• Journal of the Korean housing association
• /
• v.10 no.4
• /
• pp.121-135
• /
• 1999

Korean Traditional Houses had been composed of several territory. Sarang-Chae was territorialized from the functional differentiation and the sexual discrimination of Confucianism. The territory of ancestral shrine was formed with the filial duty of Confucianism. Korean Traditional Houses have the visible, material boundary and invisible, symbolic boundary which is repeated into the inner space. Korean Traditional Houses are appreciated as the enclosed territory which the sacred inner space of the house is in opposition with the profane outer space, and the inner space of the house has hierarchical boundary by the hierarchy of the house god.

• Korean Institute of Interior Design Journal
• /
• v.17 no.1
• /
• pp.60-68
• /
• 2008

The aim of this study is to elucidate the meaning of "less is more" by examining the design process of the Farnsworth House and its spatial composition. In order to find out what constitutes "less" and "more", Mies' sketches and drawings were reviewed, and the vision of the architect and the owner, and the responses from the critics were studied. As a matter of fact, these seemingly contradictory concepts the "less" and the "more" are relative terms that complement each other. The concept of "less" describes an enclosure of space, fixed, inflexible and invariable space that leaves no room for change. On the other hand, the term "more" represents an openness of space, free, flexible, and variable space. Mies tried to minimize "less" element when designing the interior of the Farnsworth House, and he did so by eliminating columns and walls. On the contrary, by using only fixed core, he created a "more" space, where the effects of flexible and open qualities are maximized. However, duality and contradiction rising from glass external wall and portico in the Farnsworth House raise a critical issue in this "less is more" discourse. The role of these parts of the house is rather contradictory, and the glass wall and the portico hold both "less" and "more" elements. Unlike its relatively simple composition of space, the Farnsworth House encompasses many complex and contradictory ideas that leave room for wide scope of exploration and various interpretations.

• Proceeding of Spring/Autumn Annual Conference of KHA
• /
• 2005.11a
• /
• pp.115-119
• /
• 2005

This study is to examine changes since autonomy of lotting-out price of apartment house and planning factors related to sale of apartment house through leaflet of sale of apartment house. Objects of the study were leaflets of sale of apartment houses through the Donga Il Bo daily newspaper from 2001 to 2003. The results of research can be summarized to three. First, traffic of locational factors in advertisement of sale of apartment house showed the highest frequency and it was found that it was an important planning factor of apartment house. Second, considering that advanced facilities and the highest finishing materials were used, quality of apartment house has been advanced. Third, considering that community space, theme park and green zone showed high occupancy in external space, there has been high increase in external space as well as in internal one since autonomy of lotting-out price.

• Korean Institute of Interior Design Journal
• /
• v.23 no.2
• /
• pp.12-20
• /
• 2014

The purpose of this study is to analyze the general patterns of the floor plans and space of Usonian house which designed by Frank Lloyd Wright. this thesis can be summarized as follows : 1) F.L.Wright's houses mostly used simple geometric shapes as the basis for most of his architectural designs. In his early works, his typical floor plans were square or rectangular shapes, which gradually were transformed into various kinds of shape to make the adjustment of location of the site and shape. 2) The general patterns of floor plans of his U-houses were L-shaped or straight shaped using a $4{\times}4$ grid system. Most of U-houses consisted of 3 space: living room, workspace(Kitchen) & dining, and bedroom. Among them, a workspace worked as core role in each house. 3) Even though solid wall is the opposite concept of the transparent glass but most U-houses were designed to have solid walls on one side to provide a gallery space(to secure habitability of resident) and transparent glass walls used on the other side to connect between interior space and natural space of exterior. 4) The cantilever have not been used before Usonian house but F.L.Wright used it which take charge of functions as transfer space between inside space and outside space. 5) F.L.Wright saw the nature as a truth, so he thought the interior space would be natural and all houses must be able to adjust to the natural environment.

• Korean Institute of Interior Design Journal
• /
• v.27 no.1
• /
• pp.109-116
• /
• 2018

Prairie style houses in first stages of Frank Lloyd Wright's architecture activity pay a leading role in the process of house modernization as reflecting social and economic circumstances of the time based on traditional house style of the States. Wright's first work after retiring from L. Sullivan's office, Winslow house in 1983 is pioneering work predicting prairie house. This is because this house has only one modern architecture language of Wright and follow no style prevailing of the time. So, a researcher analyse Winslow house within the framework of functional thinking and new formative value creation in the modernization process of western house. Through this, The goal of this study is to find out modern characteristics and the meaning of Winslow house in modernization process prior to the 1900s. Firstly, the followings are modern characteristics of Winslow house. First, Winslow house has original planning breaking from custom based on modern functional and reasonable thoughts, and has practical space reflecting resident's inner demand. Second, Winslow house has modern new plastic value through original exterior breaking from custom and integrated shape of inner-outer space and structure. Secondly, the followings are the meaning of Winslow house in modernization process prior to the 1900s. First, Wright intend to suggest directions of residence modernization through Winslow house before designing Prairie style houses in earnest. Second, mixing of modern vocabulary and eclecticism show a sign of residence modernization process on the time. Third, inner-outer flowing space, opening space concept of Winslow house has innovative meanings predicting spacial characteristics of modern architecture.

