• 한국HCI학회:학술대회논문집
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• 2006.02a
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• pp.219-224
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• 2006

3 차원 입력 장치는 키보드나 마우스 같은 일반적인 입력 장치로는 받아 들이기 어려운 3 차원 입력을 사용자로부터 간편하고 직관적인 방법으로 받아들일 수 있다는 측면에서 활발히 연구 및 사용되고 있다. 또한 햅틱 장치는 가상 물체의 조작에 따른 시각적인 피드백 외에 가상 물체의 느낌을 피드백 힘을 통해 사용자에게 전달해 줌으로써 컴퓨터와 사용자간의 상호 작용에 큰 도움을 준다. 본 논문은 햅틱 피드백이 적용된 실시간 가변형 모델과 효과적인 3 차원 입력에 대한 기반 연구를 하고자 한다. 그리고 이에 대한 한 가지 사례로써 햅틱 장치를 이용한 가상 판화 시스템을 제작 한다. 가상 판화 시스템은 시각 처리 부분과 촉각 처리 부분, 그리고 사용자의 3 차원 입력을 돕는 인터페이스 부분으로 구성되어 있다. 시각 처리 부분은 3 차원 공간 상에서 사용자의 조각에 따른 판화 표면의 변형을 처리하며 촉각 처리 부분은 실제 판화를 제작할 때 느끼는 촉각을 햅틱 인터페이스를 이용하여 사용자에게 전달한다. 이를 위해 먼저 시각 처리 부분에서는 NURBS 기반의 자유 형상 변형 (FFD)기법을 이용하였는데 가상 조각도에 의한 물체 표면의 지역적인 변형을 구현하기 위해 조각도가 닿는 부분에 대해 기조 격자점 (control point)을 증가시켜 원하는 부분에 대한 지역적인 변화를 용이하도록 하였고 다음으로 촉각 처리 부분에서는 S-chain 모델을 이용하였는데 S-chain 모델을 객체 전체에 적용하지 않고 접촉이 일어날 경우 그 접촉점을 기준으로 S-chain 모델을 지역적으로 적용하는 방법을 고안하여 실제 구현에 이용하였다. 인터페이스 적인 측면에서 사용자의 3 차원 입력장치를 통한 인터렉션은 사용자로 하여금 보다 자유로운 입력을 허용하지만 이에 따른 깊이 지각 문제를 발생시킨다. 이러한 문제를 최소화 시키고 사용자의 깊이 지각을 강화시키기 위해 사용자에게 제공되는 시각적 자극을 변형시키고 다양한 정보를 제공하도록 하였다. 가상 판화 시스템은 가상 환경에서 사용자의 조작에 따른 다양한 결과물을 제작 및 출력해 볼 수 있도록 해준다. 또한 가상 환경에서 이러한 기반을 제공함으로써 가상 환경의 장점인 복사, 이동 및 영구 보존 특성을 동시에 얻을 수 있다. 본 논문은 이러한 작업을 위한 기반 기술로써 햅틱 및 가변형 모델, 3 차원 입력 장치에 대한 시각적 인터페이스에 대해 다루고 이 기반 기술을 바탕으로한 가상 판화 시스템의 구현에 대하여 논하고자 한다.

• Conservation Science in Museum
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• v.1
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• pp.75-86
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• 1999

Conservation treatments were done for the gilt bronze saddle accessory excavated from Tomb No. 89 in Kyo-dong, Changnyong in Japanese rule period. The saddle accessory, broken into numerous pieces, was mixed with other remains. Principal aims of conservation treatments were to recover original shape of object and stabilize its material. In the process of treatments manufacturing technique of the remain was examined minutely. Thick layers of corrosion substances were peeled off and numerous pieces were pasted together to restore the original shape. And then the saddle accessory was mounted on an acrylic board to be handled and exhibited safely. In this process, it was confirmed that various ancient techniques of metalic crafts such as amalgam gilding, riveting, piercing, line engraving, stamping, chasing etc. had been used to make the saddle accessory.

