• 조명전기설비학회논문지
• /
• 제29권5호
• /
• pp.1-12
• /
• 2015

In this study, we derive an evaluation structure and 18 Valuation vocabulary for the media facade lighting conditions. In addition, this study deduced the applicable elements that could be applied in time of building nightscape lighting design using media facade by conducting affective evaluation. The research results are as follows: It was found that the image axis of "Dynamic, Colorful" showed the lighting change speed was fast with diverse application of lighting color, and its evaluation object applied by general emphasis, vertical emphasis, partial emphasis lighting method was highly assessed. In addition, it was found that "Luxurious, Unusual" axis showed lighting change speed was slow with the application of lighting color in warm hue series, and its evaluation object applied by line lighting, dot lighting, general emphasis lighting methods was highly assessed. Lastly, it was found that "Soft, Secure" image axis showed the lighting change speed was slow with the application of pastel tone lighting color, and the evaluation object applied by general emphasis lighting method was highly assessed.

• 한국생활과학회지
• /
• 제13권5호
• /
• pp.821-831
• /
• 2004

한국의 전통문화를 보존, 전승시키는데 도움을 주는 자료를 얻기 위하여 보물로 지정된 주택의 특성을 파악하는데, 본 연구의 목적이 있다. 연구내용은 전국에 보물로 지정된 11개 주택에 대하여 건립연대, 소재지, 외관특성(기단, 기둥, 지붕의 형태), 평면형태를 분석하는 것이다. 연구결과, 보물로 지정된 11개 주택은 모두 조선시대의 주택으로 경북에 9개(81.8%)가 위치하고 있었다. 외관특성으로 기단은 모두 석축기단이나 단 수는 1단부터 9단으로 다양하며, 기둥은 원주나 방주를 사용하고 있으며, 지붕은 팔작지붕(63.6%)이 많았다. 보물로 지정된 주택은 7개가 별당형식으로 지어진 사랑채이며, 4개는 사랑채가 몸체와 연결되어 있거나 아주 인접해 있었다. 사랑채 부분의 평면형태는 -자형이 10개(90.9%)이며, 1개만이 L자형이었다. 공간구성은 방과 대청이 기본적인 구성으로 부엌이 없는 것이 특징이었다.

• 한국실내디자인학회논문집
• /
• 제26호
• /
• pp.79-87
• /
• 2001

This study is focused on three major museum projects completed during 1990's by Richard Meier who is known as the romantic modernist as well as one of the architects who continue their devotion on completing the fourth dimensional spatial concept through the practice. Main focus of the study will be analyzing the space and design elements shown in the Museum of Contemporary Art (Barcelona, Spain, 1986-95), Museum of Television & Radio (Beverly Hills, CA., 1994-96) and the Getty Center(Los Angeles, CA., 1984-97), and find out the new meaning of museum design suggested by the architect. The analyzation was done based on the actual sight visits and through the acquired references. The museum designs done by Richard Meier show consistency between visual language, use of 'light, space and form' as the design elements to connect interior and exterior to create openness and harmony with surrounding condition. Additionally, greatness of the architectural elevation, efficient use of interconnecting space, adoption of natural light, affective use of the space, careful consideration to the exhibiting items, spread of information centers, balance between large and small exhibition spaces, and his concept on providing choices to the viewer within the museum are the main issues in designing the museum in order to give various spatial experience to the visitors.

