• 한국조경학회지
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• 제46권3호
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• pp.79-91
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• 2018

본 연구의 목적은 건축주, 공무원, 전문가를 대상으로 한 인식조사를 통해 대지의 조경 제도에 대한 인식 차이와 개선방안을 제시하는 것이다. 주요 연구 결과는 다음과 같다. 첫째, 세 집단 모두 도시녹지 확보의 필요성을 높게 인식하고 있다. 사적재산권을 제한하더라도 공공 편익을 위해 녹지를 확보해야 한다는 인식수준이 높게 나타났다. 대지의 조경 제도에 대한 관심 수준 역시 보통 이상으로 조사되었다. 둘째, 건축주 집단을 포함해 설문 응답자들은 현재보다 대지의 조경 면적 기준을 강화할 필요성이 있다고 응답하였다. 이를 통해 최근 많은 지자체에서 건축조례 개정을 통해 대지의 조경 면적 기준을 완화하는 것을 재검토할 필요성이 있음을 알 수 있다. 셋째, 대다수의 지자체는 대지의 조경 업무를 추진할 수 있는 조직체계가 갖추어져 있지 않다. 조경 설계 및 유지 관리 전문분야 공무원을 신규 채용하거나, 관련 부서와의 협의를 확대하는 것이 필요하다. 넷째, 건축주들은 조경에 관심은 있지만 구체적인 관리 방법을 알지 못해 조경 공간을 방치하고 있다. 지자체는 건축주들이 쉽게 따라할 수 있는 건축물 조경 설계 및 시공방법을 안내하고, 수목 등을 지원함으로써 지역주민들의 자발적인 조경 공간 관리를 활성화할 필요성이 있다. 다섯째, 건축물 조경 제도 개선을 위해서는 우선 대지의 조경의 효과 검증과 공감대 확산이 필요한 것으로 나타났다. 정부 차원에서는 도시재생사업 등과 연계해 건축주들이 조경 공간의 가치를 인식할 수 있도록 우수 조경 설치 사례를 시범사업 등을 통해 제시할 필요성이 있다.

• 조명전기설비학회논문지
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• 제29권3호
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• pp.8-21
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• 2015

Technology for electric lighting has been evolving from Incandescent Lamp(IL) through Fluorescent Lamp(FL) and currently to Solid State Lighting(SSL) such as LED for more than 130 years of time. However, it took more than 100 years until the transition from IL to FL across overall society. That is because the transition is the Socio-Technical Transition(STT) which involves various social elements. This study investigated and analyzed the theories regarding STT, and applied the Multi-Level Perspective(MLP) theory to the case of electric lighting. A qualitative contents analysis was used with secondary data as research method, and the analyzed result was visualized based on the frame of MLP theory. The STT of electric lighting from IL to FL took place as the order of Technical Niche, Socio-Technical Regime and Landscape. Specifically, in Technical Niche level: Establishing Market Niche, Price-Performance Improvement, Learning Process and Support of Powerful Group took place. In Socio-Technical Regime level: Changes in Social Network, Changes in Technology and Changes in Rules. In Landscape level: Macro-Political Development, Socio-Economic Trends and Macro-Economic Trends took place in consecutive order.

• 한국조경학회지
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• 제27권5호
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• pp.120-129
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• 2000

This main study was the subject of the play facilities of children picnicking place which was installed in apartment complex. As to the production period of the facilities, the materiality and the materials of the play facilities, we examined the safety estimation about them. And we drew up a plan which could build and manage the children play facilities improved the better. According to the installation place, the result of safety estimation, the safety of play facilities in Ga-Kyeong-dong apartment complex which built up after 1997 years was the most excellent, the play facilities of Sa-Gik-Dong apartment Complex which built long ago have showed even poorer in all items of safety estimation. According to the materiality of play facilities, though the safety of association play rod in the safety estimation was the most excellent, the safety of swing was the very poor. According to the materiality of materials, the association of wood, stainless in the safety estimation was the safest. Especially, even though wood is soft and kind materials, as it has a shortcoming, the practical use depreciates. If iron materials like stainless associates with wood, we have thought that they have the good effect of the practical use. We have judged that the distance of contiguity facilities and the safety of corrosion or rottenness within the item of safety estimation as a subordination variable were the poorest. The arrangement of play facilities and the selection of materials happened to these problems. And we have known that they should get accomplished the construction work to make a plan thoroughly from it early.

