• Proceedings of the Korean Society of Computer Information Conference
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• 2012.07a
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• pp.23-25
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• 2012

본 논문에서는 smartphone과 Arduino, Max/Msp를 이용한 모바일 미디어 아트 시스템을 제안한다. 시스템의 입력장치로 flexible센서가 부착된 tangible glove와 smartphone의 app이 사용되었고 이들의 조작 데이터는유(무)선 시리얼통신 및 TCP/IP 통신을 통해 원격지 서버상의 Max/Msp 어플리케이션으로 전달된다. 서버는 전달된 데이터를 기반으로 서버와 연결되어 있는 로봇 기타리스트의 열손가락을 제어하고 사운드 및 제반 영상을 출력한다. 결과적으로 사용자는 연주자인 동시에 관객으로서 시각, 촉각, 청각의 다양한 감각을 동시에 만족하고, 시스템에 몰입할 수 있게 된다. 본 논문에서는 기존 미디어 아트 시스템들이 가지고 있었던 사용자의 단순 참여라는 1차원적인 논리에서 벗어나고자 다양한 시스템의 결합을 통해 작품참여를 유도하였고 이를 통해 사용자가 그들만의 고유한 작품을 생성함으로써 기존의 미디어 아트 시스템과의 차별성을 도모하였다.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.14 no.9
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• pp.4204-4211
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• 2013

This research is the comparative analysis of Jim Hall's master work "Careful" and "Waltz New" who is the most influential guitar player of the present day. I tried to analysis musical inclination and direction comparison with contemporary musicians in this study. Jim Hall wasn't the person who did satisfy with only playing guitar as a famous artist but trying to research and create a new thing continuously with this his music. I am considering that his music has been great implications for contemporary direction.

• Journal of Digital Convergence
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• v.16 no.9
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• pp.239-245
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• 2018

In the current mainstream pop music scene, Stevie ray vaughan's status is a singer-songwriter and electric blues guitarist, who occupies a very large position despite his short period of activity. His influence has remained to the present day as the voice of many guitarists ranging from his unique sound to his explosive stage performances. Let's take a look at the technical parts of his performance, rhythm and solo performances, among the various traces of his constant reproduction. Based on one of his most famous works, 'Pride and Joy' I analyzed the solo and rhythm, scale that Stevie Ray Vaughan played. Through the African American blues, a peripheral heritage he has been trying to influence and influence, how his traces congregate in the center of today's mainstream pop music scene. This will give us little clues to appreciate before the research that will have a variety of influences and values.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.15 no.5
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• pp.2635-2640
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• 2014

Lee Ritenour and Larry Carlton were the most popular contemporary guitarists. So we can find they have something in common in many ways. Also their abundant experiences and know-how made their own music into Fusion Jazz. They always tried to make new approach specializing Fusion Jazz genre, which makes us realize that they are the front runners of Contemporary Jazz mixing music with the situation of the time. This paper analyzes harmonic parts and arranged parts these two guitarists show and studies the musical meaning and characteristics their representative albums have. Also this paper focuses on some developments and growth by examining the relationship between these two guitarists.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.17 no.11
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• pp.80-85
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• 2016

Pat Metheny debuted in 1976 and attracted the public beyond his genre in jazz by committing experimental and various music. His 50 albums have been recognized with musicality and artistry by winning 20 Grammy Awards and being awarded a Gold Disc 3 times. Therefore, his music cannot be expressed merely with the single word 'jazz'. In basic harmonics, there are distinct chords between major chord and minor chord. For example, Ionian Scale and Lydian Scale are used in major chord and Dorian Scale, Phrygian Scale, and Aeolian Scale are used in minor chord. It is also common to use m7b5 chord in Locrian Scale. However, after analyzing Pat Metheny's scale, he made Lick using Dorian Scale in major chord or using Lydian Scale in minor chord. In Dominant chord that can use various six scales, he often used Dorian Scale or Lydian Scale surprisingly. In some measures, he made Lick using Ionian Scale and Lydian Scale. In this case, since the whole atmosphere of that measure simultaneously expresses both the bright feeling of major and the lonely feeling of minor, it arouses a very special atmosphere. In addition, he brought 12-measure pattern and made Lick not using blues scale but often using Ionian Scale, Lydian Scale, and Mixo-Lydian Scale.