• 한국의상디자인학회지
• /
• 제21권2호
• /
• pp.75-94
• /
• 2019

The Joseon Tongsinsa Festival has been held annually in May in Busan. It reenacts the procession of the Joseon Tongsinsa that the Joseon Government delegated to Japan four times in the 18th century. In the most important situation during the meandering period, three envoys (Jeongsa, Busa, Jongsagwan) who led the Joseon Tongsinsa, wore Jobok, but at the Joseon Tongsinsa Festival, the three envoys are wearing Jobok, which are not historically accurate. The Jobok called Geumgwan Jobok and were comprised of Yanggwan, Eui, Sang, Jungdan, Peasul, Su, Pumdae, Daedae, Paeok, Hall, Mal, and Hwa. These were ranked from first class to ninth class by personal ornamentation such as Yanggwan, Su, Pumdae, Paeok. So, this study is focused on ascertaining the Jobok of the 18th century for the three envoys who were ranked third grade. This study is based on literature, artifacts, and portraits that can depict the 18th century Jobok including all components. It was based on The 7th Korean Human Body Survey Final Report (2015) in order to produce all components of the Jobok of the modern males in their 50s who are playing the role of the three envoys in the Joseon Tongsinsa Festival.

• 한국한의학연구원논문집
• /
• 제14권3호
• /
• pp.155-171
• /
• 2008

This study examined from "SangHanChangHwaHunJiJip" how medical exchange between doctors of Joseon and Japan affected medical science of Japan. "SangHanChangHwaHunJiJip" is a record that organized the written conversation between doctors and scholars of the Joseon and Edo period when the delegation so-called Joseon Tongsinsa visited Japan in 1719. Even though "SangHanChangHwaHunJiJip" was written by Japanese, but it was comprised of Joseon's advanced medical ideology, especially "DongEuiBogam" that has occupied an important part of the Joseon medical ideology. As a matter of fact, "SangHanChang HwaHunJiJip" contains general theme and medical subject. But until now, it has been hardly studied by medical historians. Many studies were generally made related to Joseon Tongsinsa, a governmental delegation, focused on literary and cultural exchange between Joseon and Japan by historians. "SangHanChangHwaHunJiJip" is no exception to this trend. We can find that doctors of the Joseon and Edo period entered into colloquium, a form of group discussion, about the clinical theme in "SangHanChangHwaHunJiJip". Concretely, the conversation between doctors of Joseon and Japan was about infant disease, infectious disease, folk remedies, medical herbs, moxa cautery, acupuncture, the study of nature, the study of medical books, etc. For example, when doctors of Japan ask a confirmed disease, doctors of Joseon explained it particularly. They had a great effect on in every cultural aspect of Japan, especially its medical field. Through this study of the medical questions and answers in "SangHanChangHwaHunJiJip", I came to know that the doctors of GiHae envoys gave great influence to the medical knowledge of Japan and the GiHae inherited and developed the medical tradition of SinMyo envoys. Through the examination of this study, I could deduct that "JeongJeongDongEuiBogam" which was published by the government of the Edo period is due to not only the contents of DongEuiBogam's advanced medical thought, but also the doctors of GiHae envoy. Also, "SangHanChangHwaHunJiJip" gives us an idea that doctors of GiHae envoys have medical trend of the OnBoHakFa and a group of Japanese doctors has medical trend of the study of nature. I am confident that the improvement of medical science and natural history of the Edo period is due to influence of medical exchange between Joseon and Japan. "SangHanChangHwaHunJiJip" confirms that medical exchange between two countries affected doctors and scholars of the Edo period.