• 한국전통조경학회지
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• 제31권3호
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• pp.25-37
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• 2013

제주 귤림서원의 후신(後身)이자 사묘(祀廟)인 오현단의 연혁과 변천과정의 고찰을 통해 이곳에 담긴 장소성을 파악하는 한편, 건축물과 시설, 바위글씨, 현존식생 등 문화경관요소의 현황과 문제점을 조사 분석함으로써 제주의 성지이자 기념물인 오현단의 본질을 강화하기 위한 관리방안을 도출하고자 한 본 연구의 결과를 요약하면 다음과 같다. 오현단은 제주도 유일의 사액서원이었던 '귤림서원 터'였다는 장소성이 강조되고 있으며, 한편으로는 제주 유배문화의 상징적인 공간인 점에도 주목된다. '귤림서원'이란 당호(堂號)에서 유추되듯이 도처에 위요되었던 과원(果園)들은 과거 오현단의 장소성을 보여주는 대표적 조망경관 요소이다. 오현단의 핵심시설이며 오현의 위패를 상징하는 조두석(俎豆石)은 흔한 돌로 제단을 두른 뒤 토막돌을 세우고, 담을 둘러 정제된 장소를 만들었다. 이 절제와 검약은 성리학의 기본정신이고, 또한 제주의 조냥정신에 맞닿아 있는 것으로 판단된다. 이에 따라 오현단의 진정성을 역행하는 제주향로당과 다수의 비각 등 과설계되거나 장소성에 걸맞지 않는 시설은 적극 배제함으로써 오현단의 본질을 되찾기 위한 실천 플랜이 필요하다. 한편, 조두석은 물론 병풍바위에 새긴 '증주벽립'과 '광풍대' 바위글씨 그리고 유천석 등은 오현의 정신 및 성리학적 가르침을 잘 보여주는 상징경관이자 제주에 뿌리내린 유가적(儒家的) 흔적으로 오현단의 장소 본질과 일치하는 문화경관이라 판단됨에 따라 적극적인 보존과 홍보대책이 요망된다. 이와 함께 경내에 잔존하는 소나무를 비롯하여 곰솔, 굴참나무, 팽나무, 느티나무 그리고 검양옻나무 등 노거수 등은 오현단의 성스러움과 기념물적 가치를 상승시키는 경관요소이지만, 토지이용 변천과정에서 다수 고사 및 제거된 것으로 판단됨에 따라 지금이라도 고유번호를 부여하는 등 철저한 개체목 관리가 필요한 것으로 보인다. 더불어 귤림서원이 갖는 입지성을 강화하기 위한 방안으로 이설지 및 공한지에 귤림을 조성하는 방안이 검토되어야 할 것으로 본다.

• 한국환경복원기술학회지
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• 제20권6호
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• pp.21-33
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• 2017

The purpose of this study is to find out that it can be provided as a basic data to increase the satisfaction with users in the placement and creation of the Green Buffer Zone. In this study, the research was started on the Green Buffer Zone in Gwanggyo new town, which was rebuilt as the zone to use according to the change of legal installation standard of the zone. The subject of this study is the Green Buffer Zone in Gwanggyo new town, which is expected to be completed in step 4 of 2016. As a result of analysing the location and use characteristics of the Green Buffer Zone, the following conclusions were made. First of all, it is categorized into two categories by Buffering / disaster prevention type and land to use adjustment type. Second, the buffer space of commercial space and housing is satisfying, but in commercial space, there is a need for a cushioning function and housing spaces require improvements in the functioning of the landscape. Third, the function of the Green Buffer Zone resets to cushioning function, disaster prevention function, landscape function, utilization function. and The installation criteria are proposed to environmental pollution, noise abatement, and planting trees, etc. Lastly, the future utilization plan considering the location and use characteristics of the Green Buffer Zone is as follows. In the planning stage, preference is given to the characteristics of use of arranging green facility. It is necessary to manage the planned facilities as much as possible by changing them if necessary. Construction stage, it restrictively reflects landscaping facilities within the Green Buffer Zone function. After stage, This study will prioritize the target areas and select necessary areas and need to make efforts to prevent indiscriminate greenery encroachment.

