• KSII Transactions on Internet and Information Systems (TIIS)
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• 제14권9호
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• pp.3762-3781
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• 2020

Infrared pedestrian target recognition is a vital problem of significant interest in computer vision. In this work, a novel infrared pedestrian target recognition method that uses heterogeneous features with multi-kernel transfer learning is proposed. Firstly, to exploit the characteristics of infrared pedestrian targets fully, a novel multi-scale monogenic filtering-based completed local binary pattern descriptor, referred to as MSMF-CLBP, is designed to extract the texture information, and then an improved histogram of oriented gradient-fisher vector descriptor, referred to as HOG-FV, is proposed to extract the shape information. Second, to enrich the semantic content of feature expression, these two heterogeneous features are integrated to get more complete representation for infrared pedestrian targets. Third, to overcome the defects, such as poor generalization, scarcity of tagged infrared samples, distributional and semantic deviations between the training and testing samples, of the state-of-the-art classifiers, an effective multi-kernel transfer learning classifier called MK-TrAdaBoost is designed. Experimental results show that the proposed method outperforms many state-of-the-art recognition approaches for infrared pedestrian targets.

• International Journal of Fuzzy Logic and Intelligent Systems
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• 제8권1호
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• pp.82-86
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• 2008

The article presents ARTMAP and Fuzzy BK-Product approach underwater obstacle avoidance for the Autonomous underwater Vehicles (AUV). The AUV moves an unstructured area of underwater and could be met with obstacles in its way. The AUVs are equipped with complex sensorial systems like camera, aquatic sonar system, and transducers. A Neural integrated Fuzzy BK-Product controller, which integrates Fuzzy logic representation of the human thinking procedure with the learning capabilities of neural-networks (ARTMAP), is developed for obstacle avoidance in the case of unstructured areas. In this paper, ARTMAP-Fuzzy BK-Product controller architecture comprises of two distinct elements, are 1) Fuzzy Logic Membership Function and 2) Feed-Forward ART component. Feed-Forward ART component is used to understanding the unstructured underwater environment and Fuzzy BK-Product interpolates the Fuzzy rule set and after the defuzzyfication, the output is used to take the decision for safety direction to go for avoiding the obstacle collision with the AUV. An on-line reinforcement learning method is introduced which adapts the performance of the fuzzy units continuously to any changes in the environment and make decision for the optimal path from source to destination.

• 조형예술학연구
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• 제13권1호
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• pp.11-21
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• 2008

It seems to be difficult to bridge between human and nature. All depictions of nature are not necessarily reflections of reality. Thoughts are projected into nature, then nature will reflect us. The world is composed of natural and cultural environment. There are differences between depiction of nature based on correspondence and construction of world. Environmental aesthetics is an emerging field of study that focuses on nature's aesthetic value as well as on its ethical and environmental implications. Allen Carlson, a pioneer in environmental aesthetics, provides challenges as well as a wealth of resources for those who would appropriate his ideas in the service of environmental protection. Carlson's positive aesthetics, his focus on the functionality of human environments, and his integration of aesthetics and ethics have great import for those seeking to use aesthetics to assist in addressing environmental controversies. Environmental ethics would benefit from taking environmental aesthetics more seriously. Environmental aesthetics is an emerging discipline that explores the meaning and influence of environmental perception and experience on human life. Arguing for the idea that environment is not merely a setting for people but fully integrated and continuous with us, Arnold Berleant explores the aesthetic dimensions of the human-environment continuum in both theoretical terms and concrete situations. Aesthetic experience is always contextual. The aesthetic aspect of any human habitat is an essential part of its desirability. The aesthetic perception of environment shows us the reciprocity that constitutes both person and place. The genuine beauty lies in the coexistence and harmony with natural environment.

• 국제초고층학회논문집
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• 제10권4호
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• pp.251-263
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• 2021

Fire safety engineering is a critical specialization to include in the design of a tall building yet is often excluded from the Building Information Model (BIM) and integrated design process. The design of fire safety systems is interdependent with building/structural geometry, HVAC, mechanical, and electrical systems. A BIM is a 3D visual representation that stores data on these kinds of systems. The compatibility between BIM and fire safety design seems obvious yet has received a dearth of attention in structural (fire) engineering literature. The authors herein have reviewed over 40 recent papers on utilizing BIM for fire safety engineering, focusing on contemporary literature to obtain a more up-to-date review of the state-of-the-art. The resulting trends, technologies, research gaps, and methodologies are presented in this paper. Adoption of BIM in fire safety engineering is slow and behind other disciplines which may be improved if research involved more industry partners. For BIM technology to reach its potential, industry manufacturers need to provide high LOD fire BIM objects, fire engineers and researchers need to collaborate on future advancements, and building owners/management need to be educated on how to use the benefits provided.

