• 한국우주과학회:학술대회논문집(한국우주과학회보)
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• 한국우주과학회 2008년도 한국우주과학회보 제17권2호
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• pp.24.2-24.2
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• 2008

We have examined the relative contributions of representative space weather proxies (geomagnetic aa index) to global warming (Global temperature anomaly) and compared them with that of green house effect characterized CO2 content from 1868 to 2005. For this we used Hadcrut3 temperature anomaly (Ta) data, aa index taken at two anti-podal subauroral stations (Canberra Australia and hartland England), and the CO2 data come from historical ice core records. From the comparison between Ta and aa index, we found several interesting results: (1) the linear correlation coefficient between two parameters increases until 1990 and then decreases rapidly, and (2) the scattered plots between two parameters shows different patterns before and after 1990. A partial correlation of Ta and two quantities (aa, CO2) also shows that the geomagnetic effect (aa index) is dominant until about 1990 and the CO2 effect becomes much more important after then. These results imply that the green house effect become very important since at least 1990. For a further analysis, we simply assume that Ta (total) = Ta (aa) + Ta (CO2) and made a linear regression between Ta and aa index from 1868 to 1990. A linear model is then made from the linear regression between energy consumption (a proxy of CO2 effect) and Ta (total) - Ta (aa) since 1990. This linear model makes it possible to predict the temperature anomaly in 2030, about 1 degree higher than the present temperature, which is much larger than in the previous century.

• Journal of Astronomy and Space Sciences
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• 제27권2호
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• pp.161-172
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• 2010

In this paper, we investigate the sundials made by the Kang Family of Jinju in the later period of the Joseon dynasty in terms of their characteristics, functions and the manufacturing technique. One of the characteristics of these sundials is that the value of polar height (i.e., the latitude of Seoul), the name of manufacturer, 24 seasonal subdivisions and so forth are written on the surface. In particular, polar height is expressed as '$37^{\circ}$ 39' 15"' in all 12 sundials examined in this study. To investigate the manufacturing technology in terms of astronomy, we analyze the positions of gnomon and of the lines corresponding to 24 seasonal subdivisions (season lines) and to each hour (hour lines). To verify the accuracy of the positions, we use a planar projection method. That is, we obtain 2D images of the sundials using a camera or scanner, and compare these with astronomical calculations for the positions of gnomon and season/hour lines. We believe that this method will be very useful for the study of sundials preserved elsewhere.

• 한국실내디자인학회논문집
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• 제13권5호
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• pp.32-38
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• 2004

The value of the Tosi-Hanok have recently been appreciated and accordingly the resultant studies have actively been conducted. This is an attempt to probe our architectural type haying identity through our traditional architecture in Korean society that pursues only something new. But owing to the infusion of foreign cultures and modernization, the archetype of Korean-style house has either been damaged or indiscriminately transformed without the establishment of its proper norms. The understanding of the value of traditional cultures has gradually increased, and accordingly effort to preserve Korean-style houses through legal regulations or systems have continually been made in terms of appearance or cityscape. For this reason, it is thought that it Is insufficient to present the direction or alternative to preservation in relation to the change or use of the interior space with the pattern of requirement for other programs other than dwelling. Therefore, this study attempted to find out the original meaning of Korean-style house by highlighting the advantages of Tosi-Hanok and supplementing its disadvantage while accommodating the diverse requirement for programs as contemporary residential space. And it was intended to propose the model for Tosi-Hanok that accommodates social changes in content while maintaining its meaning by analyzing the Tosi-Hanok with a focus on interior space and preserving historical continuity on its basis.

• 자연과학논문집
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• 제19권1호
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• pp.95-111
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• 2008

This paper aims to discussion the characteristics of location and spatial organization on the Donam SeoWon(confucian academy). To do this, we studied in analysis of the present conditions and photographing, research materials about the from of physical structure and review of historical documents. The result of analysis in the sight of the location and spatial organization was good matched. The spatial organization of the Donam SeoWon(confucian academy) was divided into entry space, lecturing space, management space and sacrificial space. Jonhakhumyo constructs axis of “Sanangru - Ipdeokmun - Yangseongdang - Naesammun - Sungryesa” and Eungdodang that not removed hall with 1880 shows characteristics a right angle in the left side of axis remove to location of present 1971. The result of this study, analysis of axis and Spatial structure shows backgrounds of these locations shows that the political and social, economical phenomena were influenced to the locations and spatial organization of the Donam SeoWon(confucian academy).

• 대한건축학회논문집:계획계
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• 제35권10호
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• pp.63-70
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• 2019

The Busan branch of the former Toyo Takushoku Co. carried out the same business as a bank at the time of construction. This required an open space of long-span, which had no pillars, on the first floor where many customers frequently visited. In addition, an office space is required in the upper part, and a column is arranged so as to place a corridor in the center. It was designed with modern complex structures for space utilization and structural adaptation. As a result, scientific structural calculations of the modern era began and various structural technologies were introduced, the rationalization and value of various spatial characteristics and their structural design were analyzed from a technical historical perspective in the structure requiring long-span space. The Busan branch of the former Toyo Takushoku Co. is a complex structure with three structures. It is highly valuable as a building that tried to design its structure in a variety of spaces through calculation and introduction of new technology based on the principle of force in modern times.