• 미술이론과 현장
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• 제13호
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• pp.185-213
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• 2012

Charles Stankievech's 2011 installation LOVELAND includes a wall-sized screen depicting video footage of a barren arctic landscape in an enclosed room, painted and bathed in white light, that appears as an extension of the imaged environment. A melodic and industrial musical score emanates from multiple sound panels and as the music increases a cloud of purple smoke becomes visible on the horizon line in the distance and gradually advances toward the viewer until it completely fills the screen. The smoke then remains, rushing about madly and lapping at the border between the screen and the room before it suddenly subsides and the spectator is again left with the desolate landscape. The entire process takes a mere five minutes and then, fixed on an endless loop, begins again. This paper positions LOVELAND as an attempt to simulate a sublime experience of the end of the world through a transposition of the Arctic atmosphere into the gallery space. Encompassing a discussion of the historical and contemporary significance of the Arctic in popular culture, aesthetics and environmental politics, it is suggested that Stankievech employs an apocalyptic trope in reference to the unstable position of the North in the current political and ecological climate. Revisiting critiques of modernist exhibition practices and investigating the perceptual and temporal dimensions of the work, this analysis focuses primarily on the experience of the installation's spectator. Visually, aurally and phenomenologically immersed, the viewer is made subject to, and implicated in, the events unfolding on the screen and within the space. Due to the looping of the video footage, this paper argues that the apocalypse imaged in LOVELAND is presented as an endless event - incessantly enacted, yet infinitely deferred - and that the spectator is enveloped in an uncertain and unceasingly extended present moment.

• 한국조경학회지
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• 제45권6호
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• pp.137-148
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• 2017

본 연구는 바람직한 도시재생 방안으로서 지역 주민의 의견을 수렴 분석하고, 골목환경의 개선방안을 제시하고자 대구광역시 비산 2 3동 골목정원 조성지역의 주민을 대상으로 설문조사를 실시하였다. 연구결과를 살펴보면, 골목정원 구성요소의 중요도 및 만족도 분석에서는 '조명시설 설치', '하수 및 쓰레기 처리', 'CCTV 설치' 등 안전하고 청결한 환경과 관련된 항목들이 높은 중요도 값을 가지며, '조명시설 설치', '초화류의 양', '초화류의 종류' 등 주거환경 개선사업의 시행과 골목정원 조성으로 개선된 항목들의 만족도가 높은 것으로 분석되었다. IPA 분석결과, '빈집 정비', '벤치, 파고라 등 휴게시설', '주민교류 공간', '공용주차장' 등의 항목들이 중요도는 높지만 만족도가 낮아 중점개선이 필요한 항목으로 나타났다. 다음으로 요인분석을 통해서 골목정원 구성요소들이 '안전 및 청결성', '녹음성', '미관정비', '교류 및 편의시설' 등 4개 요인으로 유형화되었다. 이를 토대로 4개 요인이 전체 만족도에 미치는 영향을 회귀분석한 결과, 4개의 요인 모두 전체 만족도에 유의미한 영향력을 가지며, '미관정비'와 '안전 및 청결성'이 각각 0.274, 0.235로 영향력이 큰 것으로 나타났다. 따라서 골목환경 개선을 위해서는 주민교류 공간 및 휴게시설 설치가 우선적으로 필요할 것으로 판단된다. 또한, 골목환경의 전체 만족도를 높이기 위해 조형물 설치, 벽화 그리기 등과 같은 활동에 주민 참여를 유도하고, 안전벨, 범죄예방, 환경설계 등의 도입과 골목미화 활동이 필요할 것으로 사료된다.

• 농촌계획
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• 제30권1호
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• pp.15-31
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• 2024

