• 자원리싸이클링
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• 제19권2호
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• pp.54-62
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• 2010

본 연구는 석탄폐석을 폐갱도 충전용 골재로 사용 할 때 나타날 수 있는 문제점을 파악하고 그 해결 방안을 제시하기 위하여 수행되었으며, 석탄폐석이 가장 많이 적치되어 있는 태백지역의 함태 탄광 석탄폐석을 대상으로 석탄폐석의 물성, 석탄폐석으로부터 산성광산배수(AMD)의 발생 특성, 석탄폐석으로부터 중금속의 용출 특성 등을 조사하였다. 석탄폐석의 물성 연구에서는 석탄폐석의 입도분포, 입단별 화학조성 및 중금속 분포, 광물조성 등이 조사되었으며, 석탄폐석으로부터 AMD 발생 특성 연구에서는 시간, 온도, 황철석의 함량, 황화물의 종류, 폐석의 입도, 공존암의 종류 등이 AMD 발생에 미치는 영향을 조사하였고, 중금속 용출 특성 연구에서는 석탄폐석 만을 사용한 경우와 석회석과 석탄폐석을 혼합하여 안정화 시킨 시료를 대상으로 폐기물공정시험법, TCLP법, 장기연속추출법(컬럼시험)에 의한 중금속 용출 특성을 조사하였다. 연구 결과로부터 석탄폐석은 폐갱도 충전용 등의 골재로 재활용이 가능하나 지하수에 침수상태에 있는 폐갱 속에 석탄폐석 만을 투입하여 충전하면 충전 후 12일 경부터 AMD가 발생할 것으로 예측된다. AMD가 발생하면 높은 수소이온농도 때문에 폐갱 내 잔류하는 철재류 등으로부터 중금속의 용출을 가속화 하는 등 환경 요염의 염려가 있고, AMD의 발생을 막기 위해서는 석회석을 4%이상 혼합하여야 함을 알았다.

• 한국의류학회지
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• 제40권5호
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• pp.936-953
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• 2016

This article surveys the meaning and history of fashion museum exhibitions to understand the characteristics that make a fashion museum exhibition special. It explores dress museology and fashion museology in theory, and practice across a range of international case studies that include the Costume Institute at the Metropolitan Museum of Art in New York, Mode Museum in Antwerp, and the Victoria and Albert Museum in London. In particular, it examines how curatorial intervention has developed the interpretation and display techniques of dress within the context of the museum or gallery as well as how fashion has made museums accessible to diverse audiences. For a specific case study, we review the types and roles of fashion exhibitions organized by the Simone Handbag Museum, Seoul. It is the first handbag-centered fashion museum in the world as well as one of the most representative local fashion museums. The museum collection includes fashionable western handbags from rare specimens of the $15^{th}$ century to the latest bags of the $21^{st}$ century, and presents a history of changing fashion cycles and the major socio-cultural shifts that have profoundly affected women's lives in public spaces. Exhibitions show the perspective to a range of curatorial methodologies and show the innovative approaches towards collections and displays with broader fashion issues such as gender, materialism and technology. The article is to help encourage further scholar discourse between fashion museum exhibitions and fashion museology.

• 복식
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• 제59권4호
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• pp.126-142
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• 2009

Arte Povera, which was started centering around of Italy in 1960, made a great sensation using by base materials in the works that were totally different from other artists' work. Beginning of Arte Povera was just starting of Base Materialism and it was a reconsideration about the life's authenticity in material civilization. Arte Povera carried worthless materials, which were overlook or ignored in the life, into the gallery. In this study, records and Arte Povera Group's works was studied. The outcome of Arte Povera's materialism was used to an analysis of fashion designers' works. It shows how to explain Arte povera's materialism in fashion designers' works in 1960s and since 1990. Materialism in fashion is expanding from constructed materials of the clothing to the body. The expression method is getting various and complex. As if 1960s' art was, modern fashion is getting one of the testing places for the Ideology. It is getting out of the boundary of the utility as fashion art by using materials. So a function of the clothing is expending including wareing. The same expression methods of the materialism between fashion and art are as follow: First, revealing silhouette or materialism of the body or material as formless material. Second, an expression method as Base Materialism from a raw material. Third, the mobility and the transformation, which are a changeable characteristic according to a place, a space and an audience.

