• 한국비블리아학회지
• /
• 제34권3호
• /
• pp.183-204
• /
• 2023

이 연구의 목적은 고려인 역사문화관을 중심으로 라키비움의 공간·기능을 고려한 고려인 라키비움 구축모형을 제시하는 데 있다. 이를 위해 사서, 기록연구사, 학예사 등을 대상으로 설문조사를 실시하였으며 기관별 공간 및 업무 요구도 간 평균 차이를 알아보고자 다변량 분산분석(MANOVA)을 실시하였다. 또한 설문조사를 바탕으로 2차 전문가(관장, 대표자, 고려인 전문가 등) 대상의 공간구성 요소에 대한 심층면담을 실시하였다. 그 결과 첫째, 고려인 라키비움에 필요한 기능 위주로 설정한 공간·기능적 요소를 도출하였다. 공간요소는 도서관은 보존서고, 열람실, 휴게공간, 기록관은 기록물 보존실과 전시실, 문화관은 수장고와 전시실 등이다. 기능(업무)은 도서관 3, 기록관 5, 문화관 4개의 요소로 나타났다. 둘째, 면담 내용의 검토를 거쳐 고려인 라키비움 구축모형을 수정·보완하여 구성하였다. 공간구성은 지하1층에서 지상 3층까지 설치공간, 업무내용, 담당인력 등을 제시하였다.

• 한국디자인학회:학술대회논문집
• /
• 한국디자인학회 2000년도 추계 학술발표대회 논문집
• /
• pp.46-47
• /
• 2000

전시공간에는 공간성과 시간성이 교차한다. 구조화된 공간은 시간적 인식 매커니즘으로 개별 시퀀스의 맥락적 합으로 인식된다. 그것은 마치 한편의 영화를 감상할 때나 전통 중국음식을 음미할 때에 잔상, 잔미의 연속적 롤 플레잉의 과정과 유사하다. (중략)

• 한국정보과학회:학술대회논문집
• /
• 한국정보과학회 2007년도 한국컴퓨터종합학술대회논문집 Vol.34 No.1 (A)
• /
• pp.65-66
• /
• 2007

• 한국실내디자인학회:학술대회논문집
• /
• 한국실내디자인학회 2004년도 춘계학술발표대회 논문집
• /
• pp.86-90
• /
• 2004

The whole image of circulation occupied with user has duplicated inter-relationship. It means many situation exist simultaneously, and the character of space factors are completed by the inter-relationship of the detailed structure. The purpose of this study is on the proper notation for circulation analysis of the sequential space structure which is constructed by the formal constituent and the change of visual circumstance influence on the action of user. This study investigate the possibility of notation by arranging the analysis method of the visual space and focusing on the research for the visual perception behaviour of user being applied various space, and the possibility of application as a method of space design.

• 한국실내디자인학회:학술대회논문집
• /
• 한국실내디자인학회 2007년도 추계학술발표대회 논문집
• /
• pp.22-25
• /
• 2007

The purpose is to analyze space through phenomenological features of museum space with the background of studying patterns and characteristics appearing in modern museum space based on Perceptional Phenomenology by Merleau Phonty, and then giving meanings to our daily-life space and offering new museum space. This research studies about recognizing phenomenological cognitive experiences not as conception fixed in modern museum, analyzes phenomenological particularities based on Phenomenological conception by Merleau Phonty, and studies on the features appearing in museum space by phenomenological language focusing on museums since 1990's.

• KIEAE Journal
• /
• 제14권5호
• /
• pp.13-20
• /
• 2014

Museums have developed various needs of the visitors and exhibits over the past two centuries. Currently, they have multiple functions of display, conservation, research and public education about artworks and cultural events. Therefore, exhibits should be displayed in various ways so that visitors can feel inter-relations with exhibits. The exhibition areas of museums should be provided with the stable lighting environment for visitors and artworks. For the study, I selected four museums, which were the Seoul Museum, the Mimesis Art Museum, the Seoul Museum of Art in Nowon and the National Museum of Modern and Contemporary Art in Gwacheon, and I measured illumination levels of the selected Museums, and then, I surveyed the visitors' responses on the lighting conditions of them. According to the results, the measurements of the illumination levels in the four museums showed that the illumination levels of them were effectively controlled to display the art works. However, the illuminance levels at some areas that drew the natural light as lighting source were much higher than recommended illumination values for museum. In the mean time, the answers of questionnaires showed that the natural light were so effective to light the museums although the natural light provided some areas with high illumination levels.

