• 제목/요약/키워드: Expression of Anger

검색결과 237건 처리시간 0.028초

가정폭력 피해여성들의 사건충격과 정서 그리고 삶의 질에 대한 M&L 트라우마 심리치료 프로그램의 효과에 대한 임상연구 (The Effects of M&L Trauma Psychotherapy on Impact of Events, Affection, and Quality of Life among Female Vicims of Family Violence)

  • 서주희;김정숙;고경숙;오정란;고인성;강형원
    • 동의신경정신과학회지
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    • 제26권2호
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    • pp.79-88
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    • 2015
  • Objectives: The purpose of this study is to investigate the effects of the M&L Trauma Psychotherapy Program on: Impact of Event Scale - Revised (IES-R-K); Euro QOL-5 Dimension (EQ5D); Five-facet Mindfulness Questionnaire (FFMQ); and psychological tests. Methods: Eight middle-aged women subjected to domestic violence participated in the two-day M&L Trauma Psychotherapy Program. The Program was executed 5 times 2 days for about 3 hours. We evaluated IES-R-K, EQ5D, FFMQ, Beck Depression Inventory (BDI), State-Trait Anxiety Inventory (STAI), State-Trait Anger Expression inventory (STAXI) and SUDS before the Program and for four weeks afterwards, to analyze the effects of the M&L Trauma Psychotherapy Program. Results: The scores of IES-R-K, BDI, STAI-S, STAI-T, Hwa ST and Hwa CT decreased significantly (p<0.05). EQ5D scores increased significantly (p<0.05) and overall physical condition scale (VAS) increased. In the FFMQ scores, all five facet scores increased slightly. Scores of SUDS decreased significantly right after the program, and remained decreased four weeks later, rather than before the Program (p<0.05). Conclusions: The results suggested that the M&L Trauma Psychotherapy Program improved post-traumatic stress, quality of life and mindfulness skills, and had positive responses to psychological problems - depression, anxiety, anger and distress.

M&L 자기성장 명상프로그램의 효과에 대한 연구 (The Study on Effects of M&L Self-Growth Meditation Program)

  • 이유진;김정숙;고경숙;서주희;오정란;김미영;강형원
    • 동의신경정신과학회지
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    • 제25권3호
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    • pp.225-234
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    • 2014
  • Objectives: The purpose of this study is to investigate the effects of M&L Self-Growth Meditation Program with Euro QOL-5 Dimension (EQ5D), Five Facet Mindfulness Questionnaire (FFMQ) and psychological test. Methods: 6 middle-age women have participated in the eight weeks of the M&L Self-Growth Meditation Program, and the program was executed once a week for about two hours. We evaluated EQ5D, FFMQ, Beck Depression Inventory (BDI), State-Trait Anxiety Inventory (STAI), and State-Trait Anger Expression Inventory (STAXI) before and after the program in order to analyze the effects of M&L Self-Growth Meditation Program. Results: 1) EQ5D scores increased significantly (p<0.05), and overall physical condition scale( VAS) increased. 2) In the FFQM scores, value of Nonreactivity increased significantly (p<0.05), and total score increased. 3) Scores of BDI and STAI-S decreased significantly (p<0.05), and STAI-T, STAXI-S, STAXI-T, STAXI-O, STAXI-Su, and STAXI-R decreased. Conclusions: The results suggested that M&L Self-Growth Meditation Program improves the quality of life and mindfulness skill and has a positive responses to psychological problems-depression, anxiety, and anger.

