• KSII Transactions on Internet and Information Systems (TIIS)
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• 제18권2호
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• pp.311-326
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• 2024

The rapid development of neural network technology promotes the neural network model driven by big data to overcome the texture effect of complex objects. Due to the limitations in complex scenes, it is necessary to establish custom template matching and apply it to the research of many fields of computational vision technology. The dependence on high-quality small label sample database data is not very strong, and the machine learning system of deep feature connection to complete the task of texture effect inference and speculation is relatively poor. The style transfer algorithm based on neural network collects and preserves the data of patterns, extracts and modernizes their features. Through the algorithm model, it is easier to present the texture color of patterns and display them digitally. In this paper, according to the texture effect reasoning of custom template matching, the 3D visualization of the target is transformed into a 3D model. The high similarity between the scene to be inferred and the user-defined template is calculated by the user-defined template of the multi-dimensional external feature label. The convolutional neural network is adopted to optimize the external area of the object to improve the sampling quality and computational performance of the sample pyramid structure. The results indicate that the proposed algorithm can accurately capture the significant target, achieve more ablation noise, and improve the visualization results. The proposed deep convolutional neural network optimization algorithm has good rapidity, data accuracy and robustness. The proposed algorithm can adapt to the calculation of more task scenes, display the redundant vision-related information of image conversion, enhance the powerful computing power, and further improve the computational efficiency and accuracy of convolutional networks, which has a high research significance for the study of image information conversion.

• 동양고전연구
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• 제55호
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• pp.223-264
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• 2014

연천 홍석주(淵泉 洪奭周: 1774-1842)는 정조의 문체반정 정책에 충실한 수행자의 역할을 한 사람이었다. 그는 1794년 이래 초계문신으로 정조를 가까이 대하면서 그 영향을 받았다. 뿐만 아니라 그는 정조 사후(1800) 이래 비교적 순탄한 사환기(仕宦期, 1795-1836)를 가지면서 자신의 독자적인 학문관을 정립했던 인물로 평가된다. 홍석주는 성리학적 문학론의 핵심개념인 '도본문말(道本文末)' 사상에 바탕을 둔 '문이재도(文以載道)'의 이론을 벗어나지 않는 범주에서, 문(文)과 시(詩)의 기능을 명교(明敎)와 감인(感人)으로 구분한다. 문의 방면으로는 교훈적 대사회적인 기능을, 시의 방면에서는 성정과 천기를 중시하는 감성적 이해에 주목하였다. 홍석주는 세교설(世敎說)에 입각하여 도덕적 감발과 그를 통한 사회적 교화를 예술 창작의 핵심에 놓고 있다. 뿐만 아니라, 그의 예술작품의 중요 요소로 언급되고 있는 '흥관군원(興觀群怨)'이나 '여항구요(閭巷謳謠)'와 같은 표현은 예술행위에 있어서의 객관적 대상의 실재를 중시하고 그 실상과 부합되는 묘사를 요구하는 태도에 연결되는데 이러한 표현방식은 마치 회화에 있어서 그가 풍속화적(風俗畵的)인 특성을 지향하고 있었던 것은 아닌가 하는 의미망으로도 추정된다. 반면 정약용은 성리학적 문이재도론의 입장에서 주희의 '시경론'을 비판하는 데로 나아간 것이 특징이다. 그는 "시경"의 시편과 일반시의 정치사회적 기능을 부각시키고 있으며, 주희의 시에 관한 담론을 자신의 견해에 의하여 재해석한다. 작자(作者)가 정치적, 사회적 비판을 행한 것이 국풍의 시라는 것이다. 정약용의 국풍론은 사회정치적 맥락 속에서 사대부 계층의 실천적 역할을 강조하는 정약용의 사상을 여실하게 드러내고 있다.