• 복식
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• 제57권10호
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• pp.99-111
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• 2007

This paper was built by following next steps. First, based on the records of the Tongshinsa, the official diplomatic mission Joseon dispatched to Japan, the actual conditions of wearing a Danryung, a official robe, in the 18th century were researched. Then the difference of wearing state between the missions - in 1719, 1748 and 1764- was found and the reason why was analyzed. In result two distinctions were found: 1) A black Danryung was worn in 1719 at the banquets and while receiving an official letter of reply, but a red Danryung, Gongbok or Sibok on the later trips. 2) In 1764 travel records there was some confusion of the names Gongbok and Sibok, which denote the same item of robes, according to the writer. The reason why those changes and confusion were caused is analyzed as follows: 1) After the Japanese Invasion(1592) and the Manchu Invasion of Joseon(1636), a black Danryung replaced the Gongbok for a while. But after the mid-18th century, when the Gongbok was revived, that was reappeared in the official ceremonies. 2) In the mid-18th century, both Gongbok and Sibok system had been revised. But because both color system was similar, those revision became a cause of confusion between Gongbok and Sibok. For a while all ministers wore red Gongbok and Sibok, but after those revision the color of official's robe was changed by officials' rank: the higher ranking officials' Gongbok and Sibok are red, the lower ranking officials' are bluish green.

• 공업화학
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• 제16권4호
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• pp.502-506
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• 2005

다양한 클레이의 존재 하에서 단량체 주형 기법에 의해서 ${\varepsilon}$-caprolactam (CL)을 음이온 중합시킴으로써 나일론/클레이 나노 복합체를 합성하였다. 각각의 클레이가 중합 반응에 미치는 영향에 관하여 연구하였으며, 중합과정에서의 클레이의 박리 상태 변화를 X선 회절분석에 의해서 분석하였다. 세 종류의 유기화 클레이를 CL 대비 2wt% 사용한 경우에는 캐스팅 후의 급격한 점도 상승에 의해서 중합이 원활하게 진행되지 않았으며, 유기화 클레이 함량이 1 wt%인 복합체에서는 기계적 물성 및 열적 특성에서 현저한 변화는 관찰되지 않았다. 반면에, 천연 클레이의 경우에는 5 wt%까지 중합이 가능하였으며, 생성된 복합체에서는 인장강도 및 신율이 저하되는 것으로 나타났으나, 열변형 온도는 현저하게 향상되었다.

• 디지털융복합연구
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• 제14권11호
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• pp.549-555
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• 2016

이 논문의 목적은 미술관 방문 및 참여 증가 요인이 사물인터넷을 통한 서비스 마케팅 강화에 있다고 보고 이론적 관점에서 사물인터넷 도입 후 제공된 클리블랜드 미술관 서비스의 내용과 그로 인한 결과는 무엇인지를 분석하여 한국의 예술기관에 적용할 수 있는 시사점을 찾는데 있다. 분석을 위하여 저널논문, 통계, 기관 및 정부의 보도자료, 뉴스기사, 웹문서, 웹페이지 기사를 수집하여 참조한다. 분석결과는 첫째, 디지털 및 소셜미디어의 적용은 미술관 방문 및 재원 창출에 긍정적이다. 둘째, 사물인터넷의 도입은 미술관의 '교육', '접근성', '의사소통' 서비스의 강화는 물론 체험을 활성화시켜 온 오프라인 참여를 증가시킨다. 셋째, 시스템 구축을 위해 지방정부의 자금지원과 관련업체의 기술지원이 필수적으로 뒷받침되어야 한다. 결론으로 사물인터넷 불모지나 다름 없는 국내 미술관에 관람객의 참여 활성화를 위하여 이와 같은 디지털기술의 적극적인 도입을 제안한다.

• 디지털콘텐츠학회 논문지
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• 제18권8호
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• pp.1567-1576
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• 2017

본 연구는 ICT를 토대로 문화복지에 대한 방향성을 제시하였다. 이를 위하여 정부정책의 방향과 문화복지 서비스 현황에 대해 살펴보고 국내외 문화복지 서비스 사례에 관련하여 사용자 체험을 중심으로 하는 박물관과 미술관을 대상으로 분석하였다. 그 결과 미술관에 비해 박물관은 미디어환경에 따라 많은 변화가 모색되었다. 세부적으로 미디어 1.0시대에는 실제 박물관을 통해 관람되었다면 미디어 2.0시대에는 가상박물관이 나타났다. 이것은 미디어 환경, 대상(전시물), 접근성, 소모성 및 정보성에 있어서 많은 차이가 있음을 알 수 있었다. 끝으로 이를 통해 한국형 ICT 문화복지 서비스 환경변화요소를 제언하였다. 향후, 문화소외계층에게 문화향유에 대한 문화복지 서비스의 확대가능성에 대한 지속적인 연구가 필요하다고 사료된다.

