• Title/Summary/Keyword: Injo

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Review of Application of Medicinal Porridges by King-Injo of the Joseon Dynasty - Based on the Records from The Daily Records of the Royal Secretariat of Joseon Dynasty - (조선 인조(仁祖)의 질병관리 중 약죽(藥粥)의 적용과 의미에 관한 고찰 - 승정원일기 기록을 중심으로 -)

  • Lim, Hyunjung;Cha, Wung-Seok
    • Journal of the Korean Society of Food Culture
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    • v.28 no.5
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    • pp.438-449
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    • 2013
  • During the Joseon Dynasty, medicinal foods derived from herbs were often more effective than traditional medicines. In addition, the royal family of the Joseon Dynasty believed that foods could be used as various disease treatments. Grain-based foods, especially medicinal porridges (藥粥), were most frequently used for diet therapy. We investigated various types of diet-related diseases suffered by King Injo (仁祖) as well as how the diseases were treated using medicinal porridges based on information in the SeungjeongwonIlgi (承政院日記), which is the daily record of the Royal Secretariat of the Joseon Dynasty. This study examined the SeungjeongwonIlgi of King Injo from his1st year (1623) to 27th year (1649) on a website database maintained by the National Institute of Korean History. According to the records, King Injo suffered from severe diarrhea several times due mainly to febrile disease (煩熱症) as well as abdominal dropsy (脹滿) throughout his entire life. Major diseases affecting King Injo were due to his unhealthy eating habits and psychological factors. For treatment, royal doctors prescribed around 15 medicinal porridges, including nelumbo (seed) porridge (Yeonja-juk), milk porridge (Tarak-juk), Chinese dioscorea porridge (Sanyak-juk), mungbean porridge (Nokdu-juk), perilla seed porridge (Imja-juk), adzuki-bean porridge (Pat-juk), soybean porridge (Kong-juk), Korean-leek porridge (Buchu-juk), and so on, in addition to other medical treatments. Diet therapy using medicinal porridges has been used throughout history since the Joseon Dynasty period. However, knowledge of traditional diet therapy and medicinal porridges used by monarchs in the Joseon Dynasty is insufficient. Therefore, in-depth study is needed to understand the theory of traditional medicinal foods as well as explore their application to patients in the context of modern medicine.

A Historical Study on Treatment Records of Queen Jangyeol's Convulsion - Focusing on Cases Recorded in "The Daily Records of Royal Secretariat of Joseon Dynasty 『承政院日記 (Seungjeongwonilgi)』" - (조선 장렬왕후의 경련에 대한 치병기록 연구 - 『승정원일기』의 의안을 중심으로 -)

  • Park, Joo-Young;Cha, Wung-Seok;Kim, Namil
    • The Journal of Korean Medical History
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    • v.29 no.1
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    • pp.79-87
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    • 2016
  • Queen Jangyeol was proclaimed as the second wife of King Injo at the age of 15 in 1638. This study was carried out in order to confirm if Queen Jangyeol actually came down with epilepsy or if she pretended to do. The keywords, "Jungjeon" and "Junggungjeon" were searched among the articles from "Seungjeongwonilgi" in the 16th reign to the 27th reign of King Injo. After that, articles only related to convulsion were selected. The symptom of convulsion and the therapy were analyzed. King Injo gave an order, and royal doctors diagnosed the queen's illness as epilepsy in August in the 23th reign. The Queen was confined in Gyeongdeok in November, and took herbal drugs for treating the epilepsy. After the death of King Injo, she stopped taking the drugs. As the Queen's epilepsy took place consistently more than 1~2 times in a month, it is the generalized tonic-clonic seizure. Also, it is the epilepsy overlapping reiteration with the brain function disorder because the convulsion lasted throughout 1 hour. However, after King Injo died, she lived for long without the brain function disorder. So it is difficult to judge she actually came down with the epilepsy.

