• 제목/요약/키워드: Fashion coordination

검색결과 344건 처리시간 0.024초

하이패션의 스누드(Snood) 코디네이션에 나타난 이미지 (The Image Expressions of High-Fashion Snood Coordination)

  • 양아랑;이효진
    • 복식문화연구
    • /
    • 제18권6호
    • /
    • pp.1153-1164
    • /
    • 2010
  • The objective of this study is to analyze the coordination images seen in comprehensive fashion items and their features. This will be done from the viewpoint of both the creativity as well as functional characteristics of items and images. For the method of study, I explored the idea of "snood" style, analyzing its features of 42 pictures appearing from the 2006 S/S to 2010 F/W collection. It is important to note that "snood" style has the characteristics of both a muffler and turtleneck. With looping design connected at both ends, it can be placed around the neck or head, creating the image of wearing a hood. After having examined the selected data and pictures, one can largely divide the exclusive high-fashion image categories into three types: feminine, avant-garde, and finally, active & functional sportive image. First, the orthodox image is widely accepted by most as it has forever evolved within the original tradition of the practically functional muffler(scarf). Second, since the metamorphic image tends to lend itself to free ideas, you can wear a snood around the shoulders like a collar. Worn together with the same type of clothing, the snood can be seen as an effective suit. Third, the aim of image emphasis is to highlight certain points, or make some features more noticeable, as a means of possibly attracting more interest and attention. The image of snood arises out of the use of shapes, colors, and other accessory parts. As mentioned earlier, snood stands out as an independent item instead of just being an accessory to clothing. Its primary function as a style coordinator is emphasized in order to create more distinctive fashion images. Through this study, I thereby intend to provide fashion style data on the latest trends, and high-fashion codes of snood coordination.

현대패션에 나타난 너드시크룩 (A Study on Nerd-chic Look in Modern Fashion)

  • 이진민;이정호
    • 한국의류학회지
    • /
    • 제42권1호
    • /
    • pp.58-73
    • /
    • 2018
  • This study examines the socio-cultural background of a Nerd-chic look, establishes a conceptual foundation for Nerd-chic look and examines its aesthetic characteristics in order to understand the latest modern fashion phenomenon. Nerd-chic look is a combination of 'nerd' as a popular collective style and 'chic', which refers to the aesthetic value of a costume style. It is a look that is expressed in fashion that reflects the contemporary aesthetic desires based on a nerd's external features and inner values. The aesthetic characteristics of the Nerd-chic look are as follows. First, the Nerd-chic look express the aesthetic characteristic of bricolage that transforms the familiar meaning of an outdated nerd style to 'chic' image by the rearrangement of the typical nerd style and retro fashion elements. Second, the Nerd-chic look express the aesthetic characteristic of supernormal, as a plain, restrained beauty based on the Normcore fashion mood, disassembly and recombination of ordinary items, fit-free styling, and asexual styling. Third, the Nerd-chic look expresses the aesthetic characteristics of deluxe poor, which rejects stereotypical and expensive luxury and presents a more contemporary and futuristic spirituality. It is expressed in oversized shapes that are not intended to fit the body and show incompatibility between fashion items or way of dressing.

슬래셔 영화에 나타난 사이코패스의 분장 코디네이션 연구 (A Study of Psychopaths' Make-up Coordination Expressed on the Slasher Films)

  • 장미숙
    • 한국의류산업학회지
    • /
    • 제10권3호
    • /
    • pp.399-406
    • /
    • 2008
  • The purpose of this paper is to show how psychopaths' psychological factors are expressed on the characters' visual styles in the make-up coordination of slasher films. Psychopath is an ordinary person who has suffered some terrible trauma (humiliation, the death of a loved one, rape, psychological abuse), and features a disorder that consists of multiple components ranging on the emotional, interpersonal, and behavioral spectrum. Slasher films are sub genre of horror films that psychopathy characters, namely, Leather Face, Michael Myers, Jason Voorhees, Kenny Hampson, Harry Warden, Freddy Kruger and Billy kill the unfamiliar victims by cruel weapons with mercilessly. Their aesthetic characteristics of make-up coordination were shown in concealment, cruelty and suggestion. The concealment was presented by killers' masks, the cruelty was represented by their weapons, and the suggestion, especially space-time and status was depicted by their garments.