• 건축역사연구
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• 제15권3호
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• pp.27-42
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• 2006

Many contemporary architectural avant gardes tend to use painting as a medium to create architecture which goes beyond the rationalized spatial conception of modem architecture represented by perspectivism. They produce non perspective drawings to represent spatial Ideas, and expand it through poetic imagination to create an unexpected architectural form and space. This paper attempts to analyze the historical origin and background of dominance of drawing in the production of architecture. It was with the invention of perspective that architectural representation became important tool for architectural production. Thereafter, drawing was considered prior to actual building and architecture was considered a three dimensional realization of two dimensional drawing. Modernist avant gardes such as Cubism shattered the rationalized pictorial space of perspective and found a new pictorial space. They tried to extend it to three dimensional space through parallel projection largely based on the Hildebrand's theory of pure visibility. However, due to the ambiguity of the position of the viewing subject, their attempts could not succeed in creating a new architecture. The new architectural avant garde of the 70's rediscovered the early 20th century avant gardes in their attempt to create a new architecture which can register the fragmented spatial condition of contemporary society, and used painting as a medium to create architecture. Their difference from the early avant gardes was that they used poetic imagination rather than parallel projection in the process of projecting three dimensional space and form from the painting. However, their architecture cannot escape the scopic field of perspectivism in that they rely on the picture plane and the distance between object and viewing subject. Therefore, I conclude that in order to create architecture which goes beyond the rationalized space of modern architecture, it is necessary to resort to other tradition of modern architecture than visual one.

• 한국실내디자인학회논문집
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• 제24권5호
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• pp.144-152
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• 2015

In modern city, art museum is regarded as significant institutions because it includes educational roles beyond the means of facilities for historical exhibitions. Based on these flow, various research of museum's space with view from the operational point to the spatial analysis point has been approached. Moreover, it is required to address human behavior in art museum space on the ground that lots of audience move simultaneously. In the field of interior architecture, it is also necessary to analyze how design elements affect the human behavior directly and use the method of controling a circulation. In this research, based on the role and importance of the basic components of the interior space, re-interprets the exhibition space based on the relevant theory, to comprehensively examine the influence the shape of the space is on the substantially walking behavior. Therefore, first is to determine whether the spatial type corresponding to the position of the connectors in the exhibition space. Second is to conduct the investigation observation for gathering the actual viewing exhibition circulation. Finally, it analyzed whether the observed actual circulation and planned circulation matched. As the result, the position of the connectors is that causes the difference of the spatial configuration, which affects the viewing circulation was found. The significance of the research is to present the form to plans of the interior space as a method of reducing congestion perception of viewing circulation.

• 산업융합연구
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• 제20권11호
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• pp.197-203
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• 2022

본 연구의 목적은 역사적인 특성을 가지고 있는 제천 최고(古)의 시장이자 최대의 시장인 제천중앙시장의 공간적인 장소성과 문화적인 특수성을 고려한 S.I.(Space Identity)를 구축하는데 있다. 이를 위해 문화관광형시장의 흐름을 파악하고 제천중앙시장의 현황을 조사 분석한 후 공간별 스토리텔링에 입각한 방향성을 제시한다. 공간디자인의 컨셉은 공존으로 공간, 시간, 사람, 문화로 나누어 상인과 상품, 상가는 하나의 공간에서 시간성을 공유하고 공존함을 세부내용으로 하였다. 따라서 각 층별 시설물은 각 층별로 게이트, 안내판, 조명, 휴게공간, 디자인 벤치시설, 안내센터, 영업 준수선, 바닥사인물, 게이트 바닥사인으로 구성하였다. 이를 통해 제천중앙시장 상가의 새로운 수요창출 및 매출이 증대되는 경제적인 효과를 예측할 수 있도록 단계별 추진전략을 구축하여 중장기 발전전략을 수립해야 할 것이다.

• 한국전통조경학회지
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• 제39권3호
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• pp.22-32
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• 2021

대한제국 시기 경운궁에 부속된 왕실의 제례공간이었으나 현재 비어있는 덕수궁 선원전영역의 복원 사업으로서 조경 복원정비 계획을 수립하였으며, 원형 고증과 유사 사례 고찰을 통해서 다음과 같은 연구 결과를 도출하였다. 첫째, 선원전영역에 있었던 전각 배후림의 원지형이 전각의 지반보다 3.0~5.0m 높아서 녹지 경계부에 화계를 설치하여 경관적으로 처리하였다. 둘째, 배후림은 제례에 사용하는 과실을 얻기 위한 유실수원과 제례공간을 상징하는 소나무림으로 구성되었다. 셋째, 궁궐 방문자의 편의를 제공하기 위하여 성역(聖域)의 분위기를 방해하지 않도록 부지 양쪽 끝에 휴게공간을 배치하고, 배후림 내에 산책로를 도입하였으며, 최소한의 조경시설로서 기능적으로 요구되는 안내판, 휴게의자, 수목보호대, 경사로, 보행등·경관조명등을 도입하였다. 넷째, 문헌, 고회화, 사진 등 사료(史料) 고찰과 현장 조사로 궁궐과 제례공간의 기존 식재 정보를 추출하고, 이를 바탕으로 선원전영역 조경공간을 구성하는 전각 마당, 관람로와 휴게공간, 화계, 소나무림, 유실수원의 배식계획을 수립하였다.

• 한국실내디자인학회논문집
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• 제17호
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• pp.109-119
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• 1998

This study investigates the characteristics of Mario Botta's single-family houses. Eight of his housing project which are deemed important in the historical development of housing he been selected for the purpose their elevations plans loggie and interiors are analyzed and evaluated. Through this study the followings are realized ; $\circled1$ The rationality of his interior space comes from Le Corbusier's housing projects. $\circled2 His expression of elevations has developed from Louis. I. Kahn's language and Carlo Scarpa's technique. $\circled3$ The rationality of Corbusier's houses and expressiveness of Kahn's and scarpa's projects together led to his functional solution of internal program an and the creative external images of his own. $\circled4$ The originality of this house results from his creative vision and ability to reinterpret the existing expression and principles in the light of time and space.