• International journal of advanced smart convergence
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• 제11권3호
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• pp.49-55
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• 2022

Hair styling has a significant influence on human social perception. An increasing number of people are learning hair styling and obtaining hair designer licenses. However, it takes a considerable amount of money and time to learn professional hairstyle and beauty techniques for hair styling. Since COVID-19, there has been a growing need for offline and video lectures due to the decline in onsite training opportunities. This study provides a field practice environment in which real hair beauty is performed in a virtual space. Further, the hairstyle that is most similar to the user's hair taken with a webcam or mobile phone is determined through an image matching system using the speeded up robust features (SURF) method. The matching hairstyle was created into a three-dimensional (3D) hair model. The created 3D hair model uses a head-mounted display (HMD) and a controller that enables finger tracking through mapping to reproduce the haircutting scissors' motion while providing a feeling of real hair beauty.

• 복식
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• 제24권
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• pp.83-101
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• 1995

The purpose of this study is to investigate relation between kucha and Korea by comparing costume. The results are as follows. First, During 508th century, wall paintings of Kizil and Kuizilkargha showed traditional costume such as cutting hair , lapel coller and fitting sleeve coat, pants, boots , belts and knife. Kumtura were also in 6 th, but under the influence of China and Hoehol (회골) after 7th. Second, Men and women cutting hair except king, they put on cone shaped hat and Kun (건), clothing were made of felt and kun(면). Third, it was influenced by Iran that cutting hair in Silla (신라) and Kucha. In Silla , round neckline and V neckline were existed except lapel collar. Jeweled knife of Silla and Kuncha , pattern of Kumdonglee(금동복) showed cultural exchange of centural Asia and Korea along the Silk Rood. It is conscious that Silla preferred centural asia of texture and jewels by prohibition of costume.

• Applied Microscopy
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• 제38권4호
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• pp.347-351
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• 2008

본 연구는 레이저, 클리퍼, 가위 등의 커트도구를 사용하여 모발절단면의 형태학적 특성을 주사전자현미경으로 관찰하였다. 레이저(razer)를 사용해서 절단된 모발의 단면은 모발 끝이 한쪽 방향으로 예리하고 뾰족하게 형성되었고 모발의 잘린 면이 얇아지면서 모발의 바깥쪽 부위로 휘어지는 것을 확인하였다. 가위(scissors)를 사용하여 절단된 모발의 횡단면은 비교적 깨끗하게 관찰되었다. 이는 가위와 사람의 손힘이 일정하게 주어짐에 따라 모발의 절단면이 찌그러지거나 눌림 현상 없이 모발형태가 변형되지 않고 절단되었기 때문인 것으로 관찰되었다. 클리퍼(clipper)를 사용해서 절단된 모발 횡단면의 큐티클층은 손상되지 않고 고르게 잘려 나갔으나 피질(cortex)은 섬유성 단백질인 거대원섬유 (macrofibril)들이 매끄럽게 잘려나가지 않고 모발단면의 중간위치에서 층이 형성되는 것으로 나타났다. 이것은 클리퍼의 날이 전기적인 힘에 의해서 고속으로 움직이면서 모발을 순간적으로 절단하면서 생기는 자국으로 나타났다.

• 문화기술의 융합
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• 제8권2호
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• pp.367-372
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• 2022