• 건축역사연구
• /
• 제17권4호
• /
• pp.25-42
• /
• 2008

The Gyeongbok Palace was completed during the reign of King Taejo and King Sejong in the early Joseon Dynasty. The most remarkable spacious feature of the palace is that it has an inner palace wall without an outer palace wall. The absence of the outer palace wall had its origin in the palace of the late Goryeo Dynasty which did not provide the outer palace wall. Gwanghwamoon was the main gate of the palace, and the office buildings of the Six Ministries were arranged on the right side in front of the main gate. A wide road called Six Ministries Avenue was made between the builidings. The avenue was completed during the reign of the third king of Joseon, Taejong, and it was assumed that this arrangement was influenced by the government office arrangements of Nanjing, the early capital city of the Ming Dynasty. Gwanghwamoon held national rituals as well as the civic and military state examinations nations in front of the gate. The avenue was decorated with flowers and silks when kings and the royal families, or Chinese envoys enter the gate, and the civilians watched the parade, Because there was no outer palace wall, all the events held at Gwanghwamoon and the Six Ministries Avenue ware opened to the public, it was the unique feature of Gyeongbok Palace that the palaces of Goryeo dynasty and China did not have.

• 건축역사연구
• /
• 제32권2호
• /
• pp.49-62
• /
• 2023

This study was prepared for the purpose of restorative consideration such as the construction background, scale, and location of buildings by comparing the historical materials of two countries, Korea and Japan, focusing on Choryanggaeksa. Choryanggaeksa was a building with a special purpose installed in Dongnaebu in the late Joseon Dynasty, and was also a space exclusively for Japanese envoys. When Choryangwaegwan, the only place of diplomacy and trade with Japan in the late Joseon Dynasty, moved in 1678, Choryanggaeksa was also built and continued until its function ceased due to the modern opening of the port. As diplomacy and trade with Japan take place in the category of Choryangwaegwan, the existence of an interpreter takes an important place. Therefore, Seongsindang, a space for interpreters, was built near Choryanggaeksa. When the modern port opened in 1876, Choryanggaeksa and Seongsindang lost their original function, but the building remained. However, after the 1890s, a Superintendent office was built on the site of Choryanggaeksa, and a school was established on the site of Seongsindang. It was destroyed when the site of Choryanggaeksa and Seongsindang was converted during the opening of the port, and its remains cannot be found today due to urbanization.

• 대한지리학회지
• /
• 제38권1호
• /
• pp.32-47
• /
• 2003

조선은 교린정책을 바탕으로 일본과 교류하면서 일본에 대한 다양한 정보를 입수하여 지도를 만들었다. 1403년에 제작된 $\ulcorner$혼일강리역대국도지도$\lrcorner$에는 행기도 계열의 상세한 일본지도가 수록되어 있고. 1471년 간행된 신숙주의 $\ulcorner$해동제국기$\lrcorner$에는 보다 정교한 일본지도가 실려있다. 이러한 성과는 15세기 대외인식의 개방성에서 기인하는 바가 컸다. 16세기 이후 주자성리학이 사회운영의 원리로 정착됨에 따라 화이관에 입각한 일본 인식이 강해졌다. 이 같은 경향은 일본지도에도 반영되어 민간에서 유행되었던 각종의 여지도책에 수록된 일본지도는 수록된 내용이 간결하고 지형의 윤곽도 많이 왜곡되어 있다. 이러한 흐름과 별도로 통신사의 왕래가 활발해지면서 상세한 일본지도들이 유입되어 제작되었고. 실학자들을 중심으로 일본에 대한 인식을 제고시키는 데 기여하였다.