• 산경연구논집
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• 제1권1호
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• pp.5-12
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• 2010

The retail business of drugstore was introduced to Korea for the first time 10 years ago. Since Olive Young introduced a retail store in the name of drugstore in 1999 for the first time in Korea, new distribution channel combining drugstore, cosmetic products and dairy products, etc has been made. At initial stage, the new distribution channel grew up slowly because of low specialty and economic stagnation. However, the three big distribution channels, that is to say, Olive Young (CJ), Watsons (GS) and W Store (Kolon Well Care), etc, were established to produce new distribution system following large-scaled discount stores as well as convenience stores. The purpose of the study is to investigate ways making Korean style drugstore be new retail business in addition to traditional markets, department stores, E-Mart and other general super markets and to examine problems preventing the drugstore from being promoted and to find out solutions. The speciality retailers that is called a category killer attacking department stores as well as marts is expanding market quickly. New consumption trend that gives priority to wellbeing is being expanded in accordance with high level of standards of living life: The drugstore is thought to be new alternative of distribution because it keeps special products. Young ladies who are main customers of drugstores respond to the trend sensitively to have more buying power that is thought to be promising. And, consumers' desire has become concrete and special. This is because consumers want not only convenient shopping but also special shopping system that is current trend. These days, so called Multi-shop and Total shop and other special shops have been recently opened. Special multi-shop has been concentrated on fashion product and miscellaneous goods so far: Health total wellbeing shop shall be popular in accordance with wellbeing trends. Drugstores can play an important role. Drugstores were opened for the first time ten years ago. In particular, Olive Young succeeded in going into the black after making efforts for a long time by many persons. Drugstores could succeed in the business owing to many persons in the past as well as customers who liked drugstores. However, drugstores once lost ways and recorded poor business results. The three drugstores, that is to say, Olive Young, Watsons making efforts to go into the black and W-Store pursuing traditional drugstore shall compete each other and make effort to satisfy customers' desire. In that way, the three drugstores can be assured of present business as well as future business. The consumers' demand trend has become special at sub-division so that drugstores that can satisfy the demand can succeed in the business. Large businesses may be more interested in the 4th generation retail business to produce good income and to have bright future. Drugstore business and market are likely to expand and develop owing to large business' participation in drugstore business. Drugstores expanded shop at Seoul and Gyeonggi-do until middle of 2000. Drugstore business at station sphere in Seoul and Gyeonggi-do that have high ratio of temporary population has low customer loyalty to have limitation on continuous growth. Since 2009, drugstores have opened new shops at local towns: From the year of 2010, drugstores need to establish multiple shop strategy by accelerating business speed and to allow customers to drop in the shop anywhere in the nation and to enter consumers' life deeply, so that they can strengthen business base definitely. Drugstores need to have price competitiveness to have multiple shop opening strategy and to satisfy consumers and to supply high quality services that is future subject to solve. And, Olive Young and Watsons that are Korean style drugstore need to keep system in order and to strengthen substance as Korean style drugstore and to expand marketing, so that they can get business outcome within 5 years that was done 10 years before and they become the 4th generation retail business. The study had difficulties at collecting material from the three drugstore because of poor cooperation. And, the author had great difficulty at collecting statistical material that was made in disorder. Further effort is needed considering such problems.

• 한국응용과학기술학회지
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• 제37권5호
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• pp.1208-1221
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• 2020

본 연구는 데이터 마이닝 기반 의사결정 나무 분석을 적용해 Z세대 스포츠 소비 스타일을 탐색하여 Z세대가 주도할 스포츠 소비 시장을 예측하기 위한 기초자료를 제공하고자 했다. 따라서 Z세대 중 만 19세 이상 남성 및 여성을 표본으로 선정해 본 조사를 실시했으며, 총 429명의 자료를 최종 분석에 사용했다. 자료처리는 SPSS statistics(ver. 21.0) 프로그램을 이용하여 빈도분석, 탐색적 요인분석, 재검사 신뢰도 및 신뢰도 분석, 의사결정 나무 분석을 실시했다. 본 연구의 주요 결과는 다음과 같다. 첫째, 합리 효율성 지수가 높고, 심미적 소비 지수가 낮을 경우 여성 집단으로 분류될 확률이 96.8%로 나타났다. 반면에 합리 효율성과 가격 지향 지수가 낮을 경우 남성 집단으로 분류될 확률이 100%로 나타났다. 둘째, 브랜드 지향, 가격 지향, 합리 효율성 지수가 높을 경우 수도권 집단으로 분류될 확률이 97.3%로 나타났다. 앞서 제시한 결과와는 상반적으로 브랜드 지향, 기념 의례, 지위 상징 지수가 낮을 경우 이외 지역 집단으로 분류될 확률이 82.1%로 나타났다. 셋째, 지위 상징, 유행 지향 지수가 높으며, 기능성 지수가 낮을 경우 일상생활 및 패션 집단으로 분류될 확률이 77.6%로 나타났다. 이와 반대로 지위 상징 지수가 낮고, 소속감 유지, 소비 향유 지수가 높을 경우 운동 및 경기 집단으로 분류될 확률이 81.0%로 나타났다.

