• Korean Institute of Interior Design Journal
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• v.19 no.6
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• pp.150-160
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• 2010

The origin of the Roman public basilica is Rome's indigenous style morphologically but actually it seems that developed the Greek semi-open style stoa into the Roman practical interior space. In the early ages, the arrangement of Roman forum had been planned high symbolical temple as the center but gradually changed into the basilica centered which were used often by citizen. Through the Roman period, the important types of early Roman basilica have Fano basilica in the first century BC, Pompei basilica of mid period in the first century AD, Doclear basilica with apse as late type in the second century AD. Pompei type well characterized the feature of Roman public basilica among them. The result of the floor plan analysis shows that the long side access to the interior space is over 76 percent of examples and nearly 70 percent have no apse and the average of vertical horizontal length ratio presents as 1:2.3. The typical plan of Roman public basilica can be defined that most of access are being entered from one of the long side, and most of basilica have no apse, and normally having inner columns arranged in one or more concentric rectangles around nave as a center.

• Korean Institute of Interior Design Journal
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• v.23 no.2
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• pp.174-181
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• 2014

The purpose of the study for this thesis is to look into the status and issues of government office buildings since the self-government policy through comparing and analyzing government office buildings, between domestically and to provide improvement plans of the citizen cultural space and with the self-government budget, enhance the utility and efficiency of the government office buildings and to take a role of a reference in the future when citizen cultural space is formed in the government office buildings. As the result of the study, the space planning characteristics of government office building's citizen cultural space in terms of cultural administration is as follows. First, percentage of room to strengthen the sense of community is small. Therefore, the place where residents can argue there is a need. Second, it is necessary to expand the venue and art collection that are missing in public government buildings. Third, since the lecture room for lack of civic education, it should be taken into account when making cultural space for the citizens. Fourth, thread observatory and souvenir shops, providing information is not enough, it is to be further expanded. Fifth, rented facility for public is hall be provided with a diversity.

• Korean Institute of Interior Design Journal
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• v.20 no.6
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• pp.311-320
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• 2011

Public libraries in Korea have undergone changes from libraries for just reading or keeping books to libraries with cultural facilities that provide information through various media. It was because of the "plan for building the information-oriented library" in 2000 that made the complexation of public library in progress. The alterations of the system have changed the structure as well as the grade ranks but haven't been considered enough for administrators or visitors. Hereupon, we are to study of the features by analyzing how the application of the system changed the structure of library. There are four stages in research methods. First, concept of public library and functional elements requested in the process of complexation were studied from literature. Second, vertical, horizontal and circulate changes were studied by applying subject libraries into prior research stereotyping the libraries. Third, mutual relations between each place were studied through J-Graph by elements. Lastly, rank changes according to centrality of space and users were quantitatively studied with space syntax. 4 notable changes were found in these analyses. (1)Vertical, horizontal and circulate structure of public libraries were homogenized. Since 2001, however, they have become diversified as all-in-one or detachable. (2)The space structure of library before 2001 was shallow tree shape while in 2001, period of transition, was the tree shape mixed with ring shape. As time goes on, it has become shallow tree shape again but connected by ring shape in part of reading and common space and in digital reference room. (3)Digital reference room was center of the space around 2001 and it ranked top for integration. After 2007, however, it has become setting off-center. (4)About the purpose of using public libraries, using it as space for administrators ranked top followed by space for visitors and common space before. For now, common space ranks top and space for visitors and administrators. 5 subject public libraries were selected respectively before and after 2001.

• Korean Institute of Interior Design Journal
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• v.20 no.4
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• pp.191-200
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• 2011

Street furniture such as benches, streetlamps, and shades which are easily accessible in cities has contributed to the promotion of active, lively environment for people living in cities. Furthermore, they make the characteristics of specific regions and cities, and are valued as a communication interface to restore the relationships between people and cities. The street furniture design with inherent publicness is an essential element for leisurely life and refined image of modern people who have experienced severance and mental poverty in uniform, vertical modern city space with the development of advanced science and technology. The purpose of this study is to analyze the new design approaches to street furniture which plays an important role in the determination of the images of modern city environment and to examine the characteristics and trends of such designs. First, in accordance with the flow of studies from publicness and public space to street furniture, the concept and meaning of publicness which is the basic element of public space were identified through theoretical examination, and the characteristics and roles of modern public space were analyzed through literature review, data review, and international cases. Based on the results of this theoretical analysis, the concept and meaning elements, function elements, and design elements of the street furniture which was planned in accordance with the goal and functions of public space were identified. For the meaning elements of street furniture design, fun, health, culture, sustainability, and vitalization were identified. For the function elements of street furniture design, convenience, safety, and delivery were identified. As the characteristics of modern street furniture design, convergent, green, digilog, functional, and universal designs were analyzed. This study is meaningful in that it recognized the roles of street furniture in modern public space as a concrete, practical environmental design element and estimated the development directions of street furniture design in public space.