• 복식
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• 제54권2호
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• pp.105-119
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• 2004

Cultural hybridization and global cross-fertilization, begun since the 1990s, mean the hybrid mixture of the low-class popular arts and the high-class fine arts and have found expression in intertextuality by means of the thinking system of de-constructuralist post-modernism. This study was intended to investigate the artistic intertextuality between fashion and art frontiere, especially between such fields as 'animation', 'music', and 'performing arts' and 'fashion', which shows the greatest characteristic of the phenomenon that the non-mainstream culture flows into the mainstream culture. It also aimed to investigate the intertextuality between 'technology' and 'fashion' as the delivery room of the youth culture and copycat culture due to the benefit of technologies since the 20th-century digital revolution. Animation as the neo-pop art with the popular code coming to the forefront in the 21th century integrated high-class fashion and low-class fashion into one through the combination of fashion and humor, and the musical element referring to the social difference of the cultural field and the social strata is becoming the 21th-century fashion icon through its fusion with the pictorial tendency along with the leisure-time life of the non-mainstream strata. In terms of intertextuality in performing arts, fashion style performs an important role in the presentation of performing arts and since the de-construction of the fin-de-ciecle form and its fusion with media have taken place, fashion works become and element of the origin that has an influence on a series of film, dance, dramatic elements and the like. The paradigm of technology made it socially and culturally possible to achieve the architecture of clothing system necessary for fashionable technical clothing by allowing the possibility of imitation, the function of technology to form popular culture. The intertextual tendency in the 21th-century fashion began from the de-constructive phenomenon of existing norms and now takes the multicultural character of surpassing a certain domain or concept. And it positions itself as the total art of spearheading the low-class culture and the non-mainstream culture as the hybrid domain of mainstream and non-mainstream cultures or high-class and low-class cultures.

• 한국컴퓨터정보학회논문지
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• 제17권4호
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• pp.19-29
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• 2012

최근 PISA와 TIMSS 연구에 따르면 우리나라 학생들은 수학과 과학에 대한 높은 성취 결과에 비해 교과의 흥미는 매우 낮은 것으로 나타났다. 본 연구의 목적은 초등학교에서 로봇 활용 STEAM 교육이 수학 학습태도 및 과학 학습동기에 미치는 영향을 검증하는데 있다. 이러한 목적을 달성하기 위해 실험집단에는 과학, 수학, 미술교과를 '에너지'라는 주제로 로봇활용 융합적인 STEAM 수업을 실시하였고 통제집단은 세 교과를 분과적인 방식으로 수업하였다. 로봇활용 STEAM교육 수업을 위해 4학년 2학기 수학, 과학, 미술교육과정을 분석하였으며 선택된 '에너지' 주제를 중심으로 STEAM 수업모형을 설계하고 적용하였다. 과학수업은 로봇을 활용하여 열전달 실험을 실시하였으며 얻어진 실험결과는 수학수업의 꺾은선그래프 단원에 연계하였다. 미술수업에서는 열에너지의 느낌을 형과 색으로 표현해보고 상상 표현을 위해 로봇부품을 활용 하였다. 연구결과 로봇활용 STEAM 수업을 실시한 실험집단에서 전통적 교과수업보다 수학 학습태도 및 과학 학습동기가 높게 나타났다(p<.05). 이와 같은 결과는 초등학교에서 로봇활용 STEAM 수업이 수학 및 과학의 흥미 신장에 효과적임을 입증하였다.

• 디지털융복합연구
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• 제15권4호
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• pp.427-441
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• 2017

본 연구의 목적은 문화예술교육에 대한 공감기대가치와 사회적 성향이 학습자의 통제된 기제 해소에 미치는 영향을 실증적으로 살펴보는데 있다. 4050세대 대상의 정량적 조사가 실시되었다. 연구 결과, 목표지향 공감기대가치-개인주의, 관계지향 공감기대가치-집단주의 간의 상관관계가 높은 것으로 나타났다. 아울러, 목표지향 공감기대가치는 자아효능감 현실화에, 즐거움 공감기대가치는 유보된 욕망 재점화에, 관계지향 공감기대가치는 탈고립 실제화에, 개인주의는 자아효능감 현실화에, 집단주의는 탈고립 실제화에 상대적으로 더 큰 영향을 미치는 것으로 나타났다. 본 연구는 문화예술교육 공감기대가치와 학습자의 사회적 성향, 그리고 학습자의 심리적 기제에 대한 학제적 융합적 이해의 필요성을 환기시키고, 나아가 이에 기반 한 프로그램 개발, 사회적 요구에 대처한 질적 양적 적합성 확보, 호혜성을 고려한 운영, 평가, 관리 등과 연계된 후속 연구와 실무적 적용이 지속적으로 필요함을 제시하고 있다.

