• 한국정밀공학회지
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• 제28권12호
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• pp.1419-1424
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• 2011

Nanoimprint lithography is a next generation lithography technology, which enables to fabricate nano to micron-scale patterns through simple and low cost process. Nanoimprint lithography has been applied in various industry fields such as light emitting diodes, solar cells and display. Functional patterns, including anti-reflection moth-eye pattern, photonic crystal pattern, fabricated by nanoimprint lithography are used to improve overall efficiency of devices in that fields. For these reasons, in this study, sub-micron-scaled functional patterns were directly fabricated on Si and glass substrates by thermal imprinting process using ZnO nano-particles dispersion resin. Through the thermal imprinting process, arrays of sub-micron-scaled pillar and hole patterns were successfully fabricated on the Si and glass substrates. And then, the topography, components and optical property of the imprinted ZnO nano-particles/resin patterns are characterized by Scanning Electron Microscope, Energy-dispersive X-ray spectroscopy and UV-vis spectrometer, respectively.

• International Journal of Advanced Culture Technology
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• 제10권4호
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• pp.478-486
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• 2022

Holography is a human-friendly technology that can express 3D stereoscopic information without eye fatigue. You can experience the mysterious features of light directly and indirectly, and you can also experience the principles of 3D imaging, which makes it a very good curriculum. As such, although holography is very effective in teaching students optics and 3D imaging technology, it has not yet been systematically established. The reason is the cost burden such as expensive equipment and laboratories, and the lack of easily accessible educational equipment. We implemented a portable holographic recording system to solve this problem. In addition, since silver halides, which use harmful chemicals, are not used in the process of developing the recording medium, and photopolymers are used, it is possible to educate not only the general public but also young students. In order to improve the completeness of the recorded result, the mechanism part, light source, and recording medium part of the production system were newly constructed to complement all the existing problems. The proposed system will make holography easily accessible to many people in a variety of fields, not just education. Through the interesting experience of various features and principles of light and the production of holograms with high satisfaction, we hope to popularize them in various fields such as education.

• 한국건설안전학회 논문집
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• 제2권1호
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• pp.36-44
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• 2019

현 시대는 인공지능(AI), 사물 인터넷(Iot), 빅 데이터(Big Data), 모바일(Mobile) 등과 같은 기술을 토대로 한 Digital화 문명사회로써, 이와 더불어 레이더 분야 또한 탐지 범위가 날이 갈수록 장거리화 되어가고 있다. 사람은 가시거리가 최대 20Km 정도이고, 가청 주파수는 20~20000Hz이다. 이렇게 제한적인 인간의 한계를 초월한 거리를 보기 위한 것이 레이더이며, 이러한 레이더들은 모두 장비 특성상 허위 항적을 발생하고 이로 인한 탐지 오류의 과실을 범하게 된다. 레이더의 왜곡 현상은 "비임의 굴절, 회절, 반사성, 허위 항적"이라는 부정확한 정보를 제공하며 이와 함께 초래되는 인간(방공 관제사)의 판단력 저하와 인적 과실은 전투기 출격을 야기하는 등 엄청난 손실을 초래할 수 있다. 또한, 긴박한 상황이나 중요 표적을 추적 감시할 때 가짜 항적을 추적 한다면 실질적 목표 표적을 놓칠뿐 만 아니라 재 추적을 위한 시간 지연이 불가피하다. 보완 대책으로써, 서로 다른 위치와 각도에서의 레이더 포착 자료를 서로의 레이더 자료로 전송하여 합성하면 왜곡된 자료의 분석, 교정이 가능하고 허위 항적 발생 감소와 더불어 목표물 추적의 정확도 향상이 기대되기에 본 방안을 제시한다.

• 한국콘텐츠학회논문지
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• 제21권4호
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• pp.615-627
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• 2021

