• 산업진흥연구
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• 제4권1호
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• pp.67-78
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• 2019

본 연구는 융의 분석심리학을 연구하여 거기에서 도출된 상담이론을 토대로 상담과정과 상담기법을 연구하고자 한다. 융은 분석심리학을 기반으로 상담과정을 4단계로 나누고 있다. 1단계는 고백(confession)인데, 분석치료의 원형은 고백이다. 치료과정의 첫 단계는 비밀을 공유하고 억제된 정서를 드러내는 것이다. 2단계는 해명(elucidation)단계인데, 해명은 전이에 의해 유도된 내용을 조명하면서 명료화하는 과정이다. 3단계는 교육(education)단계이다. 해명은 내담자들을 지적으로 만들지만 여전히 무능력한 아이의 상태로 남겨둔다. 이 단계에서 치료는 통찰을 넘어 책임성 있는 의뢰인으로 훈련시키는 것이다. 4단계는 변혁(transformation)이다. 내담자들과의 변혁단계에서는 내담자들뿐만 아니라, 치료사도 '분석 속'에 있다. 융의 상담기법은 꿈의 분석, 상징의 사용, 단어연상검사, 증상분석, 사례사, MBTI 등 여섯 가지를 사용한다. 결론적으로 분석심리상담은 첫째, 인간의 정신, 특히 무의식 세계에 대한 보다 심층적인 접근과 이해를 가능하게 했다. 둘째, 분석심리상담은 무의식과 원형이라는 개념을 통해서 모든 인간이 공통적 심상 구조를 지닌 인류 공동체임을 인식하게 해주었다. 셋째, 분석심리상담은 인생의 의미와 목적을 새로운 관점에서 바라볼 수 있도록 해주었다. 따라서 융은 환자에 대해 병적인 문제를 지닌 존재가 아니라, 스스로 전체성을 실현하고자 하는 전인적인 인간으로 볼 것을 강조하였다.

• 사물인터넷융복합논문지
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• 제7권1호
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• pp.79-89
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• 2021

본 연구는 디지털 트랜스포메이션 시대에 사물인터넷(IoT) 기기와 서비스에 대한 정보 격차를 규명하고자 하였다. 이를 위하여 사물인터넷 기기와 서비스에 대한 미래 이슈를 전망하는 인식의 차이를 분석하고, 사물인터넷 기기와 서비스에 대한 인지도와 사용경험에 따른 디지털 기술의 필요성과 삶의 도움에 대한 차이를 분석하였다. 또한 교육수준과 교육수요를 분석하였다. 광주광역시와 전라남도에 거주자를 대상으로 2021년 2월 15일부터 3월 7일까지 설문조사를 실시하였고, 232명이 응답하였다. SPSS 21.0을 활용하여 분석하였고, 모든 통계값은 평균값으로 제시하였다. 연구 결과는 다음과 같다. 첫째, 지능정보사회 인지도에 따른 지능정보사회 미래이슈, 인공지능기기 및 서비스로 제공 받는 삶의 도움, 지능정보기술 필요성 차이를 제시하였다. 둘째, 인공지능기기의 인지도 및 사용 경험에 따른 인공지능으로 부터 제공 받는 삶의 도움 차이를 제시하였다. 셋째, 인공지능서비스의 인지도 및 사용 경험에 따른 인공지능으로 부터 제공 받는 삶의 도움 차이를 제시하였다. 넷째, 인공지능기술 인지도 및 사용 경험에 따른 필요성 차이를 제시하였다. 다섯째, 지능정보사회의 교육수준과 교육수요를 조사하여 제시하였다. 이러한 연구를 결과를 통하여 디지털 트랜스포메이션 시대에 정보 격차 해소를 위한 제언을 제시하였다.

