• 한국디자인학회:학술대회논문집
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• 한국디자인학회 2004년도 춘계 학술발표대회 논문집
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• pp.348-349
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• 2004

• 한국가구학회지
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• 제21권6호
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• pp.439-448
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• 2010

가구분야는 인간과 밀접한 제품으로 많은 발전을 해왔지만, 근대화 이후 전통가구는 거의 자취를 감추었다. 이는 생활양식이 바뀌었다기보다 편의와 형태를 추구한 서양식 가구의 다양성을 중시했기 때문이다. 그러나 이러한 다양성은 한계에 도달했으며 가구뿐만 아니라 디자인분야 전반에 걸쳐 한 단계 나아갈 새로운 역할의 필요성이 대두되었으며, 이를 위한 문제해결방법으로 건축을 비롯한 디자인전반에서 동양의 정신계에 근거를 두고 있는 유심적 가치가 제시되었다. 이는 사라졌던 전통가구가 내포한 유심성에 주목하려는 것이며, 보다 자연적이고 인간과 친숙한 전통가구의 감성적이고 심리적인 영향이 가치를 인정 받은 것이라 할 수 있다. 전통가구가 오랜 시간을 사용되었던 것은 가구가 갖는 기능성보다 주변공간과 유기적으로 연계하는 유심적 성향을 지니고 있기 때문이다. 이를 위해 본 연구는 조선시대 한옥에서 사용된 전통가구를 중심으로 기본적 기능 이외의 역할을 귀납적으로 분석하여 사용자에게 나타난 추가적인 효과를 규명하고자 하였다. 이러한 유심적 역할은 사용자에게 기능 이외의 역할을 제공하고, 가구의 공간지배가 가능하게 하였다. 이러한 역할의 근거로 전통가구가 유물적 관점에서는 추출할 수 없는 사용성 확장, 공간변이, 공간형성과 이동, 위계형성에서 나아가 사용자와 상호작용이 가능한 단계에 이르는 많은 역할을 해왔음을 규명하였다. 이를 통해 전통가구의 유심적 역할이 적용된 현대 공간에서 나타날 기대효과와 가능성의 사례를 통해 지속 가능한 디자인은 물론 상호작용이 가능한 가구의 발전방향을 제시하였다.

• 한국실내디자인학회논문집
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• 제23권5호
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• pp.51-57
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• 2014

In the early 20st century, created distrust on the mechanistic and dualistic view based on the world of Descartes and Newton. As the features of this new science cannot be explained by the existing Western philosophy but can be explained by the thinking system immanent in the Oriental traditional thought, many scientists and philosophers are concentrating their interests on the Oriental philosophy. In addition, some have been making efforts to find solutions needed for a new paradigm from the thinking system of the Orient. A variety of discussions have also been raised in connection with architecture due to this philosophical change. It has now become possible to conduct free creative acts, staying away from physical limitations, including gravity by diversified simulations through a computer. This physical liberation in turn has caused new changes to the spatial concept of architecture, thereby granting the freedom of the expression that could not be even imagined before and opening a possibility of new architecture and space. At the same time, the digital space architecture actively accommodating this technology is generating a phenomenon that the existing physical and realistic things are rapidly being changed gradually to immaterial and unrealistic ones. This study has analyzed the properties of digital architectural space as the immateriality of our traditional architectural space. The results are as follows: It can be seen that the immaterial features exhibited in the digital architectural space and the traditional architectural one are not just interconnected with specific features, but they are correlated to all immaterial features. Thus, immateriality that are common in the traditional and digital architectural spaces is complementary organic, which is contained in the ambiguity of boundary between other spaces. It is regarded to the architecture as a living things in space diversity based on ideological similarities.