대학생의 패션 유능감이 사회불안에 미치는 영향: 대인관계능력과 외모 불안의 매개효과를 중심으로 (The Effects of Fashion Competence on Social Anxiety in College Students: Focusing on the Mediating Effects of Interpersonal Skills and Appearance Anxiety)

  • 이애우;이윤정
    • 한국가정과교육학회지
    • /
    • 제35권4호
    • /
    • pp.99-115
    • /
    • 2023
  • 본 연구는 대학생의 패션 유능감이 사회불안에 미치는 영향을 대인관계능력과 외모 불안의 매개효과를 중심으로 알아보는 것을 목적으로 하였다. 이를 위해 온라인 커뮤니티를 통해 235명의 대학생에 설문조사를 실시하였으며, SPSS 26.0을 사용하여 데이터를 분석하였다. 요인분석 결과 패션 유능감의 하위 요인으로는 패션 관여도, 패션 혁신성, 패션 코디 자신감이 나타났으며, 회귀분석을 통하여 매개모형을 분석한 결과, 패션 관여도는 대인관계능력을 통해 사회불안을 간접적으로 낮추는 반면, 외모 불안의 매개효과는 없었다. 패션 혁신성은 외모 불안을 통해 사회불안에 간접 영향을 미치지만 대인관계능력의 매개효과는 없었다. 패션 코디 자신감은 대인관계능력과 외모 불안 모두를 통해 사회불안에 간접적 영향 미쳤으며, 직접 효과도 유의하였다. 이 연구는 패션 유능감이 사회불안에 대해 양면적인 영향을 미칠 수 있음을 확인하였으며, 대학생들의 사회불안 해결을 위해 패션 테라피 프로그램을 통해 패션 코디 자신감을 증진시키는 것이 유용할 수 있음을 제안하였다. 그러나 이러한 프로그램에서 패션 혁신성의 과도한 추구는 외모 불안을 증가시킬 수 있으므로 지양하여야 하며, 자신의 외모에 대한 자신감 증진에 초점을 맞춰야 할 것이다.

토털 이미지에 관한 연구 - 매너를 중심으로 - (A Study on Total Image - Focus on Manner -)

  • 황진희;이해영
    • 한국생활과학회지
    • /
    • 제12권3호
    • /
    • pp.391-402
    • /
    • 2003
  • Total image consists of body analysis, fashion coordination, and manners. This stydt will be utilized to develop a clinic program using the concept of total image, with a focus on manners, which is important in the modem age. The manners was examined m the following categories; the importance of manners, level of manners, he order of manners sents felt important, and contents of manners the subjects deemed necessary. The research was conducted using 400 male and female college students living In the Daejeon area. The data were processed statistically using the SPSS package, and administered the frequency and percentages, andthe $x^2-test$. Results are as follows. Both male and female students acknowledged manners as a significant factor in forming the total image, and they possessed a medium level of manners. College students felt the importance of manners in the following order: everyday life manners, facing manners, telephone manners, and fashion coordination manners. There was a difference between male and female students in the contents of manners. Whereas manners the subjects deemed necessary for male students were facing manners(name use, introduction, handshaking, card exchange), everyday life manners(drinking, moking), those for female students were telephone manners, facing manners(greeting, expression), everyday life manners(individual life, eating, visiting), fashion coordination manners(special occasions, interviews. invitations, MT).

  • PDF

여대생의 메이크업행동에 관한 연구 (A Study on the Behavior of women Student in the University about Make-up)

  • 이난희;이상은
    • 한국의상디자인학회지
    • /
    • 제7권2호
    • /
    • pp.87-99
    • /
    • 2005
  • This study is to examine the modern women's awareness make-up in psychological standpoint based upon the survey of $20\~30$ years old women's consciousness of the motivation, the attention, the psychological utility, the attitude for make-up, the action behavior and the coordination with clothes. Modern women show a keen interest in make-up in company with the diversity of a fashion. This means the tendency which the intention for change and the expression of oneself are emphasizing on. The motivations of make-up are women's attention to other people and notice of evaluation of others and social meaning of make-up in relation with one's interest in appearances. Also, total coordination is concerned as another motivation. Make-up became the practical use and usual doings for women with the diversity of the information of make-up & the increase of cosmetics. Since there were so many women responded that they start to make up in their teens, we recognized that the women's sense of values has changed with the change of modern society.

  • PDF

컴퓨터를 이용한 패션 코디 시스템 연구 (A Study of fashion coordination system by computer)

  • 김효숙;강인애;최창석
    • 한국감성과학회:학술대회논문집
    • /
    • 한국감성과학회 2001년도 춘계학술대회 논문집
    • /
    • pp.286-292
    • /
    • 2001
  • 본 연구의 목적은 컴퓨터 그래픽과 웹 애니매이션 프로그램을 이용하여 효과적인 패션 켜디 시스템을 개발하는데 있다. 오늘날 인터넷 패션 쇼핑몰은 마케팅의 한 수단으로서 커다란 주목을 받고 있다. 많은 옷들이 인터넷 쇼핑몰을 통하여 판매되고 있으며 더불어 매장의 디스플레이 역할을 담당하는 웹 사이트 디자인에 대한 관심도도 매우 높아지고 있다. 이러한 이유로 본 연구는 컴퓨터 그래픽 소프트웨어인 어도비사의 포토샵과 마크로 미디어사의 플래시 애니매이션을 이용하여 패션 코디 아이템을 제작하고 보다 시각적이고 효과적인 웹 이미지를 구축하려고 한다. 그 결과는 다음과 같다. 첫째, 매해 유행하는 의상의 데이터 베이스를 축적할 수 있으며 둘째, 디자인에 드는 많은 시간과 비용을 절감할 수 있고 또한 보다 쉽게 창작물의 변형과 제작이 가능하다. 셋째, 다양한 이미지 변형 기능으로 새로운 텍스타일의 개발이 용이하다. 넷째, 애니매이션과 동영상등의 멀티미디어 효과로 보다 시각적이고 흥미로운 이미지를 구축할 수 있다. 다섯째, 고객과의 보다 인터렉티브한 커뮤니케이션이 가능하다.