• 복식문화연구
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• 제22권1호
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• pp.167-182
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• 2014

This study researched the symbolic meaning of the costume colors in the independent film . The purpose of the study is to shed light on the relation between a film and the clothing color by exploring the symbolic meaning of costume colors as based on place images and as reflected in characters' internal psychological states and situations. The conclusions of this study are as follows. First, the colors primarily presented were neutral shades of black and white or dark, almost-black tones, representing the negative narrative structure and depicting the image of a human being. Second, a series of bright blue shades were presented to reflect the positive narrative structure of a human being returning successfully to reality. Third, the application of color, involving both the psychological aspect as well as the symbolism of color, was effectively delivered to the audience. Fourth, the emphasis on color in the smallest details of costumes was analyzed, and it was found that symbolic color effectively communicated the whole image of transformation as the story progressed, clearly delivered delicate emotional messages, and contained symbolism relating to particular places and situations.

• 복식
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• 제51권3호
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• pp.111-127
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• 2001

This study aims to apply the formative aesthetic of human body to the form of clothing. For this purpose I try to find the various methods of analysis used in the work of sculpture. The method of inference and the checklists of design are used to relate the sculpture with the clothing design specifically. This methodology intends to regard human body as an artistic form and use the image of sculpture to the maximum. Especially I try to derive the motives of design and recreate them in clothing design emphasizing silhouette. On this methodology, following results were developed. First, the observations on the formative characteristic of human body show that the transformed form of human body expresses more perfect image of human body than the original form. The power of simplicity heightens the total beauty of the work. Second, the image of human body expressed in simplicity heightens the total beauty of the work. Second, the image of human body expressed in simplicity and exaggeration can be variously recreated in a silhouette with the formative and cubic effect, simplicity, and activity. Third, the elegant and static image found in the analysis and synthesis of human body can be used as a motive of clothing design and the changed details lead to the transformation of silhouette. Fourth, in developing designs by the item of checklists, one motive can be variously recreated according to the methods of designs.

• BMB Reports
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• 제33권5호
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• pp.379-384
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• 2000

The native conformation of serpins (serine protease inhibitors) is strained. Upon cleavage of the reactive center loop of serpins by a protease, the amino terminal portion of the cleaved loop is inserted into the central ${\beta}-sheet$, A sheet, as the fourth strand, with the concomitant release of the native strain. We questioned the role of protease in this conformational switch from the strained native form into a stable relaxed state. Chemical cleavage of the reactive center loop of ${\alpha}_1-antitrypsin$, a prototype serpin, using hydroxylamine dramatically increased the stability of the serpin. A circular dichroism spectrum and peptide binding study suggests that the amino terminal portion of the reactive center loop is inserted into the A sheet in the chemically-cleaved ${\alpha}_1-antitrypsin$, as in the enzymatically-cleaved molecule. These results indicate that the structural transformation of a serpin molecule does not require interaction with a protease. The results suggest that the serpin conformational switch that occurred during the complex formation with a target protease is induced by the cleavage of the reactive center loop per se.

• 복식
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• 제66권5호
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• pp.16-32
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• 2016

This study examines music visualization characteristics appearing in Giorgio Armani's S/S 2000 Collection and Genny's F/W 2000 Collection, which elicited and reinterpreted the characteristics through an analysis of Kandinsky's paintings. Study results are as follows. First, music visualization characteristics were extracted through an analysis of Kandinsky's works to examine music visualization that appears in contemporary fashion. Further analysis of Kandinsky's works were done in regards to music visualization (Impression, Improvisation, and Composition), and music visualization characteristics were categorized into 'spatial element', 'mobility', and 'overlap'. Second, the analysis of contemporary fashion with a spatial component showed that space was often clothed through color contrasts that highlighted concise and playful effects. Emphasis on line and three-dimensional effects were shown by overlapping lines and costume pleats with exposure expressed by semiotic forms and fabric character4istics. Third, the analysis of clothes that express mobility shows that they commonly express mobility through free color arrangements and a shading of colors with playfulness. The effects of emphasis, uniformity, and exposure were shown through the gloss and transformation of fabric that emphasized fabric characteristics; in addition, the effect of simplicity, three-dimensionality, and uniformity were expressed by adopting the forms of geometric shapes. Fourth, the analysis of clothes that manifest the overlap showed a predominant overlapping of colors and fabric. The esthetic effects of playfulness and exposure were emphasized through colors, shapes, and lines.