• 한국가정과교육학회지
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• 제18권4호
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• pp.85-102
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• 2006

본 연구는 2005년 11월중에 전북지역 여자 중 고등학생 658명을 대상으로 설문지법에 의해 라이프스타일, 외모에 대한 태도와 의복태도와의 관련성을 알아보고, 이들 변인들의 영향력을 파악함으로써 청소년기 의생활 연구의 기초 자료를 제공하고자 하였다. 측정도구의 요인분석 결과, 라이프스타일은 디지털성향, 적극적 활동성 성취지향성, 가정지향성, 물질지향성 5개 요인이, 외모에 대한 태도는 외모에 대한 욕구, 외모에 대한 동조, 외모에 패한 가치의 3개 요인이, 의복태도는 유행추구, 성적매력성, 개성/자기표현, 심미성, 정숙성의 5개 요인이 선택되었다. 자료분석은 SPSS 11.5 for Windows Program을 사용하여 요인분석, Cronbach's alpha 신뢰도 계수, Pearson의 적률상관관계 분석, t-검증, 다중회귀분석을 실시하였다. 본 연구 결과, 첫째, 라이프스타일 변인 중 디지털성향과 적극적 활동성은 여고생이 여중생보다 높았고, 가정 지향성은 여중생이 여고생보다 높게 나타났다. 외모에 대한 태도와 의복태도는 정숙성을 제외한 모든 변인에서 여고생이 여중생보다 높게 나타나 유의적인 차이를 보였다. 둘째, Pearson의 적률상관관계를 사용하여 라이프스타일과 외모에 대한 태도, 의복대도의 관련성을 분석한 결과, 의복태도 변인 중 정숙성을 제외한 성적매력성, 유행추구, 개성/자기표현, 심미성은 외모에 대한 태도 변인과 라이프스타일의 가정지향성을 제외한 모든 변인과 정적관계를 나타내었다. 셋째, 의복태도에 대하여 라이프스타일과 외모에 대한 태도, 학교간 변인이 동시에 미치는 영향을 파악하기 위하여 단계적(stepwise) 방법에 의한 다중회귀분석을 실시하였으며 그 결과, 외모에 대한 동조와 욕구가 높고, 라이프스타일에서 가정지향성 성향이 낮으며 적극적 활동성과 디지털 성향이 높은 여고생이 의복태도 변인 중 유행을 추구하였고, 외모에 대한 욕구와 동조가 높고, 적극적 활동성과 물질지향성이 높은 여고생이 의복의 성적매력성을 중요시하였다. 외모에 대한 가치와 욕구가 높고, 적극적 활동성과 성취지향성이 높으며, 가정지향성이 낮은 여고생이 의복의 개성/자기표현을 중요시하였으며, 외모에 대한 가치와 욕구가 높고, 성취지향성과 적극적 활동성이 높으며 가정지향성이 낮은 여고생이 의복의 심미성에 관심이 높았다. 외모에 대한 가치와 욕구, 동조가 낮고, 물질지향성과 적극적 활동성이 낮으며 가정지향적인 여학생이 의복의 정숙성에 관심이 높았다. 결론적으로 중 고등학교 여학생의 라이프스타일, 외모에 대한 태도와 의복태도는 밀접한 관련이 있음을 알 수 있었다.