• Journal of the Korean BIBLIA Society for library and Information Science
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• v.21 no.4
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• pp.95-105
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• 2010

Kings of many generations in Chosun Dynasty considered the Zhu-Zi's Zizhitongjiangangmu as an important history book. When Sarim appeared to the front of main political arena since Chung jung, it had been common for regional administrator to publish and distribute books with the need for text-type resources. Zizhitongjiangangmu published by Jikji-temple in Kimchun area is a valuable resource that contains the purpose of publishing those books and describes the process of publishing and engraving in detail. The Annals of the Chosun Dynasty and Miamilgi also provides detailed descriptions of the process of how to transfer those woodblock-printed books to the Kyosokwan, which had been engraved by several regions and gathered together into Jikji-temple. Therefore, this research analyzed the contents contained in The Annals of the Chosun Dynasty and Miamilgi and connected them to postscript of Zizhitongjiangangmu published by Jikjitemple in order to identify the characteristics of regional publications in the latter part of the 16th century.

• Journal of the Korean Society of Costume
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• v.50
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• pp.119-128
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• 2000

this study was designed to discuss the pattern of Confucian funeral ceremony and its costumes in Chosun dynasty thereby exploring the ideas and symbolic meanings expressed on them. 1. Male's official mourning dresses were composed of Choieui symbolizing sadness Choisang(최상), Dukun Sangkwan Sujil Yojil Kyodai and mourning stick Female's official mourning dresses consisted of Daersoojangkon and Kaedoo which were of simple kinds as compared to those of males. Duration of wearing mourning dreses was the longest to the death of father husband and eldest son The forms of mouring dresses were one and the same irrespective of the noble and the mean which expressed the sameness of the sorrow full of losting blood relative. Symbol expressed on funeral ceremony costumes were something like "eldestson-oriented" "male-centered" "distinction of the sexes" and "principle of yin and yang" to reinforce vitality to the costumes. 2. In the other funeral ceremony costumes in a royal fami8ly were those Euijangsu in red and blue colors Yeosakon in purple and white colors. Bandsman in Danryung and Guards in Kukonbok Changeui and Hoeui with five colors while the generally of people woere white dress in the ceremony Hoeui with five colors symbolized the principle of Yin and Yang costumes of military uniforms the dignity of the royal family: white dresses grife symbolizing the dignity of a royal family and Confucian sorrow as well 3. Unlike the mouring dresses there were great differences relative to socio-ecpmpomic status in funeral goods for dercoration Soyeo and daeyeo Among the goods the instrument to drive out evil spirites symbolized shamanism the distinction of Soyeo and Daeyeo separation of body and soul; the sculpture of the Lord of Hades and messenger philosophy of buddhistic netherworld: the engraving of blue and yellow dragons in bier and Juksanma the principles of Yin and Yang : elaborate burial accesaries realistic viewpoint of the hereafter.

• Conservation Science in Museum
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• v.5
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• pp.23-30
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• 2004

Buddhist image engraved on the bronze mirror in the Goryo period were conserved in 1986 and 1996, respectively. As the time passed, re-conservation was required that powdered copper corrosion product on the mirror image occurred. Accordingly, additional conservation including stabilization and consolidation were carried out to prevent further corrosion. The powder filled in the line of the buddhist image and the chasing techniques were examined using microscope and portable X-ray fluorescence analyzer. The result showed that composition of powder were gold, silver and calcium(calcite or gypsum). The main chasing techniques used to engrave pattern seemed to be dotted-line, hairline and the kicking-line engraving.

• Journal of the Korean Society of Manufacturing Process Engineers
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• v.15 no.5
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• pp.131-136
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• 2016

Currently, an EDM tapping procedure has comprised some parts of the engraving discharge process for the press die. Usually, tapping has been used in cases where we are unable to mechanically machine using steelwork processes due to an increase in the hardness of a material after heat treatment in relation to a design change or missing process. Here, we analyze the influence of discharge tap shape on discharge time, discharge current, and the number of repetition conditions when a cold-work tool steel (STD11) has been treated with a discharge tapped by a screw-shaped cu electrode. The most important influence on processing condition has been determined to be the number of discharge repetitions. As this number increases, the angle reduction of a thread closes to an angle of the electrode via a power generation reduction. The optimal combination of conditions has been determined to be three discharge repetitions, $180{\mu}s$ of discharge time (same as existing regulations), and 25.4A of peak current. A 0.2749db advantage has emerged after comparing between this combination of optimal conditions and the SN rate of existing regulations.

