• 제목/요약/키워드: Korean Pop

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생산현장의 실시간 통제 및 정보관리 시스템 개발 (Real-time Manufacturing Control and Information Management System)

  • 송준엽;김동훈;차석근
    • 산업공학
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    • 제7권3호
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    • pp.69-76
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    • 1994
  • In this paper, we develop a real-time manufacturing control and information management(POP) system that can support realization of CIM and information network of manufacturing system. The POP system systematically collect informal data that is originated from working area and make an offer collected information to planning side. Especially, this study designs a modular POP terminal that directly extract and process momentary information from field source and provide it to control system on real-time. In addition, we apply developed POP system with open architecture to flexibly and optimally operate the manufacturing system based on CIM.

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네오 팝아트 방식을 적용한 국가상징 패턴 개발 - 무궁화, 태극기, 국새를 중심으로 - (Study on the development of national symbolic patterns viewed from the standpoint of neo-pop art - Focusing on Mugunghwa, Taegeukgi, and the Great Seal -)

  • 구본혜;김미현
    • 복식문화연구
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    • 제23권4호
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    • pp.581-594
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    • 2015
  • The emergence of pop art in the 1960s exerted a profound impact on integrating art into the real lives of the general public, which continues in the current area of culture of post-industrial society. Thus, this study aims to attempt the popularization and modernization of Korean images by applying the concept of pop art to the development of a national symbolic image. This study utilized Mugunghwa, Taegeukgi, and the Great Seal, which are national symbolic images that establish the identity of Korea through differentiation, universality, and visual formativeness. It then proceeded with the development of neo-pop art motives and patterns using national symbolic images from the standpoint of symbolism, mix-match, and repetitiveness from among the characteristics of neo-pop art. This study carried out pattern design by departmentalizing each characteristic according to the standpoint of neo-pop art through scribbles composed of the following: Signs, pictograms, and childlike characters; drawing simplification for symbolism; a mix of the East and the West; a mix of subfashion and subculture for mix-match; the repetition of lines, characters, and icons; and the exaggeration and grotesqueness of characters and icons for repetitiveness. This study is expected to serve as momentum for raising the cultural value of Korea and for the development of a pattern design capable of achieving worldwide competitiveness through the combination of the permanence and continuity of national symbols with the popular universality of pop art.

중국 인플루언서들의 K-pop 짧은 동영상 수용에 영향을 미치는 요인에 관한 연구 - 중국 '틱톡' 사용자를 중심으로 (A Study on the Factors Influencing the Acceptance of K-pop Short-form Video Created by Chinese Influencers - Focusing on Chinese TikTok Users)

  • 유전전;유세경
    • 한국콘텐츠학회논문지
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    • 제22권4호
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    • pp.28-36
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    • 2022
  • 본 연구는 짧은 동영상 플랫폼 틱톡에서 중국인 인플루언서들이 한국 K-pop 노래와 댄스를 어떠한 방식으로 재창작하며, 어떠한 변형요소들이 틱톡 수용자들의 반응 - '좋아요수', '댓글수', '공유수'에 영향을 미치는지를 살펴보기 위해 틱톡 K-pop 커버영상 284개를 K-pop 원곡과 비교하여 이미지와 언어 유사성, 수용자 참여 유도 정도, 중국어로 가사/자막 번역된 정도, 유료광고 노출 여부를 분석하였고 추가로 영상길이, 인플루언서 명성 요인을 분석하여 변형요인과 함께 수용자 반응에 미치는 영향력을 분석하였다. 분석결과, 상대적으로 수동적인 수용자 반응으로 판단되는 '좋아요수'에는 인플루언서의 명성만 유의한 영향을 보였지만, 보다 능동적인 반응으로 판단되는 '댓글수'와 '공유수'에는 재창작으로 활용한 변형요소들이 유의미한 영향을 미친 것으로 나타났다. 수용자는 인플루언서가 이미지 측면에서 가수와 닮지 않다고 인식될수록 댓글을 더 많이 달아주며, 중국어로 번역된 가사나 자막보다 한국어로 표현한 것이 댓글과 공유를 더 많이 만들어내었다. 본 연구는 짧은 동영상을 활용한 K-pop 콘텐츠의 해외 확산에 있어 로컬 인플루언서들에 의해 재창작되는 K-pop 콘텐츠의 특성에 따른 수용자 반응을 구체적으로 분석함으로서, K-pop 확산을 위한 인플루언서들의 역할의 필요성을 확인하였다는 데 의미가 있다.

