• 사상체질의학회지
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• 제28권1호
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• pp.40-50
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• 2016

Objectives We observed what effects both ratio of inhalation and exhalation(I/E) and posture have on heart rate variability(HRV) according to Sasang Constitution(SC).Methods HRV of 73 healthy participants who filled in self-questionnaires was recorded while they carried out 0.1Hz paced breathing(PB) with sitting, usual breathing(UB) with standing, and 0.1Hz PB with standing. PB was conducted to 4:6 or 6:4 of I/E and UB with sitting was executed before and after each breathing. Finally, HRV indices were analyzed of 60 participants(Soeum: 24, Soyang: 18, Taeeum: 18).Results & Conclusions In both self-questionnaires and HRV indices, there are not statistically significant between SC about the posture and I/E. SOEUM preferred 4:6 of I/E and showed lower mean RR and SDNN. SOYANG preferred 6:4 of I/E and showed higher mean RR and lower mean heart rate. TAEUM did not prefer I/E and showed the highest SDNN.

• 한국산학기술학회논문지
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• 제14권9호
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• pp.4429-4436
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• 2013

흉추 측면검사에서 기존의 T-spine exhalation technique (TET)과 환자의 자연스런 호흡 상태에서 촬영하는 T-spine breathing technique (TBT)의 대조도 잡음 비와 신호 대 잡음 비를 측정하여 적절한 검사기법을 제시하고자 하였다. 2012년 6월부터 2012년 11월까지 척추질환으로 본원을 내원하여 흉추 측면검사를 시행한 환자 53명을 대상으로 하였으며, 동일한 환자를 대상으로 측면 선 자세에서 기존의 TET와 TBT를 병행하였다. 화질 평가는 흉추 측면검사의 평가요소 중 5곳(극돌기, 추궁근, 추체, 추간공, 추간)을 Image J 프로그램을 이용하여 관심영역을 정하고 화소의 평균과 대조 농도와의 차이를 구하여 대조도 잡음 비를 측정하여 비교하였다. 또한 추체에 관심영역을 정하여 화소의 평균과 표준편차를 구하고 신호 대 잡음 비를 측정하여 비교하였다. TET와 TBT방법으로 촬영한 영상을 대조도 잡음 비와 신호 대 잡음 비에서 비교한 결과, TBT방법이 추궁근, 추체, 추간공, 추간의 구조에서 우수하게 나타났으며, 통계적으로 매우 유의하였다(p<.01). 기존의 심호기법에 비해 TBT방법으로 촬영한 영상은 우수한 화질을 제공하므로 이를 토대로 임상에 혼재되어 있는 흉추 측면 검사법을 재정립하고, 여러 의료기관에 적용할 경우, 유용성이 크다고 사료된다.

• 대한방사선기술학회지:방사선기술과학
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• 제2권1호
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• pp.51-54
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• 1979

Research and Analisis for the qualities of chest films of emergency cases were completed in order to produce a valuable one of diagnostic necessity. It is resulted as follows; 1. Among the 3,505 cases of chest films, 47% of them was poor conditioned the reason was fowned as of unsuitable exposure. 2. It become the same condition when we increased 11.4% of KVp in full exhalation compare with the full inhalation of erect position and 20% after full exhalation and 4.3% after full inhalation in supine position. The result was that no difference between prone position and supine position was fowned. 3. When respiration volume is different, proper control of KVp is extremely needed.

• 한국운동역학회지
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• 제21권3호
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• pp.327-334
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• 2011

The objective of this study was to develop a scientific approach for investigating Korean dance in detail, and to examine the intense expressions and various movements, which are based on Danjeon breathing. For the purpose, we analyzed the movement changes and distribution of forces resulting from the switch in movement between exhalation and inhalation while bending, which is the most basic movement in Korean dance. The following conclusions were drawn from this study. In Korean dance, bending with breathing involves less back-and-forth-movement and more up-and-down movement, as compared to bending without breathing; this indicates greater body stability and a wider range of movements while bending with breathing. In addition, less time is required for bending with breathing at the point of switching from exhalation to inhalation, and it involves less movement of the supporting leg; thus, vending with breathing involves faster switching from bending movements to extending movements. While bending, the raised leg goes through a less smooth curve while breathing, which indicates stronger movement of the toes. Bending with breathing requires a greater braking force than bending without breathing, and the vertical force, generated by switching from exhalation to inhalation, is transferred to extending movements using the ground load. The results of this study can be potentially employed to investigate the expressions used in Korean dance on th basis of its principle of forces. Korean dance has evolved into various creative forms, and basic analytical studies of these diverse forms and related breathing methods re required in the future.