Historical Investigation and Reconstruction of Noeui (露衣) Set (一襲) of Uigwe for the Royal Wedding Ceremony of King Injo and Queen Jangryeol (『(인조장렬왕후)가례도감의궤』 노의(露衣) 일습(一襲) 고증 제작)

  • Kim, Nam Hee;Choi, Yeon Woo
    • Journal of the Korean Society of Clothing and Textiles
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    • v.42 no.2
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    • pp.360-378
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    • 2018
  • Noeui was a garment used for women's outfits and robes. In the late Joseon Dynasty it was a special garment that could only be worn by the class belonging to the royal family. Noeui was especially prepared as a wedding dress, and was worn by the bride at the Chinyeong ceremony on the day of the wedding ceremony. Until now, Noeui did not have in depth research at the costume history despite its importance as a royal costume in the Joseon Dynasty. Thus, based on Uigwe for the Royal Wedding Ceremony of King Injo and Queen Jangryeol (which is the only material with a diagram of Noeui and its pattern) this study historically investigated and restored the Noeui set of Queen Jangryeol, which was arranged in 1638, when King Injo and Queen Jangryeol were married. This academic study is the first to historically confirm and restore Queen Noeui's set, and rigorously analyze the historical materials as well as provide new comments on the shapes of Noeui's Git and the front side.

A review on disease records of King-Injo of Chosun Dynasty - based on the records from The Daily Records of Royal Secretariat of Chosun Dynasty - (조선 인조(仁祖)의 질병기록에 대한 고찰 - 승정원일기 기록을 중심으로 -)

  • Kim, Hyuk-Kyu;Kim, Nam-Il;Kang, Do-Hyun;Cha, Wung-Seok
    • The Journal of Korean Medical History
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    • v.25 no.1
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    • pp.23-41
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    • 2012
  • 'The Daily Records of Royal Secretariat of Chosun Dynasty' is a record created in Seung-jeong-won, a secretariat for kings of Chosun, and is a government record which holds conversations between kings and their vassals as it is. General affairs in terms of the royal family and national administration are recorded, but what is more important is the records on diseases of kings and how they were treated. This study is to look into diseases from which King Injo(1959-1649) had suffered based on the records written during the time of his reign, which was from 1623 to 1649. Also, the "curse incident" and the death of prince Sohyeon, son of King Injo, both of which had significant influence on the health of the king, were reviewed in relation to the disease records.

A Study on the Sangryang-muns of Sudara-jang and Beopbo-jeon at H aein-sa in the Years of King Gwanghae and King Injo (광해·인조 연간의 해인사 수다라장과 법보전 상량문 연구)

  • Seo, Chi-Sang
    • Journal of architectural history
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    • v.29 no.1
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    • pp.65-76
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    • 2020
  • This paper attempts to study on the substantial characters of the sangryang-muns written for the constructions of Sudara-jang and Beopbo-jeon at Haein-sa in the years of king Gwanghae and king Injo. On that basis, it also attempts to declare the first time that the Buddhist Order firstly used long sangryang-mun, and to presume the backgrounds of the constructions. The results are as follows: First, the queen, Mrs. Ryu and court ladies of king Gwanhae had participated as donators to the constructions. Therefore, it is supposed that the constructions had been promoted by the queen's Buddhistic beliefs as well as the commemoration of the 6th award of eulogistic posthumous title to king Gwanghae. Second, throughout the history of Korean Buddhism, long sangryang-mun was firstly used in the construction of Sudara-jang. Therefore, we can see the fact that long sangryang-mun was introduced to the Buddhist Order, as donation by royal families. But the long sangryang-mun couldn't be suitable for the traditional customs of Buddhism, the monks wrote additionally the Balwon-mun, so to speak, the pryer address. Third, the sangryang-mun of Beopbo-jeon was written in the mixed format of long sangryang-mun and traditional Balwon-mun. It is supposed that the Buddhist monks wanted to keep the traditional customs. Four, in the late period of J oseon dynasty, the same formats as the sangryang-muns of Sudara-jang and Beopbo-jeon have been widely used in the various Buddhist buildings. Consequently, it is supposed that these three sangryang-muns were the embryonic formats for the major types of the late Buddhist building sangryang-muns.