최근 뉴노멀시대가 도래하면서 실감형 기술과 언택트 기술은 사회적 관심을 받고 있다. 하지만 헤어 스타일링 분야는 헤어 시뮬레이션을 중점으로 헤어 자체의 연출이나, 개별적인 움직임, 모델링에 초점을 두고 있다. 시대적 요구와 개선된 실습환경 조성을 위해 본 연구에서는 비대면 헤어 스타일링 VR 시스템을 제안하였다. 이론 고찰에서는 기존 헤어 컷 연구 사례에 대해 조사하였다. 기존 헤어 컷 관련 그래픽스 연구는 주로 힘 기반 피드백 위주의 연구이다. 본 논문에서 주장하는 가상환경에서 인터랙티브한 헤어 컷 작업에 대한 연구는 아직 이루어지고 있지 않다. 본 연구에서는 미용에 필요한 동작을 핑거 트래킹이 가능한 VR 컨트롤러에서 미용도구 선택, 자르기, 회전 등이 가능하도록 하였으며 비대면 협업 환경으로 구축하였다. 연구 결과로서, 정확한 헤어 절단 작업을 위해 소지걸이 애니메이션에 따른 핑거 트래킹과 가위의 움직임이 위치 보정에 따른 동기화 작업의 결과와 다중 사용자 기반의 가상 협업 환경에서의 실시간 인터랙티브 헤어 컷 작업을 실험하였다, 비대면 상황에서 헤어 스타일링에 필요한 커트동작에 관한 학습이 가능하게 되었으며 교수자와 학습자는 VR HMD 내장 마이크와 Photon Voice로 상호 간의 의사소통이 가능하게 되었다.

• 한국산학기술학회논문지
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• 제14권6호
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• pp.2612-2617
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• 2013

본 연구에서는 스틸 헤어커터와 비교하여 절삭성, 내식성 내마모성이 우수하고 생체친화성이 뛰어난 소재인 지르코니아($ZrO_2$)를 원료로 하는 헤어커터 개발을 위하여 설계, 성형, 소결, 연마가공 최적화를 통해 두께 0.253mm의 초박형 지르코니아 커터를 제작하였다. 커터 시편을 전자주사현미경(SEM)으로 관찰한 결과, 성형성과 절삭면 가공이 양호한 것으로 나타났으며, 절단시험을 통해 상품성이 충분한 것으로 평가되었다. 본 지르코니아 커터 가공기술 연구결과를 이용하여 면도기, 여성용 제모기, 눈썹정리기 등 고부가가치 미용기구 개발에 활용 될 수 있다.

• 디지털산업정보학회논문지
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• 제5권4호
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• pp.189-197
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• 2009

This paper suggests the system for searching and application is to be in combination between existing hair art area and Image/Video processing area. This proposed system usually saves various hair types into a database, then, users send images of their face over the internet by using WebCam. Finally, they can find the hair types for users. Hair cutting is technology that form draft to make hair style. Man cut must decide how in image of sinciput, image of side bean curd, after lower image must operate. Silhouette is produced as is different by change of this three places. Customer increases in the beauty salon and beauty salon chain being changed, research about beauty art is necessary point of time. In this treatise, our country of when swim and operate haircut about problem that happen sample survey and analysis.

• 한국생활과학회지
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• 제18권3호
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• pp.793-798
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• 2009

Hair cut is one of the best useful technical tool for hair styling. In this study using the rule of the layers of hair design, balanced for visual art, perceptual ability and form created by the principles of analysis and offer hair cuts and hair design of the representation of regions and even hair design as the basis of a student of Hair Beauty and all the people working in the field can create a variety of hair design puts the purpose to establish a basis. The result of this study can be outline as follows: First, the step line and the movement of the relationship between the law of the layers above and below the length of the same layer techniques, the same consists of a vertical cross-section of the overall round shape of the cut same layer is created and the appropriate volume and movement, the movement of low-layer round a little bit more feeling and expression is used when you want. High-layer used to want to move a lot of light and could see that. Second, the layer of the Law and over direction, lifting, section, the line control. weight control and analyzed by principle and the principle of the process of forming the written form was unknown. Third, hair design, the expansion of the expressive power of the law of the layers, and the section of the over direction depends on the presence of line control to express the length of the outline I had to, lifting the weight to adjust form controls, and the expression of Hair Design will be expanding the width. A hair designer, a layer style to create a zone he thought the law of the first layer formative area To further the reach will be a lot of research, leading up formative aspects of this research thesis do not have missing parts, or as a result of the Beauty of Hair Design and the width of a hair design education in the field can perform to help feed the reference materials that will be.

