• 복식
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• 제55권8호
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• pp.85-98
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• 2005

This Study is to analyze characteristics of costume change of according to the status of character succeeding the investigation of the ceremonial costume change in historical TV dramas that The Empress Myungsung entered. For this study, the costume images among historical TV dramas, that Myungsung entered, '500 years of Chosun Dynastyv, Taewongun(1990, MBC)', 'The Glorious Dawn(1993, KBS1)', 'The Empress Myungsung(2001, KBS2)'were used: The characteristics of the costume change of main character are as follows. First, main character's costume has been increase gradually in number and item. Second, Especially in the last work,'The Empress Myungsung', the royal costume based on historical evidence in aspects of silhouette, but it didn't according to the historical costume in aspects of color and textile. Nevertheless the costume reveals the status of each person significantly. Third, the costumes of the recent historical drama appears as a optical symbol that represents historical view point and different interpretation of each drama. Therefore the costume according to the status of the character wrong from the historical point of view. Consequently, TV costume in historical drama Myungsung entered has been focused on the beauty of the screen and dramatic effect than historical viewpoint. So the costume have been to be an essential visual part by means of the symbol revealed the purpose.

• 한국조경학회:학술대회논문집
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• 한국조경학회 2007년도 Journal of Landscape Architecture in Asia Vol.3
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• pp.107-112
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• 2007

This study had the purpose to restore imaginary environment involved to symbolic thinking system of Eastern culture discontinued by scientific and reasonable rationalism of Western. To restore imaginary environment, this study selected example places such as Seoul, Beijing, Kyoto which were ancient cities of Korea, China, Japan each and used hermeneutics and phenomenological access method to draw out the element of imaginary environment by analyzing historical and cultural view of example cities. Through comparison and re-interpretation of historical and cultural view of three countries[Korea, China, Japan] in Northeast Asia, as the result of drawing imaginary environment involved within it, it was structured that the spirit and the factor of natural environment of places involved to each cities were reflected as the factor of civilized environment, organized that each element was united, and more sanctified the spirit of place step by step. This study has the meaning as first trial which comparatively analyzed city spaces of existent place of human life by new concept called imaginary environment. It may has the meaning that verifying the universality of imaginary environment involved to historical and cultural view of three Northeast Asian countries, however, there was limitation to examine specificity up to detailed elements of each city.

• 한국실내디자인학회논문집
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• 제23권1호
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• pp.78-87
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• 2014

The purpose of this paper is to analyze the relationship between panoramic perception and space organization for restoration of urban environment and architecture. Panorama is a collective visual catalogue composed by series of perspective images. It is a product from continuous movements of viewer by defamilarizing real image and structuring order between city and building. Through understanding the panoramic image, the viewer is able to achieve the total image of the city. For example, achieving visual perception of the city by employing the panoramic view from different historical backgrounds and cultures, Berlin developed its urban characteristic by rebuilding panoramic view as an aesthetic device. First, this paper mention theory of panorama as an aesthetic device for shaping the city from the building. Second, this paper analyze the relationships between characteristics of panorama and historical contexts for why those panoramic views are valuable by mentioning the Altes Museum, the Berlin National Gallery, Museum of Modern Literature, and Folkwang Museum of panoramic view. In conclusion, this paper argues that visual perception such as panoramic view is the valuable device for organizing the image of the city's own identity. Constructing vision of each city influences not only shaping the city but also mapping the mental views of the building. Also, historical conditions and open spaces are one of the inherent elements combined with panoramic view for establishing urban identity. In search for good place making, it is important to understand the role of the historical context and fabric plan in shaping how a resident sees - literally, sees- their city with buildings. Berlin serve as excellent counter example in how the valuable place making panoramic mental views of urbanities take shape.