• 한국실내디자인학회논문집
• /
• 제40호
• /
• pp.165-171
• /
• 2003

The findings of this study indicate that intangible cultural properties are worth preservation and transmission and should be considered as very important as tangible cultural properties. If the studies of intangible cultural properties are continued focusing on their characteristics and formational system, they can be expressed more properly by adding new interactive elements to database and expressive requisites. New techniques introduced in this study are believed to provide people with most reasonable and developmental motives for expression of the existing intangible cultural properties. Concerning Korea's cultural properties centered on intangible cultural properties, information construction should be made with a new idea of information based on database from the previous studies. The result will be able to set an important factor to give wide publicity to our cultural identity, which is currently shown in the process of background communication, and serve as a foothold to deliver exact information to our descendants. The intangible cultural properties are our people's mental cultural heritage resources. If museums or initiator groups, which are organized to spread cultural heritages, can use them as the subjects of exhibition through information construction and visualization, it will function to maximize the educational effect of transmitting our national mental world. The development of digital environment will provide the optimum conditions and tools making it possible to visualize intangible forms and ideas in a virtual cyber space. Given these viewpoints, steady studies and efforts for the improvement of Korea's cultural image should be made in the way of intangible cultural properties as well as tangible ones. They start from the country's accurate appreciation of cultural properties and are embodied in systematic adjustment and relationship between interdependent elements.

• 한국재난정보학회 논문집
• /
• 제16권2호
• /
• pp.374-382
• /
• 2020

연구목적: 최근 노후한 안전관리 미비 시설물의 구조적 결함으로 인한 건축물 및 시설물 붕괴사고 등이 발생하고 있다. 본 연구는 전시 공간 건축물의 위험징후를 분석하고 계측기술을 개발하기 위해 시지각적 요소를 갖춘 건축물 센서 모니터링을 위한 최적의 센서 위치를 결정하는 상시 모니터링 시스템 설치가이드라인을 개발하는 것을 목적으로 한다. 연구방법: 위험징후 계측 기기의 구성요소, 설치위치, 기기의 경보 기준, 관리 방안 등을 제시한다. 연구결과: 센서의 위치를 결정하고, 통일된 시지각을 갖춤으로서 분석을 위한 신호처리 기술을 확보하고, Test-bed 운영 통해서 센서 모니터링 기반의 최적 '위험징후 감지장치'를 구성하는 방안을 제시하였다. 결론: 본 연구의 결과는 전시 공간 건축물 붕괴로 발생할 수 있는 재난으로부터 대비하고, 안전관리 역량을 강화에 기여할 수 있다.

• 한국의류산업학회지
• /
• 제25권5호
• /
• pp.560-567
• /
• 2023

This study aims to rediscover the industrial value of a borderless service in the hyper-connected era by producing fashion content at the forefront of the cultural industry as XR content and contributing to developing fashion content for edutech. The research method employed design aesthetic theory, while the empirical proposal utilized scientific knowledge information to build a framework for 3D convergence content. The characteristics of fashion content exhibitions that apply the neumorphism technique are as follows: The first is a virtual space that produces clothing culture by type. Africa, where dyeing and crafts are developed, selects a product-oriented exhibition type; Asia, where weaving and textiles are excellent, selects a random movement type; and Europe, where the evolution of clothing design over time is evident, selects a guided movement type to create a three-dimensional fashion edutech. The goal was to produce content. The second is creative reproducibility, which combines a new fashion design that embraces the aura of the original with a trendy sense. The realistic folk costume style of the original allowed for its implementation in the AR exhibition space using historical traditional style techniques such as weaving and textiles. The third is building organic, modular content. By designing and then saving/editing/arranging the basic VP zone for each style, learners and instructors can freely edit the content for each fashion class topic and create various presentations to ensure that it functions as non-face-to-face edutech content around the world.

• 한국의류학회지
• /
• 제42권5호
• /
• pp.809-822
• /
• 2018

Fashion brands communicate with consumers through the use of fashion films that are effective in the delivery of the image. This is because digital media (such as fashion films) are popular and accessible as well as effective in attracting people's attention. The reasons why fashion films have become a new fashion media among many others is becuase they are based on an existing platform. This study will examine offline platforms of fashion film: flagship store, fashion exhibition, and fashion show. The offline platform of a fashion film is a physical space where a fashion film can be exhibited and viewed as a medium that can effectively convey fashion film to consumers. As a research method, the concept of an offline platform of fashion film is established based on a literature review of fashion films and platform that is followed by an empirical case study. The study results show that the offline platform of a fashion film is in the progress of turning into an autotelic space where the consumption of such culture as cinema and theater has become possible.