• Parasites, Hosts and Diseases
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• 제57권6호
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• pp.587-593
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• 2019

Excavation (2008-2014) carried out under the Uffizi Gallery (Florence, Italy) led to the discovery of 75 individuals, mostly buried in multiple graves. Based on Roman minted coins, the graves were preliminarily dated between the second half of the 4th and the beginning of the 5th centuries CE. Taphonomy showed that this was an emergency burial site associated with a catastrophic event, possibly an epidemic of unknown etiology with high mortality rates. In this perspective, paleoparasitological investigations were performed on 18 individuals exhumed from 9 multiple graves to assess the burden of gastrointestinal parasitism. Five out of eighteen individuals (27.7%) tested positive for ascarid-type remains; these are considered as "decorticated" Ascaris eggs, which have lost their outer mammillated coat. Roundworms (genus Ascaris) commonly infest human populations under dire sanitary conditions. Archaeological and historical evidence indicates that Florentia suffered a period of economic crisis between the end of 4th and the beginning of the 5th centuries CE, and that the aqueduct was severely damaged at the beginning of the 4th century CE, possibly during the siege of the Goths (406 CE). It is more than plausible that the epidemic, possibly coupled with the disruption of the aqueduct, deeply affected the living conditions of these individuals. A 27.7% frequency suggests that ascariasis was widespread in this population. This investigation exemplifies how paleoparasitological information can be retrieved from the analysis of sediments sampled in cemeteries, thus allowing a better assessment of the varying frequency of parasitic infections among ancient populations.

• 미술이론과 현장
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• 제15호
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• pp.31-49
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• 2013

This paper delves into the recent 'paintings' of African-American artist David Hammons, which combine rubbish-like plastic wraps with the abstract-expressionist style paintings. In straddling between rubbish and art object, his works tend to blur the boundary drawn between two opposite categories in value, art and garbage, provoking the sophisticated taste of Upper-East-side white community in Manhattan, New York. Choosing the venue of his exhibition at a commercial gallery, Hammons's creative efforts is also a critique of what can be seen as the dominance of abstract expressionism and white elitism in American art history. The artist is known for his use of unconventional materials in art making such as black hair, barbecue bones, and elephant droppings, ones that are often associated with African-American experiences in all different levels. Since his debut in the art scene in the 1970s, Hammons has pursued the view of art-making as a medium for provoking contentious issues of racial relations in the States. On the other hand, the reception of Hammons's work as African-American art can be potentially quite limiting, overlooking as it does multi-faceted meanings of his art practice. His unconventional approach to art often took him outside art galleries and museums, where he was seen using a variety of common materials for site-specific installations and performances. Staged in different parts of Manhattan, these acts of art making traverse seemingly opposite communities and cultures, often blurring their boundaries. Hammons's artistic practice can label him what Abdul Jan Mohamed calls "specular border intellectual", revealing as it does the symbiosis of binary oppositions that is basic to the experience of communnal living.

• 한국산학기술학회논문지
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• 제13권10호
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• pp.4853-4862
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• 2012

현대도시에서 문화공간은 곧 도시생활의 중심역할을 하는 곳이라고 할 수 있다. 문화공간은 삶의 질을 높이고, 가치의 폭을 넓히는 거점인 것이다. 이러한 점에서 문화공간이 대도시 지역에 집중된 현실은 문화적 수혜의 불평등을 초래하고 있으므로, 각 지역의 기능적, 공간적인 중심인 중소도시에 문화공간과 시설을 확보해야 할것이다. 이러한 시대적 과제를 수행하기 위해 선결되어야 하는 것이 그 확보의 적정수준을 모색하는 것이며, 이릉 위해 본 논문에서는 국내의 현황을 분석하고 선진사례의 비교분석을 기반으로 확보의 필요성을 확인하고 적정한 확보의 수준을 모색해 보고자 하였다.