• Proceedings of the KSPS conference
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• 1996.10a
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• pp.456-463
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• 1996

In this paper, we discussed three cases to see the effects of the characteristics of Hangul writing system. In applications such as computer Hangul shorthands for ordinary people and pushbuttons with Hangul characters engraved, we found that there is much advantage in using Hangul. In case of Hangul Transliteration, we discussed some problems which are related with the characteristics of Hangul writing system. Shorthands use 3-set keyboards in England, America, and Korea. We saw how ordinary people can do computer Hangul shorthands, whereas only experts can do computer shorthands in other countries. Specifically, the facts that 1) Hangul characters are grouped into syllables (syllabic blocks) and that 2) there is already a 3-set Hangul keyboard for ordinary people allow ordinary people to do computer Hangul shorthands without taking special training as with English shorthands. This study was done by the author under the codename of 'Sejong 89'. In contrast like QWERTY or DVORAK, a 2-set Hangul keyboard cannot be used for shorthands. In case of English pushbuttons, one digit is associated with only one character. However, by engraving only syllable-initial characters on the phone pushbuttons, we can associate one Hangul "syllable" with one digit. Therefore, for a given number of digits, we can associate longer words or more meaningful words in Hangul than in English. We discussed the problems of the Hangul Transliteration system proposed by South Korea and suggested their solutions, if available. 1) We are incorrectly using the framework of transcription for transliteration. To solve the problem, the author suggests that a) we include all complex characters in the transliteration table, and that b) we specify syllable-initial and -final characters separately in the table. 2) The proposed system cannot represent independent characters and incomplete syllables. 3) The proposed system cannot distinguish between syllable-initial and -final characters.

• Journal of Korean Library and Information Science Society
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• v.48 no.1
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• pp.267-289
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• 2017

The objectives of this study are to survey publications of the chinese version of surviving to the present day and to analyze their characteristics systematically based on physical bibliographical assessment of its 42 versions. Important findings are following: During the Chosun Dynasty, the largest number(69%) of publication and distribution of was from the Youngrak Version(Ming Books) of "ShiJundaquan", of which reversely engraved editions, typologic editions, and the reversely engraved editions of the typologic editions were found. Among 42 versions, 14 reversely engraved editions are originated from the Youngrak Version. Those from earlier versions to the versions right after ImjinWar were similar to Youngrak Version in morphological characteristics, later some editions were found to be far different from Youngrak Version by repeating the reverse engraving. As for the publication time of , most editions were printed in the 18th century. The publication region of was also examined, Gyeonggi and Gyeongsang regions are the most frequent printing places. Typologic editions were printed mainly at Gyeonggi region, and the reversely engraved editions from Ming Books were printed at Gyeongsang region as Gamyeongbon (the books from Supervisory Office).

• Conservation Science in Museum
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• v.23
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• pp.91-108
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• 2020

This study conducted non-destructive analyses of the material features of seven gilt-bronze crowns of Baekje Kingdom that were excavated in the Cheonan, Gongju, Seosan, Iksan, Naju, and Hapcheon areas. A typical Baekje gilt-bronze crown has a conical inner crown and an outer crown embellished with vertical ornaments on the front and the back, a tube topped with a hemispherical ornament, and other ornamentation. Diverse designs (e.g., dragon, bonghwang, flowers, and plants) were applied using a range of techniques, including repoussé, chasing, openwork, and engraving. Formal features differ among the crowns according to their period of production and site of excavation. The substrate metal of the crowns is either pure copper or mixed copper with a small amount of lead. The crowns were amalgam-plated on the surface with pure gold or gold with a small amount of silver. The crown from Okjeon Tomb No. 23 in Hapcheon in the ancient Gaya region has a high silver content, which appears to be a regional feature. In addition, this crown from Okjeon Tomb No. 23, which can be categorized as Baekje-style gilt-bronze crown, seems to be plated at most three times, while the gilt-bronze crowns found within Baekje Kingdom territory were plated once or twice.

• Journal of Conservation Science
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• v.26 no.4
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• pp.417-427
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• 2010

This study is to examine the manufacturing technique based on scientific investigation and analysis on Steel-Plated Jewel Beetle's Adornment gilt-bronze openwork remains excavated from No. 100 site at Hwango-dong Gyeongju. As a result of the investigation on the manufacturing revealed that riveting was adopted to connect gilt-bronze openwork plates and steel plates, followed by mercury amalgam plating method and carving of the patterns by means of the dotted line engraving technique. There were some traces on the surface of Jewel Beetle wings that show the use of pins for fixing, which seems to be the result of recycling or processing. The sectional analysis shows the high possibilities that varnishing with lacquer was adopted for wing adhesion, and it was confirmed that varnishing with lacquer was used on the strap pendant plate to prevent corrosion.