All-in-one adhesive의 다층적용이 미세인장결합강도에 미치는 영향 (THE EFFECT OF MULTIPLE APPLICATION ON MICROTENSILE BOND STRENGTH OF ALL-IN-ONE DENTIN ADHESIVE SYSTEMS)

  • 손성애;허복
    • Restorative Dentistry and Endodontics
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    • 제29권5호
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    • pp.423-429
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    • 2004
  • The purpose of this study was to evaluate the effect of multiple application of all-in-one dentin adhesive system on microtensile bond strength using confocal laser scanning microscope and microtensile bond strength test. Flat occlusal dentin surfaces were prepared using low-speed diamond saw. In group I, Scotchbond Multipurpose (SM) was applied by manufacturer's recommendation. In group II, after Adper Prompt L-Pop was applied for 15s and light cured for 10s. the second coat was re-applied and light-cured. In group III, after light-curing the second layer. the third coat was re-applied and light-cured. Specimens bonded with a resin-composite were sectioned into resin-dentin stick for measuring the adhesive layer thickness by confocal laser scanning microscope and evaluating micro-tensile bond strength. The adhesive layers of three-step dentin adhesive system. 3 coats of Adper Prompt L-Pop had significantly thicker than SM. 2 coats of Adper Prompt L-Pop (p < 0.05). However. there was no significant differences in bond strengths between SM and 3 coats of Adper Prompt L-Pop (p > 0.05). And SM. 3 coats of Adper Prompt L-Pop had significantly higher than 2 coats of Adper Prompt L-Pop in bond strengths (p < 0.05).

POP 시스템 개발에 있어서의 체계적인 임베디드 서브시스템 개발방법론 (Systematic Embedded Subsystem Development Methodology for POP System)

  • 조영효;한관희;최상현
    • 산업공학
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    • 제23권1호
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    • pp.35-47
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    • 2010
  • This paper presents a structured framework for developing the embedded subsystem, called ESDMP (Embedded Subsystem Development Methodology for POP), which is one of core components at the development of POP (Point Of Production) system. It is essential that embedded subsystem development methodology must be closely related to the general information system development methodology from the early stage of system development. Therefore, this paper investigates the PDSM (Production System Development Methodology) that is developed by Korea Technology and Information Promotion Agency for SMEs and widely utilized at the fields of POP system development, and proposes the embedded subsystem development methodology aligned with each step of PSDM. The main characteristics of proposed methodology are as follows : First, it is developed to link each step of embedded subsystem development with relating steps of PSDM from the early stage of feasibility study. Second, it provides the procedure for designing and implementing hardware and software simultaneously. Third, it includes the method of reusability for developed products and modules.

K-pop 걸 그룹의 패션에 나타난 이미지 연출 특성에 관한 분석 (A Study of Image Making Features on Fashion Styles of K-pop Girl Groups)

  • 정소하;유영선
    • 복식
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    • 제63권2호
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    • pp.98-109
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    • 2013
  • This study aims to discuss the image making of K-pop girl groups to provide an outlook on the necessary fashion components in order to express certain concepts by analyzing the fashion styles. The fashion styles of the representative girl groups from 2007 to 2011 were classified into five types: retro style, schoolgirl style, chic style, sporty style and marine style. The following are the features and elements of image making by style. The retro style pursued going back to the past. It used stripes, dots, leopard patterns, spangles and denim. It reproduced the style of the past to the trendy style using big sunglasses, retro makeup, girlish hair and gold wigs. The schoolgirl style created the sexy or cute image by using school uniforms as the motif including shirts, short pants and knee socks. It included having natural makeup and straight hair and differentiated colors, patterns and designs. The chic style was classified into rock chic look and sexy look. Both looks had common elements including smoky pop active makeup while the fashion concepts and hair styles were different. The sporty style took the concept of cheer girls. It used plaid shirts, baseball jackets, short pants, thigh high boots, vivid hair accessories, romantic makeup and straight, wave hair. The marine style took the naval uniform as the motif. It expressed the image using short pants, stripe patterns, wappens, naval caps and smoky sexy makeup, straight hair. K-pop girl group fashion is the driving force for the growth of Korean fashion industry as well as its cultural trends and hope that it have a growing influence on the global market and trend through continuing research and support.

