• The Journal of Korean Medicine Ophthalmology and Otolaryngology and Dermatology
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• v.27 no.2
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• pp.51-63
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• 2014

Objectives : Reaserch on ophthalmology drawings in Euibangyoochui reveals the medical historic flows of the theory of ohryun-palgwak that is representative theory of ophthalmology. Methods : Ophthalmology drawings are divided into ohryun-palgwak drawings and eye disease drawings. Four picture of ophthalmology drawings in Euibangyoochui are shown in the books of suwolnobangyung, seeuidekhyobang, suyeoksinbang. Results : Ohryun drawing which describes the relationship between eyes and five viscera mentioned in lingshu. This is based on the theory of five elements. Palgwak drawing shows the combination palgwak theory and the eight trigrams of iching. Conclusions : In Korean Medicine theory of the eye, the diagnosis of eyes could be diagnosed eye disease and diseases of five viscera and six entrails. Each parts of the eye are reflected disorders in the five viscera and six entrails. Ophthalmology drawings in Euibangyoochui explains well these theories.

• (The)Study of the Eastern Classic
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• no.35
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• pp.471-498
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• 2009

The aim of this study is to see how bamboo paintings developed and what is the iconographical meaning of them through bamboo Ti-hua-shi(poems on paintings) found in Sheng-Hua-Ji, a leading compilation of Ti-hua-shi(poems on paintings) of Song Dynasty. Bamboo paintings give shapes in a simpler and more direct way in drawing, which means bamboo paintings reveal concretely more characteristics of Ti-hua-shi (poems on paintings). Bamboo paintings, which flourished during Northern Song Dynasty, often had the image of the dragon, specially a lying dragon or a winding dragon, which suggests a great man in obscurity. Snow-laden bamboos were also a symbol of a great man, very wise man in Confucian tradition. This shows Confucian ideal examples were embodied through bamboo paintings. Another aspect of bamboo paintings is that bamboo paintings were regarded as a means of self-expression, which identified Confucian sadaebu (scholar-officials) who advocated simplicity and austerity in their life. Contrary to professional painters, who added color and decoration to their paintings, Confucian scholars of Song Dynasty reduced color and embellishment in their bamboo paintings in black-and-white to reveal their own identity, focusing on spirituality rather than the image itself. Therefore, drawing and appreciating bamboo paintings were highly respectable pastime among the literati of Song Dynasty. In short, Bamboo paintings in Song Dynasty were not only a Confucian symbol of a wise and virtuous man but also reflected the taste of Song sadaebu class who thought of bamboo as a symbol for moral and cultural responsibility of Confucian society.

• The Journal of Korean Medical History
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• v.22 no.1
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• pp.81-89
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• 2009

Drawings are images or shapes of objects expressed on a flat surface using lines and colors. They not only make literal interpretations whole, supplement their meaning, but also expand them as well. Within the texts of , a total of 19 drawings can be found. Considering the position of in the history of oriental medicine, research on these drawings hold much importance. There are 19 diverse drawings in . As a result of thorough examination on these drawings, several characteristics could be found. First, out of the 19 drawings in , six are about diagnostics, which are 明堂部位 觀形察色圖 三關 圖 五輪之圖 八廓之圖 六部脉圖. Next, 身形臟腑圖 and 五臟圖 have to do with the viscera and bowel theory. 五行盛衰圖 十干 起運圖 十二支司天訣 are about the five circuits and six qi, while 催生符 and 安産方位圖 are drawings related to obstetrics and gynecology. Lastly, 九宮圖 and 九宮尻神圖 can be found in the acupuncture and moxibustion chapter. As a result, we can roughly categorize the drawings of into diagnostics, viscera and bowel, five circuits and six qi, obstetrics and gynecology and acupuncture and moxibustion. This research is on two drawings of 明堂部位와 觀形察色圖.

• Cartoon and Animation Studies
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• s.5
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• pp.460-465
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• 2001

