• 한국중재학회지:중재연구
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• 제26권2호
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• pp.27-44
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• 2016

The use of program formats has slowly but surely developed into an important component of the television industry. This article examines the surprising gap between the constantly growing, multi-billion-dollar trade of program formats and their unclear and contradictory legal treatment. From both the social and commercial standpoints, television formats are valuable creations. Understanding the two products, the paper and program stages, of a television format and their respective markets, is fundamental to discussions of its legal protection. Interestingly, under current law, the less-developed stages of the process (program ideas and paper formats) are awarded more protection than the aired program format, which accumulates higher levels of investment, creativity, and expression. Internal industry mechanisms, such as vertical integration, damage to reputation, and industry institutions, exist in both markets and are still able to control and influence members' behavior to some extent. However, while the influence of internal industry mechanisms is still strong in the paper format market, in the program format market, which continues to grow, such mechanisms have weakened, amplifying the importance of a clear legal system. The absence of protection will certainly not completely eliminate the production of new program formats. However, these factors do not add up to a case against protection. The changes in the program format market in the last two decades support the theory that the overall effect of providing legal protection for TV formats would promote beneficial competition and encourage more original creations. The underlying question for television formats should not be whether to protect but rather how.

• International Journal of Costume and Fashion
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• 제6권2호
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• pp.55-61
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• 2006

China became the largest costume industry and export country since 1994. The fashion market in China has been changed from seller's market to buyer's market. During this period, brand has taken an important part. The fashion industry in China is developing on outlook, function, materials and categories. I want to do this brief research on the ten years of China Fashion Week to review the development of China Fashion Week, which is the symbol of China fashion industry. I hope it can be reference for being comprehended by Chinese and other foreign countries. In 1997, China Fashion Week was called Fashion Design exhibition. The title was modified to be China Fashion Week in 2000. In 2003. the title was developed to China Fashion Week (Spring/Summer Collection) and China Fashion Week (Autumn/Winter Collection). In the past ten years, there have been 300 fashion collections, with 600 fashion designers who joined in the competitions, and thousands of models, reporters and photographers, who took part in China Fashion Week. Recently 200 login fashion brands, 300 fashion designers, more than 500 reporters and 50 model management companies have made a relationship with China Fashion Week. The first moment of China Fashion Week- "famous designer project": paying attention to the relationship between the level of fashion designers and the style of brands. Quite a good deal of fashion design became more practical. The second moment of China Fashion Week- "improving Chinese fashion brands ": fashion show was not a kind of stage art but the business dealing for brand during that period. The situation of China Fashion Week now: Chinese Haute Couture is showed wonderfully during China Fashion Week. Fashion contest became the character of China Fashion Week. The contests were for adult fashion designers, new designers, models, and photographers. According to the development between different countries on fashion, the international communication of China Fashion Week became more and more popular and wide. Fashion designers from France, Italy, New York, Korea and Japan had fashion shows in China Fashion Week. The Chinese top fashion designers were showing their work during Paris, Milan and New York fashion shows.

• 통상정보연구
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• 제10권3호
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• pp.265-290
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• 2008

Domestic industries are facing the open era as a result of signing the Korea-U.S. FTA with no exception to the financial industry. The FFA between two countries is expected to produce pros and cons for domestic financial industry. Therefore, it is very important to minimize the shock caused by opening our financial market and to adopt the advanced financial tools actively. Signing the Korea-U.S. FTA and enforcing the Integration Law of Capital Market are leading a big crisis to the Savings Banks which have been shrinking under the dramatically changing domestic financial environment since the financial crisis. To cope with financial globalization, Korean Savings Banks are demanded to build up their concrete identity and reposition their status. This is related to shaping the long-term position of domestic financial industry. Therefore, the Savings Banks must take the growth strategy for their survival, and it is an inescapable choice. Several options are available: big scale operation and diversification of business functions, reinforcement of local-focused mediating function of funds, establishment of strategic alliance with other financial firms, reinforcement of risk management system and core competence, nourishment and employment of professional manpower, and active deregulation and policy support. When the Savings Banks are refurbished as an independent local bank performing the central role of local finance, the bright future can be their destiny under the enormously changing global financial environment. Also, two more conditions need to be satisfied: to establish horizontal networks among local banks directed by cooperative Korea Federation of Savings Banks to reverse the weak scale position, and to satisfy their own peculiar niche market with internal countermeasure to face global financial networks.