• Korean Institute of Interior Design Journal
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• no.21
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• pp.62-68
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• 1999

Researching behavior of users in public library is very important processing and their activities can be judged with the regard of required inner spaces and related those functions. The subject of this study is to examine the organization of inner spaces in public library and to propose the prototype of space composition in public library on the future. Not only the relation of space program of each library but also the network among public libraries are not connected efficiently. That's why the public library is not used as local cultural place. Usually, the organization of inner spaces has not been recognized and approached satisfactorily. As the result of the above researching, the function of the culture facilities should be connected to the open study-room which now using just for study. It will make users to recognize and approach public library easily.

• Journal of the Korea Furniture Society
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• v.21 no.1
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• pp.40-53
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• 2010

The purpose of this study was verified the effect of analyzed emotional factors and compare with competed design proposals of G and D public exhibition to plan the public exhibition applied emotional marketing which strengthen the effect with touching the emotion. The results are first, public consumer preferred to experience 5 senses and gives a positive effect, second, preference according to factor of scene gives differences by ages, but various ages preferred to experience the factor of scene, third the result of analyze the relation between preference of scene and 3 groups of 5 senses, which is high, middle, and low preferred had significant relation, and fourth, public consumer preferred to several levels of exhibition than only one level, the space preferred was 'experiencing' space.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2008.05a
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• pp.74-77
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• 2008

In the relationship between exhibition space and art work in art museum, the Pluralism on the late of the 20th century made the new form of exhibition space to be appeared on the stage. Even if formal exhibition space that emphasized itself as a non-spatial background is currently being continued, the informal form of exhibition space is coming to the new art museums, especially after 1990's. This study is to understand how the advent of new designed the informal form of exhibition space in the Glytothek museum(the formal form of exhibition space) design a new paradigm In the relation between the exhibition space and art work in conjunction with public's perception. To do this, it is made clear that the Glytothek museum(the formal form of exhibition space) simply has played a role of non-spatial background. In other hands, the new designed informal form of exhibition space that is mainly presented after 1990's begins to Interrupt the public's perception of art work, changing it's meaning through a spatiality.

• Korean Institute of Interior Design Journal
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• v.20 no.6
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• pp.88-96
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• 2011

In contemporary urban space, the identify is absent because of the object-oriented plans that ignore the context of urban space, and the ignorance of the regional characteristics and the historicity of places. Due to this reason, urban space lost its unique characteristics and becomes a mismatch with its surroundings. To solve these problems, the ideological trend of post-modernism emerged and new spatial paradigm rose based on the contextual concept to go with this trend. This contextual concept should be considered more importantly in the public space with discontinuous many and unspecified behavioral patterns. The components of space do not exist independently with individual identity. They should be considered based on a holistic view formed by the relations among elements and the establishment of those relations, and through this, correct identity can be established. Thus, this paper aims to analyze the context of spatial components through new contextual views on public spaces and study the expressional characteristics unveiled between these relations.

• Korean Institute of Interior Design Journal
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• no.4
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• pp.45-52
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• 1995

This study is on investigation of sizes, functions and positions of storage space in the house, which is basically necessary for effective using of limit house space. The Storage spaces in Korean vernacular housings are intensively investigated to evaluate their usage and to ex-tend their utility for modern life. Data and materials on the storage spaces in typical houses were taken from the "NamSa Village" and Urban Single-Detached House provided by K.N.H.C. In order to get the fundamental materials, related references are widely investigated and interview and direct visiting have also been made. The results are obtained as follows. 1. There are many kinds of storage space in the rural detached house, however this space could approximately classified as five kinds. 2. The number of "BYUKJANG" and "BANCHIM" are more equipped in apartment houses rader than rural detached houses. 3. There are more kinds of storage space in the public detached houses rather than the public apartment houses. 4. In the apartment houses constructed by private companies, more storage space are generally equipped rather than public apartment houses. than public apartment houses.

• Korean Institute of Interior Design Journal
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• v.21 no.5
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• pp.381-389
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• 2012

This study starts from the question about the possibility of landscape, especially the possibility to give a new vision in the aspect of publicity. Such a concept of landscape architecture made its appearance in the last decade of the 20th century, as the flexible network to include the changes and the specificity of the surroundings, which simultaneously focuses on the temporality-the uncertainty. Moreover landscape architecture can be defined as the architecture in which the interest on human activities lie in the center of the concept. By analyzing concrete examples, the landscape architecture can be defined in 3 aspects : unity of building and nature, void and public space, space of expansion. As a result of the analysis of landscape architects' statements, it can be said that the issues of publicity are always put at the starting point of landscape architecture with its attention to the way to associate an individual with the others.