신해철의 음악 연구 -넥스트 앨범의 전반적인 특징을 중심으로- (A Study of Shin Hae-Chul's Music -With focus on N.EX.T album-)

  • 김준수;조태선
    • 한국산학기술학회논문지
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    • 제19권12호
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    • pp.212-217
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    • 2018
  • 신해철의 음악은 대중성 있는 음악만을 생산하고, 비슷한 장르나 패턴의 음악만이 주류를 이루던 한국 가요시장에 새 지평을 열어 주었고, 새로운 음악을 갈망하던 대중들의 불평 요소들을 해소시켜 주는데 있어 충분하였다. 그는 발표하는 작품마다 자신의 음악적 가능성을 실험하였고, 이것은 나아가 한국 대중음악의 수준을 한 단계 올렸다는 호평을 받게 된다. 오늘날 대중음악의 불안 요소를 해소하기 위해서는 끊임없는 연구와 창작활동을 통해 작품성과 몰입감을 줄 수 있는 작품들로 대중들에게 어필해야 할 것이다. 그런 의미에서 신해철이 이끌었던 "넥스트"가 음악을 임하는 자세는 아티스트로서 자질과 한국대중음악의 발전에 커다란 공헌을 하고 있음은 틀림없는 사실이다. 그와 같이 뮤지션으로써의 꾸준한 자기개발과 창작능력을 강화시켜 과감하고 새로운 시도 등으로 활동을 이어간다면 한국대중음악은 'K-pop'으로서의 또 다른 유행을 이끌어내며, 새로운 지평을 열어 줄 수 있을 거라 확신한다.

할인점 PB패션제품의 제품유형, POP 메시지 프레이밍, 인지종결욕구가 소비자의 호의도에 미치는 영향 (A Study on the Effect of POP Message Framing of Discount Stores and PB Fashion Product Types of Cognitive Need for Closure on Preference of Consumers)

  • 김경진;황선진
    • 복식
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    • 제67권1호
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    • pp.22-39
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    • 2017
  • This study intended to empirically verify the effect of message framing, cognitive need for closure, and type of fashion products on purchasing attitude of PB fashion products in discount stores. The design consisted of three-mixed design of 2(POP(Point of Purchase)message framing: benefit message vs. loss message) ${\times}2$(cognitive need for closure: high vs. low) ${\times}2$(PB fashion product type: utilitarian vs. hedonic). Survey of this study was conducted on 330 men and women in 20~50's in Seoul and Gyeong-gi, and a total of 287 data were analyzed. Data were analyzed with SPSS 18.0 program, and three-way ANOVA, simple interaction effects and simple main effects analysis were conducted. The results of this study are as follows: First, it was identified that the framing type of POP message of discount store, cognitive need for closure, and PB fashion product type had significant effect on preference and purchase intention. Secondly, it was identified that consumers with both high and low cognitive need for closure had high preference level and purchase intention when they encountered the benefit message framing than the loss message framing. Thirdly, the benefit message framing was more effective than the loss message framing for hedonic PB fashion products in discount stores, but utilitarian PB fashion products did not get affected by the message framing. Fourthly, it was identified that groups with both high and low cognitive need for closure preferred hedonic PB fashion products. Lastly, it was verified that benefit message framing POP advertisement on a group with high cognitive need for closure was effective for Hedonic PB fashion products in discount stores, and utilitarian PB fashion products showed no difference in purchase intention according to the POP message framing type and cognitive need for closure.

의상디자인의 형태와 조형예술자의 관계 -1960년대의 팝아트를 중심으로- (Relationship between Fashion Design Form and Art Plastique - Focused on Pop Art in 1960's -)

  • 이인성
    • 한국의류학회지
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    • 제21권8호
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    • pp.1427-1438
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    • 1997
  • The art plastique is the part from which designers draw their inspirations to create fashion design. Many designers look for their inspirations from Art Plastique. Since the early 20th century, lots of designers led by Paul Poiret drew their inspirations from Art and co-works with artists. The direct involvement of those artists helped to position Fashion to be an art. Also, these co-works brought the mass media's attention and commercial profit. The most prevalent relationship between the fashion design and art plastique is the reproduction of art such as the 1960s 'Pop Art printed on T-shirts, which can be seen easily todays. After World War ll, art was popularized in a new society where young generation played a major role. Pop Art having image of the freedom and the rejection of tradition was considered as the major trend of 1960s. This study considers reflection of anti-traditionalism, anti-elitism and popularity as the kitsch of Pop. That is the attraction which youth culture looked for from Pop Art and the reason that 60's avast-garde cloth could position itself into the masses. Therefore, this study examines the influence of the kitsch of Pop and the expression of parody upon the major changes in 1960s fashion from which are the mini-look and women's trousers wearing. This study examines Andra Courreges who led 1960s Mini look and Yves Saint Laurent who introduced Pop dress, Smoking look and transparent blouse to find the way which makes it possible for avant garde fashion to have a close relationship with the public and to position itself to be a art.

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