• 디지털융복합연구
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• 제10권11호
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• pp.691-699
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• 2012

컴퓨터로 대변되는 정보통신기술의 발달 등으로 사회에 유통되고 있는 "정보"는, 인류의 물질문명은 물론 생활환경에까지도 혁신을 가져왔다. 즉 정보는 그 유통과 처리 증대 및 신속화 그리고 다양화되면서 그 존재형식과 가치체계에도 근본적인 변화를 가져왔다. 앞으로도 이러한 변화는 과학문명의 발달에 따라 계속변화를 촉구할 것이다. 따라서 정보화는 현대사회의 본질을 특징 짖는 중요한 개념이지만, 다른 한편 정보는 그 특성에 편승하여 다양한 형태로 악용되고 있어 이로 인한 범죄도 날로 증가하는 것이 현실이다. 정보화에 대한 대책으로 1986년 "전산망 보급확장과 이용촉진에 관한 법률"은, 우리나라 최초의 정보화에 관한 법률로 이에 관한 국가시책과 제도를 규정한 것이다. 그 후 2011년 "개인정보보호법"에 이르기까지 다양한 법률을 제정하여 그 종합적인 체계를 갖추었다고 할 수 있다. 이러한 법제도의 기본적인 배경에는 정보가 처리되는 공간이 가상공간일지라도 그것이 전자적 실재로서 성격을 갖는 이상, 현실사회에 타당한 룰은 기본적으로 가상공간에서도 그대로 타당하여야 한다고 전제하고 있다. 따라서 현실사회에서 위법한 것은 가상공간에서도 위법하지 않으면 안 된다는 것이다. 정보와 관련된 현행법상의 이와 같은 방향성에 대해서는 학설과 실무가 대체적으로 일치한다. 다만 기존의 현행법체계 및 개념이 유체물을 전제로 하기 때문에 "무체물"인 정보의 특성이 반영되지 않았다. 또한 그 대처방식도 대증요법적으로 대응하고 있어 다양한 문제점을 노출하고 있다. 따라서 본고는 이러한 문제의식을 전제로 현행법에 규정되어 있는 정보의 보호방식을 살펴보고 그 보호범위와 한계를 고찰하여, 개선방향에 대한 시사점을 모색하고자 한다.

• 한국실내디자인학회논문집
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• 제13권6호
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• pp.175-183
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• 2004

As the information-oriented society makes progress, the role of Image has much influence on human being in space as a medium for information delivery and a means of artistic communication. These influences are appeared as expressional characteristics of the image such as the reproducibility of reality and unreality in the real world, the synchrony of expression of time, visual formality, a sign and the transmission of moaning. For these, the investigator examined the meaning of image in aspace, taking into consideration of the interrelationship of image, space, and human being. As study findings show, the expressional characteristics of image in space have such visual effects as a space in which pictorial formality and object exists, in which the mutual understanding of communication exists, and that realizes immaterial membrane in the aspect of time and space, according to the electronic light, color, and formation of the image media. In addition, it become clear that the characteristic could be staged on various circumstances by constructing the relationship between an object and a point of time interactively with bidirectional communication through combining technology and art. This suggests that the image develops as the form of sensory communication via interacting of space and human being.

• 한국실내디자인학회논문집
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• 제24권5호
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• pp.31-41
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• 2015

The objective of this research is to investigate the artistic meaning of "infinity," manifested by the fourth dimensional value in the genres of photography and architecture, by analyzing how Sugimoto Hiroshi's photographic spatio-temporal infinity transfers to his architectural approaches. The research is initiated by scrutinizing the themes, characteristics, techniques, and artistic meaning of Sugimoto's famous photographic series, including "Seascapes," "Theatres," and "Architecture"; the concept of infinity can be defined as infinite divergence and infinitesimal convergence between antithetical concepts in time, space, and being. Sugimoto's photographic works display "temporal infinity" by connecting ancient times, the present, and the future; "spatial infinity" by offering the potential for transformation from flat photographs into infinite three-dimensional space and fourth-dimensional concepts through time; and "existential infinity" of life and death by making us think about being and essence, being and time, and origin and religion. These perspectives are also used to analyze Sugimoto's architectural works, such as "Appropriate Proportion" and "Glass Tea House Mondrian." As a result, the research finds that in Sugimoto's architectural approaches, spatio-temporal infinity between antithetical values is manifested through the concept of origin, geometric form, extended axis, immaterial threshold, transparent materiality, and connectivity of light and shadow, provoking our existence to transcend into infinity itself.

