• 복식
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• 제31권
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• pp.17-31
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• 1997

The Heian Period(794-1192) was the period when luxury and elegance flourished. Gorgeous colors were adopted for the costumes and an el-egant assortment of colors prevailed. Representatiove of such costumes is kasane-no-irome. The world Kasane-no-irome originally came from two colors on both sides of one of the japanese kimonos called Uchiki. In later times it turned to indicate the combination ef-fect of colors of several Uchiki's worn in layers one over the other. This paper describes in de-tail the kasane-no-irome in both meanings. In so doing I distinguish two different kinds of kasane-no-irome using a Chinese character for the formed and for the latter though both are pronounced Kasane in the Japanese language. Part one of this paper which concerns the color combinations of presents typical 148 samples through reproduced dyeing clothes by Matumoto. Part two describes the color com-bination of which was so called Junihitoe. It presents typical 41 samples from reproduced dyeing clothes by Matumoto. The purpose of this study was to investigate the characteristics of color distribution and the structure of color combination in Kasane-no-irome. Therefore we obtained the following results in Kasane-no-irome. 1. The color combination of Kasane-no-irome came from the natural color harmony there-fore the names of kasane-no-irome which adopt the names of flowers and leaves of the foure seasons. Accordingly the seasons for wearing them are fixed. 2. In the hue the most frequent appearance was green. And in the tone the most frequent apperance was moderate. 3. In the color combination the most fre-quent type were monochromatic combination and contrast combination.

• 한국문헌정보학회지
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• 제30권1호
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• pp.3-18
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• 1996

본고는 전거용 MARC 포맷의 3요소로 일컬어지는 구조와, 내용표지법, 레코드의 내용에 대해 UNIMARC와 USMARC, KORMARC를 중심으로 비교 분석하였다. 레코드의 구조와 내용표지 법은 ISO 2709를 채택하고 있으므로 대부분 서지용포맷과 동일하다. 다만 데이터필드의 구조와 블록구분은 USMARC와 KORMARC가 전통적인 목록의 전거카드형식을 따르고 있고 UNLMARC는 GARE의 일반적 구조를 따르고 있어, 차이를 보이고 있다. 고정길이필드의 레코드의 내용에는 USMARC와 KORMARC의 경우에 표목의 선정과 상태 및 범위,총서에 관련된 사항이 많이 포함되어 있고 UNIMARC에는 국제적 상호교환에 관련된 요소들이 추가되어 있다. 가변길이필드의 비교분석을 통하여 KORMARC의 한자데이터 처리와 관련하여 별도의 서브필드$(\blacktriangledown\;j)$를 설정할 것과, 총서에 대한 청구기호와는 별도의 분류기호필드를 설정할 것을 제안하였다.

• 한국통신학회논문지
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• 제37권7A호
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• pp.581-585
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• 2012

본 논문은 인쇄체 한글과 한자를 포함하는 저화질 문서영상에 효과적인 이진화 알고리즘을 제안하다. 가는 가로획과 굵은 세로획으로 구성된 문자 속성 때문에 기존 알고리즘은 저화질 문서영상에서 세로획보다 약한 성분을 갖는 가로획을 쉽게 검출할 수 없다. 제안된 알고리즘은 전방향 참조 적응적 알고리즘에 수직 방향 참조 알고리즘을 추가하여 기존 알고리즘이 갖는 문제를 해결한다. 실험 결과는 제안된 알고리즘이 다양한 저화질 문서영상들에서 문자를 잘 추출하는 것을 보여주고 있다.