• 한국의류산업학회지
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• 제10권6호
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• pp.926-935
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• 2008

The field of textile and fashion is regard to be sensitive to trend, however, the professional fashion information planning company for trend forecasting has not settled down in Korea. This study was designed to propose systemizing for fashion trend information planning in domestic fashion information service market. The empirical research was conducted by analysing in-depth interview data and news-scrap contents about each fashion information planning company. The result are as follows; First, fashion information service showed a little difference according to the type of fashion information companies, but they provided not only general fashion trends but also external market environmental information, survey-based consumer information and various segmented market research reports including academic information. Second, the fashion information planning process is largely divided into 3 stages; trend analysis, trend forecasting, trend application. The trend application step is the stage which connects the fashion information service industry to the fashion business. Thirdly, as a result of the competitive power evaluation for fashion information planning, the domestic fashion information planning companies came to reveal the fact that the possibility of carrying out and information analysis power were weak, however, how to present trend information had a relatively competitive. Consequently, this study is expected to play a role in understanding the importance of fashion trend information, and further ahead it would be helpful to organize the curriculum of fashion information planning subject in order to educate the future fashion executives.

• 한국펄프종이공학회:학술대회논문집
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• 한국펄프종이공학회 1999년도 Proceedings of Pre-symposium of the 10th ISWPC
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• pp.209-213
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• 1999

In the society of the 21\ulcorner century under multiphase media conditions, the rapidly glowing electronic media will replace the conventional paper media in a variety of areas. However, if human being still has an affinity for paper media and an instinct for hardcopy from electronic-based text or image, the new market will be created for the paper industry. To what extent the consumer choses paper media for output will depend upon the availability of functions of paper media appealing to human senses; i.e., "sensory functions of paper". As a whole, on-demand type personal as well as business communications will increase in the next century and this trend will lead certainly to a rapidly expanding "contents hardcopy market". The technological progress of the paper industry in the 21\ulcorner century depends upon the market needs for higher products quality and higher efficiency of manufacturing process as well as an endeavour to overcome constraints from forest resource, energy, and environmental issues. Under the conditions with above constraints, the paper media will be polarized into two categories; (1)paper for higher image reproduction capability for original image or text and (2)paper for lower reproduction but with higher appeals for human senses. To cope with these trends, psycho-physical analysis and a sensory engineering approach for developing new paper media is vitally required. Also newly emerged roles of paper physics in the multimedia age is pointed out associated with sensory functions of paper that are not well-understood so far.

• 한국게임학회 논문지
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• 제17권2호
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• pp.75-84
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• 2017

한국 스마트폰 게임의 빠른 성장과 함께 새로운 수익화 모델에 대한 검토가 요구된다. 특히 스마트폰으로 공급되는 다양한 콘텐츠들이 사업화 관점에서 적절한 수익모델을 찾지 못한 것에 비해, 스마트폰 게임은 기존 아케이드 게임 산업과 콘솔 PC 기반 패키지 게임 산업의 시장 경험을 적극 수용하여, 유료 다운로드 모델, 부분 유료화 모델, 게임 내 광고 모델 등 과금을 유도하는 다양한 수익화 모델을 개발하고 적용했으며, 이를 통해 단시간에 두터운 과금 사용자 그룹을 형성하였다. 이러한 수익화 모델의 개발과 적용은 스마트폰 게임 시장의 고속 성장과 발전에 중요한 기폭제가 된다. 이에 한국 스마트폰 게임에서 부분 유료화 모델의 문화적 특징과 게임 산업 전체의 수익화 모델 변화 과정을 살펴보고자 한다. 이를 위해 부분 유료화 모델을 도입 발전시킨 일본과 세계 시장을 주도하는 중국의 부분 유료화 모델을 비교하고자 한다.