• 대한한의학회지
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• 제37권1호
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• pp.114-124
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• 2016

Objectives: The aim of this study is to find what effects both the posture of sitting and standing and the ratio of inhalation and exhalation (I/E) have on heart rate variability (HRV) Methods: We made two breathing sets with 4:6 or 6:4 ratios of I/E at 0.1 Hz of respiratory frequency and sitting or standing position. There was 20 minute-rest between sets. Each set include 5 minute-3 breathings as follows: 0.1Hz paced breath with sitting, usual breathing with standing and 0.1Hz paced breath with standing. Five minute-usual breathings with sitting as basal lines were exerted before and after these 3 breaths. Electrocardiogram-recording was exerted from 73 healthy participants (37 men and 36 women) who carried out two sets of breathings. Finally, HRV indices were analyzed of 62 participants (32 men and 30 women). Results: In 4:6 maintaining the same posture, SDNN were statistically increased, while mean heart rate(HR) were not changed. In 6:4, mean HR, SDNN were statistically increased. When changed from sitting to standing, in 4:6, SDNN were statistically decreased and mean HR was increased. However, in 6:4 during change of posture, SDNN were also statistically decreased and mean HR was statistically decreased. There was no statistical change of HF during 4:6 or 6:4 ratios of I/E moving from sitting to standing position. Conclusions: For increasing HRV, breathing in low respiratory rate with sitting was recommended regardless of ratio of I/E. In changing from sitting to standing, 4:6 may increase mean HR, and 6:4 may decrease mean HR.

• 대한후두음성언어의학회지
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• 제17권2호
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• pp.115-126
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• 2006

Background and Objectives : Training of breath support and laryngeal muscles control are important components in the development of the singing voice. The purpose of this study is to compare characteristics of respiratory and phonatory control on pitch, loudness, register change with untrained males and trained male singers. Materials and Methods : The 11 untrained males and 11 trained male singers participated. Closed Quotient(CQ), fundamental frequency (fo) and relative volume contribution of the rib cage (in percentage rib cage, % RC) and relative volume contribution of abdomen (in percentage abdomen, % AB) were measured during various pitch, loudness, register tasks using /a/ vowel phonation : Legato, staccato with C3-D3-E3-F3-G3 notes and crescendo and decrescendo with C3 note as well as modal register with C3 and falsetto register with C4 note using an integrated analysis system of Respiration, EGG and Voice. Results : (1) When pitch increased with legato task, loudness also increased in untrained male group but maintained in trained male singers. CQ was also increased both untrained and trained male singers but it was not significantly different ($p>.05$). The abdomen contribution to lung volume were significantly predominant both in inhalation and exhalation in trained males singers ($p<.05$). (2) When pitch increased with staccato task, CQ was not significantly different in untrained but significantly different in trained male singers. The respiratory function of male singers were characterized by significantly predominant abdomen contribution to lung volume in exhalation except for inhalation ($p<.05$) (3) When loudness increased with crescendo, fo was significantly increased with increasing CQ in untrained males but fo was relatively consistent with increasing CQ in trained male singers. The respiratory function of male singers were characterized by significantly predominant abdomen contribution to lung volume in exhalation except for inhalation ($p<.05$). (4) Most male singers were able to change register from modal to falsetto register, but untrained males were not. Thus, CQ was significantly different between modal and falsetto register in trained male singers ($p<.05$). The respiratory function of male singers were characterized by significantly predominant abdomen contribution to lung volume in exhalation except for inhalation ($p<.05$). Conclusion : Male singers were superior to untrained males in coordination of respiratory and phonatory control on pitch, loudness, register change. Implication are offered regarding how the results might be applied to the voice therapy as well as singing training.

• Journal of Preventive Medicine and Public Health
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• 제20권2호
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• pp.221-227
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• 1987

In vivo ethane production in rats was used as an index of oxygen toxicity. The rats were allocated to four exposure conditions; hyperbaric oxygenation (HBO=5 ATA, 100% $O_2$), normobaric oxygenation (NBO=1 ATA,100% $O_2$), hyperbaric aeration (HBA=5 ATA, 21% $O_2$) and normobaric aeration (NBA=1 ATA, 21% $O_2$). After 120 minutes of exposure, the rats exposed to high concentration and/or high pressure oxygen exhaled significantly larger amounts of ethane than those exposed to NBA, and the differences in ethane production between any two groups were statistically significant (p<.01). This finding supports the hypothesis that hyperoxia increases oxygen free-radicals and the radicals produce ethane as a result of lipid peroxidation. It is notable that the ethane exhalation level of the HBA group was significantly higher than that of the NBO group. This difference could not be accounted for by the alveolar oxygen partial presure difference between the two groups.