A Study on The Throne of Kings and Implementation of Daedongbeop (왕의 즉위와 대동법 시행에 관한 연구)

  • Choi, Hack-Sam
    • The Journal of the Convergence on Culture Technology
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    • v.5 no.4
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    • pp.147-155
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    • 2019
  • The implementation of Daedongbeop of Gyeonggido after throne of Gwanghaegun, the Daedongbeop of Gangwondo afterthrone of Injo, and the Daedongbeop of Chongcheongdo and Chollado after throne of Hyojong were in expectation of new kings the greatest Governing Administrator who tried to improve the hard life of the people, It was possible because there was a great effort. However, after throne of these three kings, the enactment of the Daedongbeop is a major crisis. The difference of the crisis related to enforcement was that the enforcement of the Daedongbeop of the Gwanghaegun and the Injo was carried out immediately after the enforcement decision was made but soon it was put into a crisis of abolishment and the Chungcheongdo and Chollado provincial Daedongbeop encountered extreme opposition before the enforcement and it has been carried on continuously since the end of the abolition crisis. In this study, we examined the efforts of the Governing Administrator who succeeded in the enactment of the Daedongbeop for the peaceful life of the people, with the throne of these three kings and the expectation of the new king. In the case of at the time of Gwanghaegun, Hanbekgyeom, LeeWonik, and Hwangshin, Joeik and LeeWonik at the time of Injo, and Kimyuk at the time of Hyojong were common people who have tried to improve the troubles of the people. They did not focus only on the theoretical interpretation of Neo-Confucianism, but on the basis of the interpretation, they demonstrated the power of the Governing Administrator practicing the right politics for the people in reality. The result is policy formulation and enforcement for the implementation of the Daedongbeop.

The Music Policies of the Kings of Joseon Dynasty - Focus on Seongjong, Jungjong, and Injo - (조선 중기 국왕의 음악정책 - 성종·중종·인조를 중심으로 -)

  • Song, Ji-won
    • (The) Research of the performance art and culture
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    • no.34
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    • pp.315-353
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    • 2017
  • This study examined the music policies of the three kings, Seongjong, Jungjong, and Injo, who were in power for about 200 years from the late 15th century to the early 17th century. These three kings deserve attention in musical history for different reasons. Sungjong published "Gugjooryeui"(1474), "Gyeong-gugdaejeon"(1476), and "Aghaggwebeom"(1493), the typical etiquette books, law books, and musical books that take the most important position in the history of Joseon, so his direction of music policy deserves attention. Jungjong was the king who rose to the throne after there was a revolt against Yeonsangun's tyranny. Injo ascended to the throne by starting a military coup d'etat himself. One may wonder how the aspect of music policies developed by a king, who was crowned by a revolt, is different from other cases. As each of these three kings had different background of enthronement and the contents of music policies in the royal family also developed with different emphasis, this study examined each aspect separately. Sungjong emphasized the importance of music and regarded it important to cultivate officials who know music. To this end, he gave a special order to Yejo(the office of protocol) and this study tried to clarify the contents first. In addition, this study examined the process, contents, and meaning of various modification works related to the revision of the lyrics used in the ceremonies. Jungjong supplemented the institutional aspects of music. This is the result of expressing the will to correct the anomalous and reckless music policies of the period of Yeonsangun. In addition, many words in the lyrics had been about Buddhist doctrines and love songs between male and female, so there were efforts to reform these. As for the period of Injo, this study examined the music policies that were made in the process of resolving the crisis after the war. It was a time when court musicians were scattered after two times of war and it was not possible to hold the national ritual properly, so music policies in this period were different from the ones in stable era. This study covered discussions on the measures to collect lost instruments and scattered musicians. It also looked at how the restoration effort was made in the situation that the music used in ancestral rites was abolished.

