• Journal of the Korean Institute of Rural Architecture
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• v.5 no.2
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• pp.20-32
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• 2003

In this study, I grasped the actual conditions of folk exhibition hall in Chungbuk area. From this data I researched basically as the fundamental role of regional museum, eco-museum core center facilities, the connection with islanded and various inheritances, and central facilities whole area to the museum. And I could get following conclusion. First, on the studied result of folk exhibition hall in chungbuk area, it is not enough the activity of unearthing, collection, study etc. that is basic activity of the museum because the museum just permanently displayed historical contents of the area and simple life folk data. Second, add to existent museum concept and have to widen viewpoint to the museum which whole area is no roof, and utilize folk exhibition hall as the central facilities. Specially, there are a lot of difficulties to communicate information to visitors because of the absence of cultural heritance exponent. So a plan that local resident participate actively in museum activity may have to be considered. Third, the concept of inheritance limited in historical culture of area has to be widening by nature and industry etc. And we should keep up study that is the linked plan to scattered conservation remains, inheritance and tourist place in area.

• Journal of the Korean Institute of Rural Architecture
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• v.11 no.1
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• pp.67-74
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• 2009

A new possibility for helping regional residents to establish the identity based on the history, culture and environment of the region and harmonizing art and culture in daily life can be seen from eco-museum. Unique cultural inheritances for each region exist not only in our nation but everywhere around the world, and Cheonan region is continuously attracting tourists from other regions as a home of the Independence Hall, Yu Gwan Sun Memorial, and live branches of independent activists with important inheritances such as tourist attractions and national treasures. However, despite unique environment of the region and inheritances with high academic values, lack of basic guides and explanations place the region in an environment that is difficult to approach. The purpose of this study is to systematically investigate regional inheritances based on the concept of eco-museum as an alternative for such problem recognition and to examine problems of inheritances scarred around Cheonan region based on their current status. The author of this study aims to analyze the investigated regional inheritances, rearrange their values and suggest possibilities for continued preservation and utilization.

• Proceedings of the Zoological Society Korea Conference
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• 2003.08a
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• pp.121.3-121
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• 2003

No Abstract, See Full Text

• Korean Architects
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• s.492
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• pp.56-61
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• 2010

• Korean Institute of Interior Design Journal
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• v.21 no.1
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• pp.220-227
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• 2012

After The Ramsar Convention took place in Korea in 2008, public interest in environment heightened, and the government has been allocating its budget for conserving our environment. Therefore, the present study focuses on eco-friendly spatial images particularly shown in ecological museums in Korea which recognizes the value of the environment and the ecology and tries to both protect them and alert people about it. The purpose of this study is proving what consist of eco-friendly spatial images by analyzing the expressive word of eco-friendly images and the image of space, providing a basic data for future space planning of ecological museums. To do this, the present study proceeds in three steps. First of all, the base of research in analyzing stage is firmly established by grasping general theories and terms regarding spatial image. As a second step, the composition and the characteristics of exhibition is clarified through on-spot investigation to provide comparative data for spatial image assessment in the future. Also through this step, we could understand how the exhibits are designed currently. In the last stage of research, expressive words regarding eco-friendly spatial images are extracted and used to analyze the spatial image of ecological museums. And the following three conclusions is deduced. First, the expressive words of eco-friendly spatial image that are extracted are as following: "healthy", "coexisting", "clean", "blending", "warm", "soft", "lively", "pure", "cool", "fresh ", "comfortable", "relaxed", "mild", "free", "harmonious", and "healing". As the second conclusion, color, and material, the formation which is an architectural factor did not have a great impact on forming eco-friendly image, but the color and the material did. The third conclusion was that the display with natural aspects actively utilized increased eco-friendly spatial image.

• The Journal of the Korea Contents Association
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• v.19 no.10
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• pp.137-145
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• 2019

Eco-museums can be called "living museums" without walls covering specific areas. Eco-museums protect, preserve and display the integrity, completeness and protozoic of nature and cultural heritage, and emphasize the organic relationship between people and heritage. In 1971, the concept of "ecomuseum" was presented by Frenchman George Henry Rivier. "Environment" includes natural and human life. It then spread to Canada, Britain, the United States and China[1]. The first Ecological Museum and the concept of this study, the existing literature, high and each Su donghai, Hu chaoxiang and Liviere selects, six in the study of factors. Museum was analyzed by the ecology of the frame of analysis of several countries. According to the analysis results, the frame of this theory will not only be applicable to the research of the ecological museum in the ecological museum, but it will also be able to use this theory frame for the analysis of the ecological museum in China's minority areas in the future.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2007.05a
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• pp.77-78
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• 2007

This project has been designed for people to experience and understand the process, importance and benefit of coal fire plants. As the biggest and first typical Korean fire plant using coal, Boryeong fire plant has had important roll for the Korean industries. Even so, people has had wrong prejudice for the fire plant in terms of environmental protection. To do these kind of rolls, this museum has been designed with theme, "Boryeong fire plant mating symbiotic relationship between nature, human and technologies." The space was zoned with five major themes: i. circulation of energy in nature, ii. electric power and eco-fire plant, iii. future energy, iv roll for future of environment, v. Korea as the leading energy industry. The design has been developed focused on spatial experiences to make 'Design Sequence' with linear circulations haying several important destinations. The interior has been finished with minimal color and materials projected by big sized movie and various LED movie system. Concept of appordance has been used to make interactive experiences between exhibits and visitors.

• Proceedings of the Zoological Society Korea Conference
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• 2003.08a
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• pp.50-50
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• 2003

No Abstract, See Full Text

• Journal of the Korean Institute of Rural Architecture
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• v.4 no.3
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• pp.39-52
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• 2002

Some projects being in force by the Ministry of Government Administration & Home Affairs and the Ministry of Agriculture & Forestry for farm village area activation offers experience activity of various form to city dwellers, and to farm village inhabitants, affirmative effect is expected in aspect that activation becomes possible for a lot of visitors. But, to farm village(rural district) area activation that huge budget and effort carried out successfully, there are some items that specialist, administration and the persons concerned must inspect together now. First, to project for farm village area activation succeeds; leading participation of inhabitants should be premised. Second, that stagnated economy revives is as rightful result that appears in case farm village area activation effort succeeds. But, can drop more highlights like the value pursuit of life in case put success or failure of all businesses in income enlargement. Third, because inhabitant cultivates own in making process, the attachment and pride for area can be inculcated. Doing not become focus is set to economical logic to do, the heritage of area as well as history culture, must consider that apply eco-museum concept that magnify nature heritage and industry heritage. Fourth, actually the plan period given usually is too shortly than received huge budget. Furthermore, in case it carries out by desirable inhabitants leading type so. Project that not consider the period that is cost to the statement of inhabitants' active opinion and finding out a point of compromise may be hard to get desirable result.

• 지역과문화
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• v.6 no.2
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• pp.49-76
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• 2019

The purpose of this paper is to reorganize the role of ecomuseum which establishes the identity of local communities and preserve the tangible and intangible inheritance and relics of the region, and to propose the sustainable development measures of the ecomuseum. Therefore, in this paper, three factors for the continuous development of the ecomuseum are as follows: First, establishment of an ecomuseum centering on local communities. Second, research on the program development for voluntary participation of local people. Third, we proposed the construction of ecomuseum network that can help to manage and publicize the ecomuseum. Therefore, the program of the ecomuseum presented in this paper can be useful for the concrete development of the ecomuseum which is suitable for domestic reality.