• Journal of the Korean Society of Costume
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• v.57 no.6 s.115
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• pp.87-100
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• 2007

In the Joseon Dynasty, a Court Ladies' full dress was Slanted by the Ming Dynasty. Since the Ming Dynasty had declined, a Court Ladies' full dress, Jeok-ui began to be made by the Joseon Dynasty. It was based on the Chinese Court Ladies' full dress, Desam, but it became Joseon's own style, which was different from the Chinese one. The formula of Jeok-ui was completed in the time of King Yongjo. Since then, Jeok-ui for big ceremonies was called Bub-bok. It was recorded on the Regular rule of Sang-uiwon. The color of Jeok-ui was departmentalized for the wearer; red one for the Queen, bluish black one for the Crown Princess, and purple one for the Queen mother. There were some differences between Jeok-ui for feasts and for big ceremonies. In the case of Jeok-ui for big ceremonies, the pattern of Hyung-bae for the Queen was a dragon with five claws, and for the Crown Princess, a dragon with four claws. On the other hand, in the case of Jeok-ui for feasts, the pattern of Hyung-bae was phoenixes for the Queen, Crown Princess and the Queen mother. The number of embroidered round badges, which were attached to Jeok-ui, was 51 for big ceremonies, and 36 for feasts. The skirt for big ceremonies was a Jeonang-ut-chima with dragons pattern for the Queen, and phoenixes for the Crown Princess. The Queen's skirt for feasts was a Jeonang-ut-chima with phoenixes pattern, and the Queen mother's also. The Crown Princess' was a double skirt with phoenixes pattern. The pearls were not decorated on the shoes for big ceremonies, but shoes for feasts had six big pearls fer decoration. When the royal woman wore Jeok-ui for big ceremonies, it was prepared for Kyu, Pe-ok and belt with jade. But those were not necessary for Jeok-ui for feasts.

• Journal of the Korean BIBLIA Society for library and Information Science
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• v.1 no.1
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• pp.123-141
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• 1972

The Kosachalyo was the reference book which was composed of records collected about the procedures regulating the foreign relations or daily lives of the officials or the scholars, who had no official positions, in the Yi dynasty. The compilation work of the Kosachalyo was started from the date of the compilation of the original one by U sook-kwon (魚叔權) in the 9th year (1554) of King Myongjong (明宗). Su Myongung (徐明) revised and complemented the contents of the original one in full scale, named it as the Kosashinsu(攷事新書) in the 47th year(1771) of King Yongjo(英祖). In that period, the original Kosachalyo was revised and complemented twelve times and republished. Until now, it has been said that the original Kosachalyo had been suffered the revising or complementing works six times or nine times. But in this thesis it is assured that it was revised or complemented twelve times in the period from 1554 to 1771 upon the various historical documents.

• Korea journal of population studies
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• v.14 no.1
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• pp.35-46
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• 1991

Improvements in various health indices have been ushered in, along with soaring economic growth in the last few decades in Korea. Life span of Koreans at present stands at somewhere around age of seventies. It seems of worth to elucidate some facets of health profile of historic Koreans during Yi dynasty encompassing about five hundreds years between the 14th and 19th century. Datas on health of historic Koreans are meager with exception for sovereigns for whom royal archives have been preserved intact through centuries. Though the health environments for monarchs are, no doubt, incomparable to that of the grassroot levels during the same period, health profile of monarchs would facilitate to assess health indices for historic Koreans during Yi dynasty. Arithmetic average of life span of 25 consecutive Kings(omitted the last two Kings under Japanese control) is 44.6 years of age 81 year old for King Yongjo and 16 year old for King Danjong, representing two extremes. The principal causes of death are septicemia, subsequent to infections of soft tissue and ether organs(8 in number, one-thirds of all). Secondly, both epidemic disease and vascular accidents caused deaths of three Kings each. Two kings succumbed to diabets and one suicide. The causes for the remainder, eight kings are hardly ciarified. The monarchs who contributed in establishment of new Yi dynasty with highspirited and disciplined survied beyond their fifties and sixties. In contrast, those who reigned during mid - era of the dynasty at its culmination succumbed to death in their young adulthood, most likely due to their indulgence in court life.

• Korean Journal of Human Ecology
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• v.16 no.3
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• pp.623-630
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• 2007

The remarkable fact regarding the History of Chosun Dynasty(from Jungjong- Youngjo) is that any slightest evidence can't be found that Pobeckchuck was used to measure clothes or various Pobecks. There remains the document that in the 22nd years of Myeonjong, Japan required that Pobeckchuck be used, but it couldn't be allowed because of the reason it was made in the former king. This fact raises the high possibility that Pobeckchuck could be the most trustworthy standardized ruler at that time, and in other point of view, it can be presumed that the measurement in the period of King Sejong continued to have been used until this time. It can be seen that the length of one Chuck of Pobeckchuck at this time must have been equivalent to 46. 73cm of Pobeckchuck of Samchuck in the period of Sejong. In the History of Sunjo Period, many records on Pobeckchuck can be found, which fact seemed to have rectified the measurement system which was disordered by military revolt, though the reason is not clear. Also a record can be found that in the period of Sunjo, Chinese envoy required the Sunjo Regime to use Pobeckchuck for the measurement of copper pillar, which record supports the fact that Pobeckchuck is the standardized ruler. Another record that in the 26th period of Youngjo, Pobeckchuck of Samchuck was corrected according to the Kyeongkukdaejeon shows that the length of Pobeckchuck was 46.80cm at that time. Also, the record which rectified many rulers with the comparison of Hwangjong-chuck, Ju-chuck, Joryeki-chuck, Yongjo-chuck, etc. with one another reveals that the rulers used in the period of Sejong continued to have been used unchanged until in the period of Youngjo.

