• 한국의류학회지
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• 제23권5호
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• pp.703-714
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• 1999

The purpose of the present study was to identify the effect of ritual dress on korean catholic priest's impression. The subject consisted of 415 undergraduated students. The experimental materials developed for this study were 3 type color photographs stimuli of catholic priest model and 7-point sementic differential scale composed of 49 bipolar adjectives representing personal traits. The data were analyzed by factor analysis. the major findings drawn from this study were as follows : Four factors emerged to account for the dimentional structure of the impression of each dress style. Four factors were titled as open-hearted mind symbolic meaning nature of priest potency. The open-hearted mind factor was the largest throughout the 3types ritual dress. Casula had a positive effect on open-hearted mind nature of prist and negative on symbolic meaning potency. Sutan had a positive effect on open-hearted mind potency nature of priest and negative on symbolic meaning. Black suit with roman collar had a positive effect on open-hearted mind symbolic meaning nature of prist and negative on potency, Therefore the ritual dress had significant effect on korean catholic priest' impressin of open-hearted mind symbolic meaning nature of prist activity and potency

• 한국주거학회논문집
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• 제7권2호
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• pp.19-27
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• 1996

The aim of this study is to analyze the intrinsic meaning of housing according to meaning of ritual space in Korean housing. At a traditional housing the rites give a sacred characteristic and grade of ranks to space. According to rites Malu(Dae-Chung) is a male's space and An-Bang is a female's space. At a present housing the central characteristic of An-Bang and sexual division of space are weakened and the space of dead person is disappered. But the rites and ritual space give sacred characteristic stability and identification in housing.

• 한국식생활문화학회지
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• 제5권1호
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• pp.107-111
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• 1990

During the Chosun dynasty there were royal proprieties of tea ritual mainly for the purpose of serving envoys from neighboring countries and offering of a new product to the Deity. There were Buddhist proprieties of tea ritual representing religious ideals of each sect of Buddhism. And Confucian tea rituals were performed in accordance with the book entitled Kare (a family code of decorum) written by Chuja. Besides these there, were Taoist proprieties of the ritual.

• 대한한의학원전학회지
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• 제34권3호
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• pp.55-72
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• 2021

Objectives : This paper investigates the significance of the transmission ritual (TR) documented in the Huangdi Neijing (HN) and its effects on medicine pursued by HN's authors (medical bureaucrats). Methods : Descriptions of knowledge transmission and related ritual were identified from HN texts. They were compared with similar types of actions in ancient China, then historically reconstructed. They were also approached from the perspective of ritual studies. Results : It appears highly probable that TR in HN had actually been performed by the authors themselves, which shows characteristics of rites of passage. The participants accepted the in-group order based on patrimonial piety. TR consecrates the participants as well as its object, which is medical knowledge. Conclusions : In the field of TR, the participants shared not only a specific document or knowledge, but also their common experiences of medical perfection and sanctity. They constructed their noble group identity through TR. At the same time, TR inhibited arguments inside the group, in favor of one-way communication.

• 대한가정학회지
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• 제39권5호
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• pp.89-105
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• 2001

This study on Jeung San Kyo, one of Korea's new religions, considered the name, kind, form, color and the thoughts of ritual dress which is involved in 15 religious blanches acting currently according to books and the actual research. The following is below. 1 Each names of ritual dresses called rigious branches are Bob Bok(법복), Doh Bok(도복), Yeah Bok(예복) and Jea Bok(제복). 2 In most religious blanches, ritual dress is the Korean cloths which Poh is wear above and Kwan is put on, and the form of Poh(포) is the similar with Durumagi(두루마기), Danryungpoh(단령포), Jungchimak(중치막), Jikryungpoh(직령포) etc, but not the form of Git, Moo and Yiohmim. Kwanmoh is named Chill-Chung-Kwan(칠층관), Yiun-Hwa-Kwan(연화관), Yiun-Kwan(연관), In-Hwa-Kwan(인화관), Tong-Chon-Kwan(통천관) etc. 3. In most religious orders but Dae Suun Jin Li Hueay(대순진리회), Jeung San Doe Jang(증산도장), Colors are used, white, lightblue, and yellow is used in Jeung San Pop Jong Kyo(증산법종교), Dong Doe Pop Jong Gyum Gang Doe(동도법 종금강도). White color means the mind of a people tradition, and light blue expresses an Oriental nation, namely, “Korea”, and is the color representing Jeung San Kyo, and yellow shows the central religion in the future. 4. Jeung San Kyo ceremony fashion reflects the ideologies of the principal role, the Um and Yang-five elements, and, nationalism according to form, color.