• 만화애니메이션 연구
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• 통권39호
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• pp.451-472
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• 2015

연환화(連環畵)는 중국 만화사 초기에 발생하여 회화와 서사가 결합한 중국의 독특한 문예 양식으로 발전하였다. 또한 중국 만화사에서 연환화와 만화는 한때 형식이 융합되는 경향도 있어 1920년대에는 만화 스타일로 창작된 연환화가 매우 유행하기도 했다. 이를 연쇄 만화라고도 부른다. 1950-1960년대에 중국 연환화는 독립적으로 발전해 고유한 형식적 특징을 나타내기에 이르며 기법적으로도 성숙한 '황금시기'를 맞았다. 이 시기 연환화 작품은 서사의 극적 표현, 보다 현실적인 인물 묘사를 보여주며 표현수법 및 예술양식 등은 매우 큰 발전을 거두었으며 작품의 예술적인 완성도가 크게 높아졌다. 허유즈(賀友直)의 "산향거변(山鄕巨變)"과 화싼촨(華三川)의 "백모녀(白毛女)"가 예술성과 완성도 면에서 손꼽히는 이 시기의 대표작이다. 제2장에서는 중국 연환화의 기원 및 발전에 대해 살펴보았는데, 이를 통해 중국 연환화가 매 시기 내용과 형식의 결합에서 새로운 성과를 거두었다는 사실을 알 수 있었다. 또한 중국 연환화의 발전 과정에서 1950-1960년대의 작품들이 예술성과 완성도 면에서 가장 큰 성과를 거두었다는 사실을 확인했다. 따라서 제3장에서는 중국 연환화의 '황금시기' 대표작인 "산향거변"과 "백모녀"의 구체적인 이미지를 다각적인 각도에서 분석함으로써 서사의 극적 표현, 현실적인 인물 묘사 등이 어떻게 구체적인 예술성을 획득했는지 보여주고자 했다. 분석은 인물의 성격 묘사, 화면 구도, 배경 및 기법의 활용, 연출 방식 등에 대해 중점적으로 이루어졌다. 이 두 작품을 연구한 목적은 구체적인 작품의 분석을 통해 훌륭한 연환화의 조건을 확인하고, 연환화의 회화 기법 및 연출 구도 등 예술적 성과가 중국의 초기 만화에 끼친 영향을 고찰하는 데 있다. 이 두 작품은 현실적인 삶의 모습을 담아내는 데 주력하며 내용을 전달하는 데 보다 효과적인 표현을 창조하고자 새로운 연출과 기법을 시도하였다는 의의를 지닌다. 또한 동양과 서양 회화의 미학적인 장점을 두루 흡수하여 작가 나름의 개성이 돋보이는 새로운 스타일을 완성하였다는 점에서 그 성과가 돋보인다. 두 작품은 표현 형식과 회화 기법에서 차이를 보이지만 모두 중국적인 삶의 짙은 정취와 '민간(民間)'의 분위기를 자아낸다는 공통점을 지닌다.

• 복식
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• 제37권
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• pp.253-273
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• 1998

