• 복식문화연구
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• 제11권4호
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• pp.578-590
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• 2003

The purpose of this study was to analyze the formative characteristics appeared in modem Kitsch fashion which has been shown through the empirical data photogrphes from the 2000's to 2003 and the formative characteristics of Kitsch were divided into the material, ornament, color, pattern to understand the modem Kitsch fashion. The findings of this study could be summarized as follows: First, the modem Kitsch fashion in the material was used cheap, counterfeit materials like vinyl, artificial leather, immitation fur, beads and non-artistic materials like metal, plastic, paper and voluptuous material like seethrough to express eroticism and superficiality as the characteristic of Kitsch. Second, Kitsch fashion in the ornament was shown over-decoration by using the various accessories like bracelet, metal belt, gloves, etc to express as childish and coarse mixtures as the characteristic of Kitsch. Third, the modem Kitsch fashion was using splendid and bright, primary colors to express the image of complicated accumulation. Fourth, the modern Kitsch fashion mainly in the pattern was using ethnic, folklore and pop art pattern or print used hippies and pop art fashion to express the primitive purity as bounding of civilized society.

• Architectural research
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• 제17권4호
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• pp.127-137
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• 2015

A typology study is a comparative study of the physical characteristics of the built environment divided into distinct types such as architecture, culture, and environment. Lao vernacular dwellings were initially created based on the Lao people's behavior in terms of beliefs, traditional culture, lifestyle, and local wisdom with regard to the environment, climate, geography, and materials. The main research method used in this study is a comparative case study of three ethnic dwellings. The multiple data collection tools employed included second source data and primary data to analyze the findings of the unique characteristic typology of Lao vernacular dwellings. The objective of this paper is to compare the cultural and physical contexts, the patterns and origins of settlement, the architecture, the cultures, and the local indigenous knowledge related to the dwellings and settlement of the three main ethnic groups. These three groups are rich in tradition and their documentation is therefore essential for the intellectual history of the society of Lao; this research could therefore aid in enhancing our understanding of the three typologies of Lao vernacular architecture and settlement within the historical and sociocultural contexts of each ethnicity to convey an understanding of Lao vernacular dwellings by analyzing their different types to help identify the differences and similarities among architectural artifacts by recognizing the invisible connections between them, whereby the figurative ornamentation is based on the relationship between man and nature. This study also provides a glimpse of the living culture and characteristic features of Lao vernacular architecture.

• 산업노동연구
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• 제24권3호
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• pp.73-107
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• 2018

이 연구의 목적은 안산지역에서 노동 및 일상생활을 영위하고 있는 이주노동자들의 사회적 관계의 특성을 체류자격 및 법적 지위를 제한하는 상황과의 상호연관 속에서 살펴보는 것이다. 이를 위해, 안산지역에 거주하는 이주노동자들을 대상으로 노동공간인 작업장과 생활공간인 지역사회를 방문하여 설문조사 및 면접 조사를 실시하였다. 안산지역 이주노동자의 사회적 관계는 특정 공간 및 에스닉 커뮤니티에 집중되어 있는 한편, 직장에 따라 유동적이고 일시적인 고용관계 의존적 형태를 보인다. 이를 이 글에서는 '제한된 지역-사회'관계로 규정하였다. 그 특징은 첫째, 직장생활 관계는 동료를 중심으로 형성되어 있다. 상사나 노동조합과 같이 지위에서 구별되는 관계보다는 같은 동료와 고민을 나누거나 개인적인 정보를 교환하는 것을 선호하는 경향이다. 둘째, 거주지 사회 관계에서는 민족적 동질성을 가진 집단, 즉 동포들은 함께 거주하고 있는 가족 및 친족과 유대관계를 형성하는 경우가 많은 반면, 비동포 집단은 지역사회 단체와 상호부조적 관계를 형성하는 경우가 많다. 마지막으로, 체류기간이 안정되었다고 해서 사회관계 역시 안정적이고 다양한 '정주적' 성격을 보일 것이라는 기대는 나타나지 않았다. 온라인(SNS 등)을 통한 연결이 가능해짐으로써, '트랜스내셔널'한 친족적 유대가 현지의 탈지역적 지역-사회관계를 구성하고 있었다.