• 헤리티지:역사와 과학
• /
• 제55권4호
• /
• pp.242-275
• /
• 2022

본 연구는 통신사(通信使)가 임진왜란 이후 1607년부터 1811년까지 약 200여 년간 12번에 걸쳐 일본을 왕래하며 남긴 사행록(使行錄) 중 선설(船說)을 중심으로 10~12차 사행에 정사 기선의 구조를 조선기술사적 측면에서 보다 깊이 있게 밝혀보고자 하였다. 본연구 결과 10~12차사행의 기선은 크기는 『계미수사록』과 『증정교린지』를 근거로 상장(갑판)의 길이가 19파(把)반(半), 너비 6파 2척(尺)이고, 삼판 높이는 2파 1척임을 알 수 있었다. 구조는 사행록에 따라 다르게 기록되어 있지만 이들을 종합해 보면 본판·선수(비아:이물)·선미(고물)·삼판·멍에·가룡·신방·궁지·갑판·두 개의 돛대와 돛·구레짝·판옥·선미판옥·타루·파도막이·호롱·계단·난간·치·노·닻 등을 갖추고 있는 것을 알 수 있다. 또한 각 부재를 서로 이음하거나 각단을 올릴 때는 연결하는 결구 못은 피삭(皮槊), 나무못[정: 釘], 쇠못[철정: 鐵釘] 등을 사용한 것을 알 수 있다. 돛의 종류는 초둔(草芚)으로 만든 돛[석범:席帆]과 베로 만든 돛[포범:布帆]을 사용한 것을 알 수 있다. 따라서, 본 연구를 통해 10~12차 사행에 정사가 타고 간 기선은 조선의 권위와 위엄을 보이기 위해 조선통신사 선단 중 길이를 가장 크게 하고, 선고(船高)를 높게 제작하였으며, 뱃전 바깥으로 이동 통로를 만들고, 뱃전과 판옥 사이에서 노를 젓고, 뱃전 안쪽으로 판옥을 올려 방을 만들고, 판옥 위 사방에 난간을 두어 안정적이며 선형의 미를 한층 더 향상시켰다. 판옥 벽면에는 궁궐 단청과 화려하게 벽화를 그려 장식하였다. 뿐만 아니라 선수에 귀면(鬼面)과 선안(船眼)을 그려 항해의 안전을 도모한 것을 알 수 있다. 이처럼 사행록에 기록된 선설을 통해 정사 기선은 국가에서 제작하고 국제를 항해할 수 있도록 기능과 구조를 갖추고 있는 것을 알 수 있다.

• 한국문헌정보학회지
• /
• 제46권4호
• /
• pp.77-98
• /
• 2012

연구는 영조 39(1763)년에 파견된 통신사의 "동사수창록"에 수록된 시편들에 관하여 고찰한 것이다. (1) 통신사는 조선에서 일본으로 파견한 공식적 외교사절로, 통신사절에 참여한 인사들은 일본 현지에다 서화 시문 등 많은 작품을 남겼을 뿐 아니라 귀국 후 일본에서 겪은 견문기록을 남겨 외교적인 역할 및 문화교류의 실상을 보여주고 있다. (2) "동사수창록"에는 4제에 걸쳐 조엄 이인배 김상익 남옥 성대중 원중거 김인겸 홍선보 등 8인의 도합 28수의 수창 시편들이 수록되어 있으며, 수록된 시편들은 임진왜란 이후의 조선과 일본의 사정과 회한 및 감회 등을 읊은 것으로 특히 작가들이 친필로 서사하고 낙관한 것을 후일에 장첩한 것이다. (3) "동사수창록"은 시편들의 내용과 작가 친필본임을 고려할 때, 지방문화재로 지정하여 연구하고 보존할만한 가치가 있는 것으로 평가된다.

• 건축역사연구
• /
• 제13권3호
• /
• pp.7-19
• /
• 2004

This study is to comprehend the interior space of the Royal Palace in the 15th Century, the early years of Joseon Dynasty. The subject of this study is limited to the center of the Royal Palace, that is Jeongjeon(正殿, the royal audience chamber) and Haengrang(行廊, which encloses Jeongjeon on four sides and has many rooms). It is very important to understand the usage of the interior space because the architectural space consists of the space unified by the organic function of the interior and the exterior space. But there are few studies on the interior space of Jeongjeon and Haengrang at the Royal Palace. Therefore, the purpose of this study is to understand the interior space of those buildings. The result of this study is following. Haengrang has several uses such as a night duty room, a storehouse, a government office or a banquet hall etc. So the interior spaces were finished with various methods that were suitable for the use of each room, and the material of the floor were the ground, Maru(the wooden floor) or Ondol(the Korean traditional heating system) There were held many kinds of ceremonies in Jeongjeon, and the government officials could not enter the inside of that building and took part in the ceremony on the front court of Jeongjeon, except the men performing the ceremony. But the high ranking officials could enter the inside when King gave a banquet and there, they prostrated themselves before King. They sat down with their legs crossed on the ground floor instead of sitting on a chair. When King held tea ceremony with Chinese envoys in Jeongjeon, they sat on Gyoui(交倚, a kind of armchair). Then, the government officials performing the ceremony in Jeongjeon prostrated himself around the King and the Chinese envoys and others stood around them.