• 한국인터넷방송통신학회논문지
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• 제22권3호
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• pp.1-8
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• 2022

최근 소개된 구글 MediaPipe의 모발 분할 방식은 실시간 모바일 애플리케이션을 위해 특별히 설계된 단일 카메라 입력에서 신경망 기반 모발 분할을 위한 새로운 접근 방식을 제시한다. 상대적으로 작은 신경망으로 가상 머리카락 다시 칠하기와 같은 증강 현실 효과에 매우 적합한 고품질 머리카락 분할 마스크를 생성한다. 그렇지만, 모발 스타일 또는 모발 영역에 잡음이 있는 경우에 모발 분할 정확도가 떨어지는 문제점들이 있다. 이에 본 연구에서는 지정된 라벨에서 모발 위치와 모발 색상 가능성의 추정된 사전 분포에 따라 이미지의 에너지 함수를 구성하고, 이것을 그래프 절단 알고리즘에 따라 최적화시키는 방식으로 초기 모발 영역을 얻는 방식을 도입한다. 그런 다음에, 초기 모발 영역에 클러스터링 알고리즘과 사후 처리 기법을 적용하여 최종 모발 영역을 정밀하게 분할 할 수 있도록 한다. 제안된 방식은 MediaPipe의 모발 분할 파이프라인에 적용된다.

• 한국패션뷰티학회지
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• 제1권1호
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• pp.105-118
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• 2003

The purpose of this study was to analyze entertainer Byeon Jeong-su's hair styles and thereby, apply the results to models. For the applications, models' hair styles were bisected into two sections, and thereby, the edges of the outsides were cut into solid points, and thereupon, into diverse bases by using vertical section, Perpendicular direction and square angles. On the other hand, the insides were cut in the same way of the outside bases by using radial section, varied combing and $45{\sim}90$ degree head angles. In addition, tops and sides were arranged in their corners, while a graduation technique was used to express a natural difference of levels. The fringes were cut by using free-hand and slicing techniques. furthermore, the quantity and mass of the hairs were treated with such techniques as thinning, swing, effect, rolling, slide and slicing, while a bridge product was used for coloring together with a highlight technique. The hair styles were rendered for straight and wave by using an magic iron machine. It was confirmed through this study that the same cutting techniques would result in different images depending on individuals' physical shapes, facial shapes, head skeletons and types of hairs. Thus, it is required of the hair designers to suggest their own custom hair designs adequate to individuals' images through continued image-wise hair design practices.

• 패션비즈니스
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• 제6권1호
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• pp.53-70
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• 2002

The purpose of this study is to review the innovation of Vidal Sassoon's hair design. His hair styling was created in 1950-60, and it was related to the Zeitgeist, 'Convulsion'. It was aesthetic reform that eliminated artificially of headdress through new design concept and high technique. It was social renovation that changed women's life through freedom, ease and mobility of hair form. Also, it was scientific innovation that emphasized improvement of hair care. Therefore this researcher set a high value on his contribution in beauty industry, and studied the formative characteristics of his hair styling. The results are as follows: The formative characteristics are classified into the simplicity of form, the mobility of construction, and the variety of color and texture. 1. The simplicity of form showed through geometric form. Vidal Sassoon's hair design had the overthrow traditional concept of femininity and beauty; in addition, it conferred freedom on not only hair itself but also women's action. 2. The naturalism and mobility of construction was found in layered and softly swinging hair made up by skillful cutting technique. It was developed by studying on the dynamism of sports in 1984 LA Olympic games. 3. The variety of color and texture showed conspicuously its visual evidence because of the simplicity of form. Especially, he borrowed factors of fine art, that is to say, form, space, texture, line, color and light, and created a performance art. His work is analyzed into an art, and he is one of the best artists.