• 한국콘텐츠학회논문지
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• 제22권7호
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• pp.623-634
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• 2022

중국 조선족 무용은 원형 그대로 전해 내려왔으며, 간혹 인명 또는 지명들이 바뀌면서 일부 무용들이 약간의 변화를 보이기도 하였지만, 한민족의 뿌리에 바탕을 두고 발전시킨 창작무용이다. 따라서 그 유산에는 한민족의 고유한 심리와 정서, 예술적 기호, 창조적 재능이 배어있으면서도 조선족만의 역사와 생활이 반영되어 있는 독특한 형태의 무용예술이다. 이에 본 연구에서는 조선족 무용의 역사적 변천과 시대별 대표작품들을 통해 조선족 무용의 정체성을 알아보았으며, 한민족의 뿌리를 지니고 있는 조선족무용의 특성을 알아보면서 인지도를 높이기 위하여 정체성 확립이 가장 중요하다고 본다. 따라서 본 연구는 문헌들을 바탕으로 조선족 무용의 개념 및 형성과정을 파악하여 조선족 무용사를 4개의 시기로 구분하여 각 시기별 대표작품의 특징에 대해 알아보고자 한다. 이에 본 연구는 중국 조선족 무용은 단순한 춤이 아닌 중국 조선족 무용의 정체성을 확고히 하고 지키는 것이 현시대에 가장 큰 과업이 아닐까 사료된다.

• 한국인구학
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• 제19권1호
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• pp.45-72
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• 1996

이 논문은 중국내 조선족의 출산력 수준을 한족과 비교하고, 이에 관련되는 주요 결정요인들을 파악하기 위한 것이다. 이를 위해 우선 조선족이 19세기 중엽부터 중국의 동북지방으로 이주하게 된 역사와 배경을 기술하고, 지난 반세기 동안 조선족인구의 성장과정과 분포를 살펴보았다. 그리고 조선족의 출산력을 분석하기 위해서 1990년 중국인구센서스의 자료 중에서 길림성과 연변 조선족자치주의 표본자료를 활용하였다. 중국내 조선족인구는 다른 민족에 비해 상대적으로 고령화된 연령구조를 지니고 있으며, 교육수준이 뚜렷하게 높다는 특징을 지닌다. 출산력 수준은 한족이나 다른 소수민보다 현저하게 낮은 경향을 보이며, 이러한 경향은 조선족이 밀집되어 거주하는 지역일수록 강하게 나타난다. 조선족의 저출산력은 개인이나 가구의 인구학적 및 사회경제적 특성이 미치는 영향력을 배제하더라도 그대로 유의하게 유지되는 것으로 밝혀졌다. 또한, 이 연구의 분석결과는 지난 1980년대 후반 이래 중국에서 남아선호관으로 인하여 출생시의 성비가 높아지는 추세임에도 불구하고, 조선족의 경우에는 출생시의 성비불균형현상이 그다지 심각하지 않다는 것을 확인해 준다. 마지막으로, 이 연구에서는 한족이나 다른 민족보다 오히려 높은 수준을 나타내는 조선족의 자녀사망력에 대한 분석이 이루어졌다.

• 패션비즈니스
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• 제8권2호
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• pp.69-90
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• 2004

The purpose of this study is to find the recognition of Korean image fashion design by U.K fashion specialists. U.K is one of the important countries in design field including fashion design since 1960. For this purpose, literature research and focus individual interview research were carried. First, through the researches precedent, it was found that a national image is related with it's design industry and what is Korean image fashion design, were studied. Second, for individual interviews to 13 U.K fashion specialists, who are teaching and researching in University that has postgraduate course over M.A and had industrial experiences from 7years to 22years, were progressed using open questions and visual image stimulus. The open questions were consisted with four parts : personal educational and industrial background, recognitions about oriental fashion, recognitions about Korean image and Korean fashion design before seeing the visual stimulus, recognition about Korean image fashion design and the characteristics of Korean after seeing the visual stimulus. The results are as follows; First, the 12 U.K specialists have recognized 'oriental fashion' is one of important fashion trends now a days. Japan and Japanese designers are recognized as a represented nation and designer in oriental fashion by them. Two of the specialists referred to need changing the term 'oriental' because the term has been used in the sights of western from colonial age and Japanese is not included the oriental any more. Secondly, 11 interviews have recognized nothing about the Korean national image some of them has negative image due to political situation in Korean Peninsula. However 2 interviews who had been Korea before has positive image. In the questions about Korean fashion and Korean fashion designers, 10 of 13 interviews have nothing and negative recognitions. So it was founded that Korean fashion design was recognized as a lower level by U. K. fashion specialists. Thirdly, in the questions about Korean fashion image and the design characteristics of Korean fashion after seeing the visual stimulus, the response was represented two directions. One is about over decorative image through ethnic design and the other is about simple image differ from Japanese. The 13 interviews felt the Korean Image fashion design such like traditional, decorative, opulent, flat cutting, fresh proportion, loose, layering, natural, simplicity, complicate, adventure, easy, stylish, soft, feminine, young image, adult sexy image. The images were analyzed five image groups : adult sexy image, adult ethnic image, natural image, young avant-garde image, young simple casual image. No one preferred the adult sexy image, adult ethnic image and natural image. However 10 interviews preferred young avant-garde group and 13 interviews preferred the young simple casual image. So this group can be understanded and useful informed as one of competitive power in global fashion industry.