• 한국경제지리학회지
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• 제20권4호
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• pp.431-452
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• 2017

본 연구에서는 중국 벤처 캐피탈 산업 특유의 발전 양상 및 벤처 자본의 공간 배치와 관련된 특징을 살펴본다. 본 연구를 위해 1984년부터 2012년까지의 중국 벤처 캐피탈 산업의 현황, 자본 순환의 단계별 입지 선택, 그리고 자본 입지와 시장/비시장 요소 간의 상관관계 등을 본석한다. 중국 벤처 캐피탈 산업은 시장의 자본 공급 및 수요에 따라 발전하는 다른 국가들과는 상이하게 지역 정책 및 법제 시스템의 발전 수준에 따라 발전해왔다. 이러한 발전 양상을 수반한 중국 벤처 캐피탈 산업은 세 가지의 자본 공간 배치 특성을 나타낸다. 첫째, 기업 법적 등록지와 실제 경영지가 분리되는 특성; 둘째, 벤처 자본을 투자 순환 과정의 단계별로 분리하여 서로 다른 지역에 입주시키는 특성이 두드러지는 것으로 확인된다.

• 사물인터넷융복합논문지
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• 제6권2호
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• pp.31-36
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• 2020

전통적인 산업 분야인 자동차 산업에서 나타나는 두드러진 변화의 모습은 자동차를 운행시에 사람이 중심이었다면 이제는 다양한 편의 기능 및 자동 주행 혹은 자율 주행 기술로 인하여 점점 사람 이 아닌 자율기능 중심으로 이동하는 모습으로 발전하고 있다. 이러한 상황은 항공 산업 및 드론 시장을 비롯하여 로봇 시장 등 다양한 산업 분야로 확대되어 가고 있다. 항공 산업 중 드론 시장은 드론 운영의 무인 특성으로 인하여 다양한 분야에서 활용되고 있다. 그중에서 군사용 드론은 은밀하고 기술의 특수성으로 인하여 자세한 사항들이 공개되지 못하고 있으나, 첨단 기술들의 집합체로서 드론 개발의 핵심 역할을 수행하여 왔다. 본 연구에서는 드론 분야의 주요 경쟁국인 미국을 비롯한 중국, 유럽연합의 현 상황을 알아보고, 현재 운영 중인 드론들의 특성 및 운영 제원 등을 통하여 주요국에 대한 기술 등을 상호 비교, 분석하였다.

• 디지털융복합연구
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• 제13권1호
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• pp.429-438
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• 2015

한국의 음악저작권은 신탁체제를 도입하고 있으며 대부분의 음악저작물들이 정부에서 승인한 신탁관리단체에 의해 관리되고 있다. 음악의 산업구조가 음반산업에서 온라인 음악시장위주로 변하면서 음악저작물에 대한 권익이 필요한 부분들이 늘어났다. 한국 정부는 시대적 요구 및 산업환경의 변화와 업계와 저작작들의 요구에 따른 징수체제를 계속적으로 개정하여 발표하였다. 그러나 실질적인 창작의 주체인 저작권자들의 수익분배가 제대로 이루어지지 못하고 있는 상황이라고 할 수 있다. 본 연구는 한국의 저작권료 분배체제와 현황을 파악하고, 최근 논쟁의 중심에 있는 온라인 상에서 음원서비스에 대한 징수 체제인 정액제와 종량제를 고찰하여 창작자에 대한 저작권료 분배를 살펴보았다. 본 연구의 결과로 우선 정액제와 종량제는 아직도 창작자에 대한 권익이 타당하게 책정되지 못하고 있다. 그러므로 제도적 개선이 여전히 필요하다.

• 한국측량학회지
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• 제26권1호
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• pp.9-16
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• 2008

우리나라의 GIS시장은 '90년대 이후 지속적으로 성장하고 있다. 그러나 아직은 그 규모가 작고 산업구조도 열악한 실정이다. 최근 'u-City'구현에 대한 중앙정부 및 지자체의 높은 의지와 요구에 따라 도시관리, 건설, 환경 등 다양한 분야에서 공간정보에 대한 요구가 확대되고 있다. 이처럼 GIS와 첨단정보통신기술이 접목된 새로운 유비쿼터스 기술도입으로 GIS 시장 환경이 급속히 변모함에 따라 이에 대한 GIS산업체의 대비가 절실한 실정이다. 유비쿼터스 관련 GIS기술의 선구적인 개발을 통해 공간정보 관련 산업의 높은 성장이 예측되며, 국제시장에서의 기술선점이 가능하게 되어 해외시장으로의 진출기회 또한 확대되어 갈 것이다. 본 연구는 이러한 시대적 변화요인을 바탕으로 국가GIS기본계획상의 GIS산업육성 실적과 현재 GIS산업체의 실태를 조사해보고 당면하고 있는 제반 문제점을 분석해 이를 해소할 수 있는 방안을 제시해 보고자 한다.