• 제목/요약/키워드: Emotional Integration

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Components for Early Childhood Horticultural Education Program derived from Expert Delphi Research

  • Jeong, Yeojin;Kim, Mijin;Chang, Taegwon;Yun, Sukyoung
    • 인간식물환경학회지
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    • 제24권2호
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    • pp.119-135
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    • 2021
  • Background and objective: This study was conducted to identify the components of kindergartener horticultural education by deriving objective components of horticultural education using the Delphi survey method, and then to provide basic data that can be used when creating horticultural programs in the regular curriculum. Methods: A total of 32 experts including professors of early childhood education, kindergarten directors, horticultural therapy professors, and horticultural therapists were selected as the Delphi panel. Of the 32 selected, only 29 answered all three rounds of the surveys. For the first round of the survey, an open-ended questionnaire, was used, and in the second and third rounds closed-ended questionnaires were used. Results: Results indicated that under the category of the goals of horticultural education, there were 7 items related to the current problems of horticultural education, 16 items related to the need for horticultural education in the smart age, 18 items related to the direction of horticultural education, and 5 items related to the areas most suitable for horticulture education for young children in the Nuri Curriculum. Results in the category of the implementation of horticultural education indicated that 2 items related to horticultural education hours, 3 items related to the venue for horticultural education, 2 items related to the activity types applicable to the Nuri Curriculum, and 4 items related to the objects of horticultural activities were derived. As the current problems of horticultural education, the following items were identified: event-oriented activity (M = 4.24) and lack of kindergarten teachers' opportunities for systematic gardening education (M = 4.21). The results related to the necessity of horticultural education indicated the following items: education on respect for life through caring (M = 4.59), emotional intelligence and stability (M = 4.55), directly experience of the growth process of plants (M = 4.55), and development of the five senses (M = 4.55). Finally, within the direction of horticultural education: nurturing the desire to live with nature (M = 4.50), and learning about life (M = 4.44) was identified, which had higher averages. Within the areas of the Nuri Curriculum, which is most consistent with horticultural education, nature exploration (M = 4.69) and the integration of all areas (M = 4.59) were derived as priorities. Also, regarding the implementation of horticultural education, the following items were derived as the priority from the expert group: 30-40 minutes (M = 4.14) and 40-50 minutes (M = 4.14) for class periods, outdoor garden in a kindergarten(M = 4.66) for the venue of gardening education, outside play (M = 4.59) for the activity type, and vegetable crops (M = 4.55) for the objects of gardening activities. Conclusion: It is significant that the goal and implementation of kindergartner horticultural education were objectively derived through collecting opinions of expert panels. Based on the results of this study, a horticultural education program for kindergarten teachers should be implemented.

문화기반 마을공동체 정책대상자의 인식, 정서, 역량에 대한 연구 (A Study on the Perception, Emotion and Capacity of Cultural-Based Community's Policy Target Groups)

