• Proceedings of the IEEK Conference
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• 2002.07a
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• pp.454-457
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• 2002

In this paper, we proposed digital audio watermarking algorithm for high quality audio. Nowadays, digital watermark used to confirm to digital copyright protection, not only digital image but also digital audio is active in the digital watermarking study. In this paper, we proposed digital audio watermarking algorithm using psychoacoustics model and MDCT/IMDCT (Modified Discrete Cosine Transform/Inverse Modified Discrete Cosine Transform) for the high quality audio watermark. In the proposed scheme, we used to 441KHz, 128kbps and stereo audio data for audio watermarking algorithm. Audio data is passed by MDCT; watermark can be inserted into the frequency domain with 256,1024 and 2048 interval.

• Journal of Broadcast Engineering
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• v.6 no.1
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• pp.3-12
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• 2001

Over the last few years, digital audio watermarking has become an interesting issue In many application areas, including digital broadcasting. This is primarily motivated by a need to provide copyright protection of digital audio content. Digital watermarking is a technique to embed copyright or other information int? the underlying data. Several possible audio watermarking techniques have been developed including spread spectrum watermarking, echo watermarking, phase coding, and patchwork. In this paper, we describe some requirements of digital audio watermarking as a tool for copyright protection of broadcasting content, and compare popular audio watermarking algorithms in some significant aspects.

• Proceedings of the IEEK Conference
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• 2000.06c
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• pp.125-128
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• 2000

In this paper, we proposed the high quality digital audio watermarking algorithm in the frequency domain. The spread spectrum technique is used to encrypted a stream of information by spreading the data as much of the frequency spectrum as possible. It's technique adapt well to data hiding in audio signal. We have used the perceptual model and MDCT/IMDCT for the high qualify digital audio watermarking. The proposed watermark algorithm preserved high quality audio data from watermark signal.

• Journal of the Institute of Electronics Engineers of Korea CI
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• v.39 no.3
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• pp.53-61
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• 2002

In this paper, the authors proposed the digital audio watermarking algorithm for a high quality audio. Today, the digital watermark is used to confirm to the digital copyright protection, not only the digital image but the digital audio study is an activeness in the digital watermarking area. Especially, the watermark insertion in the digital audio area affects deeply not only a robustness but the audio quality of the watermarked audio data. Generally, the audio watermark is inserted in the frequence domain after FFT, the quality of audio data is affected by the watermark insertion. Thus, a high quality audio to be maintained at the same time, the study related a inserting of the robustness watermark happened to a hot issue. In this paper, the authors proposed the digital audio watermarking algorithm using psychoacoustic model and MDCT/IMDCT (Modified Discrete Cosine Transform/Inverse Modified Discrete Cosine Transform). In the proposed scheme, the authors experimented the stereo audio file with 44.1KHz, and 128kbps for the audio watermarking algorithm proposed. When the audio data is processed by MDCT, the watermark is able to insert into the frequence domain with 256, 1024 and 2048 interval. In case of 50㎳ RMS window, it was confirmed that the difference between the original audio data and the watermarked audio data of RMS power is 0.8㏈.

• ETRI Journal
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• v.24 no.3
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• pp.181-189
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• 2002

Digital watermark technology is now drawing attention as a new method of protecting digital content from unauthorized copying. This paper presents a novel audio watermarking algorithm to protect against unauthorized copying of digital audio. The proposed watermarking scheme includes a psychoacoustic model of MPEG audio coding to ensure that the watermarking does not affect the quality of the original sound. After embedding the watermark, our scheme extracts copyright information without access to the original signal by using a whitening procedure for linear prediction filtering before correlation. Experimental results show that our watermarking scheme is robust against common signal processing attacks and it introduces no audible distortion after watermark insertion.