• 패션비즈니스
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• 제11권3호
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• pp.87-96
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• 2007

The purpose of this study is to analyse the characteristics of style, color and items of street fashion in Harbin. This kind of study will contribute to the understanding the preference of fashion in northeastern area, thereby, affording a fundamental resources for the strategic establishments of design and marketing in Korean brand launching into China. The results of this study are as follows. The preferred fashion style is casual one, rather than formal one. The order of preference in casual wear is character, jean and sports casual. In the view of color, preference in top color is, white, black, brown and pink. In the bottom, it is blue, white, black and brown. In one-piece, it is white, blue and brown. Throughout all items, the most frequently founded color is white, which might be ascribed to the seasonal influence of summer. The Chinese specific preference of color could not be observed. In aspect of items, the one-piece takes the proportions of more than half of the all the items. The typical details of one-piece dress are irregular hemline and asymmetrical line. While knee length takes proportion of 70%, in item of skirt, the full length is 46.8% in frequency for pants. In one-piece, knee length is 80% amounted as first rank, followed by midi and mini.

• KSII Transactions on Internet and Information Systems (TIIS)
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• 제16권4호
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• pp.1166-1186
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• 2022

Artistic font design has become an integral part of visual media. However, without prior knowledge of the font domain, it is difficult to create distinct font styles. When the number of characters is limited, this task becomes easier (e.g., only Latin characters). However, designing CJK (Chinese, Japanese, and Korean) characters presents a challenge due to the large number of character sets and complexity of the glyph components in these languages. Numerous studies have been conducted on automating the font design process using generative adversarial networks (GANs). Existing methods rely heavily on reference fonts and perform font style conversions between different fonts. Additionally, rather than capturing style information for a target font via multiple style images, most methods do so via a single font image. In this paper, we propose a network architecture for generating multilingual font sets that makes use of geometric structures as content. Additionally, to acquire sufficient style information, we employ multiple style images belonging to a single font style simultaneously to extract global font style-specific information. By utilizing the geometric structural information of content and a few stylized images, our model can generate an entire font set while maintaining the style. Extensive experiments were conducted to demonstrate the proposed model's superiority over several baseline methods. Additionally, we conducted ablation studies to validate our proposed network architecture.

• Journal of Species Research
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• 제11권4호
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• pp.278-286
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• 2022

During a field survey of Korean marine ciliates, we collected Pleuronema marinum from a brackish water sample. It is characterized by the presence of a contractile vacuole in mid-body, rather than the subterminal/ terminal contractile vacuole as in other congeners. The cells were examined in vivo and based on protargol and 'wet' silver nitrate impregnation. In addition, the nuclear 18S rRNA gene was sequenced using a single cell. The Korean population morphologically and molecularly resembles a Chinese population of P. marinum. Historical review of the species concludes that 1) two or more species have been assigned into P. marinum, 2) the position of contractile vacuole (e.g., in mid-body) is a valid character state, and 3) P. marinum is probably a rare species. Here we provide a monographic treatment of P. marinum to clarify the issue and for further studies of relevant species. Considering there are about 40 nominal species and complex nomenclatural acts in the genus Pleuronema, further studies should provide descriptions based on protargol and 'wet' silver impregnation with marker gene(s).

• 한국의류학회지
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• 제47권2호
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• pp.244-255
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• 2023

Patterns abstractly depicting flowing water with Chinese characters such as gong, wan(man), or wang continued endlessly and curved water patterns began appearing on textiles during the Song Dynasty. Though Song curved water patterns encompassed poetic sentiments such as "falling flowers and flowing water," the meaning faded with time, and these patterns were depicted in backgrounds with flowers added to brocade (Geum-sang-cheom-hwa). During the Ming and Qing Dynasties, combinations of diverse patterns, including flowers, butterflies, dragons, and auspicious treasures became fashionable, rather than the gong- and wan-shaped curved water patterns. Likewise, during the Joseon Dynasty, curved water patterns were preferred as background rather than as primary patterns. They were overlaid with flowers and clouds. The overlaid flower patterns included four-season flower patterns (17th-18th centuries), round flower patterns (19th century), and large flower patterns (20th century), which were identical to flower patterns fashionable at the time and arranged at intervals on complex curved water pattern backgrounds. In contrast, simple Ruyi types were more numerous than the four-Ruyi types fashionable at the time with regard to cloud patterns. Added here were Taiji (great ultimate symbol) or crane patterns, thus seeking to depict diverse auspicious Ruyi such as wish fulfillment and longevity.