  • PDF

외모(外貌)에 있어서 가상(假想) 3D 패션 코디네이션에 대(對)한 질적(質的) 연구(硏究) (A Qualitative Study about Coordination system of 3D Virtual Model)

  • 신효정;김효숙;최창석
    • 패션비즈니스
    • /
    • 제7권2호
    • /
    • pp.143-155
    • /
    • 2003
  • The purpose of this study were to investigate 1) Values placed upon born hereditary appearance and a made up appearance, 2)examined for points of body and clothing and 3)discrepancy in opinions about Coordination system of 3D Virtual Model This study chose qualitative research approach in-depth interviews were from December 12, 2002, to February 20, 2003. The subjects of the study were 12 women aged in twenties 12 women aged over forty. The results of this study were as follows. 1. Women aged in their twenties defined appearance as follows. there are important a made up appearance, Appearance is looking at point of view from body shape to face, makeup, hair style, body image, cosmetic surgery, clothing and is looking at the whole point of view from hair to tiptoe. This seems to include attitude, personality, behavior, images, and feeling. 2. Regarding body image Women aged in their twenties prefer a slender figure. Women aged in their twenties exerts all possible efforts to have an attractive body through dress well. 3. Regarding body image Women aged in their twenties prefer coordinate to system of 3D virtual model.

판타지 영화의 캐릭터 분장 코디네이션에 나타난 포스트모던 특성 - Tim Burton 감독의 작품을 중심으로 - (Post-modern Characteristics Expressed on Characters' Make-up Coordination of Fantasy Movies - Focused on the works of Tim Burton -)

  • 장미숙
    • 한국의류산업학회지
    • /
    • 제11권2호
    • /
    • pp.219-230
    • /
    • 2009
  • The purpose of this paper is to study characters' make-up coordination that changes the narrative of the fantasy movies to a visual fantasy, especially it focuses on the post-modern features from the works of Tim Burton, a post-modernist. The contents of the study are, firstly, studying post-modernism that influenced the works of Tim Burton, secondly, researching (1988), (1989), (1990), (1992), (2003) and (2005) and their main characters' make-up design. Thirdly, analyzing the otherness and plural-code that are the post-modern characteristics expressed on characters' make-up coordination of fantasy movies. The otherness means the division of the middle and the surroundings and the rise of the outsiders. Fantasy characters that scares off human such as ghosts, aliens, apes, kidults, mutations, man-made men are in the middle. The plural-code takes the symbolic and pluralistic dimension in to the movie, mixes the sign system, and which natural and supernatural system cross over. In the movies, Beetle Juice who was both ghost and devil expresses life and death, Bat man, Cat woman, Penguin man expresses human and animal, and Edward means human and inhuman. Willy Wonka's makeup makes him look younger, but his grown-up-like clothes show doubleness. For that matter, make-up coordination is the mirror of reflection of period and human being's inner life.

스트리트 패션에 나타난 Matchless Style분석 - 캐주얼 및 여성복을 중심으로- (Analysis of 'Matchless' Style in Street Fashion -Focus on Casual and Women's Wear-)

  • 이미연
    • 복식
    • /
    • 제55권7호
    • /
    • pp.76-88
    • /
    • 2005
  • The aim of this study is to define the concept of the matchless, and its social and cultural origins. I shall also define the different types of Matchless style, the respective characteristics of each style, and the distinguishing features of this style in domestic street fashion. In order to do this, 1 have referred to several published studies and a number of Web-sites of Korean fashion information companies for my research. The results of this study are the following; 1. The concept of matchless is a positive way of self-expression by coordination, created by consumers who attach great importance to their image and to developing their individual style. Also, this concept constitutes a new approach to code which reanalyzes existing styles with a new sensitivity. 2. The social & cultural origins of matchless are the expansion of fear of war and terror, and economic depression, the extension of the 5-day workweek, interest in 'Well-being', and the phenomena of cultural diversity. 3. The types of Matchless are Style Matchless, Theme Matchless, Texture Matchless, Season Matchless, and Complex-Layered Matchless. 4. The distinguishing features of Matchless in street fashion are the distinction of formal & Casual wear's Matchless, the creation of a new Look in Sports & Casual wear's Matchless, the development of a new coordinated, layered look, the immense popularity of Denim, the new fashionable versions of Military style, and the renaissance of the Romantic Feminine Look.