『영추(靈樞)·본신(本神)』의 칠정상오장(七情傷五藏)에 대한 고찰(考察) (The Observation on the Five Vicera's Damaged due to Seven Emotion in the 『Lingshu·Benshen』)

  • 방정균
    • 한국의사학회지
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    • 제18권2호
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    • pp.55-62
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    • 2005
  • In "Lingshu Benshen". five vicera are damaged due to changes in emotion having qi flow opposite to five viscera. As a result, it suggests that mental and physical illness could develop. The content of this piece can be explained in relation to five elements but uniformly through qi's flow. The contents can be summarized as follows. 1. The Heart is fire among the five elements and mainly characterized with dispersing. The flow of its qi is characterized facing upward and outward. On the other hand, being afraid or thinking seriously is characterized by making qi to go downward and stop so that the flow of qi is mainly facing toward inward and downward, damaging the heart. 2. The spleen has the conveyance function and spreads qi. On the other hand, worry and emotion inhibit qi function, blocking qi, damaging the spleen. 3. The liver has dispelling and removing functions and the power of sending up. The qi flow goes toward upward and outward. On the other hand, sadness stagnates qi, preventing the flow of liver's qi, damaging the liver. As a result, work is not done accurately. Madness develops with heat accumulated with qi stagnation. When qi is not sending up, mentality is not clear, leading to forgetfulness. 4. The lung has astringent and sending down functions, lowering qi. On the other hand, happy and joyful emotions bring up qi, showing the opposite flow of qi compared with the lung, damaging the lung. 5. The kidney has closing and storing functions, making qi flow to downward and inward. On the other hand, being angry makes qi to go up. Excessive expression of anger damages the kidney. As a result, the yin function of kidney does not work properly, leading to forgetfulness.

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챗봇의 사회적 현존감을 위한 비언어적 감정 표현 방식 (Non-verbal Emotional Expressions for Social Presence of Chatbot Interface)

  • 강민정
    • 한국콘텐츠학회논문지
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    • 제21권1호
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    • pp.1-11
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    • 2021
  • 챗봇과 친밀한 관계를 느끼고 대화에 몰입감을 높이기 위해 인간의 감정을 정확히 인지하고 그에 적합한 감정적 반응을 표현하는 인공지능 연구가 활발히 진행되고 있다. 따라서 본 연구에서는 챗봇이 감정을 표현할 때 사람같이 느끼게 하는 사회적 현존감을 높이는 비언어적 표현 방식에 대해서 밝히고자 한다. 본 연구는 우선 배경연구를 진행하여 표정이 가장 감정을 잘 드러내는 비언어적 표현이며 움직임은 관계몰입에 중요하다는 것을 파악하였다. 이를 바탕으로 감정에 따라 사회적 현존감이 느껴지는 표현 방식을 밝히기 위해 5가지 기본 감정인, 기쁨, 슬픔, 놀람, 두려움, 화남을 동적 텍스트, 동적 제스처, 정적 표정 이모티콘으로 자극물을 준비하여 설문조사를 통해 가장 사회적 현존감이 느껴지는 표현 방식을 각 감정별로 택하도록 하였다. 설문 결과 기쁨과 같은 긍정적이고 각성 상태가 높은 감정에서는 동적인 표현이, 슬픔과 화남과 같은 부정적인 감정에서는 정적 표정 이모티콘이, 놀람, 두려움과 같은 중립적 감정의 경우 의미를 확실히 알 수 있는 동적 텍스트가 주로 선택되었다. 본 연구 결과는 챗봇 개발 시 감정을 표현하는 방식을 정할 때 중요한 참고자료가 될 것으로 기대한다.

무대 공연에 있어 성격유형별 분장디자인 모형 구축에 관한 연구 (A Study on the Development of a Model for Stage Make-Up Design in Art Performance by Personality Type)

  • 전인미;이혜주
    • 복식
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    • 제57권8호
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    • pp.99-113
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    • 2007
  • The performing art represents joy, anger, sorrow and pleasure through acting and dance, and is told to be a composite art represented by make-up, setting, costume and props. Therefore, it can be said that make-up is an important medium of stage art. Make-up in stage art is a kind of communication with audiences through understanding personalities of characters as demanded by scenarios. Due to the creative stage make-up which meets the character in the play relevant to these contents of the play, the conceptual study on stage make-up design for visual expression coincide with the intended character is needed. In this study, I investigate theoretical, universal, and psychological personality types by analyzing basic appearance features based on the physiognomy(face-reading) related from the psychological theories. And visualized through illustration according to personality types to apply for the characters in the play.

