• Title/Summary/Keyword: Korean song

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A Study on Strength Characteristics of Jeju-island's Scoria(Song-E) (제주도 화산쇄설물(송이)의 강도특성에 관한 연구)

  • Nam, Jung-Man;Ko, Ho-Seong;Oh, Dong-Il
    • International Journal of Highway Engineering
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    • v.5 no.4 s.18
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    • pp.37-47
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    • 2003

  • Song-E(scoria) is civil material that we frequently meet with in road building in Jeju-island. It is known that Song-E is the material of high crush and large particle. But, the study on the scoria is not enough, so there are many difficult in handling method. In this study, We research basic strength characteristics on Song-E gathered at various part in Jeju-island. Results of this study(strength characteristics of Song-E) are applied to design of road, breast wall and slope as basic data.

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A Study on the Tradition of the Setting of Seungdang and Gowon in the Zen Buddhist Temples of Song Dynasty (송대 선종사원의 승당과 고원 배치 전통)

  • Han, Ji-Man
    • Journal of architectural history
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    • v.25 no.4
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    • pp.45-56
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    • 2016

  • The purpose of this study is to clarify the historical background of the setting of seungdang(僧堂) and gowon (庫院) in the Zen Buddhist temples of Song dynasty, in terms of as a Buddhist temple universality and as a Zen temple specificity, through the historical reference investigation on its relevance to the Buddhist temples of Tang dynasty. In the Zen Buddhist temples of Song dynasty, the Zen meditation space of seungdang was located on the west side of Buddha hall, and the kitchen and officiating priest's living space of gowon was located on the east side of Buddha hall. Through the analysis of historical reference it was confirmed that, in the Buddhist temples of Tang dynasty, the Zen meditation section of seonwon(禪院) was on the west side, and the gowon was on the east side too. Therefore, it can be said that, the setting method of seungdang and gowon of the Zen Buddhist temples of Song dynasty was established above tradition of the Tang dynasty Buddhist temples.

  • https://doi.org/10.7738/JAH.2016.25.4.045 인용 PDF KSCI

A Study on Cheondeok-Song of the Japanese colonial period shown on Cheondo-Gyohwe-Weolbo (≪천도교회월보≫에 나타난 일제강점기의 천덕송)

  • Kim, Jeong-hee
    • (The) Research of the performance art and culture
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    • no.35
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    • pp.125-174
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    • 2017

  • The Cheondeok-Song (religious songs of Cheondo-Gyo) of the Japanese colonial period shown on Cheondo-Gyohwe-Weolbo, the monthly magazine of Cheondo-Gyo Church were examined in this paper. The results are as follows. There are scores of songs, lyrics, and articles related to Cheondeok-Song in the monthly magazine. The five-tone scale or Korean traditional rhythm style was partly used, but western music form was dominant in most of the songs. Especially the four-part form of Christian hymns became usual since 1931. This shows how people thought of the new trends. The reception of the new trends being emphasized, but they recognized tradition as an object of overcoming rather than of succeeding. The lyrics contain religious contents and the spirit of the period to restore national self-respect and contribute to the world peace through overcoming Japanese imperialism. But the rhythm of seven and five syllables which is suspected to have been introduced by Japan was spread after the 1920s. Cheondeok-Song have been sung in the three grand anniversaries and other anniversaries, the Prayer-day, in Cheondo-Gyo church services on Sunday, ceremonies, and in lecture. There are various kinds of songs and their status is very high. Especially, Cheondeok-Song have been used actively in mission works and edification for women. Cheondeok-Song actively reflected the domestic and international trends and the demands of that times. They could sing self perfection through enlightenment and also the social reform based on it. These are the reasons why I think Cheondeok-Song of those days are so important. Cheondeok-Song reflected modern elements actively, but couldn't succeed the national form and the traditional elements properly. The problem of cultural identity is not only a specific group's but also that of the whole humanity of maintaining cultural diversity. This is also a task that Cheondo-Gyo Cheondeok-Song have to solve in the future.