐츠로서의 가능성을 보여준다.

• 영어영문학
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• 제55권4호
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• pp.539-565
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• 2009

T. S. Eliot attempted the combining of the liturgy of Anglican Church and a drama in Murder in the Cathedral (1935) and created a modern verse drama which comes most close to the regular tragedy like Greek tragedy today. Eliot chose the drama to deliver his religious insight because of its ritualistic origin and its potentiality to deliver a dramatic world which can contain a complete order. The central theme of this play is the martyrdom. The dramatic action of killing the archbishop Thomas Beckett in this play, however, is not treated as important event enough to be a dramatic climax. He is portrayed as a witness to the reality of God's will rather than a man who wills to give up his own life for any religious belief or cause. In Eliot, a martyr is nothing but "a witness" in its ancient sense. This paper purposes to review the language of this play. The various and new meters and rhythms of the language of this play function enough to bring its playwright to encounter 'the real audience' in 'a living theatre'. The interactions between different verbal models also play a big role to make this play a living theatre. Eliot found the poetry which crosses the various classes and levels of the tastes of audience is the most useful poetry. And the poetry of this play proves as the very thing which intensifies the theme of the play and gives the most powerful force to the play. Especially Eliot's poetry succeeds smost in the various and free meters of chorus, which makes Eliot the first playwright since Aeschylus, who could bring the chorus to undertake the function of extending the dramatic action of the play into the universal meaning. In the theatre the real audience identifies themselves with chorus. And the chorus leads the audience to respond to peace which passeth understanding beyond words and sounds of this play, which is the desired response in Eliot's conception of drama.

• 아동학회지
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• 제21권4호
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• pp.259-274
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• 2000

The subjects of this study on the effects of teacher intervention in sociodramatic plays were 54 five-year-old children from 2 public kindergartens in C city. Socioeconomic stasus and, aside from teacher interventions, educational procedures were the same for both the experimental group(28 subjects) and the control (26 subjects) groups in both schools. Instruments were the Social Play Rating Scale(Smilansky & Shefatya, 1990), Social Situations Measure(McGinnis & Goldstein, 1990), and Language Ability Test(Chang, 1981). Procedures included pretest, 14 weeks treatments and post-test. Data were analyzed by t-test. Results indicated significant differences in social play levels between the experimental and control groups, (b) including differences in such general social skills as emotional control and relationships with others. There were also differences in language ability, including such subordinates as language understanding and expressive abilities.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2007년도 춘계학술대회 논문집
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• pp.176-180
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• 2007

The stage space in theatre for the performance of a play requires two aspects of the physical space for a play and the image as the background or the theme of a play. This research focuses on the scene design that creates the background or the theme of a play and communicates it to the audience. The scene design is composed of various design elements of space and objects as the properties of a play. Design elements and the objects are the design languages in various form; plane, three-dimensional, multi-dimensional form. These design language have the significant meaning as a sign like human language. The scene design is completed with rhetorical expression for communication in theatre. This research defines the category of meaning that design elements of scene design can create and the rhetorical expression of the scene design language. King Lear directed by Robert G. Anderson was analyzed with the category of design elements as a sign and the pattern of the rhetorical expression. The scene design for a play is completed effectively by the rhetorical expression of design elements as the design language for communication with the audience in theatre.

• 아동학회지
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• 제31권2호
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• pp.35-52
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• 2010

The purpose of this study is to examine the factors that are associated with a child's development within a multi-cultural family, taking into account the factors that influence the child's language ability and their play interactions with their mothers. First, there was no significant difference in the children's language ability based on the child's gender, or based on the language in which the mother communicated with her children. However there were significant differences depending on the children's age, the mother's native country, and the period of time the mother had lived in Korea. Second, there was no significant difference in the child-mother play interaction based on the children's age, gender, the mother's native country, the period of time the mother has lived in Korea, or the language in which the mother communicated with her children. However, the boys showed a more hostile attitude toward their mothers, in comparison to the girls. In conclusion, it can be said that there is an urgent need for comprehensive social support services and policies for the overall development of multi-cultural children, especially through programs for children and mothers.

• 한국산학기술학회논문지
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• 제14권12호
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• pp.6125-6132
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• 2013

본 연구목적은 사회적언어 사용과 거친 신체놀이의 관계를 알아봄으로써 사회적언어를 활용하여 거친 신체놀이를 증진시킬 수 있는 프로그램 개발을 위한 기초자료를 제공하는 것이다. 연구문제는 첫째, 유아의 사회적언어 사용과 거친 신체놀이는 어떠한 관계가 있는가? 둘째, 유아의 사회적언어 사용은 거친 신체놀이에 어떠한 영향을 미치는가? 연구대상은 충남 N시의 유아 90명이며 평균 78개월이었다. 연구결과는 첫째, 거친 신체놀이 전체는 사회적언어의 하위영역인 제안, 평가, 주의집중, 차례지정, 경고, 명령과 정적상관이 나타났다. 다만 달리기와 거부는 부적상관이 나타났다. 둘째, 유아의 거친 신체놀이 중 유아의 도망가기 놀이에는 경고, 명령의 사회적언어, 놀리기는 평가, 명령의 사회적언어, 밀고 당기기의 놀이는 명령, 승낙, 추정의 사회적언어가 정적영향력이 있었으며 행위요구는 부적영향이 나타났다. 치기 찌르기의 놀이는 개인적 요망, 주장과 정적영향, 넘어지기는 제안, 명령이 정적영향이 있었으며 거부는 부적영향이 나타났다. 잡기는 제안, 주의집중이 정적영향이 나타났으며 행위요구는 부적영향이 나타났다. 달려들기는 경고가 정적 영향력이 있었으나 거부는 부적영향이 나타났다. 몰래다가가 놀래키기는 예절표시가 정적 영향을 미치는 것으로 나타났다. 유아들이 사회적 관계를 형성할 수 있는 거친 신체놀이를 위해서는 사회적언어 사용 전략을 활용한 프로그램이 개발 되어야 할 것이다.

• 한국정보과학회 언어공학연구회:학술대회논문집(한글 및 한국어 정보처리)
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• 한국정보과학회언어공학연구회 2021년도 제33회 한글 및 한국어 정보처리 학술대회
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• pp.433-438
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• 2021

대화 시스템은 크게 사용자와 시스템이 특정 목적 혹은 자유 주제에 대해 대화를 진행하는 것으로 구분된다. 최근 자유주제 대화 시스템(Open-Domain Dialogue System)에 대한 연구가 활발히 진행됨에 따라 자유 주제를 기반으로 하는 상담 대화, 일상 대화 시스템의 독성 발화 제어 생성에 대한 연구의 중요성이 더욱 커지고 있다. 이에 본 논문에서는 대화 모델의 독성 응답 생성을 제어하기 위해 일상 대화 데이터셋으로 학습된 BART 모델에 Plug-and-Play Language Model 방법을 적용한다. 공개된 독성 대화 분류 데이터셋으로 학습된 독성 응답 분류기를 PPLM의 어트리뷰트(Attribute) 모델로 활용하여 대화 모델의 독성 응답 생성을 감소시키고 그 차이를 실험을 통해 정량적으로 비교한다. 실험 결과 어트리뷰트 모델을 활용한 모든 실험에서 독성 응답 생성이 감소함을 확인하였다.