• 동양고전연구
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• 제57호
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• pp.331-357
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• 2014

이 글은 옥동(玉洞) 이서(李?)의 장편 영사시(詠史詩) "역대가(歷代歌)"를 대상으로, 그 속에서 확인되는 옥동의 역사인식을 살펴보고자 한 글이다. 옥동 이서가 도덕적 수양을 최상의 가치에 둔 도학자(道學者)였다는 점에서 옥동의 "역대가"는 유가적(儒家的) 인식세계(認識世界)와 구분하여 설명하기 어렵다고 할 수 있다. 옥동의 "역대가"는 7언 526구로 구성된 장편(長篇) 고시(古詩)인데, 지금까지 알려진 "역대가" 계열의 작품들과 그 구성에서 상당한 차이를 보인다. 옥동의 "역대가"는 두 개의 큰 단락으로 구성되어 있는데, 첫 번째 단락은 태초부터 명(明)나라 멸망시기까지 중국의 사적을 서술한 부분이고, 두 번째 단락은 당대 현실의 부조리를 서술하여 현실에 대한 강한 비판의식을 드러낸 부분이다. 일반적으로 "역대가" 계열의 작품들이 역사적 사건을 소재로 하여 치란(治亂)과 흥망(興亡)의 사적만을 이야기하는 것과는 다른 모습이다. 옥동의 "역대가"는 그의 유가적(儒家的) 역사인식(歷史認識)을 바탕으로 창작된 것이라 생각된다. 옥동에게 중국 역대 왕조의 흥망성쇠는 역사적 사실로 의미를 지니는 것이 아니라 현재를 살아가는 사람들이 도덕적 수양을 추구해야 할 이유를 설명해 주는 도구로 작용하였다고 보인다. 옥동은 자신이 익힌 중국 역대 왕조의 흥망성쇠와 현실의 부조리에 대한 예리한 비판, 그리고 도덕적 수양의 필요성에 대한 자극을 모두 더하여 526구의 장편 영사시 "역대가"를 창작하였다. 그런 점에서 옥동의 "역대가"는 예술성을 목적으로 하는 순수한 문학 활동의 결과물이라고 하기에는 쉽지 않은 부분이 있다. 그러나 옥동의 "역대가"는 그 나름의 문학성을 통해 이전까지 저작된 여타의 "역대가" 작품들과 비교하여 문학적으로 뒤지지 않는 모습을 보여준다. 특히 옥동의 "역대가"는 문학성과 함께 그 스스로의 학습과 자기 신념의 강화를 위한 수단이면서 동시에 그와 그의 주변에 있는 사람들을 위한 교육의 도구였다는 점에서 더 큰 의미를 지닌다고 할 수 있다.

• 한국주거학회논문집
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• 제18권4호
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• pp.79-88
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• 2007

The purpose of the this study was to provide the basic information about the formation background of urban squatter and their housing state in Korea. This study was progressed on the basis of socio-historical point of view from after the Korean War to the present time. Therefore, this study considered the meaning of housing for urban squatter in the Korean housing history. For this study, the formation background of urban squatter was divided into five periods. The first one was the period of the policy on the mass migration (1955-1960) after the Korean War. The second period was the period of reproduction of deteriorated residential area (1960-1970) for the continuing mass migration policy. The third was the period of disbanding of deteriorated residential area (1970-1980) for redevelopment. The forth period was before the IMF (1980-1997) broke up the deteriorated residential area. The fifth period was after the IMF (1997-) produced the new poverty due to the unemployment and the business failure. Thus, such social change increased the number of urban squatter and created the new type urban poor.

• 한국전산구조공학회:학술대회논문집
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• 한국전산구조공학회 2000년도 가을 학술발표회논문집
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• pp.323-330
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• 2000

Three historical earthquake catalogues were compared with each other in the view of frequency of events per century, cumulative magnitude distribution, and annual earthquake occurrence rate in each unit grid of 0.1°by 0.1°. And, a method to determine earthquake epicenters and magnitudes was proposed given the historical earthquake data. With this method, the epicenters and magnitudes of future earthquakes in Korean penninsula for 1,000 years were generated with each earthquake catalogue. Earthquake PGAs with 10% exceedance probability in Seoul were calculated for each catalogue and compared.