• 동아시아식생활학회지
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• 제13권3호
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• pp.145-154
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• 2003

본 연구에서는 현대 제례문화를 알아보기 위하여 서울, 부천과 안동지역을 중심으로 제례에 대한 의식에 관하여 조사하였고, 성별, 연령, 종교, 학력 등 일반 환경요인이 제례의식에 미치는 영향을 비교하여 현대 제례의식에 대한 인지도를 조사하였다. 제례에 대한 의식은 대체로 긍정적인 경향이었다. 종교, 성별, 거주지역에 따라 차이를 보였는데, 종교가 불교일 경우와 남성의 경우 그리고 거주지역이 경북지역인 경우 제사음식의 상차림에 대한 전통전수와 후손들도 제사를 모셔야 한다는 의식이 비교적 높게 나타났다. 또한 제사상의 진설방법과 제사에서 축문 등의 절차와 의미의 인지 정도는 연령이 높을수록, 불교 신자, 기혼자, 그리고 맏며느리인 경우에 더 잘 알고 있는 것으로 나타났다. 즉 제례에 대한 의식에 있어서 거주지역별, 종교, 성별, 연령, 결혼 여부, 학력에 따라 유의적인 차이를 나타냈다. 특히 종교가 불교일 경우 제례에 대한 의식이 긍정적이고 전통적인 제례방식을 지키고 전수해야 한다는 의식이 높게 나타났다. 이에 반해 기독교에서는 제사양식과는 다른 추도예배 형식으로 조상에 대한 예가 진행되는 경향으로 종교에 따른 형식면에서 차이가 있었다. 이상과 같이 제례 의식은 개인의 일반 환경과 지역에 따라 차이가 있었는데 이는 시대 변화에 의한 영향보다는 그 지역의 전통적 사고 의식과 자연환경에 따라 전통성과 보수성을 유지하는 것을 의미한다. 또한 일반 환경요인별로 차이가 있는 것으로 보아 현대 사회 환경 변화에 따라 제례 의식도 서서히 변화되고 있음을 알 수 있었다.

• 복식
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• 제62권5호
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• pp.16-30
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• 2012

This study examines the types and features of formal ritual hats for Tibetan Buddhist priests. Findings of the study are as follows. The types of formal hats that Tibetan Buddhist priests wear during religious rites or rituals include: u rgyan pad zhwa, pan zhwa, tshogs zhwa, rigs inga, zhwa nag, zhwa dmar and dwags zhwa. The reason why such formal ritual hats as listed above were developed is because the region had an alpine climate, and also because they were the symbolism of Buddhism, the most reverent priest, and reincarnated Buddha thoughts. They were an essential part of the culture of dressing Buddhist statues and offering utensils. Formal ritual hats' shapes originate from lotus. They are colored in red, yellow, indigo, green, white or black, that reflect the nationality and aesthetics of Tibetans. They are mainly made of woolen or silk fabrics. They are usually decorated with gold, git bronze or jewels and the patterns of the sun and the moon, vajra or clouds.

