• 제목/요약/키워드: Korean collections

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21세기 패션디자인에 나타난 인도 전통 직물 디자인 (Traditional Indian Textile Design found in 21 st Century Fashion)

  • 최호정;하지수
    • 복식
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    • 제56권7호
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    • pp.133-147
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    • 2006
  • This paper deals with utilization of traditional Indian textile design found in 21st century fashion. It examines the decoration of the traditional Indian textile design which inspires and widely adopted in the modern fashion design, and the immanent meaning of the traditional pattern. This paper also analyzes the trend of its utilization in the modern fashion design. In order to examine variety of Indian textile design and its modernization, the Indian ethnic dresses found in 21st century western designer collections were compared with the Indian traditional textile design adopted by Indian fashion designers. The result of the study shows followings : Firstly, the typical traditional decoration in Indian textile design contains plangi, chintz, ikat, roghan and embroidery (mirror-work), and the traditional Indian patterns are roughly divided into natural pattern, plant pattern, animal pattern and geometric pattern. Secondly, comparison of 203 fashion items of world top 4 collections with 422 fashion items of Indian designer's collections shows that the paisley pattern obtains the majority in western design collections, while the geometric pattern in Indian designer collections. Thirdly, the comparison and analysis of the 21st century western fashion design shows that the traditional Indian textile design is mostly used in the seasonal trend color or is mixed & matched with other patterns. You can also find the feeling of the traditional Indian patterns in some western collections. In Indian designer collections, on the other hand, the traditional Indian patterns are widely used in the manner that they maintain the traditional feeling, while they are reconstructed in modern style.

드리스 반 노튼 컬렉션 고찰 (2) - 1992년 S/S ~ 2014년 F/W 남성복을 중심으로 - (An Observation on Dries Van Noten's Collections (2) - Focus on Men's Collections from 1992 S/S to 2014 F/W -)

  • 박신미
    • 복식
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    • 제66권3호
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    • pp.51-74
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    • 2016
  • The purpose of this research is to analyze the relationship between the inspirations and designs of Dries Van Noten's Men's collections from 1992 S/S to 2014 F/W. The specific questions of this research are as follows: what are the important design features of the Dries Van Noten's Mixed collections from 1985 S/S to 1991 F/W? What are 'the roots of inspiration' of Dries Van Noten's Men's collections from 1992 S/S to 2014 F/W, and what are the aesthetic criterions of Noten's works? How can the roots of inspiration be categorized and what are its features? How did these roots of inspiration influence the Noten's designs? The paper is a reference of how ideas turn to practical works, and what the relationship between inspiration and design. Researchers utilized a qualitative research method providing a systematic review of the previous studies by analyzing the content. To conclude, roots of inspiration of Dries Van Noten's Men's collections can be classified into nine categories: 'Interpretation', 'Ethnic', 'Multiple Contents', 'Subculture', 'Region', 'Artist', 'Fashion Item', 'Sports', and 'New Trend'. Through the roots of inspiration, sensibility of Belgium, England, Italy, French chic, inquiry of ethnic, artist, sports, the neuter gender image, 1950's, 1960's & 1970's trend & style of street fashion, elegance for men, romanticism, zoot, rock 'n' roll, teddy boy, mods, punk, new romantic and 19th century's Anglo-Saxon style are extracted and applied to the designs through cross impact. The identity of Dries Van Noten's Men's collections are cross culture contents and harmony of the old generation and new generation.

지역단위 도서관 시스템에서의 이용중심적 장서평가 연구 (A Study on User-oriented Evaluation of Book Collections under a Regional Library System)

  • 박영애;이재윤
    • 한국문헌정보학회지
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    • 제44권4호
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    • pp.457-477
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    • 2010
  • 현재 공공도서관의 장서평가는 개별 도서관의 장서 이용량, 그리고 상호대차 실적 등의 단순한 데이터로만 평가하고 있다. 그러나 지역단위 도서관내에서의 상호대차를 촉진시키고 장서의 활용도를 높이기 위해서는 장서에 대한 평가도 개별 도서관 단위에서 지역단위 도서관으로 그 범위를 확대할 필요가 있다. 이 연구는 지역단위 도서관 시스템 내 개별 도서관에서 수집할 수 있는 장서, 수서, 대출, 상호대차 신청 데이터를 대상으로 네 가지 분석방법을 통해 지역단위 도서관 시스템에서의 이용 중심적 장서평가 방법을 제안하는 것을 목적으로 한다. 제안한 평가 방법을 적용해본 결과 지역단위 도서관 시스템 내에서 개별 도서관의 입지와 장서 구성의 특성 및 이용자의 요구를 세밀하게 파악할 수 있는 것으로 나타났다.