• 한국의류산업학회지
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• 제16권1호
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• pp.1-12
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• 2014

Leggings are recognized as unique fashion items that meet the needs of customers to express individuality due to their protective and thermal functions. They are highly practical fashion items that show a casual, street and sportive style with a noted influence on outdoor leisure fields. This study analyzes the sociocultural background for the spread of leggings as well as their design characteristics, coordination characteristics and authentic characteristics. The formative characteristics of modern legging designs are as follows. First, the shapes of modern leggings are ankle-length, calflength, above-knee, knee-length, stirrup and top of the foot-length. Leggings are transformed in many ways: length-expansion, side-slit, unbalanced length, variations of straps, cut-out, trimmings, pattern transformation and complex form. Second, modern leggings contain achromatic colors in modern and sensual image, vivid colors in sportive image and metallic colors futuristic and technical image. Third, leggings patterns value originality, uniqueness and rarity as shown by printed geometric patterns, hand crafted geometric and natural patterns, and abstract patterns expressed through various materials and themes. Fourth, modern leggings' textures are categorized into erotic, simply-functional, seasonless, glossy, and metallic. Functional and fashionable leggings reflect the psychological needs of modern society. This study suggests a direction for the development of legging designs and provides a theoretical database for higher value-added leggings business.

• 한국실내디자인학회논문집
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• 제23권3호
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• pp.144-152
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• 2014

This study evaluated how folly is experimented in the contemporary architecture after 30 years when Bernard Tchumi first introduced it to the public by the modern transformation as a garden ornament. First, folly project has been carried out based on the general concept of energizing dwindling cities. However, it has changed to the direction of adding specific programs. Also, along urban regeneration that does not change deterioration of previous structures, Folly changed in the emphasis on readjust existing structure. Second, by having different designers presenting their own follies during the Osaka Expo, folly now has part on visual exhibition element. This has similarity with public art project, yet it could more actively intervene for urban regeneration compared to conventional environment sculpture. Third, folly is experimented as the event-installation art combined form of architecture and art where people could experience the space and enjoy art. Fourth, folly enabled the landscaping of architecture and expanding city planning. Recently Gwangju Folly invited various arts, social, and cultural professionals to converge city design with architecture, landscaping, and other diverse genres.

• 한국의상디자인학회지
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• 제20권3호
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• pp.99-113
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• 2018

In this study, the reality of international Gothic style was examined through the representative art of the period, such as paintings, architecture and tapestries. In particular zones of the body were examined by applying Harold Koda's methods of discussing extreme beauty to study the phenomena and characteristics of extremes in late Gothic costumes. This arrived at the following conclusions concerning the phenomena and characteristics of the extreme appearing in the late Gothic costumes. First, a mechanism of body transformation to reach the ideal and desired form of a human. Second, the complicated and various extremeness of the whole human body. Third, the reflection of 'elaborate and secular excess, decorative taste of international Gothic style. Fourth, a early advanced case of the Trickle-down fashion and international sensation. Fifth, the aesthetic insight into 'ugliness', ever pursued in 'extreme beauty'. The researcher expects that the results of this study will contribute to the preparation to renew the significance of, and to restore the status of the late Gothic costumes, in terms of costume history, that has been considered as an age of the bizarre tastes.

• 한국주거학회논문집
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• 제15권5호
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• pp.85-96
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• 2004

The purpose of this study was to (md out the characteristics of the residential house in Ulleung Island in terms of building materials, structure and construction method, structural design by actual field surveys. This study found several facts; First, the house was classified into the log house and mud-wall house according to building material for wall structure. The log house prevailed in the early days of the settlement in the island because of affulent timber materials available around. However, the mud wall house became a popular type in later days because of the depletion of timber materials. Second, the Udeki wall was an unique installation reflecting the severe climate conditions of Ulleung Island. However, many aspects of the Udeki wall was changed according to the change of living style and the introduction of modem heating systems in terms of its function, size, building material, layout position etc. Third, the roofing material also has been changed from materials available locally to slate materials transported from the mainland. Fourth, the bamboo slender-ribbed door as a single-swing door type was popular and later time the single-sliding door or three ribbed door was widely used in rooms installed later instead. Fifth, the roof was placed over the room, kitchen, and Chukdam (outer wall) and this was a resonable way to cope with heavy snowfalls in the winter season in Ulleung Island.