• 건축역사연구
• /
• 제30권6호
• /
• pp.45-58
• /
• 2021

This study aims to examine the changes in Pyongyang-bu during the late Joseon period and Pyeong-an Gamyeong through gazetteer, pictiroal maps and various literature. The results are as follows. To begin with, unlike other gamyeong, Pyongyang-bu had an exclusive government office facility from the beginning and had a different status because of the route for envoys from Ming. Therefore historical sites related to Gija were important. Second, the importance of Pyongyang city-wall increased even more through the Japanese Hideyoshi invasions in 1592 and the Manchu Invasion in 1636. However, since the post-war restoration was insufficient they focused on defense reducing the size of Pyongyang city wall. Third, as society stabilized, Pyongyangbu's finances were greatly secured. King Sukjong systematically reorganized Pyongyang city wall and facility of Pyongy-an gamyeong. The nothern wall in located high place, Gamyeong and storage in middle height and military force and guesthouse in the center of Pyongyang-bu. I-a and warehouse facilities in the far south were placed around the Daedonggwan. The urban structure that runs from Daedonggwan to Daedongmun was the same as other city. Another pertinent point is Pyeong-an gamyeong had more military facilities and rear garden and pavilion than before. In clunclusion, Pyeong-an gamyeong did not pass through three gates, but only through two gates. And it was characterized by more various space and having more pavilions than other gamyeong.

• 헤리티지:역사와 과학
• /
• 제49권3호
• /
• pp.52-77
• /
• 2016

관우를 모신 동관왕묘에는 51점의 현판이 소장되어 있다. 이것들은 조선의 국왕이나 명 청대 사신 및 장군들이 쓴 것이다. 그동안 현판에 대한 연구는 궁궐에 소장된 것들이 주로 연구되었고, 동관왕묘의 것은 거의 이뤄지지 않았다. 이에 본고에서는 조선후기 국왕의 글씨로 만든 현판을 연구대상으로 삼아, 그 내용과 형식을 분석하였다. 내용상으로는 현판의 제작자와 제작시기 및 제작배경을, 형식상으로는 현판의 유형과 재료 및 시기별 양식 변천을 밝혀 보았다. 이를 통해 알게 된 사실은 다음과 같다. 우선, 동관왕묘에 국왕 글씨로 만든 현판은 총 7점이 현존하고 있다. 숙종이 쓴 1점, 영조가 쓴 4점, 고종이 쓴 2점이 그것이다. 이것들은 건물의 이름을 쓴 편액(扁額)과 동관왕묘에 방문한 느낌을 시로 쓴 시액(詩額)으로 나뉘었다. 특히 후자는 국왕이 봄과 가을에 능행(陵幸)하면서 동관왕묘에 들렀을 때 썼으며, 관우의 의리와 충성을 통해 왕실의 안녕을 도모하고자 의도한 내용이 포함되어 있다. 다음, 국왕의 현판은 명 청대 사신이나 장군의 것들과 비교할 때 재료나 형식면에서 차별화되었다. 바탕은 청색[회회청(回回靑) ]이나 주색[주칠(朱漆)] 및 옻색[흑칠(黑漆)]으로서, 먹색[묵(墨)]이나 흰색[분질(粉質)]으로 된 현판보다 고급 재료로 칠하였다. 글씨는 양각으로 새긴 위에 금(金)으로 칠하였다. 현판의 형식은 4면이 모판처럼 $45^{\circ}$로 비스듬하며 단청기법으로 꽃문양이나 칠보문양을 그렸고, 그 좌우와 아래로 길게 빼 당초문양을 장식하였다. 이것은 '사변형(斜邊形)'이라고 부르는 형식이며, 나머지 3종류의 형식보다 품격이 높아 최고 수준의 것이었다. 이처럼 국왕의 글씨를 새긴 현판의 존재를 통해 조선후기에 동관왕묘는 국왕들이 관심을 가지고 있었고, 군인들의 충성심을 강조한 정치적 공간으로서의 위상도 확인할 수 있었다. 이밖에 명대 사신이나 청대 장군의 글씨로 제작된 현판과 형식 비교나 시기별 양식적 변천은 다음 기회로 미루고자 한다.