글과 그림 사이에서 진동하는 상호보완적 절층주의로부터 벗어나, 텍스트와 이미지의 벽을 넘어서서 신개념의 그래픽 문법으로 형성되는 ‘제3의 지지체(支持體, referance)'이길 바란다. 더 나아가서는 새로운 장르 개념의 ’참조들${\cdot}$frame work'이 조성되길 바라며 작업을 지속한다. 그 방버론의 적용으로는 보여지거나 인식되는 사물과 사태를 ‘서사적 조망${\cdot}$Narration View'으로 회유하여 서사묘${\cdot}$Narration Drawing, 혹은 서사회${\cdot}$Narration적 담론과 리사이틀의 체계를 구축하고자 한다. 따라서 나의 작업은 개념도 실재(행동)도 아닌 양자의 삼투막(?透幕)과도 같은 것으로 최소한의 표현, 그리고 그에 상응하는 선택과 결정이 주어지게 된다. 마치도 ’평면조건‘위에서 글도 아닌 도상적 스키마의 조그마한 끄나풀 하나를 붙들고 연명하는 미물의 절실함이 그것이리라. 또 한편에서는 글이기도 그림이기도한 한 ’이코노텍트성 Iconotextuality'의 보편적 열람성과 보존성의 현전의 세속적 희열과 자유로움을 느낀다. 일품 회화의 오리지날리티로 벗어나 ‘원고개념’을 전제한 작품제작의 출발은 A4 배상용지 위에서 실현된다. 끊임없이 증식되는 생물학적 상상력의 구축은 매카닉한 기계류의 반복과 중첩 이미지, 확대와 축소의 개념적 확산, 용품과 도구 tool character에 의한 드로잉의 산출 및 페인팅의 점착성으로 이어진다. 실제의 프레임과 패널, 액틀을 쓰지 않는 연유는 좀더 벽에 밀착하여 붙이기를 원하기 때문이다.

• Proceedings of the KIEE Conference
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• 2009.07a
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• pp.10_11
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• 2009

최근 배전자동화시스템의 도입으로 배전 계통도를 이용한 원격감시 및 제어가 가능하게 되었다. 그러나 배전자동화시스템에 사용되는 계통도는 국가기본 지형도상에 전력설비의 심볼을 그려 넣은 것으로 운전상황에 따라 변경되는 계통의 연결 관계를 정확히 파악할 수 없다. 배전자동화시스템에서 사용되는 단선도는 사람이 작성하고 저장하여 사용할 수도 있고 컴퓨터로 필요할 때마다 새로 작성 할 수도 있다 전자의 경우 배전계통이 변경될 때 마다 단선도를 다시 그려야한다는 문제점이 있기 때문에 본 논문에서는 설비의 연결정보를 기반으로 하여 회선별단선도를 자동으로 생성하는 알고리즘을 제시한다. 이와 같이 생성된 단선도를 배전자동화시스템에 적용한다면 보다 효율적으로 배전계통을 운영 할 수 있을 것이다. 본 논문에서 제시하는 알고리즘들의 유용성을 검증하기위해서 모의 배전계통을 구성하고 회선별 단선도 자동생성 시뮬레이션을 수행하였다.

• Proceedings of the Korean Institute of Information and Commucation Sciences Conference
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• 1998.05a
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• pp.87-91
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• 1998

본 연구에서는 통신망 관로도상 정보의 자동인식 및 사용자의 반자동 입력으로 전자 통신망 도면을 작성하고 통신망의 설비정보를 관리자에 의해 입력하여 데이터베이스화하고 통신망 설비의 관리에 이용할 수 있는 시스템을 개발한다. 이를 위해 먼저 손으로 작성된 관로도에서 버튼 업(botton up) 처리로 범례정보에 속하는 기호 정보와 선로 정보를 자동인식하고 기타정보는 사용자가 반자동 입력하여 이를 기초로 새로운 전자 통신망 관로도를 작성한다. 또한 통신망 설비의 관리에 기초가 되는 문자정보는 관리자의 요구에 따라 입력하여 통신망 설비의 관리에 사용할 수 있도록 데이터베이스화 만다. 본 방법에서는 통신망 관로도가 갖는 사전정의 충분한 이용과 기타 정보의 반자동 입력으로 도면의 복잡도에 관계없이 자동화된 도면을 얻을 수 있다. 또한 설비정보는 관리자에 의해 반자동으로 추가되어 관리되므로 통신망 설비를 용이하게 관리하는 기초가 된다. 시스템 구축을 통하여 그 결과를 고찰한다.

• The Korean Journal of Emergency Medical Services
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• v.6 no.1
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• pp.103-128
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• 2002

As a result of trying the various manufacturing methods considering the reality of manpower and equipments with this manual, the following standardized procedures and contents can be suggested. (1) Since tools presenting Rock-Drill data must formalize the order of explanation although explainers are different, it will be valid that it is configured by existing power point method rather than by web document type. Composition of contents are selected on the basis of defence card and survey and then 8 items including initial screen, peripheral conditions, mobilization route, general conditions, use and structure by floor, department of vehicle consideration in activities and end screen are included. (2) Making methods and cautions of data included and used in power point are as follows ; - It was most effective that objects of fire fighting and location of neighboring fire fighting water were expressed by electronic map and drawing of inner building was made by scanning it after paining general architecture drawing(plan by each floor) rather than using drawing tools of EXCEL program or CAD drawing. And it was helpful to simplify contents of architecture drawing to wall, stairs and gate in understanding them. - Photographing of video data should be taken to show available fire fighting facilities in fire, use of planned space and the whole inner structure of each floor from the inside of fire fighting buildings and to display play time between 10 sec. and 1 min, for obstacles to distance from adjacent buildings or passage of special vehicles and fire fighting water from the outside of the building. - File format of video data taken in this way is most suitable to use wmv(window media video) or asf(advanced streaming format) type in consideration of time required for export, screen quality, file capacity and play type in Rock-Drill through network. - Still screen(photo) is more effective to express the department of fire fighting vehicles or other equipments than using video. (3) In configuration work of power point, hyper link was used most and configured to see any part at any situation like web document and then uniformity of presentation order of power point was complemented. (4) In case of sales facilities with the area of $35.557m^2$, the time of 22 hours and 30 minutes for five days was taken with five persons. Therefore, when eight-hour works a day were calculated, the whole process of video work for Rock-Drill can be finished with three day works.

