• Proceedings of the Korean Society for Emotion and Sensibility Conference
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• 1999.11a
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• pp.157-161
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• 1999

본 연구에서 직물의 열, 수분 전달특성과 KES-FB의 역학적 특성치, 직물표면의 fractal dimension을 측정하여 주관적 의복 착용 쾌적감을 예측하고자 하였다. 실험의복에 사용된 직물은 면 100% 평직물, 면/PET 혼방직물, 피치가공된 면/PET 혼방직물, PET 100% 평직물, 알칼리 감량가공된 PET 100% 크레이프 직물이었으며, 실험의복의 형태는 긴 소매 셔츠로 하였다. 착용실험은 온도 29$\pm$0.5$^{\circ}C$, 상대습도 75$\pm$2%RH, 기류 0.15m/s를 유지하는 항온항습실에서 실시하였고 36명의 여성 피험자(20-23세)들이 참여하였다. 의복 착용감의 하위 구성차원을 파악하기 위해 실험결과를 요인분석한 결과 5 개의 요인으로 추출되었다. 제 1 요인은 체온상승, 수분특성과 관련이 있는 온열.발한감이었으며, 제 2 요인은 무게ㆍ두께감, 제 3 요인은 회복특성감, 제 4 요인은 표면접촉감, 제 5 요인은 온냉감으로 구성되었다. 직물의 표면특성을 정량화하는 방법으로 도입한 fractal dimension 의 분석값들과 종래의 가장 보편적으로 이용되어 온 KES_FB 의 표면 특성치들이 주관적 착용쾌적감 예측에 얼마나 기여하는지 비교해 본 결과, 표면접촉감은 fractal dimension, 접촉점들의 총면적, 접촉점들의 평균 axis ratio, MMD, SMD와 높은 상관을 나타내었다. 또한 종합적 착용쾌적감에 대해서는 SMD 를 제외한 척도들이 유의한 상관을 보였으며, 그 중에서도 fractal dimension 과 접촉점들의 총면적은 0.8 이상의 높은 상관을 나타내었다. 착용쾌적감을 예측하기 위한 회귀분석결과에서는 fractal dimension 만으로 쾌적감의 74%가 설명되었으며 공기 투과도를 첨가하면 두 변수로 $R^2$=.792가 되었다. 설명되는 누적분산값은 67.18%였다.주관적 평가의 결과와 객관적 평가 결과를 이용해 마직물의 태를 평가하는 산출식을 제시하였다. 태 평가치의 경우 16가지 특성치를 모두 넣는 방법과 stepwise 방법, 또 Kawabatark 사용한 순차적 군 회귀법의 세가지 방법의 회귀식 중 16가지 특성치를 모두 넣는 방법의 결정계수가 가장 높았다.tosterone농도는 107.7$\pm$12.0 pmol／l이었고, 남성의 타액내 농도는 274.2$\pm$22.1 pmol／l이었다. 이상의 결과로 보아 본 연구에서 정립된 EIA 방법은 RIA를 대신하여 소규모의 실험실에서도 활용할 수 있을 것으로 사려된다.또한 상실기 이후 배아에서 합성되며, 발생시기에 따라 그 영향이 다르고 팽창과 부화에 관여하는 것으로 사료된다. 더욱이, 조선의 ${\ulcorner}$구성교육${\lrcorner}$이 조선총독부의 관리하에서 실행되었다는 것을, 당시의 사범학교를 중심으로 한 교육조직을 기술한 문헌에 의해 규명시켰다.nd of letter design which represents -natural objects and was popular at the time of Yukjo Dynasty, and there are some documents of that period left both in Japan and Korea. "Hyojedo" in Korea is supposed to have been influenced by the letter design. Asite- is also considered to have been "Japanese Letter Jobcheso." Therefore, the purpose of this study is to look into the origin of the letter designs in t

• Proceedings of the Korean Institute of Interior Design Conference
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• 2006.05a
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• pp.206-209
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• 2006

The concept of non-linearity, which has been derived from a scientific paradigm, has generated new discourse in formative arts. The non-linearity enables various new possibilities such as, generation of diverse and dynamic space, creation of non-geometric form and space, and the shape in the space as it is in nature. This study percepts and explains the concepts of non-linearity and their principles in space modeling in the field of interior design, in terms of the philosophy of fractal geometry. We also analyze cases, which shows trends and specific embodiments of non-linear space modeling. This study will provide perspectives on the non-linearity as a new methods in the space modeling. For the study, we review the concept and characteristics of non-linearity, by examining various literatures, and developed an analyzing tool which was used to study various cases of Western and Korean interior Design.

• Journal of the Korean Society of Costume
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• v.51 no.2
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• pp.181-192
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• 2001

Men study the nature in two ways. Scientists and mathematicians inquire a branch of those two ways. Mathematical formulations are the tools and the expressions of their nature. Meanwhile, the other branch, the art, alms for different inquiry. Instead of formulating the nature, the artists create their masterpieces from their ultimate source, the Mother Nature. For thousands of years these two branches have grown together, influencing each others work. Some mathematicians find that formulation, are not enough to fully express the beauty of nature. It is believed that such a simple expression, formula, easily omits the careful details of nature. The nature is simply too chaotic to be shaped with a formula. Of those mathematicians, Mandelbrot, one of the first to realize this matter, introduced the world of fractal geometry. Fractals give new possibilities. It allows us not to limit ourselves to linear prospect, rather a whole new view of this chaotic beauty of the nature. A popular practice to understand fractals is in costume design. The artistic characteristic and organization mechanism is appalled to costumes. Meanwhile, another practice, rather aggressive, is using computer to create an image of fractals. This image is then used for motives to generate artistic expressions. Computer and paper ironing technique is used for fashion illustration in this research. The works were synthesized arid transformed from computer programs. To add more traditional painting touch to this work, Paper ironing technique was used. Since the of effect of this technique is so random, irregular, and unordered, it corresponds to fractal consideration. This thesis asserts an another prospect to fractal as a structural way of describing nature ailed fashion illustration, rather than restricting it to only mathematical theory.