  • 송안나;김세준
    • 예술경영연구
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    • 제56호
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    • pp.5-38
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    • 2020
  • 본 연구는 문화기반 마을공동체가 어떻게 고유의 공동체 문화를 형성하고, 지속가능한 성숙한 공동체가 되는지 파악하기 위해 정책대상자의 인식, 정서, 역량에 대해 살펴보았다. 공동체의 개념, 공동체 성장요인 및 성장단계, 문화활동, 그리고 정책 집행이론에 대한 선행연구를 살펴보고, 문화기반 마을공동체 사업에 적합한 정책집행 분석모형을 도출하였다. 연구방법은 질적사례연구방법을 채택하였고, 연구대상은 안산 사동 '감골주민회', 안산 대부동 '상동공동체', 안동 신세동 '그림애문화마을'로 문화기반 마을공동체의 성공사례를 선정하였다. 심층인터뷰와 문헌분석, 직접관찰을 통해 얻은 자료를 로버트 인(2009)이 제시한 패턴매칭, 사례통합 분석기법을 활용하여 분석하였다. 연구결과는 첫째, 정책대상자는 공동체 활동을 통해 신뢰와 정서적 친밀감, 소속감을 느끼는 정서적 변화를 겪으며, 지역에 대한 애착심이 향상되었다. 둘째, 정책대상자의 공동체 의식과 공동체 역량이 성장에 중요한 요인으로 나타났다. 공동체 활동을 통해 참여유도, 상호교류, 역량강화, 파트너쉽의 단계를 거치며 성장해나가고 있음을 알 수 있었다. 셋째, 다양한 창의적 문화활동을 통해 스스로를 표현하면서 자신을 재발견하고, 타인과 소통하면서 마을공동체의 공통적 고민과 사회적 문제를 해결하는 경험을 하는 것으로 나타났다. 본 연구는 문화기반 마을공동체에 대한 생태학적 접근 연구를 기반으로 정책집행 분석 모형을 도출하였고, 문화기반 마을공동체의 사례를 분석하여 공동체의 성장 방향성과 실천적 함의를 제시하였다.

117 신고센터 전문상담 요원의 소진에 관한 현상학적 연구 -정부 부처 통합근무 체제 적용- (A Phenomenological Study on the Burnout of Specialized Counselors in the 117 Report Center - Application of the Integrated Working System of Government Departments-)

  • 윤양숙;김은혜
    • 산업진흥연구
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    • 제7권3호
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    • pp.85-91
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    • 2022
  • 현대사회는 삶의 양식 변화에 따라 복잡하고 다양한 분야로 생활 영역이 확대되고 있다. 사람들의 의식도 변화하면서 각종 사회문제가 수반되고 이에 대한 대책도 다방면에서 이루어지고 있다. 특히 학교폭력 문제가 관심 대상이 되면서 정부 관련 부처가 합동으로 신고센터를 마련하고 전문상담 요원들이 피해 신고를 접수하며 상담하고 있다. 상담 요원들은 업무 처리 과정에서 심신의 소진을 경험한다. 따라서 소진의 원인이 되는 요인이 무엇인지 연구하여 효과적인 상담 업무 수행에 기여할 필요성이 제기된다. 본 연구는 2019년 2월부터 2020년 5월까지 117 신고센터에서 근무하는 상담 요원 10명을 대상으로 업무 처리 과정에서 체험한 사실을 면담하고 수집하여 Colaizzi의 현상학적 연구방법으로 분석하였다. 연구의 결과에서 소진 요인은 첫째 '117 신고센터 경험'에서 기관 통합 시기의 상담요원 갈등, 둘째 '소진'에서 전문상담 요원은 정서적 고갈, 비인간화, 성취감 결여 증상 등의 경험이었다. 상담 요원들의 소진 요인을 예방하고 극복하기 위해 사기 증진방안 마련이 필요하였다. 이는 각종 익명의 상담 방식이 활용되는 산업화·정보화 시대에 특수 직종 상담 요원의 근무환경 개선에도 유용한 자료가 될 것으로 기대한다.

융합인재교육 모델로서 과학인형극 프로그램의 과학선호도와 자기주도적 학습능력에 대한 효과 (Effects of Preference for Science and Self-Directed Learning Ability of the Science Puppet Show Program Developed as a STEAM Education Model)