• Korean Institute of Interior Design Journal
• /
• no.13
• /
• pp.89-95
• /
• 1997

In line with the worldwide trend toward the protection of natural environment and economic concerns, the steel framed house is suggested for the next industrialized generatiov. In Korea, untrustworthiness of concrete structured apartment has led to the development of alternative building material and technology. POSCO has constructed the model steel house to assess the marketability of steel framed house in Korea. To collect basic data required to design the steel framed house suitable to Korean life pattern and housing needs, professional evaluation of model steel house was conducted. The goal of this study is to propose alternative plan and ideas on the interior space planning based upon the evaluation from women housing professionals. Our analysis reveals that the habitability of steel house is equal or superior to that of traditional houses. But in the interiior sapce planning, the certain aspects of steel houses is not suitable to Korean likfe style: the lack of storage space and utility space, inflexibility of plav. We conclude that given its cost efficiency and environmental concern, steel house has potential to take an important part in future Korean housing.

• Journal of the Korean housing association
• /
• v.13 no.4
• /
• pp.19-26
• /
• 2002

Despite its relatively small size, at least compared to other architectural programs, the house figures large in the cultural imagination. Closely identified with the individual and nuclear family, it has been frequently considered as an expression of widely held, even universal, values. Conversely, the private house has also been emblematic of more subjective desires, that change not only from person to person but from generation to generation. Certain conclusions can be drawn about the status of the private house at the end of the century, both as cultural invention and as a product of the autonomous discipline of architecture. The contemporary loftlike living space is similarly associated with work, given its emergence as an alternative home for individuals wanting space in which to live and work. In the case of what might be called the "un-private house", it is ofen a digital presence and the change of family system. This study was conducted to define the un-private house through public/private. The architectural characteristics of un-private house are as follows; 1) Alternatives- large open space with multiple function and collective free plan 2) Dematerialization- steel and glass with visual openness and ambiguity 3) Digital & Interfaces- fold and screen using technology and program. Especially, the un-private house is designed to provide individuals with emotional, superficial, and synergistic space, focusing on the personal life-style.

• Journal of The Korean Digital Architecture Interior Association
• /
• v.12 no.3
• /
• pp.91-100
• /
• 2012

This paper not only reviews recent trends and characteristics of welfare facilities, but also proposes main components such as building materials and furniture applying a traditional Korean house. This paper aims to utilize interior design and construction materials of unit-care welfare facility applying the traditional Korean house. Results are as follows. 1. The rate of the private bedroom as elderly welfare facilities is 63.1%; on the contrary, the rate of the 4-person bedroom is 63.2%. The expansion of the private bedroom is an urgent need in order to improve the quality of residences. 2. According to elderly services needs and revitalization for the traditional Korean house, it is required to implementation the unit-care facilities for the elderly and interior design for the traditional Korean house. 3. The interior design for the traditional Korean house is applied to elderly living space such as a bedroom and a living room; it is not applied to care space and management space such as a nurse station and an office occupied by employees. 4. There is no problem to construct space applying the traditional Korean house using interior products currently being sold in the domestic market. 5. Standardized mass production is essential to popularize the traditional Korean house style interior.

• Proceeding of Spring/Autumn Annual Conference of KHA
• /
• 2006.11a
• /
• pp.392-395
• /
• 2006

This research tried to observe transition quality of unit plan for public space Korea public operated house since the 1950s. Plane of public-operated house had continually accommodated lifestyle change until present from the late 1950s. "Frontward 3 urface unit 3LDK'composition plans become settle by the representative plane after the 1990s. The process that with special quality change of public space the relation is deep. it is proposed consequently to analyze the space special quality change of the public operated house unit plan style.

• Korean Journal of Air-Conditioning and Refrigeration Engineering
• /
• v.15 no.6
• /
• pp.489-494
• /
• 2003

"Anmadang" of traditional Korean house is an empty space, surrounded by buildings shaped like the letter, ‘ㅁ’.‘ㅁ’shaped traditional Korean house provides much more comfortable outdoor space for various activities than ‘ㅡ’shaped traditional Korean house. In this paper it has been tried to analyse the dry bulb temperature condition of indoor and outdoor space through measurement of dry bulb temperature in Anmadang, Maru and outdoor space. This paper also analyses the correlation of dry bulb temperature between Anmadang and outdoor space with seasonal variations in traditional Korean houses.