The Reliability and Validity of the Korean version of the Body Shape Questionnaire

  • Kim, Tae-Sung;Chee, Ik-Seung
    • 대한불안의학회지
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    • 제14권1호
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    • pp.36-43
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    • 2018
  • Objective : There is an increasing number of people are not satisfied with their appearance and shape. Therefore, assessment tools are needed to evaluate the appearance or body shape. This study investigated the reliability and validity of a Korean version of the Body Shape Questionnaire (BSQ). Methods : Participants completed the BSQ, Body Dysmorphic Disorder Examination-Self Report, Eating Disorder Inventory-2, Beck Depression Inventory, Self-Esteem Scale, State-Trait Anger Expression Inventory, and State-Trait Anxiety Inventory. Results : The Korean version of BSQ presented satisfactory test-retest reliability, internal consistency and validity. Exploratory factor analysis yielded four factors as follow: feeling fat, shame and inferiority about one's body shape, attitudes concerning body image perception, and purging behavior. Conclusion : These results show the Korean BSQ exhibits good psychometric properties and can accurately evaluate the body shape concerns among Korean adults.

비젼에 의한 감성인식 (Emotion Recognition by Vision System)

  • 이상윤;오재흥;주영훈;심귀보
    • 한국지능시스템학회:학술대회논문집
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    • 한국퍼지및지능시스템학회 2001년도 추계학술대회 학술발표 논문집
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    • pp.203-207
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    • 2001
  • In this Paper, we propose the neural network based emotion recognition method for intelligently recognizing the human's emotion using CCD color image. To do this, we first acquire the color image from the CCD camera, and then propose the method for recognizing the expression to be represented the structural correlation of man's feature Points(eyebrows, eye, nose, mouse) It is central technology that the Process of extract, separate and recognize correct data in the image. for representation is expressed by structural corelation of human's feature Points In the Proposed method, human's emotion is divided into four emotion (surprise, anger, happiness, sadness). Had separated complexion area using color-difference of color space by method that have separated background and human's face toughly to change such as external illumination in this paper. For this, we propose an algorithm to extract four feature Points from the face image acquired by the color CCD camera and find normalization face picture and some feature vectors from those. And then we apply back-prapagation algorithm to the secondary feature vector. Finally, we show the Practical application possibility of the proposed method.

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A Multimodal Emotion Recognition Using the Facial Image and Speech Signal

  • Go, Hyoun-Joo;Kim, Yong-Tae;Chun, Myung-Geun
    • International Journal of Fuzzy Logic and Intelligent Systems
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    • 제5권1호
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    • pp.1-6
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    • 2005
  • In this paper, we propose an emotion recognition method using the facial images and speech signals. Six basic emotions including happiness, sadness, anger, surprise, fear and dislike are investigated. Facia] expression recognition is performed by using the multi-resolution analysis based on the discrete wavelet. Here, we obtain the feature vectors through the ICA(Independent Component Analysis). On the other hand, the emotion recognition from the speech signal method has a structure of performing the recognition algorithm independently for each wavelet subband and the final recognition is obtained from the multi-decision making scheme. After merging the facial and speech emotion recognition results, we obtained better performance than previous ones.

분노 및 슬픔 상황에서 아동의 정서조절 동기와 정서조절 전략 (Children's Motives and Strategies for Emotional Regulation in Angry and sad Situations)

  • 이지선;유안진
    • 아동학회지
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    • 제20권3호
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    • pp.123-137
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    • 1999
  • This study investigated the influence of audience type (mother or close friend) age, and gender on children's goals and strategies for emotional regulation in angry and in sad situations. Hypothetical vignette methodology was used with 314 children in grades 5 and 7. In angry situations, all boys and all 5th grade children regulated anger more with instrumental motives while 7th grade girls showed more prosocial motives. Children showed more prosocial and rule oriented motives with peers and relational motives with mothers. In angry situations, children used aggression regulation strategies more toward peers and activity regulation strategies more toward mothers. Children's age and sex explained sadness regulation motives better than audience type with peers, but children used more activity regulation strategies with mothers in sad situations. When sad, fifth graders used more verbal and facial expression strategies than 7th graders while boys used more activity regulation strategies than girls.