A Study on the Naming of the Hidden Gates in Namhansansung by Records (기록에 근거한 남한산성 암문의 명칭 설정에 관한 연구)

  • Lee, CheonWoo;Kim, SukHee
    • Journal of the Korean Institute of Rural Architecture
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    • v.21 no.4
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    • pp.53-60
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    • 2019
  • The purpose of this study is to investigate the change of Hidden gates form with the times. Fortresses position is constructed on the Korea mountain ranges. Hidden gate, one of facilities to construct fortress among various factors, represents as route of supplies way, ask for rescue, or counterattack plan to come in. The shape of hidden gate changes depend on land form, function, and time period. Previous research partially based on archeology or history. This research analyze Namhan mountain Namhansansung, one of the highest hidden gates count in Korea, distributive by main fortress, Bong-am fortress, Hanbong fortress. Nahhan Mountain fortress repeatedly affected by King Injo in Joseon Dynasty. As a result, Nahhan Mountain fortress consist of hidden gates alternation depend on the time of establishment or extension which makes different shape or size.

The utilization of the Joseon royal family's Asi-acupoint therapy in the 『Seungjeongwon Ilgi』 (『승정원일기』를 통해 살펴본 조선 왕실의 아시혈(阿是穴) 활용)

  • Jung Ji-Hun
    • The Journal of Korean Medical History
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    • v.34 no.1
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    • pp.75-82
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    • 2021
  • Through articles published in the 『Seungjeongwon Ilgi』, the following conclusions were obtained by analyzing how the Joseon royal family used Asi-acupoint therapy. Various Asi-acupoints were used in the Joseon royal family to treat diseases; King Sukjong was the king who was treated the most with Asi-acupoint therapy, followed by King Yeongjo, King Hyeonjong, King Hyojong and King Injo. The body parts with the most Asi-acupoint therapy are lower extremities, followed by interbody, upper extremities, other parts, and head. Asi-acupoint therapy was treated evenly throughout the body. The most common disease using Asi-acupoint therapy is pain, followed by abscesses, other symptom, internal damage, and external infections. When Asi-accupoint was executed, the ratio of acupunture and moxiubustion was 65:35, indicating that acupuncture was somewhat frequently used.

Studies on the Characteristics of Spatial Components and Conversion of Sandan Area in the Rear Garden of Changdeokgung Palace (창덕궁 후원 산단(山壇) 권역 구성요소의 특질과 변용)

  • Jung, Woo-jin;Liu, Gi-suk;Sim, Woo-kyung
    • Korean Journal of Heritage: History & Science
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    • v.46 no.4
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    • pp.24-47
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    • 2013
  • This study focused on the constructional concepts, landscape design techniques and changes made of the Sandan(山壇) area in the rear garden of Changdeokgung Palace based on the spatial organization of the zone. The results of this study are as below. Constructional layers that have been maintained throughout the centuries from King Injo(仁祖), King Sukjong(肅宗), King Sunjo(純祖), the Japanese colonial period to the present, were found in the Sandan area. The Sandan area, which was developed with the establishment of Chuiseungjeong(取勝亭) during the ruling of King Injo(仁祖), was created as a resting place for the King, and its usage continued until King Sukjong(肅宗) built Nakminjeong(樂民亭). However, the whole area was reorganized to host ritual ceremonies, where ancestral rites were performed for the mountain gods, after Sandan and Baekunsa(白雲社) were built during King Gojong's reign, before the drawing of 'Painting of Eastern Palaces(東闕圖).' The architectural component used then appears to have been designed to serve ancestral ritual formalities for the god of land, or to satisfy the religious desires of the royal family not fulfilled by Confucian courtesy. These are characteristics that define the Sandan area. Meanwhile, the analysis of the ground plan of the Changdeokgung Palace revealed that the Sandan had been maintained until the Japanese colonial era, but was removed sometime after liberation. The area underwent extensive reform in the early 1970s, when the whole area was developed into a tourist destination called Bingcheon(氷泉). Then, a new road that runs through Bingcheon was laid, and the present condition reflects the construction result of the time. An interview with a person who had taken part in the repair work in the 1970s confirmed that the construction work at the time had the goal of establishing two drainage systems for drinking water and copied the Okryuchon(玉流川) well.