• The Journal of the Convergence on Culture Technology
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• v.5 no.3
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• pp.25-31
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• 2019

This study Dasan Jeong Yak-yong, great writings, "Mokminsimso" and " Kyoungseyupyo"argued for reform of Dasan Jeong Yak-yong's tax law is a series of Surtax that have been included in or not in the law and have aggravated the tax burden on the people. Dasan Jeong Yak-yong's reform drive for the tax law did not end with a desk discussion, but went so far as to scrutinize the tax data in Gangjin, Jeolla-do, where he was in exile, and present various measures to abolish taxes and improve them in "Mokminsimso" and "Kyoungseyupyo". Based on the details of the tax laws for Dasan Jeong Yak-yong, "Mokminsimso" and "Kyoungseyupyo" this study reviewed the tax data and related prior research that Dasan Jeong Yak-yong investigated during his exile in Jeolla-do, The method of collection of various Surtax and the definition of tax amount and character of the Joseon Dynasty, which were insufficient in the preceding study, was modified and supplemented. and further summarized various Surtax that were not mentioned in the preceding study. In addition, similar and opposite Surtax found in the review process of this study were compared in the text. also, various Surtax collected from the Min-go that increased the tax burden of the people at that time were summarized.

• (The)Study of the Eastern Classic
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• no.48
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• pp.289-310
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• 2012

The present study analyzes the content of "Suojaegi (The Account of the Suo Residence)," an essay written by the Joseon-dynasty scholar Jeong Yak-yong (丁若鏞, 1762-1836). The study identifies the work's characteristic features and significance, seeking to develop a methodology to use this essay to teach students how to write. In terms of its content, the author of "Suojaegi" asserts what it means to "protect one's self-integrity" as the word "Suo" means in the title of the residence where the author's brother Jeong Yak-hyeon(丁若鉉) lived. According to the author, his elder brother could keep on living in his house, without being sent to exile in the political turmoils, because he preserved his sense of self and adhered to his principles. The originality of the essay is attributed to the use of gi (記), a genre of writing in classical Chinese that can be translated as "record," or "account," to express his thoughts in a place of exile in the form of a dialogue with his own self. Lastly, this self-reflective essay can be served as a guide for teaching students to make their own pen names, and to write a letter of self-introduction.

• Journal of architectural history
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• v.22 no.2
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• pp.7-19
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• 2013

The formation of modern architecture during the Weimar Republic in Germany is seen through the works by Bruno Taut, one of the leading architects during that period. Through the extensive literature readings on Bruno Taut and critical analysis of Bruno Taut's ideologies, his works and the circumstances that he was in, the contention of this paper is that the root of modern architecture has less to do with functionalism and new technologies, but more to do with need to express new ideologies and expressions of their view of a new society. Although the socialistic idea did not account for sole reason for influencing their architecture, it did play a considerable part in deciding what architectural expressions are preferred. For this discourse this paper limits Bruno Taut's years from 1913 to 1932 prior to his exile from Germany; 1913 to 1923 being the years that constitute theoretical activities and 1923 to 1932 being the golden years for social housing when he participated on many public housing projects. It was during this period that his architecture put importance of practicality, and utilitarian; however the transition was not an abrupt departure from his expressionistic architecture but an inclusive act on his part.

• The Journal of Art Theory & Practice
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• no.10
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• pp.85-103
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• 2010

Mona Hatoum and community make unlikely bedfellows. From her beginnings as a teenage exile to her maturity as an internationally celebrated artistic nomad, Hatoum defies classification within any single geographical or cultural community. Attempting, however, to locate specific points of contact between her and certain communities in terms of artist-in-residence projects in which she participated might be a particularly fruitful way of circumventing her notorious critical resistance to identity and her refusal of homogeneity. This paper starts with Miwon Kwon's critique of contemporary practices in community-based art, which locate an essentialising force that isolates a single point of commonality and overlooks authentic differences. It then turns to Jean-Luc Nancy's reconceptualization of community as 'unworked' and 'being-in-common' to provide analytical tools for avoiding the dangers of essentialism. By examining the three residencies that Hatoum accepted in the mid-1990s in the light of Nancy's observations and theories, and by bringing the idea of artistic nomadism and that of community into juxtaposition, we hope to show that Hatoum succeeds in finding an equilibrium between art and community, and that this sheds new light on the issues raised in recent discussions on such relationship.

• Speech Sciences
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• v.6
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• pp.33-44
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• 1999

This paper aims to analyze whether the phenomenon of /u/$\rightarrow$/i/ is a hypercorrection or not in the North Korean dialects. Most North Koreans pronounce /i/(gold) as /kum/ because the vowel /i/ merges into the peripheral vowel space of /u/ in their dialects. The merger of back vowel is one of most distinctive characters in North Korean dialects. But some speakers pronounce /chubann/(exile) as /chiban/. This time /u/ in peripheral space moves to /i/ in central vowel space. It seems that the vowels /i/ and /u/ exchange places with each other when they uttered in North Korean. Though it was observed that the vowel movement of /i/$\rightarrow$/u/ was caused by the merger of back vowels, the reason why vowel /u/ moves in the opposite direction, that is, the central space of vowel /i/ has not been analyzed yet. This experiment starts with hypothesis that the movement of /u/$\rightarrow$/i/ might be caused by hypercorrection. The first step of this research is to analyze /u/$\rightarrow$/i/ pronunciation of North Koreans. The second step is to compare the results of North Korean pronunciation with those of South Korean pronunciation and observe whether tendency of /u/$\rightarrow$/i/pronunciation can also be found in the standard Seoul dialect and other South Korean dialects.