The study primarily aims to examine the characteristics of the transition from natural landscape to modern agricultural landscape on the Daesan plain in Dong-myeon, Changwon-si, in the lower reaches of the Nakdong River. The periods covered in the transition include the late Joseon Dynasty, the early Japanese colonial period, and the late Japanese colonial period. The study concluded the following: It was found that the Daesan Plain used to function as a hydrophilic landscape before it formed into a rural landscape. This is characterized by the various water resources in the Plain, primarily by the Nakdong River, with its back marsh tributaries, the Junam Reservoir and Jucheon. To achieve its recent form, the Daesan Plain was subjected to human trial and error. Through installation of irrigation facilities such as embankments and sluices, the irregularly-shaped wetlands were transformed into large-scale farmlands while the same irrigation facilities underwent constant renovation to permanently stabilize the rural landscape. These processes of transformation were similarly a product of typical colonial expropriation. During the Japanese colonial period, Japanese capitalists initiated the construction of private farms which led to the national land development policy by the Governor-General of Korea. These landscape changes are indicative of resource capitalism depicted by the expansion of agricultural production value by the application of resource capital to undeveloped natural space for economic viability. As a result, the hierarchical structure was magnified resulting to the exacerbation of community and economic structural imbalances which presents an alternative yet related perspective to the evolution of landscapes during the Japanese colonial period. In addition, considering Daesan Plain's vulnerability to changing weather conditions, natural processes have also been a factor to its landscape transformation. Such occurrences endanger the sustainability of the area as when floods inundate cultivated lands and render them unstable, endangering residents, as well as the harvests. In conclusion, the Daesan Plain originally took the form of a hydrophilic landscape and started significantly evolving into a rural landscape since the Japanese colonial period. Human-induced land development and geophysical processes significantly impacted this transformation which also exemplifies the several ways of how undeveloped natural landscapes turn into mechanized and capitalized rural landscapes by colonial resource capitalism and development policies.

• Journal of the Korean Institute of Landscape Architecture International Edition
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• 제1호
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• pp.167-175
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• 2001

After World War II, Japan experienced a great political and social shift, which brought a concern of emerging public landscape in urban development. This paper analyses the management of the aesthetic intentions in urban design effort. We reviewed the development of various public installation of artworks concerning urban landscape aesthetics through its administrative process in chronological order. The monuments during the first decade marked a shift in emphasis from the militarism of the pre-war and wartime period to one of peace. However, some of the monuments and sculptures are not immune to controversy. This became an issue that could no be ignored by public officials whose responsibility was to place the sculptures while maintaining sensitivity to public opinion. As public administrators began to consider the possibility that sculptures may contribute to improving public amenities, the contextual concepts were basically ignored. Some of the programs in 1970s began to show more respect to the context, while other programs in this period expressed more interest in educational aspects of sculptures in the public spaces. Urban development projects also seek to introduce artworks integrated to their urban design concepts in 1990s. Generally, the administrators responsible for these programs were rarely trained in any relative field study other than public administration. Installing sculptures tended to be considered as part of public works projects on the level of urban planning and construction. The general public is basically removed from participating in the critical decisions that actually impact their lives in relation to the artworks. In conclusion, public art in japan has unique social and historic background both in its advantages and disadvantages. Issues pertaining to art in public spaces have evolved over the decades as the term "sculpture pollution" began to appear by the mid 1990s. most of the problems originated in either the lack of monumentality, contextual consideration, quality, or public participation. From another point of view, these programs played great roll in the development of modern Japanese sculpture and patronizing process, and the creation of new urban landscape with aesthetic value. In this sense, they must be considered as successful and noteworthy examples of cultural administration and urban design policy.

• 한국조경학회지
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• 제52권3호
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• pp.33-45
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• 2024

정부는 생산체계 개편을 주제로 건설업역 간 기존 체제를 변경하는 건설분야 생산구조 개편을 추진 중이다. 그러나 이는 날로 높아가는 조경분야의 전문성과 기술성에 역행하는 것이라는 지적이 높다. 이에 건설업 업종 통합 정책에 대응하고 적절한 조경분야 업무체계와 내용을 개선하는 것이 시급하다. 이에 본 연구는 적절한 조경분야 생산체계와 생산구조 개편의 방향을 모색할 수 있도록 실무 업계의 의사를 조사하여 참조자료로 활용할 수 있도록 하는데 목적을 두고 연구하였다. 설문을 진행한 결과, 1) 개편 정책의 인식은 업계 의사를 반영한 단계적 추진을 높게 요청하고 있었고, 2) 종합과 전문으로 나뉜 체계는 통합에 반대하는 의견이 높게 나타났으며, 3) 조경공사업 개선 방향으로는 적절한 설계안과 공사비가 가장 높게 지적되었으며, 4) 세부공종 개선 방향으로는 부대 토목공사와의 관계 재정립이 중요하게 지적되었다. 전반적으로 현행 조경 전문공사는 변화하는 조경업무를 충분히 반영하지 못하고 있고, 타 공종의 부대공사 형식에 그치고 있다는 지적이 높았다. 따라서 이를 반영한 정책 추진이 필요하다. 장기적으로는 조경공간을 독립 대상물로 하는 조경공사의 위상 정립이 시급하며, 이를 위한 법제의 보완과 그에 따른 업종 변화가 필요하다.