• 패션비즈니스
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• 제16권2호
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• pp.88-107
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• 2012

Hybrid implies that elements in more than two are combined, and is what is merged and used complexly the technologies and materials in several fields according to the development in scientific technology and the progress in technology. In the formative and artistic aspect, the hybrid can be said to be phenomenon that two of mutually different genres are combined. The function and form in each genre, which were combined at this time, are remained wholly or partially, thereby revealing as well without hiding a fact of having been combined. In the digital communication era, the same time level was integrated into one culture, with destroying the temporal·spatial boundary. As for the objectives of this study, first, the aim is to suggest a model for researching into make-up by grasping the developmental process and the characteristics of hybrid art through considering an art theory of hybrid, which was shown in make-up. Second, the aim is to design make-up by analyzing trend by make-up style after applying the genre deconstruction in hybrid. The modern make-up design through genre-deconstruction characteristics beyond diverse plurality and genre could be known to be highlighted as aesthetic characteristic by a slight attempt as communication of open space, which connects culture and genre, which had failed to be recognized and was neglected. Through the results of this study, it could be known that there is infinite possibility in developing make-up design in line with modern sensation through aesthetic element and symbolic significance through genre deconstruction. Based on these findings, its significance can be said to be in substantially contributing to offering new sight to the design & formative characteristic and the expression mode in future make-up, to providing basic data, and to strengthening competitive edge of culture and art.

• 영재교육연구
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• 제20권3호
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• pp.789-807
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• 2010

본 연구는 영재들의 음악경험과 흥미도가 창의성에 끼치는 영향력을 분석함으로써 국내 영재의 창의성 신장을 위한 예술 활동의 가능성을 탐색하고자 수행되었다. 연구결과 영재들의 음악경험 및 흥미도는 전체적으로 중하위 수준에 분포되어 있었다. 창의성 점수 평균은 높았으며, 하위 영역 중 독창성, 추상성, 종결 등이 특히 우수한 것으로 조사되었다. 또한 음악경험과 흥미도가 창의성의 다양한 하위 요인에 끼치는 긍정적 효과도 나타났다. 한편 본 연구를 통해 얻은 몇 가지 결론 및 시사점은 다음과 같다. 첫째, 예술 활동으로서의 음악경험이 영재의 창의성에 끼치는 영향력 탐색을 위해서는 먼저 연구대상 영재들이 경험하고 있는 음악활동 자체에 대한 질적 점검이 선행되어야 한다. 둘째, 저조한 영재들의 음악경험 및 흥미도에 주목할 필요가 있다. 셋째, 예술교육 활성화 이전에 영재들의 창의성 신장을 위해 왜 예술교육이 필요한지에 대한 명확한 이유와 효용성에 관한 제시가 선행되어야 한다.

• 공연문화연구
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• 제22호
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• pp.371-411
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• 2011

빠르게 변화하는 21세기의 문화 흐름에 있어 공연예술은 그 고유의 정체성을 확립하는 동시에 상상력과 창의력을 바탕으로 한 새로운 표현양식을 필요로 하고 있다. 현대의 변화된 테크놀로지 환경은 최첨단 기술력을 뒷받침으로, 새로운 경험에 의한 사유의 확장을 가져오고 있는 것이다. 특히 예술표현에 대한 디지털 매체의 직접적인 개입은 공연 예술 주체인 인간의 신체성을 확장시키고 있다. 디지털에 의해 가상화된 신체는 물리적 한계를 벗어나 시공간의 경계를 넘나들며, 관객으로 하여금 새로운 상호 작용의 가능성을 제시하는 것이다. 본 논문에서는 세계 최초의 전문 로봇 배우인 '에버'를 중심으로 탈신체화 된 공연예술의 표현주체와 디지털화된 움직임에 대해 살펴보려 한다. 디지털 신체라는 새로운 표현 매체의 변화에 따라 등장한 로봇 배우는 테크놀로지적 가치 뿐 만 아니라, 문화 예술적 활용 가능성에 대한 연구가 필요하기 때문이다. 이를 위하여 이론적 배경으로 '에버'의 개발과정과 기능을 조사하고, 세계 최초라는 타이틀이 지니는 역사적 중요성과 함께 인간을 대신한 배우로서의 역할을 어떠한 방식으로 수행하는지 살펴볼 것이다. 그리고 구체적 사례연구로 공연예술 분야의 판소리 극 "에버가 기가 막혀(2009)"와 어린이 연극 "로봇공주와 일곱 난쟁이(2009)"를 조사하고, 그 외 다양한 활동분야에서의 활약을 통해 배우로서의 가능성을 살펴본다. 이를 통하여 로봇 배우의 발전적인 진화 방향 탐구와 공연예술에 미칠 영향력을 예상하고, 적극적인 문화 콘텐츠화 방안 추진으로 나아가 로봇 배우의 대중화와 활성화를 통한 고부가가치를 창출할 수 있는 방안 모색을 그 목적으로 한다. 로봇 테크놀로지가 융합된 공연은 예술적 실험의 한 형태로, 인간신체와 기계인간이 어우러져 기술적 상상력을 현실화시키며 미래형 공연예술의 변화를 초래할 것이다. 본 연구를 통해 공연예술과 로봇 테크놀로지와의 만남이 현 시대가 추구하는 하나의 총체적 문화 현상으로 공연예술 활성화에 긍정적인 영향을 미치며, 나아가 다양한 영역으로의 확장을 향한 계기가 되기를 기대한다.