• 한국실내디자인학회논문집
• /
• 제21권1호
• /
• pp.68-77
• /
• 2012

Appreciating the aspect of modem architecture requires not only the comprehension of the nature of design and architects' ways of thinking and expression but also observers' views on buildings and their perceptive/cognitive stages. This calls for an in-depth study on the "system of phenomenological perceptions" that works as a new architectural experience system. The system of phenomenological perceptions makes it possible to specify the individual process of understanding architecture, that is, hands-on experiences, participations, feelings, perceptions, and cognition. The value of user experience and cognition has been emphasized by philosophical and aesthetical concepts as well. Therefore, in order to better appreciate the modern architecture, this study suggests theoretical consideration to "orientation and event" that are crucial elements in understanding a phenomenological view and materializing actual space formation. This offers the cognitive system with which we analyze modem architecture and comprehensive expressional methods. In other words, this study contemplates the system of phenomenological perceptions from an existential spatial perspective by structurizing the system of the orientation and the event in order to segmentalize users' current locations, potential directions, the relations with spaces, continual vie'wpoints as well as buildings' functions and interior and exterior division. The system of phenomenological perceptions helps understand and systemize modern architecture through a system based on relations between sensation, perception, cognition, sensitivity, and rationality. This creates a new cognitive system employing the concept of the orientation and the event, which is different from a normal cognitive system basing on the sense of vision. When observers appreciate space, they tend to relate the space to a certain event and to remember their experiences in it. During the process, they draw borders of the space in which the event takes place and give shape to their experiences including actions, movements, cognition and sensation. The process leads to the formation of "placeness," and here, the concept of the orientation comes in as the location and the center of the placeness. This study proves that a determined orientation coupled with individual experience and events settles the place ness; detailed elements in the cognitive system have close relations with one another; the orientation, actions, events, and places are the factors that materialize observers' architectural experience.

• 대한건축학회논문집:계획계
• /
• 제35권11호
• /
• pp.89-100
• /
• 2019

In modern Korean architecture, some of school buildings have been referred to as Tudor Gothic style by its design elements. But, to be more exact in detail, they have to be interpreted as a Collegiate Gothic style that has occurred in the United States since the mid-19th century. Therefore, this study explains the progress of Collegiate Gothic style in the United States through the literature published since the 19th century, and examines the adoptation process of Korea. In addition, this thesis analyzes the characteristics of American Collegiate Gothic style and the elements of Collegiate Gothic style universally adopted in Korea, and then attempts a new interpretation on the representative Collegiate Gothic architecture in Korea. The results of this research are as follows. The Collegiate Gothic style in the United States caused by the change of educational environment in the 19th century was accepted for religious purposes by foreign architects such as Henry K. Murphy and W. Vories, and was also accepted by domestic architects who were directly influenced by Western architecture such as Park, Dong-jin. In addition, the accepted Collegiate Gothic style shows common features not only in the decoration of Tudor Gothic but also in the material and compositional aspects such as the quadrangle plans and the rock-faced exterior facades. From the point of view of the Collegiate Gothic style then in vogue at many schools and universities, further researches will be needed to interpret modern school architectures in Korea.

• 건축역사연구
• /
• 제23권6호
• /
• pp.7-20
• /
• 2014

The purpose of this paper is to study on the architecture and extension project for the Church of St. Lorenzo. This study is composed of a through analysis of the extension elements on the church building and extension type for extension project of the Church of St. Lorenzo. The results of study are as follows: 1. The extension project for the Church of St. Lorenzo was basically consisted of the concept of a horizontal extension plan through both the interior and exterior space of the church building. This project was the plan of concept of additional or affixing extension through existing spaces with necessary spaces to make up for the previous simple space and form as well as functional aspect. 2. The unit spaces of the nave, the aisle, the small chapels bilaterally adorning the aisles, the transept and the chapels around transepts, and the sacristies by the extension project for the Church of St. Lorenzo is composed of regulation, balance and harmony as geometric space composition according to simple proportion system on whole and parts as well as parts and parts, through the definite articulation by each space zoning. 3. The most important innovative aspect different to previous churches in the extension project for the Church of St. Lorenzo is the compositive system of each other symmetrical spaces through long centrical axis of central part, applying the module system for horizontal arrangement. In particular, the use of regular module on repetition and proportion of rhythm from architectural composition system was precisely composed with the alter that consists of visual focus to express more accurate perspective.