  • 하주일;김경수
    • 한국과학예술포럼
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    • 제21권
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    • pp.437-449
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    • 2015
  • 본 연구의 목적은 연구자가 융합인재교육 모델로 개발한 과학인형극 프로그램의 과학선호도와 자기주도적 학습능력에 대한 효과를 검증하기 위함이다. 학생들을 대상으로 사전, 사후에 각각 동일한 검사지로 검증한 결과, 과학인형극 프로그램은 과학선호도의 감정반응, 가치인식, 행동의지 등 3가지 하위차원 중 행동의지의 과학관련 과제실행의지를 높이는데 효과가 있었으나, 과학선호도의 전반적인 면에는 영향을 미치지는 못하였다. 이는 이미 과학에 대한 선호도가 높은 과학영재란 특성이 반영된 것으로 해석된다. 또한 자기주도적 학습능력에서 인지조절, 동기조절, 행동조절의 3가지 하위차원 모두에 효과가 있었다. 특히 인지조절의 주도적 학습능력, 동기조절의 학습동기, 행동조절의 도구활용, 협업능력에 대한 효과가 높았으며, 남학생보다 여학생에 대한 효과가 높게 나타났다. 이는 학생이 교과 내용을 융합하는 '내용융합단계', 시각화·청각화·퍼포먼스 미션을 스스로 해결하는 '융합미션 단계', 함께 무대작품을 만들어가는 '과정융합 단계' 등 과학인형극 3단계 프로그램의 특성이 자기주도적 학습능력을 높인 것으로 판단된다.

전통화조화의 사실적(寫實的) 표현과 시정적(詩情的) 색채표현 (A Study on Lyricism Expression of Color & Realistic Expression reflected in Oriental Painting of flower & birds)

  • 하연수
    • 조형예술학연구
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    • 제10권
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    • pp.183-218
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    • 2006
  • Colors change in time corresponding with the value system and aesthetic consciousness of the time. The roles that colors play in painting can be divided into the formative role based on the contrast and harmony of color planes and the aesthetic role expressed by colors to represent the objects. The aesthetic consciousness of the orient starts with the Civility(禮) and Pleasure(樂), which is closely related with restrained or tempered human feelings. In the art world of the orient including poem, painting, and music, what are seen and felt from the objects are not represented in all. Added by the sentiment laid background, the beauty of the orient emphasizes the beauty of restraint and temperance, which has long been the essential aesthetic emotion of the orient. From the very inception of oriental painting, colors had become a symbolic system in which the five colors associated with the philosophy of Yin and Yang and Five Forces were symbolically connected with the four sacred animals of Red Peacock, Black Turtle, Blue Dragon, and White Tiger. In this color system the use of colors was not free from ideological matters, and was further constrained by the limited color production and distribution. Therefore, development in color expression seemed to have been very much limited because of the unavailability and unreadiness of various colors. Studies into the flow in oriental painting show that color expression in oriental painting have changed from symbolic color expression to poetic expression, and then to emotional color expression as the mode of painting changes in time. As oriental painting transformed from the art of religious or ceremonial purpose to one of appreciation, the mast visible change in color expression is the one of realism(simulation). Rooted on the naturalistic color expression of the orient where the fundamental properties of objects were considered mast critical, this realistic color expression depicts the genuine color properties that the objects posses, with many examples in the Flower & Bird Painting prior to the North Sung dynasty. This realistic expression of colors changed as poetic sentiments were fused with painting in later years of the North Sung dynasty, in which a conversion to light ink and light coloring in the use of ink and colors was witnessed, and subjective emotion was intervened and represented. This mode of color expression had established as free and creative coloring with vivid expression of individuality. The fusion of coloring and lyricism was borrowed from the trend in painting after the North Sung dynasty which was mentioned earlier, and from the trend in which painting was fused with poetic sentiments to express the emotion of artists, accompanied with such features as light coloring and compositional change. Here, the lyricism refers to the artist's subjective perspective of the world and expression of it in refined words with certain rhythm, the essence of which is the integration of the artist's ego and the world. The poetic ego projects the emotion and sentiment toward the external objects or assimilates them in order to express the emotion and sentiment of one's own ego in depth and most efficiently. This is closely related with the rationale behind the long-standing tradition of continuous representation of same objects in oriental painting from ancient times to contemporary days. According to the thoughts of the orient, nature was not just an object of expression, but recognized as a personified body, to which the artist projects his or her emotions. The result is the rebirth of meaning in painting, completely different from what the same objects previously represented. This process helps achieve the integration and unity between the objects and the ego. Therefore, this paper discussed the lyrical expression of colors in the works of the author, drawing upon the poetic expression method reflected in the traditional Flower and Bird Painting, one of the painting modes mainly depending on color expression. Based on the related discussion and analysis, it was possible to identify the deep thoughts and the distinctive expression methods of the orient and to address the significance to prioritize the issue of transmission and development of these precious traditions, which will constitute the main identity of the author's future work.