• 복식
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• 제58권2호
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• pp.15-33
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• 2008

Continuity and discontinuity is a relative concept, and there are various categories of the continuity and discontinuity in our circumference. Generally, characteristics of postmodernism including between the difference and the variety have being regarded as a discontinuity. Concept of the continuity includes between the quantitative continuity and the qualitative continuity qualitative continuity has organic characteristic, which encourages creating something permanently through the flowing of the time. Therefore, this thesis has studied like this complex social condition and various relationships expressed in modern fashion focusing on permanently creative movements and behaviors equal to the 'continuance' theory of Herni Bergson and 'continuity' theory of Jill Deleuze. This thesis classifies characteristics of the qualitative continuity into spatiotemporal and spatial continuity, and subdivides into 3 sets: perceptual continuity, spatial continuity, transferring continuity of physical experience, immaterial informational continuity, and fluid continuity with environment. Continuous viewpoint, which accepts the existing elements and allows them to flow liberally, should be present more appropriative thinking direction in explaining the complex situation expressed in the modern fashion, rather than discontinuous viewpoints focused on the only changing moment.

• International Journal of Computer Science & Network Security
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• 제23권3호
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• pp.144-150
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• 2023

With progressive advancements in Man-made consciousness (computer based intelligence) and Profound Learning (DL), contributing altogether to Normal Language Handling (NLP), the precision and nature of Machine Interpretation (MT) has worked on complex. There is a discussion, but that its no time like the present the human interpretation became immaterial or excess. All things considered, human flaws are consistently dealt with by its own creations. With the utilization of brain networks in machine interpretation, its been as of late guaranteed that keen frameworks can now decipher at standard with human interpreters. In any case, simulated intelligence is as yet not without any trace of issues related with handling of a language, let be the intricacies and complexities common of interpretation. Then, at that point, comes the innate predispositions while planning smart frameworks. How we plan these frameworks relies upon what our identity is, subsequently setting in a one-sided perspective and social encounters. Given the variety of language designs and societies they address, their taking care of by keen machines, even with profound learning abilities, with human proficiency looks exceptionally far-fetched, at any rate, for the time being.

• 한국실내디자인학회논문집
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• 제33호
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• pp.115-121
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• 2002

This study is based on the Virtual Reality Space what grow rapidly compared with other space type. We make a certain definite possibilities by the functional, material, scientific and conceptual space comparison approved with existing visual space about the function of sound and visual system & the application of the mechanical system. Symbol and Expression Media are showing characteristics more than a tool in Modern times being changed from materialistic world to immaterial one. Especially, Augmented Reality, which is the new technology showing human beings real world and virtual world simultaneously recently and being exceeded to existent many limits, is going ahead. Simulation space is the technology one which can be applied to various fields such as culture, industry and education etc., and it helps human beings to overcome their limitations. The gains from this study are the specified and detailed yardsticks and cases of Simulation(space) facilities classified as a specific space. Therefore, the space mainly consists of the parts on size, equipment, and material etc. judging from technical point of view. Architectural Space, especially, should be considered very importantly in the middle of the transition from image realization to experience. The comprehension on various contents together with mechanical facilities will be requested to the connection applied to physical space expression, and that is what we have to study continuously afterward.

• 한국실내디자인학회논문집
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• 제14권4호
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• pp.35-44
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• 2005

Light is the essential and symbolical entity In architecture. But the meaning of light has been changed as time has passed, and today it has plural meaning and more sophisticated role. Since 1960's 'Light and Space Art' has accomplished many successful experiments through light and space as artistic media, and they have changed the understanding of light from the electrical source to the phenomenological energy and sensual medium. And also the role of space in their works takes the more human-oriented field constituted from the coherent relationship of internal parts including human being. Light could be 'an object' and 'material' under 'Light and Space Art' artists' persistent efforts. They revealed another realm of spatial experiences such as extension-the metaphysical space, heterogeneous relationship-the complex space, and dematerialization-the illusionary space. The secondary and inclusive effects by 'Light and Space Art' can be found In the phenomenological architecture, the post-modern architecture, and the immaterial tendency of contemporary architecture. However, the more close connections between 'Light and Space Art' and the specific architectures are still left as a portion aside for the further research.