• The Journal of Korean Institute of Communications and Information Sciences
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• v.28 no.3C
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• pp.296-306
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• 2003

In this paper, algorithm for non-iterative decoding method is proposed and fractal image decoder based on non-iterative fractal decoding algorithm used general purpose digital signal processors is designed and implemented. The algorithm is showed that the attractor image can be obtained analytically whe n the image is encoded using the fractal algorithm proposed by Monro and Dudbridge, in which the corresponding domain block for a range block is fifed. Using the analytical formulas, we can obtain the attractor image without iteration procedure. And we get general formulas of obtained analytical formulas. Computer simulation results for various test images show that we can increase the image decoding speed by more than five times when we use the analytical formulas compared to the previous iteration methods. The fractal image decoder contains two ADSP2181's and perform image decoding by three stage pipeline structure. The performance tests of the implemented decoder is elapsed 31.2ms/frame decoding speed for QCIF data when all the frames are decoded. The results enable us to process the real-time fractal decoding over 30 frames/sec.

• Proceedings of the Korea Society of Design Studies Conference
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• 1995.04a
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• pp.22-25
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• 1995

• The Journal of Korean Institute of Electromagnetic Engineering and Science
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• v.20 no.3
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• pp.215-221
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• 2009

In this paper, a slotted trapezoidal microstrip fractal patch antenna is designed and fabricated for the vehicle GPS antenna. We designed air substrate patch antenna to obtain gain improvement by the elimination of dielectric loss. By applying fractal structure with crossed slot to trapezoidal patch, we obtained 42.5 % as much patch size as conventional triangular patch antenna. Measured bandwidth was 200 MHz on GPS band under VSWR 2:1 And gain was 4.31 dBi at resonant frequency that is 2$\sim$5 dB higher gain than conventional ceramic patch antenna on GPS band.

• KSII Transactions on Internet and Information Systems (TIIS)
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• v.12 no.6
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• pp.2734-2747
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• 2018

In this study, a novel fractal ring antenna with a compact size of $24{\times}9{\times}0.8mm^3$ was configured using three iterations. Low profile, circular polarization, and measured operating bands (4.5-6.5 GHz) meet specifications of the upper band used in Wi-Fi and WiMAX applications. The antenna featured, stable radiation properties, especially gain and efficiency, in the notched band (92%). In deep, the antenna impedance, reflection coefficients, surface current distribution and circular polarization for the three iterations had been studied to improve the process of antenna design and its radiation characteristics.

• Journal of the Korea Society for Simulation
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• v.4 no.1
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• pp.1-11
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• 1995

The model of a FMS (Flexible Manufacturing System) admits to a natural hierarchical decomposition of highly decoupled units with similar structure and control. The FMS fractal architecture model represents a hierarchical structure built from elements of a single basic design. A SES (System Entity Structure) is a structural knowledge representation scheme that contains knowledge of decomposition, taxonomy, and coupling relationships of a system necessary to direct model synthesis. A substructure of a SES is extracted for use as the skeleton for a model. This substructure is called pruned SES and the extraction operation of a pruned SES from a SES is called pruning (or pruning operation). This paper presents a pruning operation called recursive pruning. It is applied to SES for generating a model structure whose sub-structure contains copies if itself as in FMS fractal architecture. Another pruning operation called delay pruning is also presented. Combined with recursive pruning the delay pruningis a useful tool for representing and constructing complex systems.

• Proceedings of the Korean Information Science Society Conference
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• 2005.07b
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• pp.397-399
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• 2005

기존의 컴포넌트 모델에서는 컴포넌트 사용과 설정의 분리가 용이하지 않아 개발자가 제약사항(처리시간과 메모리)간의 트레이드 오프(trade-off)를 고려할 수 없을 뿐만 아니라 AOP를 적용하기 힘들다. 본 논문에서는 제어인터페이스를 임의적으로 추가할 수 있는 FCM(fractal component model)을 사용하여 aspect을 적용하였고, 런타임시 비기능적인 속성을 효율적으로 재구성하는 동적 위빙(dynamic weaving)을 지원하기 위해서, fractal component의 제어기능을 담당하는 membrane에 있는 구성요소 중 제어 객체(control object)와 인터셉터 객체(interceptor object)를 간단하게 선택하고 구성하기 위해 혼합클래스를 사용하는 프레임워크를 제안한다. 또한 aspect의 재사용성을 높이기 위해, AspectDataBase를 프레임워크에 설계하였다.

• The Journal of the Institute of Internet, Broadcasting and Communication
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• v.15 no.5
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• pp.163-168
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• 2015

Recent exhibition's paradigm is changing from the existing unidirectional oriented exhibition form to a form of interactive hands-on exhibits that viewers can get and realistically feel a variety of information. Hands-on exhibit embodies the human interface by utilizing light, sound, pressure, etc. in time and space. In this paper, we have studied the creation of fractal image by the Mandelbrot technique and proposed the interaction method for it to be converted into a variety of forms. By using the proposed method, a variety of image transformation such as printmaking effect, sketch effect, Pop Art effect can be performed, according to clicking a certain fraction on the created fractal image screen by a user mouse. Interactive image generated in this study are expected to be used for trade shows, promotional products, media art design.