• The Journal of Korean Medical History
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• v.29 no.2
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• pp.61-69
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• 2016

This study was performed to examine the clinical discussion records where Lee Gong-yoon, participated in Royal treatment at Joseon Dynasty, was involved. Lee Gong-yoon who scouted from the outside had participated in the medical center of the Royal Family for several years as a royal doctor. But he preferred aggressive prescriptions and behaved indiscreet. Eventually, he was exiled when Kyung-Jong who was the 20th king of the Joseon Dynasty died. He was harshly criticized until the year crown prince ascended the throne following Kyung-Jong. But some officials started to defend him since March of the next year. They recognized Lee Gong-yoon's aggressive prescriptions and indiscreet behavior. But mentioned that some very aggressive prescriptions didn't come from his own idea. After they proved their insistence true, his place of exile was changed from island to outland. Different from other doctors who focused on patients' 元气 ($yu{\acute{a}}nq{\grave{i}}$), Lee Gong-yoon focused on removing patients' symptoms when he decided to cure a disease. And also he had considerable insight of "醫學入門 ($y{\bar{i}}xu{\acute{e}}r{\grave{u}}m{\acute{e}}n$)". Despite of his high degree of medical knowledge, unconventional character and behavior made the end of his life unfortunate.

• The Bulletin of The Korean Astronomical Society
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• v.41 no.1
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• pp.61.3-62
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• 2016

An asteroid family is a group of asteroidal objects in the proper orbital element space (a, e, and i), considered to have been produced by a disruption of a large parent body through a catastrophic collision. Family members usually have similar surface properties such as spectral taxonomy types, colors, and visible geometric albedo with a same dynamical age. Therefore an asteroid family could be called as a natural Solar System laboratory and is also regarded as a powerful tool to investigate space weathering and non-gravitational phenomena such as the Yarkovsky/YORP effects. We carry out time series photometric observations for a number of asteroid families to obtain their physical properties, including sizes, shapes, rotational periods, spin axes, colors, and H-G parameters based on nearly round-the-clock observations, using several 0.5-2 meter class telescopes in the Northern hemisphere, including BOAO 1.8 m, LOAO 1.0 m, SOAO 0.6 m facilities in KASI, McDonald Observatory 2.1 m instrument, NARIT 2.4 m and TUG 1.0 m telescopes. This study is expected to find, for the first time, some important clues on the collisional history in our Solar System and the mechanisms where the family members are being transported from the resonance regions in the Main-belt to the near Earth space.

• The Journal of the Convergence on Culture Technology
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• v.6 no.3
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• pp.283-291
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• 2020

Chusa is a pearl in our cultural history. His unfavorable times and circumstances made him more and more devoted, and through this, his art was able to bloom brilliantly. He was born and raised in a prestigious family, and was able to establish his academic world broadly through the encounter with Ongbanggang and Wanwon, the great masters of the Qing Dynasty culture at the time of the 20s. Particularly, his artistic activities in the area where he lived in exile allowed him to establish Chusache. He also showed the essence of his literary spirit as a picture of Sehando. Through numerous letters, he can also examine his culture, art, and thought. Furthermore, based on the archaeology of the Qing Dynasty, you can also examine the thoughts and philosophies of the real world. This article intends to examine and review the Aesthetic Sense of Chusa's literary art in terms of mentality through Sehando·Bujakrando. This is because it is judged to be an aesthetic sense that is the essence of Chusa art.

• Korean Journal of Social Welfare
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• v.64 no.4
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• pp.5-29
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• 2012

This study aimed to express the experiences of the parents who lost their children by suicides in their own words from their own perspectives by van Manen(2000)'s hermeneutic phenomenological approach. The analysis of the words expressed by the research participants led to the following five fundamental themes. These are 'broken heart, sinner's grief, land of exile and time stood still, pains to be comforted, and days ahead with half-stitched wounds'. Several distinctions are found due to cultural differences from Korean parents. First, whereas the Western parents see the cause of their child's suicide as his/her independent issue, the Korean parents blame themselves entirely. This may have stemmed from the overly inter-dependency between the parents and the child. Second, whereas the Western perspective views the suicide as a type of illness from the individual's depression. The Korean perspective views the suicide as a shame that disgraces the parents or the family. This negative social perspective intensifies the self-blame and social isolation. Third, the Westerners recognize the prevention and responsibility of suicide resting with the society and government, but the Korean society recognize suicide as personal or family matter. Based on the finding above, I proposed a number of practical measures to aid the surviving parents who belong to a group with extremely high suicidal rates.

• The Journal of the Convergence on Culture Technology
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• v.6 no.2
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• pp.281-287
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• 2020

Dasan(茶山) Jeong Yak-yong wrote many works in various fields. His ideas and philosophy formed a mountain range. First, his aesthetic ideas improved from Dam(淡) to Dam(澹;light), and further to Dam (膽;courage). Because Dasan had the courage to make changes, this was possible. Second, Dasan has the aesthetic idea of Yun(韻). This can be seen in his life pursuing the quaint. Because Dasan was unable to participate in reality due to exile, so he was able to create our culture through many writings. First, Un-Rim-San-Bang(雲林山房) in Sochi Heoyu is the origin of our Namjong Literary Painting, and its origin is Dasan. Second, Dasan pursued Silhak(實學), and applies it to reality. It is Silsagusi(實事求是). Thirdly, Dasan pursued Enjoying Together with People(與民同樂). Aesthetics ideas of Dasan showed the Korean characteristics.