• 복식문화연구
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• 제28권4호
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• pp.492-507
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• 2020

This study aims to develop fashion designs that combine atlas fabric with the characteristics of Uygur costume to modernize the costume of the Xinjiang Uygur. Research contents and methods are as follows. First, based on previous studies, research analysis was conducted on the cultural background, clothing characteristics, and material of Uygur clothing. Second, based on such research contents, designs combining the characteristics of Uygur costume and atlas fabric were presented. Third, to analyze the utilization of atlas fabric and examine fabric characteristics, material was gathered from collections on domestic and foreign web sites. Through field explorations of local museums in the Xinjiang area, minority group culture was observed in more detail. Based on collection of traditional clothing and analysis of its characteristics, fashion designs that apply contemporary trends were developed. General silhouettes without any restrictions to the waist and decorations made using embroidery were often used. Atlas silk, developed in China using Ikat weaving methods, is an important traditional clothing fabric of the minority group Xinjiang. Based on such data collection analysis, the produced works highlighted traditional ethnic characteristics by extracting classical patterns of atlas fabric, modifying or partially expanding them, combining them with hand knitting, and adding contemporary sensations, thus providing confirmations of the possibility of popularizing classic patterns in more practical manners.

• 한국의상디자인학회지
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• 제11권3호
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• pp.17-25
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• 2009

The purpose of this study is to help understanding of abstract patterns and to play a guideline's role in the development of designs and the prediction of trends for present and future fashion designers and textile designers. The summary of this study's results is like followings. Formative characteristics of abstract pattern in 2000's fashion are Impromptu, Anti-mechanism, Superimposing, Disorder. First, Impromptu is rebounce against uniformity, mechanism, man-created beauty Second, Anti-mechanism represents unfinishing, unbalance, inaccuracy and relates with each traditional of nation or ethnic group. Third, Presupposing transparency Superimposing offsets each patterns. So Their images are ambiguity, ununiformity, unequality, incompletion, uncertainty and so on. Fourth, Disorder breaks and ignores physical balance, rule, order and so on. These images represent uncertainty, freedom, naturality. From this result, I can interpret that these images are representing of humanism reacting about uniformity, mechanism, man-created beauty, completeness of modernism since the Industrial Revolution.

• 대한가정학회지
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• 제41권8호
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• pp.159-178
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• 2003

The purpose of this research is to analyze the characteristics of colors and color images on fashion web sites, and to provide efficient color informatiom which is useful in color planning and is suitable for brand image on fashion web sites.216 color sample used by 48 fashion web sites were collected and analyzed. The results of this study are as follows; First, dominant colors on fashion web sites are neutral color such as white, gray, black and warm colors such as red, yellow red, yellow. Except blue, cool colors show low usage ratio. Second, the color tones of vivid, strong, light, dull, dark, dark grayish were shown in order. Third, the color images on fashion web sites are casual, modem, romantic, natural, elegant, chic, classic, dandy, pretty, clear, cool casual, dynamic, gorgeous, ethnic and formal.

• The International Journal of Costume Culture
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• 제6권2호
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• pp.117-125
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• 2003

Aesthetics of ugliness enlarged aesthetic field and brought back the repressed, estranged things. Hair style is not an exception. So I intended to examine the contemporary(1995-2002) women's hair styles on the basis of Rosenkranz' concept of ugliness. The results are as follows: First, extrinsic aspect contains formlessness and disfiguration. Among characteristics of formlessness, discord means appearing on a stage with a hair style derailed from our common sense or an incomplete hair style. Asymmetry means hair decoration or hair dressing which violates the principles of design. Disharmony means excessiveness beyond the concept of accent. Disfiguration has characteristics of vulgarity, disgust and caricature, and means cruelty, grimness or ridiculousness instead of pleasing beauty. Second, intrinsic aspect has incorrectness. As minority ethnic groups, estranged classes, children and women which in the previous field of absolute aesthetics were never considered as beauty appeared as subject matters of hair styles, the repressed things returned and a new genre was created thereby enlarging true aesthetic field. Like this, 1 cloud confirm that aesthetics of ugliness organized today's characteristic, peculiar hair styles, and enlarged aesthetic field.