코로나19로 말미암아 언택트(Untact) 시대가 도래하였다. 코로나 바이러스의 위협 가운데서 대면이 힘들어 졌기 때문에 온라인이 발달할 수밖에 없다. 이런 시대 가운데 하나님께 드리는 예배조차도 온라인으로 드리게 되었다. 온라인에 가장 익숙한 세대인 청소년들은 온라인 예배에 쉽게 적응하는 모습을 보인다. 포스트 코로나 시대에도 온라인 청소년 예배는 계속될 것으로 전망된다. 그렇다면 과연 온라인 청소년 예배가 가능한지에 대한 신학적 성찰이 필요하다. 신학적 성찰을 통해 온라인 청소년 예배에 대한 신학적 정당성을 확인하고, 좀 더 나은, 좀 더 바른 온라인 예배가 될 수 있도록 노력해야 한다. 청소년들의 눈높이에 맞춘 온라인 예배, 청소년들의 영적인 필요를 채워주는 온라인 예배가 기획되고, 준비되고, 시행되어야 한다. 본 논문은 예배의 정의, 예배의 요소, 예배의 장, 예배의 역사를 살펴보면서 온라인 청소년 예배에 대한 신학적 정당성을 살펴보았다. 그리고 청소년기의 특성을 살펴보면서 온라인 청소년 예배가 왜 중요하고 필요한지를 제시하였다. 그다음 지금 각 교회에서 진행하고 있는 온라인 예배보다 더 발전되고 바른 온라인 청소년 예배를 기획하기 위해 온라인 청소년 예배의 목적과 내용, 방법에 대해 살펴보면서 온라인 청소년 예배의 실제를 제시하였다.

• 보건교육건강증진학회지
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• 제25권3호
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• pp.95-109
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• 2008

Objectives: The study was conducted to investigate visual display terminal(VDT) and related risk factors in office workers. Method: The study subjects were 539 officers at 3 places of business in Gwangju. The data were collected by self-administered questionnaire between October 12 and October 17, 2007. and they agreed to participate in this study. The tool was developed by Moon, Jaedong(1991) for VDT syndrome. Data analysis by using SPSS/win 10.0 was performed with descriptive statistics, t-test and ANOVA. Results: The summary of results is as follows: 1) The mean score of total VDT syndrome was $1.17{\pm}.65$ of full score 4.00, which was lower than other research. 2) For relation between general characteristics and total VDT, sex (t=-5.777, p=.000), age (F=3.516, p=.015), satisfaction of job (F=9.540, p=.000), self-awareness of health (F=25.015, p=.000) had statistically significant difference. 3) For relation between behavioral work factors and total VDT, break time of work(t=-5.363, p=.000), eye movement during computer work(t=2.176, p=.031), wrist exercise during(t=2.337, p=.020), distance between monitor and eyes(F=3.682, p=.012) had statistically significant difference. 3) For relation between environmental work factors and total VDT, height of chair(F=8.801, p=.000), space under desk(F=4.244, p=.015), reflection of monitor(t=2.697, p=.008) had statistically significant difference. Conclusion: To prevent and relieve VDT syndrome and musculoskeletal disorders in office workers, it is important to teach good posture and stretching exercise during work.

• 한국농촌건축학회논문집
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• 제18권3호
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• pp.1-8
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• 2016

Frank Lloyd Wright(1867-1959) had the confident concept that architecture should be at home in nature. His architecture was meant to bear an intimate relation to the earth and the sky, and should look as though it began there at the ground and contrasted with the sky. In handling all the details of house design elements, his efforts for being married to the ground was to conceive the void of the sky. This study is to research his thinking process and its development to the earth and the sky, and to analyze how such thought could reflect his houses. The mass of house are divided into three parts such as the foundation or base, body, and roof. These parts are respectively related to the earth and the sky. This study goes on regarding them as an analytical framework. The subjects of study are the Prairie houses in the early 20th century and the Usonian houses after 1930's. As results of this study, the earlier foundation as a platform appeared as a base and water table, and a strong baseline pressed the structures into the soil in the Prairie houses. The direct contact of wood and brick to ground were dominant details after Wiley house(1934). The base was almost invisible to the eye in the Usonian houses. Secondly, the pierlike shapes and delicate friezes of walls were anchored to the ground, and horizontal bands as trims or copings also got close to the earth. These characters had disappeared after the Allen house(1917), all components including exterior walls had been unified with the grid patterns in the Usonian houses. Thirdly, the overhanging cantilever roof had got to the earthbound by the reflection of shadow as well as their evident horizontal. He lowered the roof, lengthened and brought it closer to the ground. In this way, Frank Lloyd Wright intended his houses to be at home in nature. And also he tried to bind the houses to the earth and contrasted them with the sky. The houses would perform their highest function in relation to the earth and sky.