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카카오톡 이모티콘 선호도에 미치는 영향 요인에 관한 연구 (A Study on the Preference Factors of KakaoTalk Emoticon)

  • 이종윤;윤주현
    • 만화애니메이션 연구
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    • 통권51호
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    • pp.361-390
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    • 2018
  • 카카오톡 이모티콘 이용자들은 가상공간에서 자신의 감정표현 커뮤니케이션 수단으로 카카오톡(Kakao Talk) 이모티콘을 이용하고 있다. 이모티콘에 담겨진 디자인적인 요소(보조, 색채, 형태, 모션)들과 스토리텔링적인 요소를 이용하여 자신의 감정상태를 표현하고 있다. 본 연구의 목적은 카카오톡 이모티콘이 지니고 있는 스토리텔링 및 디자인적인 요소들을 중심으로 어떠한 요인들로 카카오톡 이모티콘을 감정 표현 수단으로 선호하는지에 대해서 연구하고자 한다. 이모티콘의 스토리텔링적인 측면에서는 악어, 복숭아, 개, 오리, 사자, 두더지, 토끼들로 평범한 과일과 동물들로 구성하였다. 대부분의 이모티콘들은 각자 개성있는 성격의 소유자로 스토리가 구성되었으며 하나씩 콤플렉스를 가지고 있는 스토리를 지니고 있어 이용자들이 친근하게 다가가고 사용할 수 있는 요인이 되었다. 디자인적인 측면에서는 다양한 보조요소(불꽃, 땀, 눈물, 콧물, 성난 눈 등)를 사용하여 화남, 간절함, 초조함, 애원, 기쁨, 슬픔 등을 표현하였다. 색채요소는 희, 노, 애, 락의 감정에 관계없이 이모티콘 캐릭터가 지니고 있는 고유의 색채(초록, 빨강, 노랑, 분홍, 하양, 검정, 밤색 등)로 대부분의 난색 계열로 구성되었다. 형태 요소는 기쁨, 슬픔 등의 요소를 표현하는 경우 둥근형의 형태로 구성되었다. 반면에 FRODO, NEO가 슬픔과 분노를 표현하는 경우에는 사각형의 형태를 나타내고 있다. 모션요소로는 APPEACH, NEO, TUBE, JAY-G의 슬픔, 분노, 애원의 감정 표현에는 수평/수직/사선으로 표현하고 APEACH, TUBE, MUZI & CON등의 기쁨, 슬픔의 감정 표현은 수평/수직/사선과 방사/앞뒤/회전의 역동적인 느낌을 나타내고 있다. TUBE, FRODO의 분노는 수평/수직/사선과 방사 모션을 나타낸다. 본 연구결과 스토리텔링 측면에서는 감정을 차별화할 수 있는 스토리를 각 이모티콘 캐릭터에 맞게 구성하였다. 디자인적인 측면에서는 보조요소 불꽃, 땀, 눈물과 같은 감정의 대표적인 요소를 이미지로 표현하였다. 색채 요소는 감정의 차이와는 관계없이 난색 계열의 캐릭터 고유색을 사용하였다. 형태 요소는 각 감정 표현을 위해 다양한 움직임을 표현하였다. 이러한 연구결과들이 커뮤니케이션 측면, 감성디자인 측면, 산업적인 측면의 발전에 도움이 될 것이다. 위와 같은 논문의 의의에도 불구하고 스토리텔링의 분석틀과 보조요소에 대한 기호학적인 분석이 이루어지지 못한 것을 연구의 한계점으로 두고자 한다.