The culture reflects the ideology of a particular period in time and such values change according to the needs and requests of that time which eventually becomes an important factorin forming the exterior. The clothing is part of a way that composes and expresses the inherent substance of society and culture. Also, the clothing itself manifests the artistic values and behavior of mankind as an external structure maintaining its place as a big part in culture. The purpose of this study are to elucidat the concept of naturalism, which is discussed in many facets in the modern era; I studied the concept as well as the history of naturalism in order to manifest the meaning of clothing in the context of culture and I explained the concept in terms of the modern era. On such ground, I explained the naturalism expressed through clothing and characterized the exter-nal form of clothing. Also, in order to know the stream of naturalism in the modern context, I referred to the Vogue magazine of the 90s, using Delong's ABC method. Naturalism, in the context of modern fashion is a way to express the nostalgia of nature's vi-ability and purity of ecology apart from the artificial and structural appearance that resulted form scientific enhancement and hence, the ecological crisis. Naturalism pursues the soft- ness and comfort of the natural silhouette, color and material of the human body and it can be said that naturalism emphasizes the mix-ture of three substances : human, nature and clothing. The naturalism can be characterized by the factors expressed in clothing as follows. First, the naturalism shown in the form it-self draws the beauty of the bodyline without any reduction nor exaggeration. Without any distorttion of the human bodyline it shown the curve as one moves along, using the soft material. Second, the naturalism shown in color most-ly uses the natural tone with added white color and other color low in intensity and value like the receded colors of the earth that could be compared to the beauty of ecru. Third, the naturalism shown in the material is thin, light and soft in texture. In order to bring out the most natural curve of the human body, the natural fiber becomes the main material, sometimes, using crude materials. Due to the lindustrial improvement, softness and elasticity is added to the natural fibers giving them an important role as materials. Fourth, the naturalism shown in textile depicts the real natural objects in life. According to my study, the personality of naturalism in modern clothing was shown to be most strong in material and then in the order of form, texture and textile. The material com-posed of the natural silhouette and natural fibers were used to make soft color. In form, Paul Poiret made appearance expressing the natural beauty of the human body without the corset ; it continued with the inner lining making the clothing hard but in the 90s, lining-less, extremely exposed clothes and knit wear is used to emphasize the natural beauty of the body. In color and textile, the tendency spok-en above is not as strong but in color, instead of high intensity or value, the usage of neutral colors with added white color or ecru color, ear-th tone is increasing. In textile, the usage of flowers as natural material is seen frequently. As a whole, naturalistic trend in the 90s is increasing and the modern fashion is breaking out from the artificial and architectural form and conforming to a form that can realize the natural beauty of the human body. And the natural color and textile that conforms to such ideas are being used to pursue the human oriented trend that has appeared due to the increase in usage of soft natural fiber. Nowadays, the idea of returning to nature, defying the artificiality, desiring the leisure and psychological abundance that can be explained as naturalistic way of thinking is necessitated in this modern era as long as humans coexist with nature, this tendency will continue in clothing.

• 한국의상디자인학회지
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• 제7권3호
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• pp.113-127
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• 2005

From the ancient times, incense was used for various usages including a means of beauty expression with flavor, a medicine for disease treatment and a device for religious event or ritual. The period of T'ang was the times when cultural and material exchanges with foreign countries were very actively made under the political openness of the Chinese nation. Here the exchanges were made mainly through inland trade, called Silk Road(絲綢之路) and marine trade routes, Incense Road(香料之路). This indicates that incense was one of the main items actively traded at that time. In addition, literatures of the T'ang period show that in the Chinese nation, a wide range of classes from the imperial family to the public used incense for many different purposes. This suggests that the culture of incense was deeply prevailed and very socially significant in T'ang. This study investigated social factors that promoted the incense culture of T'ang and the applications and types of incense widely used in the period of T'ang. First, influential religions and the openness of sex culture were main social factors that made incense culture flourish in the period of T'ang. Above all, two main religions of the Chinese nation, Buddhism and Taoism became secularized under political protection by the imperial family. As Buddhism was popularized, the Buddhist ritual of incense burning made a contribution to making public incense culture. Providing its doctrines of eternal youth and eternal life, Taoism necessarily used incense to form a Taoistic climate. The flourishment of the foresaid religion in T'ang added more fuel to that of incense culture in the Chinese nation. The openness of sex culture brought about the Inauguration of the empress, improvement in female position and free relationships between man and woman. It was accelerated by sexology as a method of eternal youth provided by Taoism. The opened culture also developed the culture of kibang where female entertainers called kinyeo consumed lots of incense for decoration and sexual desire stimulation. These open climates of T'ang society made a great contribution to making incense culture, especially for decoration, prevailed throughout the Chinese nation. Second, types of incense prevailed and widely used in the period of T'ang included olive incense, germander(廣藿香), olibnum(乳香), myrrh Resinoid(沒藥), jia Xiang(甲香), clove(丁香) and Shen xian(沈香), all of which were imported from foreign nations and had various applications. Specifically, olive incense, germander(廣藿香), olibnum(乳香) and myrrh Resinoid(沒藥) were used for religious purposes while, jia Xiang(甲香), clove(丁香) and Shen xian(沈香) for the purposes of religion and decoration. In conclusion, a number of social factors including political, religious and medical purposes and the openness of sex culture set fundamentals on which the culture of incense was extensively developed and established as a social trend in T'ang. In the Chinese nation, incense culture was not just an option for taste, but a part of life style social members needed to know. People of T'ang not only enjoyed incense mainly for purposes of religion, pleasure and make-up, but also had the wisdom to know various effects of incense, curiosity about such new things and the will to imitate and pursue alien culture, resultantly flourishing incense culture. Thus the culture of incense represented many social aspects of T'ang.