드리스 반 노튼 컬렉션 고찰 (1) - 1994년 S/S ~ 2014년 F/W 여성복을 중심으로 - (An Observation on Dries Van Noten's Collections (1) - Focus on Women's Collections from 1994 S/S to 2014 F/W -)

  • 박신미
    • 복식
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    • 제65권5호
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    • pp.14-34
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    • 2015
  • The aim of this paper is to analyze the relationship between the inspirations and designs of Dries Van Noten's women's collections from 1994 S/S to 2014 F/W. From the research purpose the following questions arise: how are the brands of Dries Van Noten developed and what are the important features? What are 'the roots of inspiration' for Dries Van Noten's women's collections from 1994 S/S to 2014 F/W, and what are the aesthetic criterions of Noten's works? How are the roots of inspiration categorized, what are the features of each category, and how do these roots of inspiration influence the Noten's designs? The paper is a practical reference of how ideas turn to practical works and what is the relationship between inspiration and design. Researchers utilized a qualitative research method to provide a systematic review of the previous studies. To sum it up, roots of inspiration of Dries Van Noten's women's collections can be classified into seven categories: 'ethnic', 'trend & style', 'flowers', 'artists', 'interpretation', 'fabric & pattern' and 'multiple contents'. Through the roots of inspiration, sensibility of Belgium, inquiry of ethnic & oriental, Artists, England, longing of street fashion, 1920's & 1950's trend & style of French high fashion, romanticism, atmosphere of medieval, gypsy, punk and hippie are extracted and applied to the designs through cross impact. The identities of Dries Van Noten's women's collections are fusion and harmony of cross culture and diversity.

벼 재래종 핵심 유전자원의 현미 아미노산 함량 평가 (Characterization of Amino Acid Contents in Grain of Core Collections of Korean Native Rice)

  • 박은진;강정훈;김광호
    • 한국육종학회지
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    • 제40권3호
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    • pp.269-277
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    • 2008
  • 벼 재래종 핵심유전자원의 아미노산조성을 평가하여 벼 품질개량 육종과 기능성 쌀 가공품 개발을 위한 기초소재를 찾기 위한 연구를 수행하였다. 재래종 자원 388품종 간 현미 아미노산 함량의 변이정도는 methionine과 histidine이 매우 컸으며 나머지 아미노산도 변이계수 14.9% 이상의 변이를 보였다. 재래종 핵심유전자원 388품종의 총 아미노산 함량, 제 1제한 그인 lysine함량, 제 2제한 아미노산인 threonine함량 각각의 평균치는 현재 농가에서 재배하고 있는 자포니카형 품종과 비슷하였다. 조사한 재래종 중 백곡,나 대소나, 사두초는 총 아미노산 함량, lysine함량, threonine함량이 월등히 높았고 석산조와 소두조는 아주 낮았다. 또 백곡나, 사두초 및 대소나는 tryptophan을 제외한 7가지 필수아미노산의 총 함량도 아주 높아 이 세 품종은 쌀의 아미노산조성 개량을 위한 유용한 육종소재로 판단하였다. 재래종 품종의 9가지 형태적 특성과 현미 아미노산 함량간의 관계를 검토한 결과 부선색이 자색인 품종은 황백색 품종에 비해 총 아미노산 함량과 serine, proline, glutamic acid, glycine, alanine, valine, leucine, phenylalanine, arginine 함량 모두 적은 쪽에 분포하였으며, aspartic acid는 부선색이 갈색인 품종이 아미노산 함량이 많은 쪽에 분포하였다. 또 주두색이 자색인 품종은 흰색 품종보다 lysine 함량이 많은 쪽에 분포하였다. 그리고 찰벼 품종이 메벼 품종에 비하여 serine, glutamic acid, alanine, valine, leucine 함량은 높은 쪽에 분포하였고, tyrosine 함량은 낮은 쪽에 분포하였다.

국내 패션컬렉션에 나타난 해외 패션트렌드의 수용도 분석 (Analysis on the Acceptance of Foreign Fashion Trends in Korean Fashion Collection)

  • 이은숙;김새봄
    • 한국의상디자인학회지
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    • 제13권4호
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    • pp.93-110
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    • 2011
  • This study investigates the analysis on the acceptance of Foreign Fashion trends in Korean Fashion Collection by collections, years, season, and designers. The purpose of this study is Korean collection's degree to adopt and receive foreign collections, by comparative analysis of design features between Seoul and foreign collections. For such purpose, from 2006 S/S to 2011 F/W, 5185 pictures were collected from designer's photos of Seoul, Paris, Milan, NY, and London collections. The content analysis and statistical analysis using SPSS will be conducted for data analysis. The results of the research are as follows. First, regarding the design features, square-form silhouette, achromatic colors, and none pattern were presented as well. Second, there were significant differences in the design characteristics of each year. Particularly, in 2008, X-form silhouette, Yellow and Green color, and flower pattern were emphasized. Third, the design features by season were significant differences. In S/S season, square-form and X-form silhouette, achromatic colors of white and gray color, none pattern were evident while in F/W season, square-form Silhouette, achromatic colors of black and gray, and none pattern were emphasized. Fourth, the design features by designer are as follows. In terms of form, Seoul collection was influenced by Paris collection. In terms of colors, it was influenced by NY and London collections.