• 한국식품조리과학회지
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• 제23권2호통권98호
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• pp.235-244
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• 2007

This study was performed to investigate Seoul undergraduate students' thoughts on funeral rites and sacrificial rituals as well as ritual foods. A total of 542 students offered answers that the importance of sacrificial rituals was connected to filial piety for the ancestor, the customs descended from the past, and the belief that descendents received fortunes. The students didn't know the funeral rites process, but acknowledged they needed to know funeral rites, and would perform their parents' sacrificial rituals. We also found that students whose hometowns were Gangwondo and Jejudo were familiar with sacrificial rituals foods as well as their preparation and cooking. Also, the older the students, the better they knew the funeral rites process, sacrificial rituals and ritual foods. There were great differences in sacrificial rituals according to parent and student religions. Buddhists knew the most about funeral rites and sacrificial rituals, followed by Roman Catholics and agnostics. Protestant Christians were not interested in sacrificial rituals. The funeral rites process and the handing down of sacrificial ritual foods had significant differences based on sibling number. The more brothers and sisters in a family, the more committed they were to performing their parents' sacrificial rituals and the higher their interest in sacrificial ritual foods.

• 헤리티지:역사와 과학
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• 제42권4호
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• pp.132-151
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• 2009

황해도 굿에서 사냥거리와 타살거리, 군웅거리는 사냥으로 제물을 마련하여 동물이 희생되어 신령에게 바치기까지의 과정을 의례적으로 표현하고 있다. 이러한 황해도 굿의 특징인 모의사냥과 동물희생의 의례는 일본의 시바마츠리에서도 행해지고 있다. 이 논문은 황해도 굿과 시바마츠리를 비교민속학적 관점에서 구조적으로 비교해보았다. 황해도 굿은 기존의 연구 성과에서 소찬으로 모셔지는 신령과 육찬으로 모셔지는 신령으로 구분되는 것으로 알려져 있다. 이러한 신령에 대한 구분은 농경문화와 수렵문화를 각기 배경을 달리하는 신관(神觀)에서 비롯되었음을 알 수 있다. 황해도 굿은 여러 생산기반을 달리하는 무속을 수용하여 형성되었다. 따라서 굿의 목적에 따라 거리는 재편성하여 진행된다. 사냥거리는 제물이 산에서 마련하였음을 극적으로 표현하며, 생명력있는 동물이 타살됨으로서 군웅신을 환유로 나타내며 제물이 제공된다. 따라서 동물희생의례는 제물의 액을 풀어주고 신령으로부터 의지를 얻어내는 양의적인 의례이다. 일본의 시바마츠리가 행해지는 지역은 수렵과 밭농사를 겸하는 산간의 반농반렵(半農半獵)의 지역으로 농경의례와 수렵의례가 복합적으로 나타나있다. 정월에 행하는 시바마츠리는 산에서의 농사와 수렵의 시작으로 풍요를 기원하는 의미도 있다. 따라서 화전농경을 상징적으로 나타내는 동화제(洞火祭)와 모의적인 사냥과 동물희생의 의례가 복합적으로 구성되어 있다. 이러한 의례는 동남아시아의 산간지역의 밭농사민이 정초에 행하는 의례적 수렵관행과 일치한다. 황해도굿과 일본 시바마츠리는 표면적으로 모의사냥과 동물희생이 의례적으로 이루어지는 공통점이 있으나 구조적으로는 달리하고 있다. 즉 이러한 동물희생의례는 문화적 배경을 달리하며 각기 의례가 형성되었음을 알 수 있다.

• 한국의류학회지
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• 제22권2호
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• pp.173-184
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• 1998

The results of this theis are as follows. As regards the chronological transformation of the royal court dancing which is characterized by the variousness and colorfulness of the old-fashioned dancing suit, in the pre-dynasty of triple alliance among Shinla, Bakjae, and Goguryeo, the traditional ritual stood on ceremony through the ceremonial dancing in support of a religional rite. But while the Shinla, Bakjae, and GoGuRyeo dynasty began to excercise the systematic royal control over people, each royal court employed the professional ritual dancers; and it encouraged them to dance on the variety of ceremony on behalf of a rite and celebration. Of course, except for that of Shinla dynasty, it is not so easy to find out the historical record for the evidence which can back up these facts. As representatives of a ritual dancing, the religional ceremony of Shinla dynasty brought about the orientation of GumGee-Mu, MooAe-Mu, Saseon-Mu, Seonyu-Ak, and Cheoyong-Mu.