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지식이전 선행요인에 관한 다차원 분석: 사회적 자본 이론과 사회연결망 이론의 결합 (Multi-level Analysis of the Antecedents of Knowledge Transfer: Integration of Social Capital Theory and Social Network Theory)

  • 강민형;허용석
    • Asia pacific journal of information systems
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    • 제22권3호
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    • pp.75-97
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    • 2012
  • Knowledge residing in the heads of employees has always been regarded as one of the most critical resources within a firm. However, many tries to facilitate knowledge transfer among employees has been unsuccessful because of the motivational and cognitive problems between the knowledge source and the recipient. Social capital, which is defined as "the sum of the actual and potential resources embedded within, available through, derived from the network of relationships possessed by an individual or social unit [Nahapiet and Ghoshal, 1998]," is suggested to resolve these motivational and cognitive problems of knowledge transfer. In Social capital theory, there are two research streams. One insists that social capital strengthens group solidarity and brings up cooperative behaviors among group members, such as voluntary help to colleagues. Therefore, social capital can motivate an expert to transfer his/her knowledge to a colleague in need without any direct reward. The other stream insists that social capital provides an access to various resources that the owner of social capital doesn't possess directly. In knowledge transfer context, an employee with social capital can access and learn much knowledge from his/her colleagues. Therefore, social capital provides benefits to both the knowledge source and the recipient in different ways. However, prior research on knowledge transfer and social capital is mostly limited to either of the research stream of social capital and covered only the knowledge source's or the knowledge recipient's perspective. Social network theory which focuses on the structural dimension of social capital provides clear explanation about the in-depth mechanisms of social capital's two different benefits. 'Strong tie' builds up identification, trust, and emotional attachment between the knowledge source and the recipient; therefore, it motivates the knowledge source to transfer his/her knowledge to the recipient. On the other hand, 'weak tie' easily expands to 'diverse' knowledge sources because it does not take much effort to manage. Therefore, the real value of 'weak tie' comes from the 'diverse network structure,' not the 'weak tie' itself. It implies that the two different perspectives on strength of ties can co-exist. For example, an extroverted employee can manage many 'strong' ties with 'various' colleagues. In this regards, the individual-level structure of one's relationships as well as the dyadic-level relationship should be considered together to provide a holistic view of social capital. In addition, interaction effect between individual-level characteristics and dyadic-level characteristics can be examined, too. Based on these arguments, this study has following research questions. (1) How does the social capital of the knowledge source and the recipient influence knowledge transfer respectively? (2) How does the strength of ties between the knowledge source and the recipient influence knowledge transfer? (3) How does the social capital of the knowledge source and the recipient influence the effect of the strength of ties between the knowledge source and the recipient on knowledge transfer? Based on Social capital theory and Social network theory, a multi-level research model is developed to consider both the individual-level social capital of the knowledge source and the recipient and the dyadic-level strength of relationship between the knowledge source and the recipient. 'Cross-classified random effect model,' one of the multi-level analysis methods, is adopted to analyze the survey responses from 337 R&D employees. The results of analysis provide several findings. First, among three dimensions of the knowledge source's social capital, network centrality (i.e., structural dimension) shows the significant direct effect on knowledge transfer. On the other hand, the knowledge recipient's network centrality is not influential. Instead, it strengthens the influence of the strength of ties between the knowledge source and the recipient on knowledge transfer. It means that the knowledge source's network centrality does not directly increase knowledge transfer. Instead, by providing access to various knowledge sources, the network centrality provides only the context where the strong tie between the knowledge source and the recipient leads to effective knowledge transfer. In short, network centrality has indirect effect on knowledge transfer from the knowledge recipient's perspective, while it has direct effect from the knowledge source's perspective. This is the most important contribution of this research. In addition, contrary to the research hypothesis, company tenure of the knowledge recipient negatively influences knowledge transfer. It means that experienced employees do not look for new knowledge and stick to their own knowledge. This is also an interesting result. One of the possible reasons is the hierarchical culture of Korea, such as a fear of losing face in front of subordinates. In a research methodology perspective, multi-level analysis adopted in this study seems to be very promising in management research area which has a multi-level data structure, such as employee-team-department-company. In addition, social network analysis is also a promising research approach with an exploding availability of online social network data.