• 한국측량학회:학술대회논문집
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• 한국측량학회 2002년도 창립 20주년기념 국제학술대회
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• pp.25-33
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• 2002

Historical maps are precious materials, which show spatial distribution of land use, streets and so on at the time when the maps were produced. In analysis of historical maps, the most practical method is to compare them with the present ones, for instance by overlaying them. However, the low precision, in the geometrical sense, of the historical maps makes the task of comparison very difficult. This drawback brings us the idea to incorporate the historical maps into GIS after rubber-sheet transformation, i.e. geometric correction, of them. It makes comparing and overlaying multiple maps from different time periods. Furthermore, it gives map-scales to the historical maps, which are not in general represented on the old maps, and if we allow ourselves to ignore the changes in terrain from past to present, it will make overlaying of present contour lines on the historical maps. As a result, we can bring the points of view of quantitative consideration and three-dimensional visualization into analyses of historical map. We have addressed incorporating historical maps produced in Edo period (1603-1867) in Japan into our GIS for Tokyo. This article shows the outline of our procedures and some applications, e.g., overlaying different maps from Edo period to present, quantitative analyses of land use in Edo, and visualization of landscape of Edo.

• 한국철학논집
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• 제35호
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• pp.165-188
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• 2012

본 연구의 목적은 고려 말과 조선초기라는 역사적 전환기에 삶을 영위한 원천석의 역사의식과 유불도 삼교관을 탐구하는데 있다. 원천석은 당시 백성들의 입장을 적극적으로 대변하려 하였다. 백성들을 고통과 도탄에 빠뜨리고 있는 권세가들의 전횡을 적극적으로 비판하는 그의 태도는 고려 말 신진사류들의 입장과 그 궤를 같이 하는 것이었다. 그는 요동정벌이 시행되자 고려의 기상을 떨칠 수 있는 좋은 기회로 여겼으나 현실상황은 자신의 기대와는 다르게 전개되어 나갔다. 이성계가 위화도에서 말을 돌려 회군을 함으로써 국가적 위기상황을 맞이하게 되자 원천석은 이성계의 행위에 대한 강한 부정적 입장을 표명하였다. 원천석은 유학자로서 불교와 도교를 부정하지 않는 자세를 견지하였다. 그는 유불도가 하나의 이치로 통하는 것이라 파악하였다. 유학에 학문적 토대를 둔 그가 유교 그 자체뿐만 아니라 불교와 도교적 세계관에 대해서도 깊은 이해를 도모하여 유교적 사유체계에서 오는 현실적 갈등과 대립의식을 승화시키고 있었다. 열린사회와 글로벌화를 지향하며 다문화사회로 접어든 현대는 다양한 가치관이 공존하고 점차 민족 간 문화적 교류 빈도가 증대해가고 있다. 이러한 현실적 변화과정으로 볼 때, 타자에 대한 넓은 이해와 소통, 그리고 상호존중의 교섭적 특성을 갖는 원천석의 유불도 삼교관은 오늘을 살아가는 우리들에게 시사하는 바가 적지 않다.

• 복식
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• 제20권
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• pp.63-72
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• 1993

The concept of style provides a useful structure in history of Art. In aspect of formative art, dress and art work are alike, so style is a useful concept in the historical methodology on dress. The main purpose of this study was to apply the art criticism to the historical methodology on dress. For this purpose, documentary studies about style as a tool of historical research were proceeded. The results were as follows : 1. The concept of style consists of the external form and the internal meaning as double roots. Therefore, it's indispensable that the two asp-ects of style, form and meaning, must to be harmonized to describe the historical phenomena in dress. 2. The change pattern of style in dress is not always predeterminate and regular according to the cyclical theory. From the alternative point of view, the change pattern of style could be to describe the continuous theory proposed by kroeber, Brodsky. The whole change of style is considered "liked solution" by this theory.is theory.

• 고문화
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• 26호
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• pp.29-43
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• 1985