• 음성과학
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• 제15권4호
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• pp.135-146
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• 2008

Breath group generally refers to one of units of speech production. It is an integral component of structural and contextual features of utterances with some responsibility for fluctuations in speech intelligibility. The purpose of this study was to know the characteristics of breath group in reading passages spoken by healthy speakers, specifically in view of aerodynamic aspects. Eighteen female speakers aged from 20 to 30 years old without communication problems and in healthy condition were participated in this study. PAS (Phonatory Aerodynamic System) was used for aerodynamic measurement of breath group. Results showed that the mean value of breath group in reading tasks was 16.03 per minute (SD=3.1), and the spoken syllables per one breath group were 17.95. And the mean time (m) of breath group was 3.06 (SD=0.62), and the ratio of exhalation and inhalation was appeared in the 1:5. The results need to be discussed in values of normality of breath group and clinical viewpoint, especially their potential implication from speech intelligibility caused by brain damage.

• 사상체질의학회지
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• 제18권1호
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• pp.30-40
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• 2006

1. Objectives The present study purposed to examine the contents and the principles of music therapy according to Oriental medicine theories in order to prove that music therapy is not a new research area but its principle is found in the long tradition of Oriental medicine. 2. Methods We investigate the possibility of music therapy based on Oriental medicine theories and examine the meanings of music therapy from the viewpoint of Oriental medicine. 3. Conclusions and discussions (1) The principles of music therapy are the principle of homogeneity, catharsis and balance. (2) When one’s mind changes, there are naturally occurred sounds, which are called Oseong (五聲: the oriental five voices exhalation, laughing, singing, wailing and groaning), and the notes defined by arranging the Oseong according to the principle of Ohaeng (五行: the oriental five phases wood, fire, earth, metal, water) are Oheum (五音: the oriental five musical notes Gakeum, Chieum, Gungeum, Sangeum and Wooeum.). If Eum (musical notes) is classified into Ohaeng, it can be divided into Gakeum, Chieum, Gungeum, Sangeum and Wooeum. (3) Change of Sinji (神志: consciousness) induces change of Gigi (氣機: function of Gi), which can change the character of voices. Oseong controls the functions of Ojang (五臟: the oriental five viscera) by ruling one’s Jeongji (情志: emotion). It can reduce the damage of the viscera caused by excessive vent of emotion resulted from unconscious expression of Oseong - Hoseong (呼聲: exhalation), Soseong (笑聲: laughing), Gaseong (歌聲: singing), Gokseong (哭聲: wailing) and Sinseong (呻聲: groaning). (4) Yijeongseungjeong (以情勝情: Control emotion with emotion) therapies, which suppresses an emotion by stimulating another, include Noseungsabeop (怒勝思法: Control anxiety with anger), Heeseungbibeop (喜勝悲法: Control sorrow with joyfulness), (思勝恐法: Control fear with anxiety), Biseungnobeop (悲勝愁法: Control anger with sorrow) and Gongseungheebeop (恐勝喜法: Control joyfulness with fear). (5) Seongeum (聲音: voices and musical notes) can be applied to a stimulation method that not only harmonizes the rhythm of living organs but also controls the occurrence of diseases caused by mutual Pyeonseongpyeonsoi (偏盛偏衰: relative preponderance and weakness) through direct induction of the strength and weakness of Gi function of the oriental five viscera in a human body according to the individual character. Sounds preferred by the patient, the material of an instrument selected by the patient, the character of rhythm and music expressed by the patient and the sound or voice uttered frequently by the patient can be considered in diagnosis and treatments for the patient’s body and mind.

• The Journal of Korean Physical Therapy
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• 제28권2호
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• pp.149-154
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• 2016

Purpose: The aim of this study is to suggest an intervention method for clinical use in the future by analyzing the effect of breathing exercise on activity of sternocleidomastoid muscle and scalenus anterior muscle, which are respiratory synergist muscles, and pulmonary functions in patients with forward head posture. Methods: Prior to the experiment, 12 patients (experimental group) performed feedback exhalation exercise along with conventional deep neck exercise, and 11 subjects (control group) performed feedback deep neck exercise along with conventional deep neck exercise. The intervention programs were performed for 40 minutes once a day (three times a week for four weeks). Results: Before intervention, %RMS was measured for surface electromyography (sEMG), and FVC, FEV1, and FEV1/FVC were measured using a spirometer. After four weeks, these items were re-measured under the same condition and analyzed. In within-group comparison of the experimental group, activity of sternocleidomastoid muscle and scalenus anterior muscle showed a significant decrease (p<0.05)(p<0.001), and forced vital capacity (FVC) showed a significant increase (p<0.05). In within-group comparison of the control group, activity of sternocleidomastoid muscle and scalenus anterior muscle showed a significant decrease (p<0.05), and in between-group comparison, there were significant differences in activity of sternocleidomastoid muscle and FVC (p<0.05). Conclusion: Long-term forward head posture restrains exercise performance of the neck and leads to exercise avoidance of the neck during daily activities, thus restraint factors might be created even while breathing. To cut off this link, a constant effort is required and diversified research on the correlation between neck functions and breathing should be conducted.