• 한국구조물진단유지관리공학회 논문집
• /
• 제25권4호
• /
• pp.1-11
• /
• 2021

본 연구에서는 코어 및 오프셋 아웃리거 구조의 수평거동을 파악할 목적으로 70층 규모의 초고층 아웃리거 건물을 대상으로 MIDAS-Gen을 이용하여 구조해석 및 구조설계를 실시하였다. 그리고 본 해석의 주요한 변수는 아웃리거의 강성과 아웃리거의 평면상 위치로 설정하였다. 또한 본 해석결과에 근거하여 코어 및 오프셋 아웃리거 구조의 슬래브, 아웃리거, 외곽 기둥과 같은 구조요소들의 수평거동을 분석하였다. 본 해석연구의 결과에서는 아웃리거의 강성과 아웃리거의 평면상 위치가 초고층 아웃리거 구조시스템의 수평거동에 어떤 영향을 주는지를 분석하여 나타내었다. 특히 코어 아웃리거 구조에서는 전단벽과 외곽기둥을 연결하는 아웃리거가 위치하는 슬래브에 응력이 크게 작용하였고, 오프셋 아웃리거 구조에서는 전단벽과 아웃리거 사이에 위치한 슬래브에 응력이 크게 작용하였다. 또한 본 연구결과는 초고층 아웃리거 구조시스템의 합리적인 구조설계에 필요한 공학 데이터를 얻는데 중요한 도움이 된다고 사료된다.

• 한국공간구조학회논문집
• /
• 제14권4호
• /
• pp.55-64
• /
• 2014

In this study, Intersecting Tensegrity System that is integrated solid compression members with tension members was presented. This system is set up by connecting upper and lower compression members of pyramid shape with exterior tension members. In this system, the solid compression members are intersected each other and connected by a tension member in the center. This system is a variation of Tensegrity system, has a improved feature that the system is able to induce prestresses in all of tension members easily by adjusting the distance of a tension member in the center. The proposed system was studied by modeling, and the structural behavior of the system was investigated by mechanical analysis of the model. Furthermore, the features of the structural behavior variations was investigated when the composition elements(total height, size of surface, intersection length, etc.) are changed variously. It was also showed that the system is able to be used as a temporary space structure system with a membrane roof of inverse conical shape.

• 한국실내디자인학회논문집
• /
• 제33호
• /
• pp.19-26
• /
• 2002

This study analyzed the characteristics of spatial expression in the Barcelona Pavilion to be based on tectonics. Mies pointed out the image of materiality about the material rather than the process of tectonics using the material, and he also expressed demateriality in the image of each material through the reflection. To be liberated from structural matters, the wall has been introduced. He intended to show the design plan as the independent structural system, however, the wall actually seems to be supporting the roof that shows rather clearly self-contradictory because of the expression of materiality in the material. In terms of architectural elements; wall, roof, column, floor, and so forth, tectonic expression and abstract aesthetics stands face to face, because of hiding the productional process and transforming to line and surface in the image of materiality. The interior of the glass wall seems fairly closed space from the exterior, because materiality and reflection of materials of columns and podium. The character of experiential space is inconsistent and fragmentary because of the splendid images from maternality and reflection on the wall, and collision with the reality and the image the wall reflects, even though the geometrical space of the Pavilion's plan has the mutual penetrability and organic character.

• 한국실내디자인학회논문집
• /
• 제19권3호
• /
• pp.103-110
• /
• 2010

As ongoing construction of a new municipal government building leads to the destruction of the interior of the Kyungsung Municipal Government Building(currentlySeoul Metropolitan City Hall) despite its enormous historic value, this study aims to identify the unique features of spatial composition and interior design of the Kyungsung Municipal Government Building, which is widely known as a typical example of public architecture of the 1920s. The primary goal is to perform a systemic arrangement of its interior data and define the modern historic implications of its interior design, thereby laying the foundation for a compilation of the history of modern interior design. From a historical perspective, the Kyungsung Municipal Government Building-an explicit symbol of Japanese colonial supremacy-has served as the administrative hub of a hugecity for 19 years during the Japanese colonial rule and for 64 years following Korea's independence from Japan. From the perspective of architectural history, it also represents modern transitional buildingsin their shift from historicism into modernism, as manifested by its reasonable placement of interior space matching well with topographical form, easy access by citizens, open office space, and, excluding decoration, a simple and non-authoritarian exterior. Its interior design style follows Western historicist architecture, whereasits simple interior decoration embodies expressive characteristics of pragmatic simplicity. Such elements are notably found in the Grand Central Hall, the Municipal Head's Reception Room, and the Grand Conference Room.