• The Journal of the Korea Contents Association
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• v.17 no.7
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• pp.22-30
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• 2017

CGI not only performed a crucial role to make cinema and animation evolved into digital cinema and digital animation but also CGI, an important visual format, settled realism-centric spectacle image culture in public commercial cinema and animation. The fact that CGI visual format could be structuralized in three different view points is discovered through Iconicity, photorealism, verisimilitude, uncanny valley, hyperrealism, and spectacular realism discourse research which explain image culture. First, a formative viewpoint that comes up in an iconic difference between drawing and photograph. Secondly, a cognitive viewpoint that sees visually perceived naturalness and abnormality as a realistic probability issue. Lastly, a customary viewpoint which is rooted in aesthetic tradition of cinema and animation. After that, the features of CGI which is used in the movie 'jungle book'(2016) were analyzed using the structured visual format. Consequently, this movie has hyper-realistic photographic iconicity on the base of realistic probability. Also, by following image-aesthetic convention which uses overstated and amplified narrative as a visual format, at the same time, the movie also has sufficient image-aesthetic convention in animation by personified animal character.

• Journal of the Korea Academia-Industrial cooperation Society
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• v.14 no.9
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• pp.4532-4541
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• 2013

With speed up of railway, the demand for safety of the railroad transportation is on the increase in Korea's conventional railways. In additions, freight trains with heavier axle load are required to run conventional railways. In order to solve these requirements, the increase of rail weight and the application of long rail system have been underway in conventional railways. However, the research on ties that is absolutely influencing the track stiffness in ballasted tracks has not been much progress. In this paper, the new H-typed tie is developed to increase the track stiffness and reduce the track irregularity. And from the structural analysis by FE program, the intial design drawing of the new H-typed tie is proposed.

• Korean Journal of Heritage: History & Science
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• v.57 no.2
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• pp.80-100
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• 2024

This paper investigated the major history and reality of iconological composition for Jagyeongjeon Hall's flowered wall in Gyeongbokgung Palace, which was controversial in terms of preservation and management of cultural heritage. While analyzing the moment and cause of the flowered wall's renovation as it is now, modified or disappeared patterns were identified, and meaningfully misinterpreted congratulatory phrases were reviewed. The research results can be used as meaningful basic data when discussions are made for the restoration of the wall in the future. Jagyeongjeon Hall's flowered wall has reached the present day with large and small changes, but the inflection point that had a significant impact was the Joseon Expo (朝鮮博覽會) held at Gyeongbokgung Palace in 1929. This is because the wall that remained in the Jagyeongjeon Hall area was demolished to build an exhibition hall while preparing for the expo, and it was restored after the end of the event. It is highly likely that the modification or disappearance of the patterns constituting Jagyeongjeon Hall's flowered wall was also due to the restoration process carried out after the expo. There is a view that was transformed into its current state in the process of repair work carried out after the Korean War, but it is difficult to find any meaningful circumstances and evidence. Currently, character patterns known as 'Seongnidori(聖人道理)' are arranged on the inner wall of the section from Gyeongdomun Gate(擎桃門) to Yeogangmun Gate(如岡門), but considering the design form and example, it can be read as 'Seongjasinson(聖子神孫)'. The inner wall of the section from Yeogangmun Gate to Yeonsumun Gate(燕壽門) was originally made in the form of a flowered wall, and the phrases presumed to be 'Gyegyeseungseung(繼繼繩繩)' and 'Cheonse(千世)' were arranged. In the case of the section from Yeonsumun Gate to Hamgyumun Gate(含奎門), the inner wall where the pattern has disappeared is originally composed of geometric and character patterns, and there were also phrases specified as 'Cheonsu(千壽)' and 'Mansemansu(萬世萬壽)'. On the outer wall of the section from Yeonsumun Gate to Hamgyumun Gate, there is a possibility that the phrase known as 'Nakgangmanse(樂彊萬歲)' can be read as 'Cheonsemanse(千歲萬歲)'. In addition, the current outer wall was composed of one drawing board, but in the past, two drawing boards were composed separately.