• 한국의류학회지
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• 제30권3호
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• pp.458-469
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• 2006

복식문화교류의 사례분석을 통해 교류가 복식변화의 한 요인임을 밝히고, 나아가 현재와 미래의 복식 변화에 대한 이해를 돕고자 하는 목적을 가지고 본 연구에서는 정치적 요인에 의한 교류를 중심으로 사례분석 하였다. 복식문화교류를 분석할 수 있는 이론을 제시하기 위해 문화교류, 복식문화에 대해 고찰하고, 이를 근거로 전파, 선택, 재해석의 세 단계로 구성된 복식문화교류 과정의 모델을 제시하였다. 제시한 복식문화교류 과정 모델에 근거해 정치적 요인에 의한 복식문화교류 사례 4가지를 분석하였다. 복식이 기호로 표현 가능하다는 것을 정치적으로 이용한 교류는 강제적이거나 반강제적인 경우가 대부분이었다. 침략자들은 자신들의 우위성을 강조하기 위해 자국의 복식을 피전파지에 강제 수용시켰다. 단순한 물질로서의 복식을 이입시킨 것이 아니라 자신들의 가치관과 삶의 방식을 이입시키고자 한 것이다. 결과를 통해 얻을 수 있는 결론은 교류가 복식문화를 변화시키는 중요한 원동력이라는 것이다. 모든 교류가 전파와 수용 방식에 크게 영향 받지 않고 융합이라는 수용의 결과를 얻었으며, 융합은 기존의 복식과 외래의 복식이 서로 건설적인 방향으로 혼합되어 새로운 복식문화를 만들어 나아갔다.

• 복식
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• 제62권5호
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• pp.125-137
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• 2012

This study examines the stage costumes of the creative musical 'Hyecho', which was performed six times in the Chung Ang Art Center hosted by Chung-Ang University's performance & media agency from December 20 to 22 in 2006. The stage costumes were made based on these basic design elements of stage costumes that were dyed : line, silhouette, material, and color. First, the creative musical 'Hyecho' presents a new form of fusion theatre, which blends Korean traditional music and dance with videos. Thereby, the musical has opened a new phase in Korea's creative performing arts. Second, in musical performances that combines dance and songs, stage costumes should be made not only to attract the audience's eyes, but also not to interrupt actors' vocalizations and movements by taking their physical features into account. Also, costumes should be made in consideration of their relationships with visual elements, including stage settings and lighting. Third, the musical features fusion-style stage costumes, which combines Hanbok, the Korean traditional costume, and Indian traditional costumes with modern costumes. For the line and silhouette, costumes show the beauty of curves through the curves of Hanbok and India's traditional costumes and also through irregular pleats of pants. Also, by using cotton materials, which is easy to dye and not readily deformed, costumes feature colors that are found in nature through a gradation dyeing technique. In doing so, it offers visual amusement to the audience by making stage costumes look like a beautiful painting. Fourth, the stage costumes of the chorus feature costumes that use lining and pleated skirts using belts, and various accessories, including necklaces that use strings in order to express evil spirits. Since there is not much time to change costumes during a performance, using such items are helpful to show the unique characteristics of actors effectively during the limited time. Also, coordinating with the lighting director allows the costume designer to make better costumes for the chorus and make the performance more dramatic. Finally, it was not necessary to wash the costumes of the chorus of the fusion musical Hyecho 2006 since it was performed only six times. However, when using dyed costumes for the long-term performance, it might cause problems such as bleaching that result from the washing of costumes and low durability that can result in the deformation of costumes. As performing arts are made in various forms and are diversified, it is needed for stage costumes to change accordingly through new attempts and various ways of expression.