• Proceedings of the Korea Institutes of Information Security and Cryptology Conference
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• 2001.11a
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• pp.464-468
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• 2001

In this paper, we propose a robust watermarking technique that accepts time scaling, pitch shift, add noise and a lot of lossy compression such as MP3, AAC, WMA. The technique is developed based on digital filtering. Being designed according to critical band of HAS (human auditory system), the digital filters nearly affect audio quality. Furthermore, before implementing digital filtering, wavelet transform decomposes the audio signal into several signals that is composed of specific frequencies. Designed digital filters scan the decomposed signal. The designed digital filter, band-stop filter, distorts and eliminates specific frequencies of audio signals. Watermarking detection can be accomplished by FFT (Fast Fourier Transform). Firstly, segments of audio signal are transformed by FFT. Then, the obtained amplitude spectrum by FFT is summed repeatedly. Finally the watermark detector can find filters used to watermark encoding based on eliminating frequencies. The suggested technique can embed 4bits/s in a robust manner.

• Proceedings of the IEEK Conference
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• 2000.06d
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• pp.110-113
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• 2000

In this paper, we consider the problem of digital audio watermarking to robust about compression without original audio data. We specifically address the audio watermarking using BPSK with variable carrier frequency. This technique make audio data embeded watermarking robust with compression attack, for example MPEG, AC-3, etc.

• The Transactions of the Korean Institute of Electrical Engineers D
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• v.51 no.7
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• pp.308-316
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• 2002

In this paper, we propose a robust digital copyright-protection technique based on the concept of human auditory system. First, we propose a watermarking technique that accepts the various attacks such as, time scaling, pitch shift, add noise and a lot of lossy compression such as MP3, AAC WMA. Second, we implement audio PD(portable device) for copyright protection using proposed method. The proposed watermarking technique is developed using digital filtering technique. Being designed according to critical band of HAS(human auditory system), the digital filers embed watermark without nearly affecting audio quality. Before processing of digital filtering, wavelet transform decomposes the input audio signal into several signals that are composed of specific frequencies. Then, we embed watermark in the decomposed signal (0kHz~11kHz) by designed band-stop digital filer. Watermarking detection algorithm is implemented on audio PD(portable device). Proposed watermarking technology embeds 2bits information per 15 seconds. If PD detects watermark '11', which means illegal song. PD displays "Illegal Song" message on LCD, skips the song and plays the next song, The implemented detection algorithm in PD requires 19 MHz computational power, 7.9kBytes ROM and 10kBytes RAM. The suggested technique satisfies SDMI(secure digital music initiative) requirements of platform3 based on ARM9E core.

• Journal of the Institute of Electronics Engineers of Korea CI
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• v.43 no.5 s.311
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• pp.48-56
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• 2006

In this paper, we proposed the high quality audio watermarking algorithm using MDCT/IMDCT (Modified DCT/Inverse Modified DCT) with psychoacoustic model. Generally, a digital audio watermark is embedding the frequency domain after frequency transform of the digital audio data but the digital audio quality is affected by watermarking. In our scheme, the digital audio data is spread with PN((Pseudo Noise) code and then audio watermark is embedded in MDCT processing that refers psychoacoustic model. In MDCT processing, according to the shape of filter bank output, the block switching selects a window sequence that has 256, 1,024 or 2,048 points interval for high quality audio. The author confirm that when watermark weight ${\alpha}$ is 2.5 below, the detection ratio of watermark is a satisfied to SDMI's(Secure Digital Music Initiative) recommendation 50% above and SM is $50{\sim}68dB$ range with mainly 4 kind of attacks(Compression, Cropping, FFT and Echo).

• Journal of Broadcast Engineering
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• v.6 no.2
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• pp.195-202
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• 2001

As a solution for copyright protection of digital multimedia contents, digital watermark technology is now drawing the attention. In this paper, we presented two novel audio watermarking algorithms as a solution for protecting unauthorized copy of digital audio. Proposed watermarking schemes include the psychoacoustic model of MPEG audio coding to achieve the perceptual transparency after watermark embedding and preprocessing procedure before correlation in watermark detection to extract copyright information without access to the original audio signal. Experimental results show that our watermarking scheme is robust to common signal Processing attacks and it Introduces no audible distortion after watermark insertion.