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동학농민혁명 기념공원 설계공모에 나타난 메모리얼 설계 경향 (A Study on the Design of Memorial in the Design Competition for Donghak Peasant Revolution Memorial Park)

  • 이진욱;성종상;손용훈
    • 한국조경학회지
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    • 제45권3호
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    • pp.66-79
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    • 2017
  • 기념성을 구현하기 위한 형태와 기법들이 다양하게 나타나는 가운데 지난 2014년 동학농민혁명 기념공원 설계 공모가 진행되었다. 이는 집단의 기억을 강요하던 기념(記念) 사업에 대한 재고의 과정이며, 현재 우리나라에서 계획하고 있는 메모리얼 설계에 대한 동시대 설계가들의 인식을 고찰할 수 있는 의미 있는 소재이다. 본 연구는 동일한 대상지에서 이뤄졌던 동학기념사업들에 대해 시계열적으로 그 형성 배경을 살펴보고, 기존의 문헌 연구 등을 통해 설계공모를 분석하는 과정을 거쳤다. 이를 통해, 과거 정치적 목적의 수단으로써 조성되던 기념물이 공개공모를 통해 다양한 의견 수렴과 형태를 모색하는 방향으로 변하였음을 알 수 있었다. 다층적 분석을 통해 마련된 분석의 틀은 일상성, 상호작용 및 자발성, 추상성, 임시성, 장소성, 통합성 그리고 조화성이다. 이를 통해 본 결과는 다음과 같다. 첫째, 일상 속에서 기념성을 전달하기 위해 기존의 특수성을 갖는 산재한 기념공간들을 일상적 활동 프로그램과 연계하였다. 둘째, 기념물과의 상호작용을 위하여 직접적인 참여와 감성적인 체험 방법을 사용하였다. 셋째, 추상적 재현을 위해 색상, 수직요소, 군집화, 공원의 틀 조작 등의 기법을 사용하였다. 넷째, 임시성과 변화성을 추구하기 위하여 식물을 이용한 애도의 방식과 물리적 변화가 가능한 건축물과 구조물들을 도입하였다. 다섯째, 대상지를 장소성이 있는 공간으로 만들기 위하여 과거 지형을 복원하고, 현장의 모습을 재현하였다. 여섯째, 기존 기념물들과의 연계성을 증진시키기 위하여 순환동선과 축선 조작 기법을 사용하였다. 일곱째, 주변과의 조화를 위하여 지형에 순응하는 동선과 건물을 배치하였다.

지역사회 말기질환자 가족 부담감에 관한 연구 (A Study of Family Caregiver's Burden for the Terminally III Patients)