• 한국콘텐츠학회논문지
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• 제9권11호
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• pp.163-174
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• 2009

장률 감독은 중국에서는 최초의 조선족 출신 감독이고, 한국에서는 최초의 중국 동포 감독이다. 스스로가 한 명의 디아스포라로서 중국과 한국 두 나라에서, 혹은 두 나라의 사이에서 활동하는 그의 영화 작업은 동아시아에 산재한 디아스포라적인 현상들을 디아스포라적인 시선으로 다룬다는 것으로 요약할 수 있다. 이 글은 <망종>, <경계>, <이리> 등 그가 만든 3개의 작품을 통해 그의 이야기와 스타일을 고찰해 보려는 시도이다. <망종>의 주인공은 중국 대도시 변두리에서 김치 장사를 하는 조선족 최순희이다. 그녀는 산업화로 인한 이산이라는 디아스포라의 보편성과 중국 내 조선족이라는 특수한 디아스포라 상황에 이중으로 속해 있다. <경계>는 몽골의 초원에서 나무를 심는 남자 항가이와 탈북한 모자가 만나서 맺는 관계에 대한 이야기이다. <이리>는 30년 전의 폭발로 사라진 도시 이리에서 부유하는 인물들을 다룬다. 디아스포라적인 시선을 구성하는 장률의 스타일의 첫 번째는 부동하는 공간으로서의 시간이다. 두 번째는 중심과 주변으로서의 외화면과 내화면의 전환이다. 세 번째는 언어의 부재이다. 그의 이런 모든 시도는 동아시아의 정체성에 대한 논의가 활발한 지금 영화 안에서 그것을 탐구하는 하나의 모법으로서 장률의 영화를 주목하게 한다.

• 대한방사선기술학회지:방사선기술과학
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• 제17권1호
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• pp.87-96
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• 1994

Accoring to the astonlshing progress of medical science, the medical roles of the radiologic technologist are increasing gradually and specializing highly. However, there are the wide disagreements the actual roles of the radiologic technologists at clinics and the relating rules of the medical law. Therefore, it is required that the medical law should be corresponded with the actual state. To solve these problems. this study has proceeded to make the survey of the present medical law and has tried to offer the most suitable theories to the actual state. This study includes the survey of relevant professional literatures. The major contents of this study are as follows. First, medical technician is written "技士" (in Chinese character) at the present medical technician law, and that word is written wrong. So, it should be replaced with "技師". Therefore, radiologic technologist should be written "放射線師". Second, the relations between the doctor and the radiologic tecnologist should be written the "request or other words" instead of "direction". Third, in spite of the rules of the present medical law, the medical act of radiologic technologist at clinics should be belonging to the boundary of medical practice. Forth, to present the appropriate medical service to the patients, legal status of radiologic technologist as a member of medical team should be established. Fifth, it is desired that Magnetic Resonance Imaging Technology as a business of radiologic technologist should be provided for in the medical law.

• 한국멀티미디어학회논문지
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• 제22권5호
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• pp.626-637
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• 2019

Due to the rapid development of computer and digital technologies, those technologies were used in advertising. In order to meet the needs of marketing, a virtual space or character using 3D graphic augmented reality technology was developed and applied to advertisement. This study analyzed the characteristics of augmented reality in terms of interface design and spatial expression of augmented reality through case study. Firstly, we wanted to find the relationship between the types of the augmented reality advertisement and interface effects. Secondly, we wanted to find the spatial expression methods. The sample survey case studies based on 42 articles from 2012 to 2018 using Chinese and Korean site sharing augmented reality advertisement. The results of the case studies were divided into two parts. Firstly, the relationship between augmented reality types and interface effects were found basing on the augmented reality index. It means that the augmented reality index can be illustrated by using the augmented reality type. Simultaneously, the augmented reality type can be illustrated using the interface effect. The second part was that the types of display were used as a spatial representation. And the results showed that mobile display and public place display were the most frequently used.