• 패션비즈니스
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• 제13권4호
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• pp.60-76
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• 2009

Expression of woman characters in fusion traditional dramas plays a role of making the progress of dramas not bigoted and new. Especially, woman characters have a high weight as a heroine by an increase in their image in fusion traditional dramas. Expression of characters harmonizing modern with tradition has also given a help in reflecting a trend of the present times. Hair style and face makeup of woman characters in fusion traditional dramas are in the process of fusionization getting an effect from postmodernism. They are expressing the hair style of symbolization modern elements of hair style to traditional hair styles. They also expressed a neutral image with faded hair styles in the shaggy cut style and dye of neoplaticism. Neo-hippie style was changed into the style of naturalism and nationalism and the hair style braided in various branches as the one of Indians was changed into a primitive and national feature. It is producing a new style by permitting even a long-hair permanent wave hair style. Expression of straight hair style, a long-hair shaggy & bulging wave style and a hair style of neoplaticism, was distinguished. In the side of face makeup, they expressed its luxurious and splendid style by attaching great importance to its luster and are exposing images of characters by a smoky makeup emphasizing eye lines. Their face makeup was almost never separated from present dramas as using pearl shadow in a glossy lips makeup and color, which made it possible to express it more dramatically in fusion traditional dramas than in present dramas. In the event of the makeup element of fusion traditional dramas permitting diversity, the character makeup of fusion traditional dramas made a foundation to show people diverse elements of makeup by mix & match a present elements and past elements of historical research, which made it possible to express a unique makeup or a special makeup. Diverse makeup expressions were limited by reflection of illumination even in the existing videos. Therefore, 'Fusion' made it possible to express it more freely in fusion traditional dramas than in present dramas.

• 한국광학회지
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• 제29권6호
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• pp.262-267
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• 2018

본 논문에서는 유기발광다이오드 디스플레이(OLED)의 광 효율을 향상시키기 위해 방사방지필름을 새롭게 디자인하였다. 현재 상용화되고 있는 편광판의 편광도와 투과율을 변화시켜 OLED 반사방지필름에 사용하였을 경우 정면과 측면방향의 반사특성을 계산하였다. 그 결과 편광도가 99.995%나 99.990%인 상용화된 편광판의 편광도를 99.9% 수준으로 떨어뜨릴 경우, 반사방지필름의 평균 시감반사율은 사람의 눈으로 알아차리기 힘든 약 0.1% (증가율 환산 2.5%) 상승한 반면, 투과율은 기존보다 약 1.63~3.34%(증가율 환산 4.2~8.2%) 상승하였다. 이 결과는 기존 OLED에서 저반사율을 유지하면서 광효율을 상승시킬 수 있는 광학설계 조건을 제시하였다.

• 영어영문학
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• 제55권4호
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• pp.567-596
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• 2009

A staple of feminist literary anthologies which was instrumental in reevaluating the writer Susan Glaspell, Trifles(1916) has received numerous comments from feminist scholars so far. Most of them tend to concentrate on the themes of female solidarity and justice challenging the androcentric system of law and order. Lacking in the plethora of thematic approaches to the play's feminist subject, however, are formal analyses considering the way in which the play's generic form assists in communicating such thematic concerns of feminism. An alternative to the typical scenario at the courtroom whose mistreatment of women must have loomed large to the young Glaspell as she revisited the old trial of a midwestern murderess which she had covered as a journalist for a local newspaper in Iowa, Trifles serves as a corrective to the courtroom dynamics offering a 'dramatic justice' as opposed to a strictly legal procedure. What this article discovers at the heart of this dramatic justice is the celebration of the unsayable, or what Wolfgang Iser termed negativity, of women's experience which has no room for reflection in the legal discourse at the courtroom tyrannized by the sayable and the evident. Examining how the dramatic form of Trifles gives a voice to the unsayable of woman's experience, which can not be properly represented at the courtroom governed by the straightforward and definitive male rhetoric, the article argues that the play is a better form than its fictional adaptation "A Jury of Her Peers"(1917) in that it syntactically suppresses the monopolizing operation of the verbal by giving precedence to the scenic and non-verbal which is constituted of setting, props, gesture and eye contacts. As a theoretical frame of reference with which to examine the modes of the unsayable in the play the article brings the concept of 'negativity,' defined by Iser as textual effects or modes of the unspeakable and unsaid, into the discussion of the taciturnity of the absent heroine and the non-verbal representation of drama.

• 한국항행학회논문지
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• 제27권6호
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• pp.865-870
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• 2023

본 논문은 LiDAR (light detection and ranging) 센서를 활용하여 블랙아이스를 검출하는 새로운 방법을 제안합니다. 센서는 작고 비용이 저렴하면서도 높은 정확성을 가진 거리 측정 센서로 온도와 경사각을 다르게 하여 아스팔트와 블랙아이스의 각도를 구별하는 데 사용됩니다. 이 센서의 거리 측정 오차율은 대략 ±1 cm로 블랙아이스와 아스팔트을 구별하는 데에는 일부 오차가 발생할 수 있습니다. 본 논문에서는 정확성을 높이기 위한 추가적인 연구와 개선이 필요함을 지적하며 이를 통해 더욱 정확한 블랙아이스 검출 방법을 제안합니다.