  • 한성숙;노유자;양수;유양숙;김석일;황희경
    • 가정∙방문간호학회지
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    • 제10권1호
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    • pp.58-72
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    • 2003
  • The purpose of this study was to describe the perceived burden of the terminally III patients's caregiver and to analyze relationship between the perceived burden and the various demographics, illness characteristics, family relationships, and economic factor of the family & patients. The sample of 132 caregivers who care for the terminally III patients Kyung-Gi province, Seoul, Korea. The period of this study was from August to September, 2002. The perceived burden of the family caregiver was measured by the burden scale(20 items, 4 point scale) developed by Montgomery et al. (1985). The Data was analyzed using SAS-program by t-test and ANOVA. The results were as follows; 1. The mean of the family caregiver's burden score was 3.02. The score showed that caregivers perceive severe the level of burden. The hight items of the family caregiver's burden were' I feel it is painful to watch patient's diseases'(3.77). 'I feel afraid for what the future holds for my patients'(3.66), 'I feel it reduced to amount of privacy time'(3.64). 2. The caregiver's burden was significantly related to patient's gender(F=3.17, p= 0.0020), patient's job(F=2.49, p=0.0476), caregiver's age(F=4.29, p=0.0030), and caregiver's job(F=2.49, p=0.0476). 3. The caregiver's burden according to illness characteristics showed no significant difference. 4. The caregiver's burden was significantly associated with patient's family relationship (F=4.05, p=0.0041), patient's care mean period in a day(F=47.18,

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라캉의 시각의 타자성(대상 a)에 근거한 만화비평으로서의 주체와 응시 : 강도하의 큐브릭을 중심으로 (Cartoon Criticism; The subject and the gaze based on Lacan' s theory otherness of vision : focusing on KUBRICK of Kang, Do-Ha)

  • 양승규
    • 만화애니메이션 연구
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    • 통권26호
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    • pp.79-108
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    • 2012
  • 본 논문은 라캉의 다원적 시각세계인 시각의 타자성에 근거한 응시의 개념을 만화에 적용하여 만화를 해석하고 분석하여 비평할 수 있는 기제로서의 가능성에 대해 모색하는데 그 목적이 있다. 만화라는 매체가 그림과 언어라는 상징적인 요소로 이루어진 시각세계라는 점은 단지 법과 질서의 제1시니피앙으로서 작용해 주체의 욕망을 억압하고 통제하는 것이 아니라 주체를 빛의 지점에서 응시하여 가시적 세계에서 볼 수 없는 비가시적 세계의 결여 지점을 제시하고 욕망을 분출시키는 타자로서 기능한다. 결여의 주체, 욕망의 주체로서 실재를 맞이하는 응시가 컨템포러리 아트에서 경향을 분석하고 비평의 중요한 잣대로 작용한 점과 만화 역시 응시를 작품 속에 융화시켜 표출한다는 점은 예술작품과 만화는 동일선상에 놓여있음을 반증한다. 본고에서는 오랜 기간 동안 인디 만화계에서 활동하며 쌓아올린 실험정신으로 인해 모호하고 난해한 형식을 구조화한 강도하 작가의 작품들 중에 "큐브릭"을 중심으로 비가시적 세계를 의미화 하고자 했다. 하여 "큐브릭"을 해석하고 분석함에 있어 라캉이 이론화한 시각세계에서의 욕망의 원인이자 대상인 응시를 은유와 환유, 모호적 상황표현, 의도적 감정적 오류, 개별성과 통합성의 구조, 의미가 초과되어 표출되는 긴장 등을 제시하였다. 작품에 등장하는 인물들이 서로의 존재를 표현하는 응시, 작가가 독자 혹은 대중들을 응시하며 드러내고자 했던 결여의 지점으로서의 응시, 비평가나 독자가 작품을 보고 작품의 이면을 분석하고 비평하는 응시 등 다양한 방법으로 응시의 개념을 활용할 수 있지만 가장 중요한 것은 욕망의 법을 배반한 주체에게 난폭하고 잔인한 실재가 가면을 쓰고 유희의 놀이를 하도록 하는 장소인 스크린으로서 기능을 하는 만화에 분석과 비평의 눈으로 바라보고 표출하는 작가의 응시이다. 이는 만화가 단지 시각세계에 머물러 재미와 흥밋거리로만 전락하는 것을 억제하고 당당히 예술의 길로 진입할 수 있도록 하는 요인으로 작용할 것이다.