• Bangmulgwan gwa yeongu (The National Museum of Korea Journal)
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• v.1
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• pp.258-277
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• 2024

Kings of the Joseon Dynasty composed poems exploring their thinking about the governance of the country or personal feelings. Kings Taejong (r. 1400-1418), Seongjong (r. 1469-1494), Yeongjo (r. 1724-1776), and other kings bestowed poems upon their officials and had them compose response poems using rhyming words. Such literary exchanges between sovereign and subject were called gaengjin. The vast body of surviving materials related to gaengjin includes chronological materials recording the words and acts of kings, Yeolseong oeje compiling writings by Joseon kings, the so-called gaengjin albums that kings specially produced to commemorate officials' composition of response poems, and literary collections by officials who took part in the composition of response poems. Gaengjin albums were produced immediately after the king's bestowal of a poem and the officials' composition of response poems. They provide diverse information about the background, content, and participants of literary exchanges. Many of these albums are held in the collection of the National Museum of Korea, Gyujanggak Archives at Seoul National University, and Jangseogak Archives of the Academy of Korean Studies. A majority of the extant gaengjin albums were produced during the reign of King Yeongjo. This paper analyzed chronological materials on the gaengjin literary exchanges that were officially conducted 200 times during the fifty-two-year reign of King Yeongjo. It also explored the drastic increase in gaengjin literary exchanges between 1769 (the forty-fifth year of the reign of King Yeongjo) and 1776 (the fifty-second year of the reign of King Yeongjo), the period corresponding to King Yeongjo's latter years. The paper introduced sixteen items (albums, books, hanging boards, and folding screens) related to the gaengjin literary exchanges held in the eighteenth and nineteenth centuries from the collection of the National Museum of Korea. Among them, it shed light on the production backgrounds, contents, and characteristics of the eight gaengjin albums produced during the reign of King Yeongjo. The materials related to the gaengjin literary exchanges created during the reign of King Yeongjo are valuable in that they improve the understanding of various aspects of the respective period, including joyous events of the state (or royal court), the administration of state affairs, and literary activities among the sovereign and subjects.

• Journal of the Korean Magnetics Society
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• v.23 no.4
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• pp.144-148
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• 2013

Until the discovery of universal gravitation, a magnet had been considered to be a unique and magical stuff which exhibited an interacting force between two objects separated afar. Perhaps because of this belief, magnets were used widely as a medicinal stuff in East-Asia. In the present article, the records regarding the applications of a magnet for oriental medicine in written Korean history were surveyed. The records were categorized in terms of efficacy, prescription, and clinical case of taking-medicine. The records revealed that a magnet was used as an important component in the medicine for curing kidney filtering failure. Magnet was also prescribed to heal heart problems. Typical magnet-containing medicines included the SHINRYUKTANG, JIHWANGTANG, and INSAMBAEKHOTANG. Interestingly, it was revealed that some of the kings (Hyojong, Yungjo) in the era of Josun dynasty (1392-1910) believed the efficacy of the magnet-containing medicine and took it for curing their health problems.

• 보존과학연구
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• s.32
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• pp.53-60
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• 2011

The aim of this study is to investigate the traditional manufacturing technique of lacquering by comparing and analyzing materials used for wooden lacquerware artifacts with focus on the Joseon dynasty Eugye, and to apply the manufacturing technique to the conservation treatment of the lacquerware. artifacts. This study conducted the documentary survey focusing on "Yongjo Jeongsun Queen Consort Garye Dogam Eugye",and "Jeongjo Gukjang Dogam Eugye." The royal lacquering is roughly classified into three categories-scarlet lacquering, quality black lacquering, and terra rosa lacquering- according to materials used for lacquerware. The bean flour was mostly used for under lacquering of the articles which was offered to the king and in case of other articles, bean flour was used mixed with bone ashes. In some cases, burned pine soot was added to under lacquering. Japanese scarlet lacquering was applied by mixing maechil-main coat, in inverted commas- with Japenese scarlet after lacquering jeonchil-base coat, in inverted commas-. In case of Chinese scarlet lacquering, part of terra rosa was used mixed with red clay. For quality black lacquering, basically jeonchil and maechil were used, but sometimes part of burned pine soot was added. In addition, terra rosa lacquering was applied by basically using terra rosa mixed with red clay. Lastly, gloss was given by using perilla oil. It is expected that the traditional materials and technique examined through both documentary and relic research will contribute to advanced result of the conservation treatment of wooden lacqueringware artifacts.