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도서관 장서의 효율적인 운영방안에 관한 연구 -장서의 폐기기준 설정을 중심으로- (A Study on Efficient Administration of Library Collections with Emphasis on Establishment of Weeding Criteria)

  • 이은철
    • 한국비블리아학회지
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    • 제4권1호
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    • pp.103-127
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    • 1980
  • Due to the rapid growth of publications, librarians have been facing the problems caused by the shortage of stack as well as the quality deterioration of library collections. This naturally disappointed the user communities and the present library activities are weak and inadequate. It seems to the author that one of the desirable actions in remedying this problems is to weed library collections properly and regulraly. The purpose of this study is to establish weeding criteria in library collections, particulary in the fields of polictical science, economics and law In order to establish weeding criteria, shelf-time period which is the length of time that a book remains on the shelf between the last two users of a volume, was measured by examining the book cards or date-due slips of circulating books and collections which remained in the stack. The results of this study are as follows: (1) In the fields of political science economics and law, the shelf-time periods of general materials in Korean for circulation was measured. (2) This study shows shelf-time periods that vary in different subject fields. (3) Combining the shelf-time periods of books in active circulation and the total collection including books which have never been circulated, the size of library holdings which may satisfy a certain percentage of the current circulation can be estimated.

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RAPD 분석에 의한 홍화의 품종군 분류 (Classification of Safflower(Carthamus tinctorious L.) Collections by RAPD Analysis)

  • 방경환;김영국;박희운;성낙술;조준형;김홍식;조용구
    • 한국약용작물학회지
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    • 제9권3호
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    • pp.225-231
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    • 2001
  • RAPD분석을 통하여 홍화 수집종들의 유전적 다양성 및 유연관계를 밝히고, 품종군을 분류하여 품종육성의 기초자료로 이용코자 시험한 결과를 요약하면 다음과 같다. RAPD 분석에 적용한 30개의 10mer primer 중 20개의 적정 primer를 선발하였고, 증폭된 PCR산물은 ${3.0{\sim}0.2Kb}$에서 재현성 있는 밴드를 보였으며, 각 primer에 의해 증폭된 밴드의 수는 ${2{\sim}11}$개로 다양하였으며 평균 5.6개이었다. PCR 반응에 사용된 20개의 selected primer에서 111개의 밴드가 관찰되었으며, 다형성을 보이는 밴드 수는 84개(75.7%)이었고, RAPD-PCR에 의해 얻어진 dendrogram에서 유연계수 0.14를 기준으로 11개의 군으로 분류되었고, VII군은 7종(23%), VIII군은 8종(27%)이 속하는 큰 군이었으며, 7군은 대부분이 국내종(85%)이었다.

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홍화의 작물학적 특성에 의한 품종군 분류 (Classification of Safflower(Carthamus tinctorius L.) Collections by Agronomic Characteristics)

  • 방경환;김영국;박희운;성낙술;조준형;박상일;김홍식
    • 한국약용작물학회지
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    • 제9권4호
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    • pp.301-309
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    • 2001
  • 홍화 수집종들의 작물학적 특성을 통하여 유전적 다양성 및 유연관계를 밝히고, 품종군을 분류하여 품종육성의 기초자료로 이용코자 시험한 결과를 요약하면 다음과 같다. 개화일수는 $74{\sim}88$일 분포로 평균 83일이었고, 80일 이하의 조숙성을 가진 수집종은 21개 이었으며, 1차분지수와 2차분지수는 각각 $3.8{\sim}14.8$개와 $0{\sim}26.9$개의 범위로 분포하였고, 다분지형의 특성을 가진 품종은 IT201434, IT202723 등 이었으며, 생육특성 중 2차 분지수의 변이가 켰다. 수량구성 요소로서 두상화수는 $5.0{\sim}40.7$개, 두상화당 종실수는 $25{\sim}68$개, 100립중 및 주당 종실중은 각각 $2.9{\sim}5.4g,\;3{\sim}47.5g$의 범위로 분포하였고, 종실중 > 두상화수 > 두상화당 종실수 순으로 변이가 큰 경향이었다. 수집종들은 작물학적 특성에 따라 11개군으로 분류되었으며, I군은 25%, II군은 33%, III군은 14%, IV군은 8%, VI군은 3%, IX군은 2%, X군은 1%, ?군은 1%가 속하였으며, III군은 모두 국내재래종 이었다. 분류된 군중 X군은 출아소요일수가 짧고, 개화소요일수가 길었으나 수량 구성 요소인 두상화수, 주당 종실중 및 두상화당 종실수가 가장 우세한 군으로 분류되었다. 수량구성요소인 두상화수와 주당 종실중은 경직경, 제1차분지수, 제2차분지수, 엽수 및 엽장과 높은 정의 상관을 보였다.

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